Hilary Duff timed her comeback to perfection, as Luck… Or Something debuts at No. 1 on the ARIA Albums Chart.

Luck… Or Something arrives at the summit of the Australian albums tally, published Friday, Feb. 27, for her fourth top 10 appearance and first leader. Previously, the singer, songwriter and actor landed at No. 6 with 2004’s Hilary Duff, at No. 3 with 2005’s Most Wanted, and at No. 4 with 2015’s Breathe In Breathe Out, her most recent album.

Duff’s sixth studio album is the best-seller on vinyl this past week, ARIA reports.

With Duff making the best possible start, Olivia Dean’s The Art of Loving dips 1-2, while award-winning Queensland singer and songwriter Tom Busby completes the podium with Rockhampton Hangover, his debut solo album. It’s new at No. 3. Busby is part of the blues and roots duo Busby Marou, which went all the way to No. 1 in 2017 with Postcards From The Shell House, and to No. 5 with Farewell Fitzroy (from 2013) and The Great Divide (2019).

Also new to the national tally is Mumford & Sons’ sixth studio album, Prizefighter, which punches its way to No. 5. It’s Mumford’s sixth straight top 10 studio album, a tally that includes a No. 1 with 2009’s Sigh No More.

Meg Mac, the talented Australian singer and songwriter extends her streak of top 10 appearances to four, as It’s My Party opens its account at No. 6. Mac hit No. 2 in 2017 with Love Blows, No. 9 in 2019 with Hope and topped the chart for one week with 2022’s Matter Of Time.

Baby Keem (No. 13 with Ca$ino), Megan Moroney (No. 20 with Cloud 9), and Sydney artists Above, Below (No. 35 with I Guess It Was Nowhere) and Maya-A (No. 46 with Goodbye (If You Call That Gone)) all crack the ARIA Top 50.

Olivia Dean may have lost her albums chart crown, but she completes a rare singles chart troika with “Man I Need” (unchanged at No. 1), “Rein Me In” (her collaboration with Sam Fender, up 6-2 for a new peak) and “So Easy (To Fall In Love)” (down 2-3), respectively. With that effort, she joins an exclusive club of recording artists who’ve locked up the top 3, including The Beatles, Ed Sheeran, Taylor Swift and former The Voice Australia winner Karise Eden.

“Man I Need” has lorded over the ARIA Chart for 15th straight weeks and draws level with Ed Sheeran’s 2017 hit “Shape Of You” as the third longest-running No. 1 single in these parts. Alex Warren’s” Ordinary” (from 2025) and The Kid LAROI and Justin Bieber’s “Stay” (2021-22) are tied in second place with 17-week reigns. The all-time champ is Tones and I’s “Dance Monkey,” which led for 24 non-consecutive weeks in 2019-20).

Following the announcement of a national arena tour this October, Tame Impala enjoys a new high with “Dracula,” up from 23-21. It’s the only homegrown recording in the top 50.

It’s been a long wait for Bruno Mars’ new album The Romantic: five years since his An Evening With Silk Sonic team-up with Anderson .Paak and 10 years (!!) since his most recent solo album 24k Magic. But this Friday (Feb. 27), Bruno is finally back, with a nine-track effort designed to wrap Valentine’s Month with a lush collection of love songs to make his ’70s and ’80s (mostly ’70s this time around) forebearers proud. (And just in case anyone was skeptical Mars could still do it in 2026 — yeah, right — the set arrives already with one minted Billboard Hot 100 smash in the No. 1-debuting “I Just Might.”)

While past Bruno Mars albums have worked his influences into more obviously modern sonic trappings, or looked back on the lyrical tropes of bygone soul and pop artists back with a bit of a wink, The Romantic might be his most straightforward throwback yet — loving, full-throated tributes to Philly soul and quiet storm, with a bit of Latin rock thrown in as well. Some songs lift specific vibes from classics by beloved hitmakers like The O’Jays, Curtis Mayfield and Santana, while others just internalize lessons learned from those artists for Mars’ own submissions to their canon.

Just nine new songs after five (or 10) years might not feel like a lot — eight, if you don’t count “I Just Might” — but Mars is intent on making them count. See how Billboard ranks the tracks from the flop-proof pop superstar’s sure-to-be hit new album below.

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

This week, Bruno Mars drops his first solo album in 10 years, BLACKPINK returns as a group with its third mini album and RAYE released the latest single from her forthcoming second album out in March… plus much more. Check out all of this week’s picks below:

Bruno Mars, The Romantic

Bruno Mars made a strategic splash at the Grammys in January, not only opening the show with his and Rosé’s global smash “APT.” but also performing his new solo hit, “I Just Might,” later in the ceremony. The single not only debuted at No. 1 on the Hot 100 but also offered the only preview into his anticipated fourth album, The Romantic, out today. The nine-track project comes on the heels of a hot streak for hitmaker Mars, following his Lady Gaga collaboration “Die With a Smile” and, of course, “APT.” With his first solo project in a decade, Mars is affirming what we already know: the man’s a hit machine — and with tracks like the sweet opening serenade “Risk It All” and suave slow jam “God Was Showing Off” he reminds us that yes, he’s always been the romantic.

