Everyone’s doing it, so why not Jackson Olson? The popular infielder for the viral Savannah Bananas baseball team is beloved for his fun, silly TikTok videos and now he’s hopping on a trend that is tailor-made for his antics. In a TikTok posted over the weekend, Olson and Party Animals rival Dalton Ponce got their wiggles out by joining in on the Taylor Swift-spawned “Opalite” dance challenge.
In the 30-second clip, Olson and Ponce nail the choreo from Swift’s throwback video for the pop charmer from her The Life of a Showgirl album, perfectly re-creating the jazzy dance moves seen in the song’s official video, which Swift wrote and directed, and co-stars in with The Paper actor Domhnall Gleeson.
The ballers open by doing a side-to-side bend, with Olson smiling as he looks over his shoulder at Ponce and the two men then jumping to face each other and high five as Swift sings about “dancing through the lightning strikes.” They grab hands and push and pull their arms on the field before a smash cut takes them to a ballroom, where they skip forward while holding hands, with Olson making a big show of jumping down off a single step.
“This will be shown in history classes in 30 years,” reads the caption to the video.
The two men continue with their energetic routine as the camera cuts to some fellow Bananas and Animals teammates who don’t seem to be feeling it. As the pair point and dance around each other under a disco ball the scores come in from the judges and, just as in the Swift original, they are… not good. All zeroes, including from Bananas head coach/manager Tyler Gillum.
So far, Swift has released three versions of the video, starting with the original and then, last week, two extended cuts with previously unseen footage and behind-the-scenes Easter eggs. Since then, the fizzy dance challenge has exploded on TikTok, with tons of fans re-creating the clip’s silly dance moves in their kitchens, parking garages, living rooms, Times Square and hospital corridors.
Following the release of the star-studded “Opalite” video, Swift landed in the No. 1 spot on the U.K. Singles Chart dated Feb. 13, giving the singer her sixth U.K. career chart-topper.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 13:50:362026-02-18 13:50:36Savannah Bananas’ Jackson Olson Nails The Taylor Swift ‘Opalite’ Dance Challenge: ‘This Will Be Shown in History Classes in 30 Years’
Breezy Johnson knew one thing for sure when she packed up her skis and headed to the Milano Cortina Winter Olympics: she had gold on her mind. And while the Olympic skier got the medal she was looking for when she won the women’s downhill last week, the unexpected shine came when fiancé Connor Watkins was waiting for her at the finish of the Super-G race with an engagement ring in a wooden ring box featuring an engraving of one of Johnson’s favorite Taylor Swift lyrics.
The engraving from Swift’s song “The Alchemy” read: “Honestly, who are we to fight the alchemy?”
The best part came when Swift responded to the special moment by quoting another lyric from the song featured on her Tortured Poets Department album in the replies, writing, “Where’s the trophy? He just comes running over to me,” along with “CONGRATULATIONS!”
Now Johnson is talking about the Swift shout-out and making wedding plans, and you can be sure that the “Opalite” singer is on the guest list.
“The Taylor Swift comment was not something that I ever expected,” Johnson told People magazine about the surprise shout-out. “It was really cool seeing her comments, seeing her just love love.” Swift, who is engaged to NFL star Travis Kelce, with a wedding date not yet announced, is, of course, welcome to join Johnson and Watkins on their big day. “I mean, listen, Taylor can probably go to any wedding in the U.S. and everybody would welcome her with open arms,” said Johnson. “She is of course welcome to join. I do not expect her to have any time to do that, but…”
Johnson said she’d been dropping hints for more than a year that she loved the idea of an Olympics engagement, but the couple had a plan B in case the skier wasn’t feeling it on the day of. “I was like, ‘If I panic text you that morning then eject,’” she said. “But I actually felt good about it, and obviously everything kind of went to plan … It was perfect.”
In the end, Watkins nailed it, from the sweet proposal that made Johnson cry to the Swift engraving that filled her heart. “One of my favorite other lyrics from the song is, ‘Where’s the trophy? He just comes running over to me,’” Johnson said of the line that Swift repeated back to her, saying it “was cool” for the singer to pick those exact words in response. “The Taylor Swift comment was not something that I ever expected. It was really cool seeing her comments, seeing her just love love.”
