Luis Fonsi and Daddy Yankee’s “Despacito,” featuring Justin Bieber, has company, as Bad Bunny’s “DTMF” claims a 56th week at No. 1 on Billboard’s Hot Latin Songs chart (dated April 25). The two tracks now share the record for the longest command in the chart’s nearly 40-year-old history.

Looking back, “Despacito” revolutionized the Latin market when the collab, after a remix was released featuring Bieber, dominated the Hot Latin Songs chart for an unmatched 56 weeks between 2017-18. The run set the benchmark for longevity on the multi-metric ranking since its launch in 1986 and marked a turning point in the Latin music scene.

Fast-forward to today, Bad Bunny’s “DTMF” is following in those footsteps, matching its longevity. Despite slight declines in streams and digital sales, the song does see a slight increase in radio airplay, which helps it hold its No. 1 spot for a 56th week.

“DTMF registered 8.9 million streams in the United States, a 4% dip from the week prior, during the tracking week ending April 16, according to Luminate. It slides 19-29 on the overall Streaming Songs chart, while keeping its No. 1 spot on Latin Streaming Songs for a 42nd week.

Sales-wise, the song sold less than 1,000 downloads, down by 2%, but still enough to keep its No. 1 place on the Latin Digital Song Sales chart for a 15th week.

With “DTMF” matching “Despacito’s” No. 1 run on Hot Latin Songs, let’s look at those five songs with the most weeks at No. 1 since the chart’s inception in 1986:

Title, Artist, Weeks At No. 1, Peak Date
“Despacito,” Luis Fonsi & Daddy Yankee, featuring Justin Bieber, 56 (Feb. 18, 2017)
“DTMF,” Bad Bunny, 56 (Jan. 25, 2025)
“Bailando, Enrique Iglesias, featuring Descemer Bueno & Gente de Zona, 41 (May 17, 2014)
“El Perdón,” Nicky Jam & Enrique Iglesias, 30 (March 21, 2015)
“Dákiti,” Bad Bunny & Jhay Cortez, 27 (Nov. 14, 2020)

Will “DTMF” break “Despacito’s” record? Head on to billboard.com next Tuesday for the big reveal.

For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Add Nancy Sinatra to the long list of musicians who have requested that Donald Trump stop using their (or their family’s) music in his political messaging. Over the weekend, Sinatra lashed out at the president for posting a video of her late father, Frank Sinatra, singing his iconic 1969 ballad “My Way” on his Truth Social platform over the weekend.

“This is sacrilege,” Nancy Sinatra wrote on X in response to a person who wrote, “Omg, @NancySinatra will not be happy about this. Trump goes against everything that Frank stood for. He was a big champion for equality and supported the Civil Rights movement.” The comment came in response to Trump posting the brief clip of a tuxedo-wearing Frank Sinatra performing his signature song at Madison Square Garden in 1974 with no context or commentary.

When another fan asked if there is anything Nancy can do to prevent Trump from posting her father’s music, the “These Boots Are Made For Walkin’” singer replied, “Unfortunately no. The only people who can do something are the publishers”; the song’s publishers are Because Music and Primary Wave. Sinatra’s “My Way” is an English-language adaptation of the French song “Comme d’habitude,” with lyrics written by Paul Anka.

Nancy Sinatra has long been a loud and frequent critic of Trump’s presidency — in March, she tweeted, “Not only is trump insane but he is an extreme danger to America and the world — and over the weekend she also reposted a fan comment that read: “Trump may love Sinatra, but Sinatra did not love Trump.” She joins an expansive list of artists who’ve complained or taken action against Trump for using their music without permission, a roster that includes Olivia Rodrigo, Sabrina Carpenter, Beyoncé, Foo Fighters, SZA, Kenny Loggins, Celine Dion, Jack White, Guns N’ Roses, Neil Young, Ozzy Osbourne and many more.

BTS are setting up another pair of citywide festivals in Nevada and South Korea to celebrate their comeback album, ARIRANG. On Monday morning (April 20), the K-pop supergroup announced the dates for “BTS The City ARIRANG Las Vegas” and “BTS The City ARIRANG Busan” as an expansion of their urban concert playground event bringing their fan experience beyond the concert venue with citywide attractions and immersive events. According to a statement, the two pop-ups will “combine the music and story of BTS’s fifth studio album ARIRANG with each city’s iconic landmarks.”