BLACKPINK, DEADLINE

Following impressive solo debuts for Lisa (Alter Ego), JENNIE (Ruby), Rosé (Rosie) and an EP for Jisoo (Amortage), the foursome better known as global sensation BLACKPINK is back with its third mini EP, DEADLINE. The five-track project includes the celebratory and energetic return single “JUMP” alongside “GO, “Me and my,” Champion and “Fxxxboy.” According to a statement from YG Entertainment, all five tracks were created over extended periods of time while DEADLINE as a whole showcases “BLACKPINK at its most radiant.”

RAYE, “Nightingale Lane.”

“This is a song about the greatest heartbreak I’ve ever known,” says RAYE, introducing her new single with an inviting intimacy that makes listeners feel like they’re eavesdropping on an open mic night. With “Nightingale Lane.” (which recalls the cadence and delivery of the tear-inducing “And I Am Telling You I’m Not Going”) RAYE does what she does best and delivers a tale of heart ache with enough wisdom, hope and, of course, vocal power to help transform a painful memory into a performance that somehow leaves listeners uplifted. Fitting, for a single off an album titled This Music May Contain Hope.

Towa Bird, “Gentleman”

Pop-rocker and guitarist Towa Bird returns with one-off “Gentleman,” produced by Patrick Wimberly (MGMT, Blood Orange) and built around a rousing riff. The song balances the playfulness of its lyrics (Sharp shooter/ A breadwinner/ I’m toast) with the grungy brashness of its composition, resulting in a track that at just two minutes and 17 seconds begs to be replayed.

Elmiene, “Honour”

Ahead of Elmiene’s anticipated debut album, out in March, the British singer released a two-pack today including singles “Honour” and “I Want In.” Of his forthcoming album, Songs For Someone, the artist — and Billboard‘s R&B Rookie for February — said in a statement: “Making this album was painful, I felt lonely sometimes, I felt loved sometimes. I felt guilty sometimes and I felt forgiven sometimes but most of all it was an important duty to myself that I needed to fulfill.” On “Honour,” Elmiene tosses a coin with loneliness on one side and love on the other by attempting to stay true to a basic need, but not knowing which side will face up in doing so.

Angèle and Justice, “What You Want”

Belgian pop singer Angèle first broke out stateside with her Dua Lipa team-up “Fever” and now, she’s paired with iconic French duo Justice for the haunting and heavy “What You Want.” Angèle’s airy vocals perfectly contrast the harder-edged production, resulting in a track that sucks you into its mysterious world. After meeting backstage at Justice’s show, Angèle invited the pair to her studio to hear some demos she had been working on, including “What You Want.” As she shared in a statement: “I thought Justice could bring the electro-club expertise — and the tension — that were missing from that first version…They brought a power to the track that the intention and balance had been missing.”

Charli xcx’s soundtrack to the film Wuthering Heights debuts at No. 1 on Billboard’s Soundtracks chart (dated Feb. 28). The set is the companion project to the theatrical release, which stars Margot Robbie and Jacob Elordi, and bowed in United States movie theaters on Feb. 13. The film was directed by Emerald Fennell.

The soundtrack takes a bow in the top 10 on six album charts: Soundtracks (No. 1), Vinyl Albums (No. 2), Indie Store Album Sales (No. 2), Top Album Sales (No. 3), Top Current Album Sales (No. 3) and the Billboard 200 (No. 8). On the latter list, the set marks Charli’s third top 10, following BRAT (No. 3 in 2024) and CRASH (No. 7 in 2022).

Charli got involved with the project after she got a call from Fennell at Christmastime in 2024. “I read the script and immediately felt inspired so Finn Keane and I began working on not just one but many songs that we felt connected to the world she was creating,” she earlier stated in a press release announcing the album. “After being so in the depths of my previous album (BRAT) I was excited to escape into something entirely new, entirely opposite.”

Concurrent with the album’s debut, a number of its songs dent the Billboard charts. “House,” featuring John Cale, debuts at No. 30 on Hot Rock & Alternative Songs and No. 19 on Hot Alternative Songs. “Dying for You” debuts at No. 9 on Hot Dance/Pop Songs and No. 13 on Dance Streaming Songs. “Chains of Love” enters at No. 87 on the Billboard Hot 100, No. 109 on the Billboard Global 200 and No. 158 on the Global Excluding U.S. chart. And, “Always Everywhere” debuts on the Billboard Global 200 (No. 191).