Though she’s not in Italy for the Games, Swift has made her presence felt at this year’s Winter Games. Earlier this month, she filmed a video wishing the athletes luck aired during NBC’s opening ceremony for the Games. “Getting to learn your stories, and seeing everything you sacrificed and all your determination and hard work and passion … it’s just really inspiring,” Swift said in the video. “I am very grateful for everything you’ve done to get to this point in your life and grateful that you’ve brought all of us along on this journey.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 12:55:332026-02-18 12:55:33U.S. Gold Medalist Breezy Johnson Says Taylor Swift Is ‘Of Course’ Invited to Her Wedding After Sending Sweet Response to Winter Olympics Engagement
The U.K.’s Mercury Prize will return to Newcastle upon Tyne for its upcoming 2026 ceremony. The annual music prize, which recognizes outstanding albums released by U.K. and Irish musicians, will take place at the English city’s Utilita Arena for a second consecutive year on Oct. 22.
Since its inception in 1992, the ceremony was held in London at a variety of venues including the Eventim Apollo and Abbey Road Studios. In 2025, the decision was taken to move the event outside of the English capital for the first time.
The 2025 prize was won by Sam Fender for his third LP, People Watching. Fender, who was born and raised in nearby North Shields and shares a strong bond with the city, was considered a frontrunner for the prize. He saw off competition from Wolf Alice, Pulp, Fontaines D.C. and more to earn the trophy for the first time in his career. Other recent winners include English Teacher (2024), Ezra Collective (2023), Little Simz (2022) and Arlo Parks (2021).
In addition to 2025’s main show, a number of fringe events were held in the city and the North East to bring events and talks to the region. The BPI reports that attendees brought a combined spend of £874,724 ($1,187,599.65 US) and added an estimated £552,868 GVA (gross value added) ($750,686.93 US) to the region.
Following suit, the 2026 BRIT Awards will also be held outside of London for the first-time in its history next Saturday (Feb. 28) at Manchester’s Co-op Live Arena. For the past decade, The MOBOs (Music of Black Origin) has travelled through a number of U.K. cities including Newcastle, Leeds, Glasgow and Sheffield. Their 2026 ceremony will also take place at Manchester’s Co-op Live.
“Last year’s Mercury Prize and its brilliant performances and Fringe gave the region a £1.4m economic and cultural boost and the whole of Newcastle came together to give the event a warm, big Geordie hug. We are delighted to see the Prize return to the Toon and to the North-East for what we know will be another memorable occasion for artists and fans,”Dr. Jo Twist OBE, BPI chief executive, and YolanDa Brown OBE, artist and BPI chair said in a joint statement.
They continued, “We thank Newcastle City Council and all our valued partners for their continued collaboration and commitment, and we can’t wait for what is already shaping up to be another fantastic year of British and Irish music.”
Nominees for the prize are traditionally announced in September following the close of the eligibility window at the end of August.
When Goodrem stopped by Nova’s The Maddy Rowe Show this week, the host couldn’t help but dig up some old, but timely, gossip. On a tour down under in 2015, Sheeran confirmed he had a teen crush on the Australian singer and songwriter, reportedly describing her as a “dream woman,” and showing some interest in meeting her someday.
Sheeran is currently playing stadiums around Australia for his Loop Tour. The right time, apparently, for Rowe to remind Goodrem of her Ed Sheeran-shaped fan.
“I appreciate your research,” she quipped. “It’s really an honor of mine that I carry around with me.” Delta went on to say, “I just love Ed Sheeran. and I think that it takes me to a place of just, you know, I’m totally just honored, humbled. He’s one of the best songwriters in the entire world, So I think as a fellow songwriter, it makes me feel just really happy, and that’s such an honor. He’s the best. We got to go to his concert on Friday and go and say hi, and I just think that Australia loves him. The world loves him. But I also have an extra love here for Ed Sheeran.”
Delta went on to cover Sheeran’s “Bad Habits” in 2021, during the pandemic, but the two stars haven’t collaborated. And no, folks. There’s no funny business. Delta married her long-time partner, musician Matthew Copley, in a private ceremony last June in Malta. Sheeran wedded his childhood friend and former schoolmate, Cherry Seaborn, in 2019, and the happy couple have two kids.
Goodrem is a superstar in Australia, with 12 ARIA Awards and five No. 1 albums including 2003’s Innocent Eyes, which logged a staggering 29 weeks at No. 1 on the ARIA Albums Chart, making it the highest-selling debut album in Australian recorded music history. The album won seven ARIA Awards, was the highest selling album in Australia for two successive years, and yielded five No. 1 singles.
