All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Nothing’s new Headphone (a) model has gone viral on TikTok following its March release, and it’s pretty easy to see why.

I was intrigued by the tech’s virality because it’s not often people are shocked by drops that aren’t from major headphone brands such as Beats or Apple. An underdog of sorts, Nothing is a British consumer electronics company based in London. The brand is pretty new, cofounded in 2020 by Carl Pei, and has a primary focus on everyday tech, from earbuds and headphones to even a phone.

That being said, Nothing also offers tech accessories, watches and even clothing. These are active noise-canceling headphones that are over-the-ear rather than on-ear. They currently retail for $199. Tech-savvy consumers have likened it to Apple’s AirPod Max headphones.

Style/Fit

Nothing excited me as a consumer obsessed with fashion because their offerings are actually stylish as well as functional, something that isn’t as common in the world of audio accessories/tech. Headphones, in particular, are a big part of the problem, focusing more on capabilities while boasting a sterile color scheme and a lackluster design. Nothing’s Headphone (a) silhouette features vibrant hues from baby pinks (my personal favorite) to bright yellows akin to fresh citrus, along with more palatable white and black hues.

Now its TikTok fame started to make sense. Thousands poured over videos, amassing up to 156K views. Thousands of videos were posted under the headphone’s hashtag. All of these people flocked to the new offering because of how cool and unique they looked, and I was one of them. The ear cups are square rather than your standard round shape. The style is futuristic and modern, but not brutalist in nature. It’s playful and doesn’t take itself too seriously. Even the buttons are interactive and tactile, creating an experience for the user.

These sit nicely on my head, with a padded headband and equally cushy ear cups. I never felt like my head was being squeezed upon wearing it, even after hours of wear. They are lightweight and don’t gap around the ears, creating a perfect seal so sound won’t leak out.

Sound Quality ANC and Transparancy Mode

Beyond its obvious aesthetic wins, these headphones offer great sound. While playing my usual K-pop hits or R&B tracks, I noticed that the bass was punchy and the audio was clear with expressive highs. This just means the high-frequency sounds, which are typically around 2,000Hz to 20,000Hz, were nice and detailed since they can sometimes get lost or muddied in your listening experience.

That crispness is translated into the instruments we hear or the clarity of vocal consonants. These headphones offer ANC that is adaptive, which means these headphones will cancel out superfluous noise and adapt that cancellation to your surroundings. You’ve also got transparency mode, which uses external microphones, of which there are three on this model, to pick up ambient sound and play it through the speakers.

This allows you to hear your surroundings without having to take off your headphones. Both of these modes make these headphones ideal for commuters or people who work in an office who want to tune out the noise of a busy space or subway ride, but want to be aware of their surroundings from time to time. I found these modes extremely helpful when I was trying to focus on writing at the office, or when I was heading home on the busy New York subway and needed a break from all the noise.

Affordability

Compared to Nothing’s Headphones (1) that retail for $300, the Headphones (a) model is more affordable at $199. That alone is a win in my book, given that pricing for headphones has only increased over the years. I want quality, style and affordability out of my headphones, and Nothing delivers.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

In spring 2026, English indie rock band Florence + The Machine goes on the Everybody Scream Tour throughout the United States, with dates going until Wednesday, April 8, at Target Center in Minneapolis. Meanwhile, throughout the tour, there’s a rotating lineup of recording artists supporting as openers, including including Rachel Chinouriri, Sofia Isella, CMAT and Mannequin Pussy.

Tickets to the tour first went on sale through Live Nation and Ticketmaster, as the retailer’s Face Value Exchange program is an option for fans to resell tickets.

However, many of the dates have either sold out, or are very close to selling out, so one of the best ways to find Florence + The Machine tickets online is through third-party sites, including StubHub, Vivid Seats, SeatGeek, Event Tickets Center, Gametime and others. All online retailers guarantee authentic tickets in time for your concert.

In addition, Billboard likes that tickets are all delivered digitally, so you can get them sent instantly to your smartphone or email. Prices may also be above or below face value at times.

Where to Find Florence + The Machine’s Everybody Scream Tour Tickets Online

Looking for cheap seats to see Florence + The Machine live? Here’s where to find tickets still available and on sale online.

StubHub has Florence + The Machine tickets available. Stubhub’s Fan Protect Guarantee ensures valid tickets or your money back.