Jill Scott’s first studio album in more than a decade, To Whom This May Concern, debuts in the top 10 across seven Billboard charts (dated Feb. 28), including a No. 7 arrival on Top Album Sales. It also takes a bow in the top 10 on Top R&B Albums (No. 4), Independent Albums (No. 6), Vinyl Albums (No. 6), Indie Store Album Sales (No. 6), Top Current Album Sales (No. 7) and Top R&B/Hip-Hop Albums (No. 10).

Scott’s last studio album, Woman, was released in 2015.

The new set marks Scott’s fifth top 10 on the Top Album Sales chart and her ninth on Top R&B/Hip-Hop Albums.

Scott’s latest is one of three debuts in the top 10 of the Top Album Sales chart, joining Charli xcx’s Wuthering Heights soundtrack (No. 3) and Brent Faiyaz’s Icon (No. 5).

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.

Elsewhere in the top 10 of Top Album Sales, Bad Bunny’s DeBÍ TiRAR MáS FOToS rises 3-1 for its second week in the lead,ATEEZ’s GOLDEN HOUR : Part.4 falls to No. 2 in its second week, Olivia Dean’s The Art of Loving rises 7-4, ENHYPEN’s former No. 1 THE SIN : VANISH climbs 8-6, Stray Kids’ chart-topping DO IT rises 12-8, Taylor Swift’s former leader The Life of a Showgirl vaults 17-9 and the KPop Demon Hunters soundtrack closes out the top 10 with a 14-10 rise.

It was one year ago, in February 2025, that BLACKPINK first teased a new tour, which eventually culminated in the milestone all-arena DEADLINE World Tour, which reached 16 cities and 33 concerts.

The trek wasn’t just an opportunity to dance along to BLACKPINK’s luminous discography, but also to celebrate the individual successes of members JISOO, JENNIE, ROSÉ and LISA, who all released major solo projects while group activities were on hold.

Now, one year later, the girls are back with the new EP also titled DEADLINE marking their first major music release since they hit No. 1 on the Billboard 200 chart with Born Pink in 2022. Similar to the rollout of their previous chart-topping LP, DEADLINE was previewed by an early summer single — the Diplo-assisted “JUMP,” which peaked at No. 28 on the Billboard Hot 100 this past July — before fans received the larger project and a new single.

While “JUMP” combined Korean and English lyrics in true K-pop form, the four new tracks in DEADLINE are all in English, marking a new, globally-focused pop chapter for the group to shake the world stage more than ever. Further bolstering the impact are the creatives in the credits like their longtime producer TEDDY, go-to composers like IDO, Danny Chung, and Vince, as well as new collaborators like Coldplay frontman Chris Martin, KPop Demon Hunters‘ breakout songwriter and vocalist EJAE, and Top 40 hitmaker Cirkut.

It was just earlier this month that TEDDY, EJAE, and IDO all won the Grammy Award for best song written for visual media with “Golden” with that same sparkling synergy coming through across the EP’s different songs.

BLINKs, it’s time. Below is Billboard’s ranking of every song on BLACKPINK’s DEADLINE.

Nearly two weeks after Valentine’s Day, Bruno Mars plays the role of love doctor with the release of his anticipated album The Romantic, out on Friday (Feb. 27).

It’s the hitmaker’s first solo album since 2016, and The Romantic boasts nine tracks in total, including the Billboard Hot 100-topping single “I Just Might,” which marked his first debut and 10th overall entry at the summit. The track is still holding strong inside the top 10 at No. 6 on the Hot 100 at press time.

Bruno will be spreading the love across the globe, with The Romantic Tour invading stadiums across North America and Europe later this year.

The singer-songwriter’s Silk Sonic running mate, Anderson. Paak, will be joining him on the trek, while RAYE, Victoria Monét and Leon Thomas will also be providing support on various legs.

The global trek kicks off with a pair of shows in Las Vegas on April 10 and 11, before heading to Houston, Atlanta, Nashville, Toronto, Chicago, Pittsburgh, Philly, Los Angeles, Miami, New Orleans and more before it wraps up with shows north of the border in Vancouver, B.C., on Oct. 16 and 17.

For the European fans, Bruno’s slated to make stops in Paris, Berlin, London, Amsterdam, Milan and Madrid this summer.

Bruno Mars teamed up with TikTok and iHeartRadio to give fans an early listen of The Romantic on Thursday night (Feb. 26), which saw him hosting Romantic Radio with Bruno Mars: An iHeartRadio Album Preview.

Bruno’s last solo album, 24K Magic, arrived in November 2016 and debuted at No. 2 on the Billboard 200. The LP would go on to win album of the year at the 2018 Grammy Awards.

Stream The Romantic below.


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At long last, BLACKPINK‘s mini-album Deadline is here.