In 2023, after a decades-long association with Sony Music, Delta became an independent artist and label boss, overseeing ATLED Records.
In her chat with the commercial Nova network, Delta also recounted her career, her legacy and the good fortune of writing a song for Celine Dion’s Taking Chances album. “I remember getting a call and they said ‘Oh, Celine wants to sing you know, the song you’ve written’ and I remember physically jumping in the middle of the street by myself on the phone, just jumping up and down and then getting to sort of zoom in while she was recording it and that was pretty cool,” she remarks. That song was “Eyes on Me.”
Sheeran’s 17-date Loop tour of Australia and New Zealand, got underway Friday, Jan. 16 at Auckland’s GO Media Stadium.
The trek, produced by Frontier Touring, continues Friday, Feb. 20, with the first show in a three-night stand at Brisbane’s Suncorp Stadium, followed by a run of dates at Melbourne’s Marvel Stadium and Adelaide Oval. Fans in Brisbane (Westfield Chermside) and Melbourne (369-371 Lonsdale Street) can nab tour merch, exclusive, one-off designs, vinyl and more at special pop-up stores.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 11:00:302026-02-18 11:00:30Delta Goodrem Has ‘Extra Love’ For Ed Sheeran
Sia Furler is very much still Australia’s Queen of Spotify, new streaming data confirms.
The superstar pop singer and songwriter this week makes history, by becoming the first artist to twice top the Global Impact List of Australian recording artists. Sia’s “Beautiful People,” her collaboration with David Guetta, comes in at No. 1 on the tally, which is generated from global streams of Aussie acts, but excludes listening in Australia.
The Adelaide-born artist also claimed top spot on the list in 2023 with “Gimme Love.”
Meanwhile, Kevin Parker’s psychedelic pop project Tame Impala makes a strong impression on the latest top 50 with seven songs, all housed by from their fifth studio album, Deadbeat. Four of those songs appear in the top 15, including “Dracula” at No. 2, while and “Loser” at No. 8.
The Kid LAROI is another Australian act with serious international clout on Spotify. The Sydney-raised, Los Angeles-based singer scores seven tracks on the list, a snapshot of the local tracks resonating most strongly with global audiences. Among them, top 10 appearances with “I know love” with Tate McRae (at No. 3) and “A COLD PLAY” at No. 9.
The top tier of Aussie export artists also includes Dom Dolla, Dean Lewis, Rüfüs Du Sol, Royel Otis and Lithe.
“It’s impossible not to feel the impact of Australian music wherever you go, whether that’s in the U.S., Europe, or emerging markets where local artists are finding passionate new fans,” comments Spotify AUNZ head of artist & label partnerships, Leah Harris.
“The data behind Spotify’s Australian Music Global Impact List shows just how borderless music has become,” adds Harris, “and how artists from Australia are connecting with listeners around the world in deeper and more meaningful ways than ever before.”
In 2025, the United States was the top export market for Australian artists on Spotify, followed by the U.K. and Germany, respectively, the streaming giant reports. Brazil, Mexico, the Philippines and France figure among the top 10 export markets for Aussie music, while South Africa (+99%), the Philippines (+64%) and Colombia (+53%) have emerged as the fastest growing export markets over the past three years.
Just last week, Spotify announced it beat forecasts for subscriber and monthly active user growth in the fourth quarter. The business counted 290 million premium subscribers totaled in the final three months of 2025, up by 10% year-on-year, while Monthly Active Users (MAUs) gained 11% to 751 million.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 09:56:492026-02-18 09:56:49Sia Was Australia’s Top Export on Spotify In 2025
Foo Fighters‘ one-off show in Tasmania last month, it pans out, was just a taste of things to come.
Dave Grohl and Co. will embark on another full-blown tour of Australia and New Zealand during the next southern summer, a run that includes several regional shows.
The Foos will embark on their Take Cover tour Nov. 5, 2026 at Brisbane’s Suncorp Stadium, followed by dates in Townsville, Sydney, Newcastle, Melbourne and Adelaide. Then, a gap for Thanksgiving, Christmas and New Years, after which a short run of shows will roll out in Christchurch, Auckland and wrap up Jan. 25, 2027 at Perth’s HBF Park.
