UPDATE (MARCH 25): Two days after doubling the dates for her European residency in Madrid to six, Shakira added three new shows to the series on Wednesday (March 25).

In addition to the concerts scheduled for Sept. 18, 19, 20, 25, 26 and 27, performances have now been added for Oct. 2, 3 and 4, bringing the total to nine nights to close out the Las Mujeres Ya No Lloran World Tour in Spain.

Ticket sales will be conducted in staggered time slots: Tickets for the Sept. 25 to 27 dates will be available at 10 a.m. local time; for the Oct. 2 to 4 series at 10:30 a.m.; and for the Sep. 18 to 20 shows at 12 p.m. This schedule will apply for both the Live Nation presale Thursday (March 26) and the general sale, which begins Friday (March 27).

The residency will take place at the “Shakira Stadium,” a temporary venue specially built for the occasion in the Villaverde district, south of Madrid, with a capacity of more than 50,000 attendees per night. Organizers explained on Monday (March 23) that the venue — created under a concept called “Es Latina” — will offer much more than music, with spaces for recreation, art, gastronomy and other cultural experiences.

PREVIOUSLY (MARCH 23): Shakira’s European residency in Madrid is adding three new dates. In addition to the shows initially scheduled for Sept. 25, 26 and 27, performances have been added for Sept. 18, 19 and 20, bringing six nights of the Las Mujeres Ya No Lloran World Tour to Spain.

The news of the expansion arrives with new details about “Shakira Stadium,” a temporary venue located in the Villaverde district, south of Madrid, with a capacity of more than 50,000 attendees per night. “It’s more like a city, not just a stadium,” architect Agustín Pérez Torres, one of the designers, told Billboard Español.

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The setup — created under a concept called “Es Latina” — is expected to be completed in a matter of weeks, on a schedule conditioned by permits and planning. “All concerts are set up in record time,” he added, noting that this particular project goes beyond the stage and involves building outdoor spaces and pathways for the audience.

As part of the temporary project, Macondo Park will be created — a 37-acre space designed to be active before, during and after each concert, offering live music, art, gastronomy and other cultural experiences. Within this environment, there will also be Macondito, an area designed for children, conceived alongside Shakira’s sons, Milan and Sasha.

The concert experience offers a broader cultural format, with the idea that Madrid will serve as a meeting point for artists and creators from Latin America and Europe during the residency. The programming will combine music, film, fashion and contemporary art.

The full schedule will be announced in July, and it has been hinted that Shakira plans to invite friends and collaborators, with surprises throughout the six nights. Some of these guest appearances will take place on a second stage within the venue, which will also provide a platform for emerging talent. To view the design and more details, click here.

Promoter Pino Sagliocco, president of Live Nation Spain, told Billboard Español that this is one of the most significant projects he has ever worked on. “I truly believe the Shakira project in Madrid is a way for the world to know that we Latinos are unique,” he stated, emphasizing that the scale of the endeavor will involve hiring hundreds of people.

The residency comes in the final stretch of the Las Mujeres Ya No Lloran World Tour, which became the highest-grossing tour of all time by a Hispanic artist, grossing $421.6 million and selling 3.3 million tickets across 86 shows, according to figures reported to Billboard Boxscore.

That momentum was recently reflected in Mexico City, where Shakira broke attendance records at the GNP Seguros Stadium with 13 sold-out dates, surpassing 800,000 tickets sold, before culminating her trek in the Latin American country with a historic free show at the Zócalo square before 400,000 people on March 1.

Before her arrival in Spain, the artist will perform on May 2 at the Brazilian beach of Copacabana, where organizers expect an audience of at least 1 million people. Pre-sales for the new dates in Madrid will begin March 24 for those registered on her official website, followed by different phases on March 25 and 26. General sales will open March 27. For tickets, click here.


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Alan Jackson is launching his own festival this summer when the inaugural 5 O’Clock Somewhere Fest comes to The Palm Beaches Waterfront Commons in West Palm Beach, Fla., on June 12-13.

Ella Langley, Old Dominion and Jimmy Buffett’s Coral Reefer Band will headline the festival, which also includes performance sets from Dylan Scott, Clint Black, Shenandoah, John Anderson, Rodney Atkins, the Jimmy Buffett tribute band Jammy Buffet, and Allen Stone. Comedian Dusty Slay and SiriusXM Radio Margaritaville’s JD Spradlin will host the fest.

Jackson directly played a role in the fest’s creation and conceptualization. He shared in a statement: “I’ve gotten to enjoy so many experiences at my concerts over the years. I’m not touring anymore, but I like the idea of still being able to give people an opportunity to have a ‘Good Time’ and enjoy some great country music while they do.”

The fest, which takes inspiration from Jackson’s 2003 collaboration with Jimmy Buffet, will take place in the region Jackson filmed the song’s music video, and the area where Jackson also once had a home.

“After 15 years of working with Alan, I’ve seen how much the beach lifestyle and that ‘Five O’Clock Somewhere’ mindset mean to him,” longtime Alan Jackson Tour Manager and Peachtree Entertainment’s CEO Nathan Baugh said in a statement. “It’s not just a song — it’s how he lives. This festival is a natural extension of that. At Peachtree, we focus on creating real, memorable experiences, and this one is special because it’s rooted in Alan’s story and a place he’s always loved.”

The festival has partnered with StubHub to introduce a safe and secure fan-to-fan ticket exchange, giving fans access to sold-out ticket types and the ability to purchase verified tickets directly through the official platform if fans’ plans change. Tickets will go on sale Friday, March 27, and the festival will also feature VIP experiences such as chef-curated food and beverages, dedicated entrances, air-conditioned spaces and premium platform viewing options.

This year, Jackson will also play his “finale” concert in Nashville at Nissan Stadium on June 27. The concert will celebrate the Country Music Hall of Famer’s four decades of shaping country music and releasing enduring hits. The concert will feature performances from artists including Luke Bryan, Eric Church, Luke Combs, Riley Green, Cody Johnson, Miranda Lambert, Jon Pardi, