Jelly Roll didn’t write “I Am Not Okay” specifically about the Los Angeles fires, but like many of the songs performed during the Thursday (Jan. 30) FireAid benefit concert, it took on added meaning given the emotional upheaval Los Angelenos have gone through the past month as fires have ravaged parts of the county.

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Striding out on the Intuit Dome stage sporting an L.A. Dodgers cap, he declared he was “going to bring some country music” to the evening before launching into the song, whose refrain — “I’m not OK, but it’s all going to be all right” — struck the perfect chord for the evening. The song’s message of resilience and Jelly Roll’s confident, sympathetic delivery felt like a reassuring promise.

After he finished the tune, which Jelly took to No. 1 on Billboard’s Country Airplay chart last year, he introduced himself to the audience calling himself Jason “Jelly Roll” Deford, before adding, “I think it’s important while I’m on this stage to sing a song about one of my favorite cities in America, but I can’t do that without someone from Los Angeles. I would like to bring my big brother Travis Barker out to play tonight.”

With that, the Blink-182 drummer settled in behind the drum kit and the band barreled through a propulsive, driving version of Bob Seger & the Silver Bullet Band’s “Hollywood Nights,” Seger’s 1978 classic about a Midwest guy who gets lost in the excesses of the Los Angeles hills and in the allure of one particular woman, as he who wonders after it all goes south, if it’s too late to go back home.

Jelly Roll was one of more than two dozen performers — including Stevie Nicks, John Mayer, Rod Stewart, P!nk and No Doubt — who took over the Intuit Dome and Kia Forum for the benefit, which is raising money for victims of the fires and for future fire prevention.  

Less than a week after inviting the world for a ride in her “Sports Car,” Canadian pop sensation Tate McRae graced the stage at the Intuit Dome in Los Angeles for Thursday (Jan. 30) night’s FireAid Benefit Concert.

Sporting what appeared to be a sweatshirt quirkily tied around her as a makeshift top, McRae delivered a somber rendition of “You Broke Me First,” her 2020 Billboard Hot 100 hit (No. 17). “I moved to Los Angeles four years ago with a dream to become a musician,” she told the crowd. “It’s been a really devastating start to the year, but I think we can all agree that us coming together has been a magical thing to watch.”

Soon after, McRae launched into a wistful cover of Crowded House‘s classic 1986 song “Don’t Dream It’s Over,” a No. 2 hit on the Billboard Hot 100. Known for her high-octane choreography and flashy stage show, McRae kept things toned down for FireAid, highlighting her vocals and providing an air of serenity for the L.A. crowd. Her stripped-down set provided the perfect introduction for Jelly Roll‘s country medley.

McRae’s songs followed lively sets from No Doubt and P!nk, two of the many artists who joined forces for Thursday night’s benefit show. Split between the Kia Forum and the Intuit Dome, FireAid also featured appearances and performances from Anderson. Paak, Green Day, Lady Gaga, Stevie Nicks, Lil Baby, Jelly Roll, Olivia Rodrigo, Katy Perry, Stevie Wonder, Alanis Morissette, Joni Mitchell and many others. All proceeds from the event will go toward rebuilding efforts in Los Angeles and offer aid to displaced families.

Next month (Feb. 21), McRae will release her third studio album, So Close to What. Two of the album’s songs have arrived as Hot 100-charting pre-singles: “It’s OK, I’m OK” (No. 20) and “2 Hands” (No. 41). Last week (Jan. 24), she debuted the Ryan Tedder and Julia Michaels co-penned “Sports Car.”

It’s been almost a year since No Doubt made their long-awaited reunion at Coachella, and the Southern California natives came back together on Thursday night (Jan. 30) to perform at the FireAid benefit concert at Los Angeles’ Kia Forum.

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The band took the stage about halfway through the night, where they kicked off their performance with a rendition of their enduring 1995 hit “Just a Girl.” Showing off her impressive stage presence, frontwoman Gwen Stefani led the crowd in a boys versus girls chant of the “I’m just a girl” line in the chorus. As expected, the girls won.

The three-song performance featured two more classics from 1995, “Don’t Speak” and “Spiderwebs,” both featured on the band’s third studio album, Tragic Kingdom.