Announced today, Feb. 18, the tour Down Under follows the Foo Fighters’ one-off show in Launceston, for what was the biggest-ever concert presented in Tasmania.
During that sold-out show Jan. 24 at UTAS Stadium, Grohl promised on stage that the band would return before his next birthday, Jan. 14. With the announcement by Frontier Touring, which is producing to the forthcoming tour, Grohl will deliver on the promise.
The Foos (Dave Grohl, Nate Mendel, Chris Shiflett, Pat Smear, Rami Jaffee and Ilan Rubin) will be joined by a lineup of rising acts, 16 in total, all “handpicked” by the headliners. They include Full Flower Moon Band, support at last month’s Tassie show, The Buoys, Last Quokka and others.
The nine-date run is notable for including concerts in Townsville, north Queensland, and Newcastle, a satellite city of Sydney, and for the show in Christchurch, New Zealand, where the Rock Hall-inducted band will perform at the city’s newly built, state-of-the-art One New Zealand Stadium, which is scheduled to be finished in April 2026.
To date, Foo Fighters have made 15 visits to Australia, including the Tasmania show. The group most recently tour in late 2023 for a national stadium run in support of their eleventh studio album, But Here We Are.
On the recorded music side, they’ve shifted over 1.8 million records in Australia alone, with nine No. 1 albums.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 06:05:472026-02-18 06:05:47‘Take Cover’: Foo Fighters Announce Stadium Tour of Australia and New Zealand
Bad Bunny isn’t done with smashing the history books.
Fresh from his headline performance at Super Bowl LX, Bunny will headline the upcoming edition of Spotify’s Billions Club Live series, to be presented next month in Asia for the first time.
Bunny is booked for a special concert in Tokyo, Japan on March 7, held exclusively for his top listeners in the market.
“Fans in Tokyo can expect a setlist packed with the billion-stream hits that have defined his career,” reads a statement from Spotify.
The one-off date will be the Puerto Rican superstar’s first in Asia, and the streaming giant’s first Billions Club Live in the region. And it’s absolutely not a tour stop, according to the Sweden-based DSP.
The reggaeton giant’s performance is a celebration of his historic run in Spotify’s Billions Club, which has seen 28 of his tracks cross the one billion streams threshold. Spotify users love Bunny; he came in as the No. 1 Global Top Artist in 2025 for an unprecedented fourth time.
Bad Bunny busts records for fun. Following his Super Bowl halftime show on Feb. 9, which pulled in 128.2 million viewers, for the fourth-biggest halftime audience in history, the rapper swept the Billboard charts. This week, he lands a record-breaking 29 simultaneous titles on the Hot LatinSongs chart, including the leader with “DtMF” (for a 47th week), while bagging top spot on the all-genre Billboard Hot 100.
Earlier in the month, on Feb. 1, Bunny ‘s DeBí TiRAR MáS FOToS entered the books when it became the first Spanish-language album, and more broadly, the first album not recorded in English, to win album of the year at the Grammy Awards. On the latest ARIA Albums Chart, Australia’s official tally, DeBí TiRAR MáS FOToS gives Bunny his first top 10 appearance, powering 20-4. That easily eclipses its previous best of No. 16 in 2025.
Bunny’s Billions Club Live performance follows shows from Ed Sheeran in Dublin, Miley Cyrus in Paris, and The Weeknd in Los Angeles.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 04:48:172026-02-18 04:48:17Bad Bunny Set For Spotify’s First Billions Club Live Performance In Asia
Bad Bunny‘s “Super Bowl Halftime LX Show (Live)” performance reaches Billboard‘s charts, as the 14-minute medley arrives on a trio of rankings (dated Feb. 21).
The title bows on the multimetric Hot Tropical Songs (No. 6), Hot Latin Rhythm Songs (No. 22) and the overall Hot Latin Songs (No. 31) charts. On the latter list, the “Halftime” track is one of a record 29 titles from Bad Bunny on the tally, where he holds the entire top 25. (All three charts blend streaming, sales and radio activity.)
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“Halftime” takes a bow largely from streaming activity, as it garnered 2.78 million official streams in the United States in the week ending Feb. 12, according to Luminate.