You can find Florence + The Machine tickets online at Vivid Seats, which lets you search by price, location and “Super Sellers,” which denotes reputable sellers with the best deals on tickets. Vivid Seats is great for group tickets: the site has a rewards program that gives you your eleventh ticket free (in the form of a credit) after you buy 10 tickets online.

One of the lowest prices we’re seeing for Florence + The Machine tickets is at SeatGeek, which has stubs from $50 and up.

TicketNetwork has tickets to Florence + The Machine’s concerts with all-in pricing that lets you see exactly what you’ll pay up front (fees included).

Florence + The Machine’s Everybody Scream Tour 2026 Dates

Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

As the world observes Holy Week 2026, Billboard Español has prepared a special selection of 35 new Christian songs in Spanish for the season. The list is comprised of established and emerging artists, encompassing the diversity of Latin Christian music in sound and message.

The lyrics of these songs explore themes such as love, family and everyday life from the perspective of faith, thus providing an enriching experience for those who want to approach faith through music.

Among the highlights are a variety of popular genres, from worship songs such as Presencia Viva Worship debut single “Espíritu Santo (Bienvenido),” “40CM” by the singer-songwriter CRYS together with Genock Gabriel and the ballad “Vuelvo” by Marcela Gándara, produced by Julio Reyes Copello, which invites listeners to get closer to God in the most challenging moments. In addition, we included “Tu Presencia Me Llamó,” the Spanish version of the popular song “Me Atraiu” by the Brazilian Gabriela Rocha with the Guatemalan band Miel San Marcos. With this anthem, Rocha became the first woman in gospel music worldwide to reach 3.3 billion views on YouTube, according to Billboard Brasil.

Within the field of Christian urban music, songs such as Daddy Yankee’s “Sonríele,” which hit No. 1 on Billboard’s Latin Airplay chart last October; “Flow Celeste” by Barajas and Alex Zurdo; “Te Siento” by Indiomar; and “Locura” by Jay Kalyl stand out. While in Latin pop, there are gems such as Gilberto Daza’s pop vallenato “Seguir Vale la Pena” and “Capulí,” which united the Ecuadorian Vaes with the Colombian band Alkilados.

In addition, the list includes “Confía” by Farruko and Dalex, “Who Who” by Nino Freestyle and Emanuel Lara and “Chica de Altar” by the latter, all part of the compilation album Transition, released in 2024 under Farruko’s former label Carbon Fiber Music, featuring diverse emerging artists both Christian and non-Christian.

Listen to our playlist of new Latin Christian songs for Easter 2026 below:

Jeanine McLean, formerly president/managing partner of MBK Entertainment, is now helming her own ship. Launched just over six months ago, New Jersey-based Castlight Media & Management Group collaborates with a roster that includes Grammy-nominated R&B/pop artist Omarion and his reunited group B2K, R&B artist Tone Stith and country artist Brittney Spencer. While at MBK, McLean worked with R&B/pop stars Alicia Keys, H.E.R. and Elle Varner, among others.

“Castlight is about casting positive energy and motion in highlighting an artist’s talent,” says founder/CEO McLean, one of whose guiding lights is depicted in the company’s logo: “It’s a silhouette of my grandfather, who was a professional stand-up bass player.”

A nationwide spotlight is currently being cast by the Boys 4 Life tour, which features co-headliners Bow Wow and B2K — the latter a 25^th anniversary reunion with fellow founding member Omarion. Having kicked off Feb. 12 in Columbia, S.C., the Black Promoters Collective-produced tour — whose performer lineup includes Pretty Ricky, Waka Flocka Flame, Amerie and B5 — has already swung through Washington, D.C., Houston, Las Vegas and Los Angeles. Its final stop will be Memphis on April 26.

“The excitement for this tour has been electric,” says McLean of Boys 4 Lif, the latest in a string of recent nostalgia-vibed tours such as Brandy & Monica’s The Boy Is Mine and this summer’s upcoming It’s Iconic run with TLC, Salt-N-Pepa and En Vogue. “Their fans, now in their late 30s, are showing up and showing out; singing, dancing and bringing old posters and other memorabilia to the meet & greets. Some are also bringing their kids to watch who their parents’ fan idols were. People want to gravitate back to feel-good moments in their lives.”

Concurrently behind the scenes, McLean has secured a new record deal for Omarion, whose solo catalog boasts the multiplatinum “Post to Be” with Chris Brown and Jhené Aiko and gold-certified “Ice Box.“ Under the Create Music Group banner, Omarion has already released his latest single, “Fantasy.” His next solo album, O2 — a nod to his 2005 debut album O — arrives June 30.