Formed in 1986, No Doubt released six albums — including the nine-week Billboard 200 chart-topper Tragic Kingdom — before disbanding in the mid 2010s. As a group, the band won two Grammys and nominated for nine overall, including a nod for Tragic Kingdom in the best rock album category and a best pop performance by a duo or group with vocal nomination for “Don’t Speak.” Stefani released her debut solo album, Love. Angel. Music. Baby., in 2004.

Throughout the FireAid broadcast, those looking to donate to the victims of the devastating Los Angeles fires were urged to visit fireaidla.org. For every pledge made during the show, Connie and Steve Ballmer — owner of the NBA’s Los Angeles Clippers and the Intuit Dome — will match it. The donations “will be distributed under the advisement of the Annenberg Foundation and will be distributed for short-term relief efforts and long-term initiatives to prevent future fire disasters throughout Southern California,” per the website.

Taking the stage at Los Angeles’ Intuit Dome on Thursday night (Jan. 30), breakout singer-songwriter Gracie Abrams shared a sentiment that permeated the crowd at the FireAid benefit concert with a performance of her hit song “I Love You, I’m Sorry.”

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Wearing a floor-length white lace gown, Abrams appeared alongside The National’s Aaron Dessner, each with a guitar in hand to perform a moving acoustic rendition of the Billboard Hot 100 hit off last year’s The Secret of Us. With the audience eagerly singing along, Abrams briefly teared up as she reached the final chorus. “The way life goes/ Joyriding down our road,” she sang. “Lay on the horn to prove that it haunts me/ I love you, I’m sorry.”

Abrams then took a moment to address the crowd directly, sharing that she could relate to those affected by the Palisades Fire. “I grew up in the Palisades, and my heart is with all of my neighbors. We are so grateful and blown away by all the firefighters who put their lives on the line to protect all of us,” she said. “This [concert] is just such a beautiful reflection of what music does to bring us all together.”

Instead of going for another original track, Abrams instead opted to sing “a love song to Los Angeles,” as she called it — Counting Crows’ 1996 hit “A Long December.” Taking on the classic track, Abrams and Dessner found new meaning for the song’s haunting-but-hopeful lyrics. “It’s been a long December and there’s reason to believe/ Maybe this year will be better than the last,” she belted near the end of her performance.

Along with Abrams, the FireAid benefit concerts featured a packed slate of guest performers — including Billie Eilish, Lady Gaga, Katy Perry, Stevie Nicks, Lil Baby, Olivia Rodrigo, Jelly Roll and plenty of others — coming together to raise funds for those affected by the wildfires that decimated the Los Angeles area earlier this month. Split across two venues (L.A.’s Kia Forum and Intuit Dome), the event pledged all proceeds to aiding displaced families and helping rebuild Los Angeles’ infrastructure.

The Weeknd has officially closed the chapter on his iconic trilogy with Hurry Up Tomorrow, released Friday (Jan. 31) via XO and Republic Records.

While fans expected collaborations from artists like Playboi Carti and Anitta, a surprise feature emerged: Lana Del Rey’s uncredited vocals on the track “The Abyss.” Listeners quickly identified Del Rey’s distinct vocals on the haunting track, marking another collaboration between the two artists following Lust for Life’s “Stargirl Interlude” and Dawn FM’s “Beautiful.”

Another unexpected detail from the release was the absence of “Dancing in the Flames,” which was previously promoted as a single.

The song does not appear on the final tracklist, leading to speculation about whether it was cut at the last minute or reserved for a future project.

The album arrives after a slight delay, originally slated for Jan. 24 but postponed due to The Weeknd’s $1 million donation to Los Angeles wildfire relief efforts. It serves as the third and final installment in his latest trilogy, following After Hours and Dawn FM.

The project was preceded by the singles “Timeless” featuring Playboi Carti and “São Paulo” with Anitta. “Timeless” reached No. 3 on the Billboard Hot 100 in October.

Alongside the album, The Weeknd will also make his feature film debut in the upcoming psychological thriller Hurry Up Tomorrow, directed by Trey Edward Shults and starring Jenna Ortega and Barry Keoghan. The film, scored by The Weeknd and longtime collaborator Daniel Lopatin (Oneohtrix Point Never), is set for theatrical release on May 16.

After 14 years of redefining modern R&B and pop, The Weeknd’s latest release marks the end of an era. With Del Rey’s hidden contribution and the mystery surrounding “Dancing in the Flames,” Hurry Up Tomorrow offers plenty for fans to unpack.

Stream “The Abyss” below.

On Thursday (Jan. 30) night, The Black Crowes joined an all-star lineup of rock, pop, R&B, soul, country and hip-hop luminaries with the aim of raising money for those in need following the devastating wildfires that ripped through Los Angeles earlier this month. Befitting a city as sprawling and expansive as Los Angeles, the FireAid LA Benefit Concert encompassed two venues, with performances taking place at Intuit Dome and the Kia Forum.

The Black Crowes hit the stage at the latter venue, rocking through their 1992 hit “Remedy” for an enthusiastic audience. After that crowd-pleaser, Chris Robinson and Co. brought out two iconic California rockers.

First up: John Fogerty, who joined them to perform one of the best-loved hits of his old band, Creedence Clearwater Revival. “This song has a rainbow in it and it’s just for you,” said Fogerty, who was backed by the Crowes and his son Shane Fogerty on “Have You Ever Seen the Rain?”. The audience sang-along with the chorus, swaying back and forth to the beloved ‘60s classic.

After that, the recently reunited Atlanta rockers brought out a Los Angeles-specific rock icon – Slash. The hard rock axman traded in his electric guitar for an acoustic guitar, strumming along with the Black Crowes’ Rich Robinson on an affecting cover of Led Zeppelin’s “Going to California.”

The Black Crowes’ mini-set followed performances by Joni Mitchell, Anderson .Paak, Dr. Dre, Green Day, Billie Eilish, Earth, Wind & Fire, Alanis Morissette and many more. Proceeds from the FireAid LA Benefit Concert go toward rebuilding efforts in Los Angeles and aid to displaced families.

It’s truly the end of an era. The superstar known as Abel Tesfaye has closed the final chapter of being The Weeknd with his latest album Hurry Up Tomorrow, which dropped Friday (Jan. 31) via XO and Republic Records.

The album was originally scheduled to arrive last Friday, Jan. 24, but he pushed it back due to the wildfire crisis in LA and has since donated $1 million to relief efforts. He also canceled his one-night-only album release stadium show at the Rose Bowl in Pasadena that was slated for Jan. 25.

Hurry Up Tomorrow serves as the third and final installment of his latest trilogy, following 2020’s After Hours and 2022’s Dawn FM. The LP was preceded by three singles: “Dancing in the Flames,” “Timeless” with Playboi Carti and “São Paulo” featuring Anitta. “Timeless” reached No. 3 on the Billboard Hot 100 in October.

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The Canadian-Ethiopian artist will also be making his feature film debut in the accompanying psychological thriller film Hurry Up Tomorrow, directed by Trey Edward Shults and also starring Jenna Ortega and Barry Keoghan. The Weeknd and his frequent collaborator Daniel Lopatin (also known as Oneohtrix Point Never) will score the movie, which Lionsgate will distribute in theaters worldwide on May 16.

It’s a poetic end to The Weeknd’s career, 14 years after it began: In 2011, he dropped three mixtapes — House of Balloons, Thursday and Echoes of Silence — that were eventually remastered and repackaged into his Trilogy compilation album, which his XO label and Republic Records released the following year.

Listen to Hurry Up Tomorrow below.

The world’s favorite flying pop star “kept her feet on the ground” at the FireAid Benefit Concert at the Kia Forum in Los Angeles on Thursday (Jan. 30).

In a show of support to the people of the greater Los Angeles area who are rebuilding after several devastating wildfires, P!nk graced the stage at FireAid with a set that blended covers of classic rock tracks with a stripped-down rendition of one of her own hits — but not before cracking a quick joke about her tendency to perform midair.

Donning an all-black ensemble comprised of an oversized hat, a cropped leather jacket and a black gown, the three-time Grammy winner belted “What About Us,” her 2017 Grammy-nominated Billboard Hot 100 top 20 hit (No. 13). Keep her acoustic guitar-and-vocal approach, P!nk then launched into a cover of Janis Joplin’s Kris Kristofferson-penned “Me & Bobby McGee,” which topped the Hot 100 in 1971. She closed out her vocally impressive set with a bit of Led Zeppelin, covering “Babe I’m Gonna Leave You” (1969). By the end of “Gonna Leave You,” P!nk fully leaned into Led Zeppelin’s hard rock template, transforming the stage into an electric rock show complete with wailing guitar solos and kaleidoscopic lights.

