Doja Cat is ready for a break. After five studio albums and numerous Billboard Hot 100 hits, the rapper revealed in an Elle UK cover story published Wednesday (May 13) that she’s toying with the idea of spending a few years away from making music.

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When discussing her busy schedule with the publication, Doja explained that in general, she prioritizes taking breaks to have time for her other passions, such as painting. “I demand time from my team,” she began. “They’ve helped me to find pockets between the really busy moments.”

“I think I want to take three years off,” she continued. “I want to just do whatever.”

On her to-do list at the moment are working on another mural and furnishing the upper level of her house, because she says “there’s been nothing in here for four years or five.”

Doja last dropped an album in 2025, reaching No. 4 on the Billboard 200 with Vie. She’s currently touring in support of the project, with her Tour Ma Vie World Tour kicking off in November and scheduled to last through the beginning of December.

After about a monthlong break, she’s gearing up to get back on the road with a show in Kigali, Rwanda.

Elsewhere in her conversation with Elle, Doja opened up about her signature sense of humor in her music. “Nicki Minaj, Drake, Jay-Z, Kendrick Lamar, Lil Wayne, these people are not comedians, but they are,” she explained. “They could write a stand-up set if they wanted to, but music is much more fun … I learned that from Jay-Z. I watched an interview where he said irony is incredibly important when it comes to hip-hop and rap.”

She also spoke about how her borderline personality disorder diagnosis — which she shared with fans for the first time this past March — affects her dating life. “If I have a boyfriend, and he leaves just to run
errands, my brain thinks he’s breaking up with me,” she told the publication. “And this is because my dad left me when I was little … I have to scrape against it and teach myself that that’s not happening to me. I’m safe.”

See Doja on the cover of Elle and photos from the shoot below.


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And we back, and we back and we back. Chance The Rapper is hitting the road in celebration of Coloring Book‘s 10th anniversary this year.

Following a performance in Chance’s hometown of Chicago as part of the Ravinia Festival on Aug. 8, the Coloring Book 10 Tour kicks off in Cleveland on Aug. 11 and will be making stops in Toronto, NYC, Boston, Nashville, Atlanta, New Orleans, Dallas, Houston, Phoenix, San Francisco, Seattle, Denver, St. Louis and more before finishing up in Pittsburgh on Oct. 11.

Artist pre-sale tickets will be going live on May 19 at 10 a.m. local time before the general public tickets become available on May 21. There are various VIP packages on sale that include meet-and-greet options for a photo-op with Chance.

The acclaimed mixtape arrived in May 2016 and took home best rap album at the 2017 Grammy Awards, making Chance the first independent artist to win a Grammy.

Coloring Book reached No. 8 on the Billboard 200 and featured assists from Ye (former Kanye West), Future, Justin Bieber, Kirk Franklin, Lil Wayne, 2 Chainz, T-Pain and Saba.

More recently, Chance returned with his Star Line album in August, which peaked at No. 22 on the Billboard 200.

Find all of the Coloring Book 10 Tour dates below.

  • Aug. 11 – Cleveland, Ohio @ House of Blues
  • Aug. 14 – Waterloo, N.Y. @ The Vine Showroom at del Lago Resort & Casino
  • Aug. 15 – Montreal, Quebec @ MTELUS
  • Aug. 16 – Toronto, Ontario @ HISTORY
  • Aug. 18 – New York @ SummerStage Central Park
  • Aug. 20 – Boston @ MGM Music Hall at Fenway
  • Aug. 21 – Huntington, N.Y. @ The Paramount
  • Aug. 22 – Philadelphia @ The Fillmore Philadelphia
  • Aug. 23 – Asbury Park, N.J. @ Stone Pony Summer Stage
  • Aug. 25 – Baltimore @ Nevermore Hall
  • Aug. 29 – Raleigh @ Red Hat Amphitheater
  • Aug. 30 – Nashville @ Ryman Auditorium
  • Sept. 1 – Birmingham, Ala. @ Avondale Brewing Company
  • Sept. 2 – Cincinnati @ The Andrew J Brady Music Center
  • Sept. 3 – Atlanta @ Coca-Cola Roxy
  • Sept. 5 – Tampa, Fla. @ The Ritz Ybor
  • Sept. 6 – Hollywood, Fla. @ Hard Rock Live
  • Sept. 8 – Memphis @ Satellite Music Hall
  • Sept. 9 – New Orleans @ The Fillmore New Orleans
  • Sept. 10 – Dallas @ South Side Ballroom
  • Sept. 12 – Houston @ 713 Music Hall
  • Sept. 13 – Austin, Texas @ Moody Amphitheater at Waterloo Park
  • Sept. 16 – Phoenix @ Arizona Financial Theatre
  • Sept. 18 – Reno, Nev. @ Grand Theatre at The Grand Sierra Resort
  • Sept. 21 – Wheatland, Calif. @ Hard Rock Live
  • Sept. 22 – San Francisco @ The Masonic
  • Sept. 25 – Vancouver, B.C. @ Freedom Mobile Arch
  • Sept. 26 – Seattle @ Paramount Theatre
  • Sept. 27 – Portland, Ore. @ Theater of the Clouds
  • Sept. 29 – Salt Lake City @ The Union Event Center
  • Oct. 1 – Denver @ Fillmore Auditorium
  • Oct. 2 – Council Bluffs, Iowa @ Harrah’s Stir Cove
  • Oct. 4 – Milwaukee @ Landmark Credit Union Live
  • Oct. 6 – Minneapolis @ The Armory
  • Oct. 7 – St. Louis @ The Pageant
  • Oct. 10 – Louisville, Ky. @ Old Forester’s Paristown Hall
  • Oct. 11 – Pittsburgh @ Citizens Live at The Wylie


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South Korean pop culture has become more fashionable than ever in the United States.

This is largely due to a phenomenon called the “Hallyu Wave,” which is described as a global surge in South Korean pop culture. This wave is distinct, and can be tracked in many aspects of pop culture, including music, TV and movies.

With music, we can see this through the widespread acceptance of K-pop, thanks in part to big acts such as PSY, BLACKPINK, BTS and others. In the world of film and TV, we’ve seen a South Korean culture boom with films including Bong Joon Ho’s 2019 hit Parasite, or the very popular TV shows Squid Game and Physical: 100.

From K-pop to comedy and drama, South Korean media has become a large part of American culture, with people seeking out content in droves. However, it can be hard to tune in to shows and movies from the country because some of this content is blocked in the United States due to regional locks. We’ll be showing U.S. viewers how to stream some of our favorite South Korean content online with ExpressVPN.

How to Watch South Korean Content in the U.S.

If you’re looking to get into more South Korean music-related TV shows, the easiest way to watch is to pair a streaming service with ExpressVPN. The service is a subscription-based VPN — or virtual private network — that can encrypt user data throughout the world wide web.

Masking your IP address protects users from data theft, while ExpressVPN is used to unblock geo-restricted streaming content. The service has dedicated IP addresses and servers from various locations all around the world that help hide your home location.

Here’s how it works: Download ExpressVPN here and set your location to South Korea or Japan, depending on the show you want to watch. With your location on the internet changed, you’ll be able to access international streaming services to watch our recommended shows and so much more.

After an annual billing of $78.18 for the first 28 months (regularly $363.72), ExpressVPN’s “Basic” plan breaks down to just $2.79 a month, with a service term of two years and four months — a nearly 80% savings. ExpressVPN also comes with a 30-day money-back guarantee for new users for all plans. This means that if you aren’t satisfied with your service within 30 days, you can request a refund and your original payment method will be credited with the full order amount.

ShopBillboard’s Top South Korean TV Show Picks

ExpressVPN: How to Stream South Korean TV Shows in the United States

‘Produce 48’

Produce 48 is a K-pop survival show that premiered in 2018. The show featured a ton of popular K-pop idols during their trainee days, such as Jang Wonyoung, who is now in IVE and Sakura Miyawaki, who is now in LE SSERAFIM.


Produce 48 was a massive hit in both South Korea and abroad. The goal of the survival show was to create a K-pop group with chosen members voted on by viewers or “public producers.” The show is classified as the third season of Produce 101. Although it was only active for about two-and-a-half years, the once-popular girl group IZ*ONE was created from the show.

You can find Produce 48 on the South Korean streaming service WATCHA, which you can watch when paired with ExpressVPN.

How to watch South Korean TV shows with ExpressVPN.

‘HYBE x Geffen’s World Scout: The Final Piece’

HYBE x Geffen’s World Scout: The Final Piece is a 2026 idol survival show created by South Korean Entertainment Company HYBE and Geffen Records. The goal of the show is to create a multinational girl group, such as KATSEYE.


Much like Pop Star Academy on Netflix, HYBE x Geffen’s World Scout: The Final Piece is a new offering that popped up onto the scene. The show was created by South Korean Entertainment Company HYBE, best known for repping groups such as BTS, SEVENTEEN, TOMORROW X TOGETHER, ENHYPEN, LE SSERAFIM, NewJeans, BOYNEXTDOOR, TWS and ILLIT alongside Geffen Records.

The final episode aired on May 12, revealing the final members of SAINT SATINE. To tune into the competition program in the U.S., you’ll want to use ExpressVPN paired with free ad-supported Japanese streaming service ABEMA. The goal of this survival show is to create a multinational girl group. Both a panel of judges and tallied fan votes will determine the final member, joining Emily, Samara and Lexie.

How to watch South Korean TV shows with ExpressVPN.

‘Saturday Night Live Korea’

SNL Korea began in 2011 and ran until 2017. It was then rebooted by streaming platform Coupang Play in 2021, and has remained a hit with South Korean folks and viewers around the world.


While news of a Saturday Night Live U.K. practically broke the internet, Saturday Night Live Korea has been quietly holding down the fort for years, bringing laughs to South Koreans and folks across the globe since its beginnings in 2011. The show originally ran until 2017, but was rebooted by South Korean streaming platform Coupang Play in 2021.

The show boasts a similar format with celebrity guests serving as hosts, sketches and performances by musical guests.

To watch the show, you’ll need to access Coupang Play with ExpressVPN. Once you access Coupang Play in South Korea, you’ll be able to watch both new and old episodes of SNL Korea. Meanwhile, plenty of K-pop acts have hosted SNL Korea in the past, including SHINee, TWICE, U-KISS, AOA and Red Velvet’s Wendy.

More on ExpressVPN

In addition, ExpressVPN has servers in more than 100 locations from around the world to mask your data and access streaming services in countries including England, Brazil, Germany, Canada, South Korea, Japan, France, Iceland, India and Australia. Learn more about how ExpressVPN here.

The 2026 World Cup will be a coming together of soccer teams — and artists — from all around the globe, with BTS, Madonna and more set to perform at different points in this year’s FIFA tournament.

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Global Citizen announced Thursday (May 14) that the K-pop boy band and Queen of Pop will perform along with Shakira at the coveted final match taking place on July 19 at MetLife Stadium in East Rutherford, N.J. Curated by Chris Martin of Coldplay, the showcase will mark the first time the World Cup final has ever featured a halftime program.

“This will be a historic moment for the FIFA World Cup and a show befitting the biggest sporting event in the world,” the sports association’s president, Gianni Infantino, wrote on Instagram in March last year when announcing the inaugural halftime expedition.

But the grand finale is just one of several musical performances fans have to look forward to ahead of the World Cup — which kicks off on June 11 and runs until the final game — as a number of other global superstars have also signed on to headline the opening ceremonies of games scheduled for all around the world. Katy Perry and Future are locked in to perform at SoFi Stadium in Los Angeles on June 12 before the U.S. team faces off against Paraguay, while Michael Bublé and Alanis Morissette will give a musical kickoff before Canada takes on Bosnia and Herzegovina in Toronto on the same day.

LISA, Anitta, J Balvin, Danny Ocean and several others are also on the full opening ceremonies lineup. But of all of those names, who are you the most excited to see? Cast your vote in the poll below ahead of the 2026 FIFA World Cup.


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April was a busy month around Atlanta; the Hawks made the NBA Playoffs, but were ousted by the New York Knicks, the Braves sit in first place in the NL East and Cardi B closed out her Little Miss Drama Tour with a pair of sold-out shows at State Farm Arena.

Billboard launched the inaugural strip club chart last August and will continue to track the top tracks played monthly at four prominent Atlanta strip clubs.

For those new around here, Billboard joined forces with DJ Monitor, a service that installs music-recognition technology for venues and festivals, along with a contribution from Coalition DJs, to collect data from different Atlanta strip clubs.

There was more change than usual on the strip club chart for April, which welcomes newcomers Fatt Smaxk, HoneyKomb Brazy and Trim to shake things up. However, Belly Gang Kushington and YKNIECE extended their run atop the throne for a fifth non-consecutive month thanks to the “Friend Do (Remix).”

As far as the artists who had the most real estate on Atlanta strip club playlists for March, the top 10 goes as follows:

No. 10, Sexyy Red (98)
No. 9, Fatt Smaxk (101)
No. 8, Moneybagg Yo (103)
No. 7, Drake (112)
No. 6, Metro Boomin (125)
No. 5, Gucci Mane (162)
No. 4, Jeezy (224)
No. 3, Lil Baby (264)
No. 2, BossMan Dlow (308)
No. 1, Future (505)

U.S. club owners interested in contributing data can send an email to hiphop@billboard.com. Check out the top 10 songs going off in Atlanta strip clubs below.


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The voice of the late Mexican music icon Vicente Fernández resonates once again, this time alongside major stars of the Sinaloa banda genre in the album Tributo al Rey con Banda (Grandes Duetos Vol. 1), unveiled on Wednesday (May 13) at the Rancho Los Tres Potrillos in Guadalajara, Mexico — the place where he lived and now rests.

Featuring original recordings of the “Charro de Huentitán,” prominent figures in regional Mexican music such as his son Alejandro Fernández, Edén Muñoz and Banda El Recodo offered their own renditions of hits by the legendary singer, who is best known as a mariachi artist but had also recorded an album with banda music during his lifetime. That set, Vicente Fernández Éxitos con Banda, was posthumously released in 2024.

This new project, will be available starting Thursday afternoon (May 14) under Sony Music México, had another of the artist’s sons, Vicente Fernández Abarca, serving as executive producer. “There’s a misconception about my father; people have said he didn’t like Sinaloa banda music, and that’s false,” Fernández Abarca tells Billboard Español. “He respected the genre, and the proof is that album in his discography and this tribute, which we wouldn’t have created if we knew he wouldn’t approve.”

With a total of 12 tracks, Tributo al Rey con Banda — available on digital platforms, CD, and vinyl — took a year and a half to make, from selecting the songs to releasing the project. The set includes previously released singles “El Rey,” featuring Alejandro Fernández, and “Mujeres Divinas,” featuring La Adictiva.

Other collaborations include Ángela Aguilar on “La Ley del Monte,” Edén Muñoz on “Lástima Que Seas Ajena,” Christian Nodal on “Estos Celos,” Banda El Recodo on “La Diferencia,” Banda Los Recoditos on “Volver, Volver,” Yuri on “Cuatro Vidas,” La Arrolladora Banda El Limón on “De Qué Manera Te Olvido,” Josi Cuen on “La Derrota,” El Fantasma on “El Palenque,” and Jorge Medina on “El Hijo del Pueblo.”

“We gave the artists complete freedom to interpret the songs in their own style. This allowed each artist’s essence to shine through on these iconic tracks,” explains Fernández Abarca, who says he also authorized the artists to use the videos for their performances and to sing the song live during their shows if they wish.

Regarding the selection of performers for this compilation, Vicente Fernández’s son shared that they chose singers who are respected and successful in banda music. “In Yuri’s case, my dad recorded the duet with her during his lifetime. However, she decided to re-record her voice for this project.”

In a video aired during the presentation at Rancho Los Tres Potrillos, some of the collaborating artists spoke about the opportunity to be part of the album. “Participating in this tribute and being allowed to make it our own is an honor. I hope people enjoy not just this song [‘Lástima Que Seas Ajena’], but the entire album,” said Muñoz.

“Don Vicente Fernández is an icon who left an indelible mark on all of us,” added Poncho Lizárraga of Banda El Recodo. “To be part of an album like this is both a great honor and a great responsibility. The result of recording ‘La Diferencia’ moved us—it feels authentic, powerful, and full of emotion.”

Meanwhile, Nodal said, “Recording with Don Vicente Fernández was one of the most beautiful experiences of my life. I dreamed of him listening to my music and eventually recording a song with me; it was such a big dream. To make it happen this way with ‘Estos Celos’ was truly special.”

Finally, Vicente’s heir, Alejandro Fernández, stated that “Singing ‘El Rey’ has always been very special to me. Today, I sing it with the man who taught me how to live it — my father, the great Vicente Fernández.”

Listen to the full album starting at 8:00 p.m. ET:


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Maluma dives into his Billboard Chart History and shares stories from his iconic career. He discusses how “Felices Los 4” changed his career, the “life changing” moment he worked on The Weeknd’s “Hawái” remix, the sessions that brought “Chantaje” with Shakira to life, and his Madonna toe sucking backstory for “Medellín.” He also shares what it was like to work with his childhood idol Ricky Martin on “Vente Pa’ Ca,” filming the music video for “Corazón” in Brazil with Nego do Borel. The Colombian artist also talks about his deep friendship with Marc Anthony, how collaborating with Carín León on “Según Quién” cemented his love for Regional Mexican music and more!

Maluma:

It felt great, Madonna sucked my toes. It was cool, I didn’t wash it for two years. To this day, I still haven’t washed it. Lies! Hey what’s up friends? Maluma here talking to you, and this is my Billboard Chart History. It feels too beautiful. It feels too nice, honestly. Going back to that moment, I remember when I heard the song for the first time with The Weeknd. I was here in Los Angeles, I was in a house and I remember that the song came to me in the morning. I had just worked out, I was there looking at the city and I saw the message and it said “Hawái” remix. And I said: “No, it can’t be. Could it be?” When I opened the file and of course, I played the song there on the speaker I had there and it was like I’d say life changing, you know? It was a moment that I knew I had worked for. I mean, The Weeknd is an artist that I have admired for many, many years, since he did the first collaborations with Drake and for me that was crazy. I mean, that was something I never would have imagined. And the best of all is seeing The Weeknd singing in Spanish. That was like, well yes, I also dare to say that there’s a before and after in the history of Latin music, right? That an artist of that caliber, of that level, would want to come to work in the Latin world and sing in Spanish. Crazy, honestly. I get goosebumps.

Keep watching for more!

In honor of her upcoming 60th birthday this Saturday (May 16), we’re doing a full week of Vintage Pop Stardom deep dives into the all-time greatness of Janet Jackson on the Greatest Pop Stars podcast. Each day this week (May 11-15), we’ll look at a different peak year in Janet Jackson’s singular career — 1986, 1990, 1993, 1998 and 2001 — and hit on all the albums, singles, videos, dance routines, tours, performances, fashion statements, social and political statements, and other big moments that made Ms. Jackson’s contributions to the music and culture of those years absolutely unforgettable.

Today, we get off the escalator with Janet Jackson in 1998, where she’d decided she’d had enough of the bigger-bigger-bigger trajectory she’d been on for nearly the past decade, and decided to swerve a little with the most musically and personally open album of her career. Host Andrew Unterberger is joined by Lina Morgan of the Song vs. Song podcast to remember Janet no longer necessarily trying to be the biggest pop star in the world, but ending up with one of her richest and most rewarding eras to date — and the album that continues to perhaps be her most celebrated today.

Along the way, we ask all the most pressing questions about ’98 Janet Jackson: Was this her actively deciding to be less popular than she was on the janet. album and accompanying World Tour? Are we underrating just what a bold statement “Got Til Its Gone” was as a lead single? Is “Together Again” actually her best pop song? How the hell did the “I Get Lonely” video end up being so expensive? Was Janet secretly a huge Smashing Pumpkins fan? How the hell did she turn Rod Stewart’s most basic sex ballad into something so subversive? What’s the deal with all the circus shit on the Velvet Rope tour? How did Colin Powell and Rudy Giuliani get involved? And perhaps most importantly: Has this now become Janet’s most beloved and influential era?

Check it out above, along with a YouTube playlist of Janet Jackson’s biggest 1998 moments — all of which are discussed in the episode — and check back for one more Janet discussion on Greatest Pop Stars, with 2001 closing us out tomorrow! Also, subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!

And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:

Transgender Law Center

Trans Lifeline

Destination Tomorrow

Gender-Affirming Care Fundraising on GoFundMe

Human Rights Campaign – In Your Area

Leave it to Taylor Swift to eloquently proclaim, “Heartbreak is the national anthem, we sing it proudly, we are too busy dancing.” 

Those are the lyrics to the superstar’s 2014 track “New Romantics,” a cathartic shout-from-the-rooftops anthem that showcased the songwriter’s heart-on-her-sleeve approach, while touching on the indomitable power of music. As all Swifties know, she built her entire career of catharsis through music and a legion of fans have experienced that catharsis right back. 

Mental health and music have long gone hand in hand, because that’s the power vulnerable lyrics can have: they’re a balm, a soothing salve, a warm hug. No matter its heartbreak or anxiety, the right song provides a give and take between artist and listener. Swift of course isn’t alone: Billie Eilish bravely sings about mental health, as do luminaries like Selena Gomez and Kid Cudi. Recent breakouts like Lola Young do as well, as Young so expressively regales her feelings in songs like “Messy.”  In fact, these healing lyrics have been at the bedrock of the art form since the beginning: from relating to the feeling of isolation thanks to Elvis as he crooned “I’m So Lonesome I Could Cry” or having spirits lifted by bands like the Beatles and songs like “Here Comes the Sun.”

But as much as music can change our mood or make us feel heard and seen, there’s still a stigma. 

BetterHelp zeroed on the hangups that still persist in society in their recent State of Stigma report, which asked 2,000 Americans about mental health in the midst of AI, a changing world and ever-shifting perceptions. The surprising numbers the survey uncovered speak for themselves: 85 percent of both Millennials and Gen Z reported back a belief that health care is a basic necessity, while at the same time roughly half of both groups feel pressure to handle them on their own. 

According to BetterHelp’s President Fernando Madeira, “Mental health needs are rising, but so is the hesitation to get help.” 

As a result, he points to what he defines as a “real challenge: people believe in care, but too many still face stigma and friction when it comes to taking the first step.” Even more troubling is that a whopping 77 percent of men and 82 percent of women surveyed said they suffered from anxiety in the past two weeks. Meanwhile, 79 percent of men and 83 percent of women say they’ve felt depressed.

While artists may be providing cathartic releases through their art, more and more of today’s biggest stars are getting honest about similar issues. Doja Cat recently revealed she surfers from Borderline Personality Disorder, saying “I’ve learned from a very young age to pretend that I like stuff, to pretend that I’m happy, to pretend that I don’t like stuff that I do, to appear like everything is okay.” 

Meanwhile, Lewis Capaldi reflected in a recent interview about a concert appearance in Chicago where he said he couldn’t finish a song he was performing. “I was like, backstage, convulsing and having this crazy panic attack, mental episode,” he recalled. “It was really, really bad. It was the first time people at my shows had seen it.”