“We’re calling this Omarion’s O2 era,” explains McLean, “because the energy is very reminiscent of his past success. Together, we’re building out several other business verticals for him as well.”

RCA Records singer-songwriter Stith is also doing his own vertical moves. His latest single “Fly” landed at No. 10 on Billboard’s Adult Airplay chart for the week of April 4, and his next album, The Edge, is slated for a May 15 release. Also in the pipeline: a new EP from B2K via BPC Music, distributed by Vydia. McLean serves as the lead manager for the group as a whole, while each member has his own manager.

Asked about R&B’s strong momentum of late, McLean says, “It’s returning to some of the basics like the bridge coming back. We love that. We love the visuals coming back. But in particular, the sound is going back to being more organically soulful. People are taking their time with lyrics; singing about love and feelings again. That is what’s been missing. It’s just this lovely resurgence that’s standing out in the crowd of so much music that’s out there.”

Also on the Castlight docket is producer-musician Kenneth “KP” Paige (Toosii, Honey Bxby, Omarion, Girlfriend), who co-produced Stith’s “Fly.” As is Spencer (Cowboy Carter), who has upcoming performances with Maren Morris and Sheryl Crow, plus a new MNRK Music label deal with an album and two major tour announcements coming soon. Rounding out the Castlight roster are Native American singer-songwriter-pianist M’Lynn, also signed to MNRK; Torae Carr, SiriusXM host (The Tor Guide on Hip-Hop Nation; That Raw on Rock The Bells Radio) and songwriter (Cardi B; Migos); British-American singer/actress Aiyana Lee and Tina aka Hoodcelebrityy.

In addition to overseeing these various music projects, McLean — a Billboard Women in Music and R&B/Hip-Hop Power Players honoree — says her firm is casting a wider net as well, as she is currently in conversations with investors about two film projects. Declining to reveal more at this time, she adds that “there will be more film and TV projects happening soon, as these are multi-talented artists who can work in all facets of entertainment. Honestly, this is so much fun right now because we’re going to do it all.”

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

No one does denim better than Dolly Parton.

The “Jolene” singer can often be found sporting a Canadian tuxedo of sorts, aka a denim-on-denim look, that harkens back to her Tennessee roots. Denim has been with Parton through all the seasons of her life. It has become a staple of her Western aesthetic, from bell-bottoms and bedazzled Western shirts to cowboy boots made from dark-wash denim from toe to heel. Her history with denim runs deep, so it made sense that she’d be partnering with Good American for a collaboration, a denim-centric brand co-owned by Khloe Kardashian. The collection is aptly titled Dolly’s Joleans, a play on one of her most iconic tracks from 1973.

“I’ve always believed clothes can hold memories,” said Parton in a statement. “Denim’s been with me through every chapter of my life. It’s comfortable, it’s confident and it never goes out of style. With this new Dolly’s Joleans collection, we took a little bit of my past and gave it new life for today. When someone puts these on, I want them to feel bold, beautiful and completely themselves.”

This collection includes a slew of denim styles from cheeky shorts to extremely flared bell-bottoms and minidresses. You’ve also got Western-esque tops and tanks with a playful paisley-inspired print. Pricing ranges from $79 to $228, while sizing is inclusive from 00 to 30, XS to 5X, giving everyone with every body type the opportunity to try out the collection.

Some of our favorites from the line include the Dolly Sleeveless Denim Mini Dress for $168. The piece plays on that signature Western attire but with a modern twist. The denim number is light wash with a collared neckline and flattering darts down the front that create shape. The dress is crafted from Good American’s signature comfort denim that has a nice stretch to it so wearers don’t feel constricted. The Dolly Lace up Poplin Tank for $148 is also a winner. The style is cropped with spaghetti straps and delicate lacing up the front.

The print, as mentioned above, is a play on that iconic paisley print seen in bohemian and Western style. Amidst the lace-up closures, dainty lace trim gives the top a girly flare. This wouldn’t be a Parton collection without flared denim such as the Dolly Joleans Extreme Flare Jeans, retailing for $194. This silhouette is not for bell-bottom newbies. The denim is dark wash, extremely flared — as the name suggests — and high-waisted. Like most bell-bottoms, this style is also form fitting, giving the wearer’s body shape and definition. All of our favorite pieces, and more, can be shopped below and on Good American’s website.

Shop Our Favorite Pieces From Dolly Parton’s Good American Collaboration Below