“The City Las Vegas” will take place from May 20-31 in Las Vegas, Nevada, while “The City Busan” will set up shop from June 5-21. The U.S. dates will coincide with the band’s upcoming run of shows at Allegiant Stadium in Paradise, Nevada on May 23, 24, 27 and 28.

The upcoming “City” event are a sequel to BTS’ 2022 “The City Las Vegas” run, with plans to scale things up for the 2026 editions. According to the release, iconic locations across the city will be activated with the Strip and digital marquees lit up in the album’s signature red theme and welcome messages for ARMY. There will also be themed hotel experiences, food and beverage specials and exclusive after parties.

“The City Busan” experience will keep the party rolling in South Korea, with detailed schedules and programming to be announced at a later date. After dropping their 10th studio album last month, BTS kicked off their global ARIRANG tour in Goyang, South Korea on April 9 with three shows, followed by a two-night stand at the Tokyo Dome in Japan over the weekend. The group will kick off a North American run of shows at Raymond James Stadium in Tampa, Fla. on Saturday (April 25).

Check out the announcements for “BTS The City ARIRANG Las Vegas” and “BTS The City ARIRANG Busan” below.

Katy Perry shared a playful moment from her recent trip to Rome, joking about tossing her credit card into the Trevi Fountain for “good luck.”

In a video posted to Instagram over the weekend, the singer is seen standing at the landmark before briefly throwing her card into the water — a tongue-in-cheek spin on the centuries-old tradition of visitors tossing coins to ensure a return to the city.

“Y’all, I told you in ‘Save as Draft’ that I don’t f**k with change,” Perry says in the clip, referencing a lyric from her 2017 track, before adding, “But I feel like I need to put something in the Trevi Fountain for good luck.”

She quickly retrieves the card as it begins to float away, turning the moment into a light bit of travel humor rather than a serious offering.

Perry’s post was part of a wider set of images from Rome, captioned “Just Rome’ing around,” showing the artist moving through the city in a more low-key, offstage setting.

The visit also included a private performance at the La Nuvola convention center, though further details about the event have not been publicly shared.

The social media moment arrives amid a more serious development earlier in the week, after Australian actor Ruby Rose publicly alleged that Perry sexually assaulted her during an encounter in Melbourne years ago. Victoria Police confirmed an investigation is underway following a report.

A representative for Perry has denied the allegation, calling the claims “categorically false” and “dangerous reckless lies.”

The post also follows Perry’s recent appearance at the Coachella Valley Music and Arts Festival, where she was spotted during weekend one alongside Canadian Prime Minister Justin Trudeau. The pair were seen in the crowd during Justin Bieber’s set, adding to recent public sightings of the two together.

mike. has announced his final Australian tour, confirming a run of headline shows across Sydney, Melbourne and Brisbane this September as part of his Upside Down Tour Pt.3.

The New York rapper is set to perform at Oxford Art Factory in Sydney on Sept. 5, Max Watts in Melbourne on Sept. 12 and The Triffid in Brisbane on Sept. 18. The dates mark what has been billed as his last tour of Australia before his planned retirement from music.

Tickets for the shows will go on sale to the general public on April 24 at 10 a.m. local time, following a Live Nation presale beginning April 22.

The announcement arrives as mike. continues a prolific run that has positioned him as one of the defining voices in independent hip-hop. Emerging from New York’s underground rap scene in the late 2010s, he built momentum through a steady stream of self-released projects, often blending lo-fi production with introspective, diaristic writing.

Albums including Weight of the World, Disco! and Burning Desire have drawn critical attention for their minimal, sample-driven sound and emotionally direct lyricism, frequently addressing themes of grief, memory and personal change. That approach has helped cultivate a dedicated fanbase while placing MIKE. within a broader wave of independent artists reshaping the boundaries of contemporary rap.

The Upside Down Tour has seen the artist perform across North America and Europe, with the Australian leg forming part of its third installment. The choice of mid-sized venues for the upcoming shows reflects the scale of his touring approach, which has largely centered on intimate live settings.

While details around his retirement timeline remain limited, the framing of the tour suggests these dates could mark his final performances in Australia. MIKE. has not extensively toured the region in recent years, making the September run a rare opportunity for local audiences to see him live.

For complete tour and ticket information, visit: livenation.com.au or livenation.co.nz.

mike. Australia and New Zealand Tour Dates

Sept. 3 — Auckland, The Tuning Fork
Sept. 5 — Sydney, Oxford Art Factory
Sept. 12 — Melbourne, Max Watts
Sept. 18 — Brisbane, The Triffid