The “Halftime” audio track was released on Feb. 8 to digital retailers and streamers shortly after the big game that same day. It includes the entirety of Bad Bunny’s halftime performance, in addition to the spoken introduction from Apple Music’s Ebro Darden and closing voiceover thanks that aired along with it on broadcaster NBC.
Among the tracks heard during the medley are Bad Bunny’s own “Tití Me Preguntó,” “EoO,” “BAILE INoLVIDABLE and “DtMF,” as well as the performances by Lady Gaga of “Die With a Smile” and Ricky Martin’s cover of Bad Bunny’s “LO QUE LE PASÓ a HAWAii.”
Bad Bunny’s “Super Bowl Halftime LX Show (Live)” is not the first time such audio was released to streamers and retailers. Last year’s “Super Bowl LIX Halftime Show (Live),” from Kendrick Lamar, was issued on Feb. 9, 2025.
All charts (dated Feb. 21, 2026) will update on Billboard.com tomorrow, Feb. 18 (one day later than usual due to the Presidents’ Day holiday in the United States Feb. 16). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 02:57:332026-02-18 02:57:33Bad Bunny’s 14-Minute Super Bowl Halftime Medley Debuts on 3 Billboard Charts
Bad Bunny starts the week with a massive sweep across Billboard charts. He lands a record-breaking 29 simultaneous titles on the Hot Latin Songs chart (dated Feb. 21), as his track “DtMF” adds a 47th week at No. 1 on the multimetric ranking, while also securing the No. 1 spot on the all-genre Billboard Hot 100.
Among his 29 titles on Hot Latin Songs is his 14-minute “Super Bowl LX Halftime Show (Live)” medley, which debuts at No. 31.
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Bad Bunny Expands His Winning Streak Across Billboard Charts
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Bad Bunny’s ‘Baile Inolvidable’ Lands at No. 1 on Hot Latin Songs Chart
Following his halftime performance at the Super Bowl LX on Feb. 8, Bad Bunny’s songs experience a massive surge as fans flock to his catalog. On the Hot Latin Songs chart, he lands 29 concurrent songs, surpassing Peso Pluma’s previous record of 25 titles set in 2023 –when songs from his album Génesis populated the tally. The Hot Latin Songs chart blends streaming data, radio airplay, and digital sales into its formula.
“DtMF” Surges with Big Streaming Gains, Extends Dominance
Starting with “DtMF,” the song adds a 47th week at No. 1 on Hot Latin Songs, inching closer to “Despacito,” which holds the record with 56 weeks atop since its inception in 1986. “DtMF” races at breakneck pace, with a 185% increase in streams during the week ending Feb. 12, generating 43 million official clicks in the United States, according to Luminate. That sends it to No. 1 on the all-genre Billboard Hot 100, his second leader there. It also jumps 4-1 on the overall Streaming Songs and adds a 33rd week at the summit on Latin Streaming Songs chart, tying with Jose Feliciano’s “Feliz Navidad” for the third-most weeks at No. 1. They trail Enrique Iglesias’ “Bailando,” featuring Descemer Bueno and Gente de Zona (66 weeks at No. 1) and Luis Fonsi and Daddy Yankee’s “Despacito,” featuring Justin Bieber (59 weeks).
Hot Latin Songs’ Top 10 Takeover & Super Bowl Halftime Debut
In addition to his No. 1 extension through “DtMF,” Benito dominates the entire top 10 on Hot Latin Songs. “BAILE INoLVIDABLE” holds at No. 2 for a 16th week with significant gains in streams. The previous two-week champ registered 28.8 million clicks, up 141%, during the tracking week, rebounding to its No. 2 (from No. 10) on Streaming Songs. Plus, it debuts at No. 18 on the overall Digital Songs Sales list with 4,000 downloads sold.
“NUEVAYoL,” also on Benito’s halftime setlist, is the biggest gainer in sales. It logged 5,000 in digital sales, up 238%, holding at No. 3 on Hot Latin Songs for a ninth nonconsecutive week. That sum yields a No. 9 debut on the overall Digital Song Sales chart and a 2-3 dip on Latin Digital Song Sales.
Among the re-entries, “Tití Me Preguntó” becomes the biggest winner, returning at No. 4 with 22.6 million streams and 10,000 downloads sold.
Plus, “Super Bowl LX Halftime Show (Live)” makes its first appearance, debuting at No. 31 with 3 million U.S. clicks and 2,000 downloads after its first full tracking week.