Arriving four years after the girl group comprised of LISA, ROSÉ, JENNIE and JISOO last dropped a collection of songs — reaching No. 1 on the Billboard 200 with album Born PinkDeadline features a total of five tracks. The set includes lead single “Jump,” which dropped last summer and reached No. 28 on the Billboard Hot 100, as well as “Go,” “Me and My,” “Champion” and “Fxxxboy.”

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The project has been a long time coming for BLINKs, who have patiently waited for the ladies to reunite on new music for years. Last year, the foursome got back together for a sprawling stadium tour, before which they’d spent time apart to work on solo endeavors. LISA, ROSÉ and JENNIE all released debut solo albums — titled Alter Ego, Rosie and Ruby, respectively — while JISOO unveiled EP Amortage.

Some of the members also pursued acting opportunities as well, with LISA making her debut in White Lotus while JENNIE starred in The Idol and JISOO served as the leading lady in Netflix’s upcoming series Boyfriend on Demand.

But while each of them thrived as soloists, all of the women have expressed missing working with their bandmates prior to reuniting. “I’ve missed doing tours with them. I miss our silly moments,” JENNIE told Billboard in her January 2025 cover story. “Everyone took their own journey [during] this time, and I’m excited to share that with the girls. I want to say it’s going to be the most powerful [versions] of ourselves that anyone has seen.”

Stream BLACKPINK’s new mini-album Deadline — their first song collection in four years — below.


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Rolling Loud Australia 2026 has been scrapped just a week before showtime.

The hip-hop fest was meant to return this year for the first time since 2019, this time with shows in two east coast cities. Gunna was booked to headline the even, which was to touch down Saturday, March 7 at Sydney’s Centennial Park and wrap up Sunday, March 8 at Melbourne’s Flemington Racecourse.

Those shows won’t be going ahead. A statement posted to Rolling Loud Australia’s social channels and official website reads, “we’re really disappointed to announce that Rolling Loud Australia in Sydney and Melbourne will not move forward.”

Reps for the global hip-hop brand point the finger at local partners Primuse Entertainment, claiming important deadlines and obligations weren’t met. “These ongoing delays left us without the necessary guarantees so close to the event,” the statement claims. Ticket owners will be refunded, with further details to be provided by the event organizers and or the official ticketing partners

“This one hurts,” the message reads.

Other international performers on the bill included Ken Carson, Sexyy Red, Tyga, Swae Lee, Lil Tjay, Ski Mask the Slump God, NLE Choppa, Quavo, Ian and rising rapper Osamason.

Billboard reached out to Primuse Australia for comment. “We are aware of media reports regarding Rolling Loud Australia. As the local promoter, we are currently in discussion with Rolling Loud and will provide an official update as soon as possible,” reads its own media release. “We ask fans to wait for confirmed information, which will be communicated directly via our official channels.”

It’s an unfortunate end to Rolling Loud Australia 2026, which was reentering a festivals landscape cratered by festival cancelations. In recent years, Esoteric Festival, Caloundra Music Festival, Splendour in the Grass, Groovin the Moo, Listen Out and other major events have either paused their events, or disappeared entirely from the calendar.

BLACKPINK is bringing K-pop into one of South Korea’s most iconic heritage spaces.

The global quartet has partnered with the National Museum of Korea — the country’s most-visited museum —– for a special project timed to their return with DEADLINE, out Friday, Feb. 27, their first group release since 2022’s Born Pink.

From Feb. 26 through March 8, the museum’s exterior and outdoor plaza will glow in BLACKPINK’s signature pink.

Inside, a dedicated DEADLINE listening zone has been installed along the museum’s “Path to History,” pairing projection mapping with the museum’s monumental marble architecture.

DEADLINE arrives after the group’s recent stadium-scale touring run and a stretch of high-visibility solo activity across all four members. The five-track EP includes “Jump,” which debuted at No. 1 on the Billboard Global 200 in 2025.

Here’s a snapshot of where K-pop spectacle meets 5,000 years of history — captured by Juwon Yoon for Billboard Korea.

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The five-track project also follows BLACKPINK’s Deadline World Tour, which opened in July last year and wrapped in January. Before that, ROSÉ, JISOO, LISA and JENNIE had spent some professional time apart working on solo projects before reuniting on stage.

The quartet has steadily been getting BLINKS ready for the project, unveiling its tracklist earlier in February after premiering concept photos at the end of January.

DEADLINE includes the previously-released “Go,” and last year’s “Jump,” which reached No. 28 on the Billboard Hot 100 and topped the Billboard Global 200

It’s “an album that we’ve all kind of obviously come back from after that year of exploring and all being our individual selves,” ROSÉ recently said on Call Her Daddy. “I think it was really interesting to come back and see what was created after that. I really like all the songs there.”

BLACKPINK’s last collection of songs, Born Pink, hit No. 1 on the Billboard 200, for their first leader on the all-genres albums chart.