P!nk’s set followed lively sets from the likes of Green Day and Anderson .Paak — and those are just two of the plethora of artists who joined forces for Thursday night’s benefit show. Split between the Kia Forum and the Intuit Dome, FireAid also featured appearances and performances from Lady Gaga, Stevie Nicks, Lil Baby, Jelly Roll, Olivia Rodrigo, Katy Perry, Stevie Wonder, Alanis Morissette, Joni Mitchell and many others. All proceeds from the event will go toward rebuilding efforts in Los Angeles and offer aid to displaced families.

As if Anderson .Paak didn’t bring enough energy to the FireAid benefit concert at the Kia Forum on Thursday night (Jan. 30), the star turned up the hype meter even more when he brought our Dr. Dre for a celebratory, California-themed set.

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The two teamed up for Dr. Dre’s 1999 hit “Still D.R.E.,” trading verses as Sheila E. tore up the drums. The mega-producer then thanked fans for all their love, 40 years into his career. “I appreciate all the first responders and all the firemen who put their lives on the line,” he told the crowd at the show, which supported victims of the wildfire crisis that has devastated the Los Angeles area. “It’s all about love for me tonight.”

.Paak and Dre weren’t done just yet, as the instantly recognizable opening “Caaaaliforniaaa” line of Dre and Tupac’s 1995 anthem, “California Love,” began to play. The two then performed the ode to the Golden State as a wrap-up to their high-energy performance.

Before Dre hit the stage, .Paak performed two songs off of his 2016 album, Malibu: “Put Me Thru” and “Come Down.”

The Jan. 30 event took place at two venues, with Billie Eilish, Earth, Wind & Fire, Gracie Abrams, Jelly Roll, Katy Perry, Lady Gaga, Lil Baby, Olivia Rodrigo, Peso Pluma, Rod Stewart, Stevie Wonder, Sting and Tate McRae playing at Intuit Dome.

Meanwhile, Anderson. Paak and Dr. Dre were joined at the Kia Forum by Alanis Morissette, Dave Matthews and John Mayer, Dawes, Graham Nash, Green Day (with an Eilish duet), John Fogerty, Joni Mitchell, No Doubt, P!nk, Red Hot Chili Peppers, Stephen Stills, Stevie Nicks and The Black Crowes.

Throughout the broadcast, those looking to donate are urged to visit fireaidla.org. For every pledge made during the broadcast, Connie and Steve Ballmer — owner of the NBA’s Los Angeles Clippers and the Intuit Dome — will match it.

Rock royalty was onstage at the Kia Forum on Thursday night (Jan. 30), as Dawes welcomed a few very special guests to join them during their set at the FireAid L.A. Benefit Concert — including Stephen Stills and Graham Nash.

After Dawes, the Los Angeles folk-rock band whose members suffered devastating losses in the wildfires across the city earlier this month, opened their set with “Time Spent in Los Angeles,” the group welcomed Stills and Mike Campbell to the stage for a performance of “For What It’s Worth” from Stills’ old band, Buffalo Springfield. Then, the supergroup was joined by Nash, who lauded his musical “partner of so many years.”

“Whenever the city of Los Angeles gets into trouble, the musicians are right there,” Nash continued, “and I’m proud to be one of them!” With that, the musicians launched into the Crosby, Stills, Nash & Young all-timer “Teach Your Children,” complete with a sing-along by the Forum audience to close out the special mini-set.

Dawes previously performed “Time Spent in Los Angeles” on Jimmy Kimmel Live! on Jan. 13, less than a week after several of the band’s members lost homes and musical equipment in the fires.

The FireAid Benefit Concerts kicked off at the Forum with performances by Green Day, Alan’s Morissette, Joni Mitchell and Anderson .Paak, among others. Gracie Abrams, Rod Stewart, Lady Gaga and Olivia Rodrigo are among the artists scheduled to play the Intuit Dome across town later on Thursday night.

Click here to see how the Recording Academy and MusiCares are using partnerships to support wildfire relief efforts.