Here’s a recap of Bad Bunny’s 29 songs on Hot Latin Songs. Among them, 11 re-entries and one debut; he’s the first artist to hold the entire top 25 in a single week, besting his takeover of the top 17 spots (Oct. 28, 2023):
No. 1, “DTMF” No. 2, “BAILE INoLVIDABLE” No. 3, “NUEVAYoL” No 4, “Tití Me Preguntó” (reentry) No 5, “EoO” No 6, “VOY A LLeVARTE PA PR” No 7, “La Canción,” with J Balvin (reentry) No 8, “MONACO” (reentry) No 9, “VeLDÁ,” with Omar Courtz & Dei V No 10, “Qué Pasaría…,” with Rauw Alejandro (reentry) No 11, “DÁKITI,” with Jhay Cortez (reentry) No 12, “Me Porto Bonito,” with Chencho Corleone (reentry) No 13, “Safaera,” with Jowell & Randy & Nengo Flow (reentry) No 14, “CAFé CON RON,” with Los Pleneros de La Cresta No 15, “WELTiTA,” with Chuwi No 16, “LA MuDANZA” No 17, “PERFuMITO NUEVO,” with RaiNao No 18, “KLOuFRENS” No 19, “Yo Perreo Sola” (reentry) No 20, “Moscow Mule” (reentry) No 21, “LO QUW LE PASÓ A HAWAii” No 22, “EL CLúB” No 23, “Party,” with Rauw Alejandro (reentry) No 24, “KETU TeCRÉ” No 25, “TURiSTA” No 26, “BOKeTE” No 28, “PIToRRO DE COCO” No 29, “El Apagón” (reentry) No 31, “Super Bowl LX Halftime Show (Live)” (debut)
Latin Streaming & Latin Digital Songs Control
Lastly, Benito holds the entire 25-position Latin Streaming Songs chart (a first), including nine re-entries. As mentioned, as “DtMF” adds a 33rd week at No. 1, it enters a tie with Jose Feliciano’s “Feliz Navidad” for the third-most weeks at No. 1 since the ranking began in 2013.
Meanwhile, the Latin Digital Song Sales chart highlights Bad Bunny’s dominance as 14 of the 15 songs on the list are his (a record), with the sole exception being Daddy Yankee’s “Gasolina,” which re-enters at No. 9 with a little over 1,000 downloads sold.
All charts (dated Feb. 21, 2026) will update on Billboard.com tomorrow, Feb. 18 (one day later than usual due to the Presidents’ Day holiday in the United States Feb. 16). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 02:32:112026-02-18 02:32:11Bad Bunny Makes History as First Artist With Entire Top 25 on Hot Latin Songs Chart
Bad Bunny‘s Super Bowl halftime show is still making waves more than a week later — including his song “DtMF” topping the Billboard Hot 100 for the first time — but that doesn’t mean we can’t start looking ahead to who might be up next for the 2027 halftime.
On the new Billboard Pop Shop Podcast, Katie & Keith are taking a closer look at the Billboard.com reader poll that went live last week asking who should headline next year’s Super Bowl halftime show, Right now, BTS is leading by a landslide, with more than 85% of the vote. It would make sense for the newly reunited Korean superstars to cap their sure-to-be-active comeback year with potentially a big Grammys night — like Kendrick Lamar and Bad Bunny have done the last two years — followed by an epic performance on the Super Bowl stage. Of course, Taylor Swift is always in the Super Bowl conversation too, and we think Post Malone could be an overwhelmingly supported pick knowing how many genres he crosses.
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And speaking of genres, there hasn’t been a country moment on the Super Bowl stage since the 1994 all-country halftime (Clint Black, Tanya Tucker, Travis Tritt and The Judds) or when Shania Twain was part of a show that also included No Doubt and Sting in 2003. Who could be the best country pick to take the massive stage?
Listen to our full discussion below:
Also on the show, for the third week in a row, we have new No. 1s on both the Billboard 200 albums chart and the Billboard Hot 100 songs chart, as J. Cole’s The Fall Off debuts atop the former while a Super Bowl-powered Bad Bunny gets his first solo No. 1 on the Hot 100 with “DtMF.”
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 02:20:342026-02-18 02:20:34The 2027 Super Bowl Halftime Discussion Has Already Kicked Off: Could BTS, Taylor Swift or Post Malone Be Up Next?