This raw honesty chips away at the aforementioned stigma, with 48 percent of Gen Z saying they feel a stigma discussing mental health while 42 percent reporting that they have a worry they’ll be judged for simply seeking care. As the survey found, “Awareness is no longer the barrier; access, friction, and follow-through—are.” 

In the debut episode of BetterHelp and Billboard’s LIKE MINDED series, Ravyn Lenae and Corinne Bailey Rae opened up about their respective struggles and strides in a candid conversation. “What you don’t expect is the loneliness of it,” Lenae said of her sudden success with songs like “Love Me Not.”  “I remember being on tour and I remember crying one day in my hotel room and being confused about why I’m crying because everything’s going so well.”

Mimicking the power of music beyond the lyrics and sounds, BetterHelp is helping break down the walls of that stigma and get music fans, and everybody else, the healing they deserve. 72 percent of users report seeing a reduction in their mental health symptoms, while 69 percent have experienced a meaningful improvement in anxiety and depression. And much like sharing a playlist you’re proud of, an impressive 82 percent of people surveyed said they’d recommend their BetterHelp therapist to someone else. 

Meanwhile, Madeira points out that “the question isn’t whether AI will play a role, but how responsibly it can be built. As a company committed to removing barriers to mental wellness, we have an obligation to ensure AI redefines how mental health care is accessed while upholding the clinical rigor, safety, and outcomes that matter.”

All of that progress makes way for what Swift sang about heartbreak: “We sing it proudly, we are too busy dancing.” 

Nicki Minaj hasn’t been shy about her support for Donald Trump and the Make America Great Again movement in the last year, but it took a lot for her to come out publicly and back the president, as she was initially afraid of the backlash from her peers in the music industry.

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Minaj, who has branded herself as the president’s “No. 1 fan,” went deep about her Trump support and political activism in an interview with TIME published on Wednesday (May 13).

“I felt that way already about him, just that I didn’t dare act like that publicly,” she said. “It’s been ingrained in everyone’s brain in the music business that we are supposed to be a Democratic family. I just knew they would not like me supporting Trump.”

Minaj continued: “Many celebrities feel the way I do, but they don’t say it. Sometimes you just need one brave person to get the brunt of the impact. I think I am the catalyst for that change. Hopefully, when they see me and hear me speak and feel my energy.”

For the “Super Bass” rapper, she felt compelled to speak up about her MAGA pivot after she was allegedly “completely ignored” by California Governor Gavin Newsom, following repeated swatting calls to her California home.

That’s when Republican U.S. Representative Anna Paulina Luna stepped in to have her touch base with law enforcement and a private security firm to put an end to the swatting.

“I was shocked. I’d never seen anyone in politics treat me that way,” she told TIME. “That’s what made me say that I don’t care to keep this a secret anymore.”

Minaj is open to continuing to delve further into politics and doing “whatever it is” to support Trump in the upcoming midterms. The Queens, New York, native even compared him to Marilyn Monroe. “It’s the same way Marilyn Monroe represents a vibe — Donald Trump is his own vibe,” she stated.

Continuing her war with rival Jay-Z, Minaj didn’t miss a chance to take a swipe at Hov, even while talking about Barack Obama. “Lots of rappers don’t like Jay-Z and were afraid to say it,” she claimed.

She even looked back on her disproven 2021 claim that the COVID-19 vaccine was causing impotence and swollen testicles in Trinidad. “I guess they had examined everyone’s testicles in Trinidad and came back to tell me that I was lying,” Minaj quipped.

After months of public support, she met Donald Trump for the first time at a Trump Accounts Summit in January, where the president revealed that Minaj invested “hundreds of thousands of dollars in Trump Accounts.”

Last year, Minaj commended the Trump administration during an interview with Erika Kirk at a Turning Point USA event. She also complimented the president for threatening to take military action in Nigeria over the alleged persecution of Christians in the country.


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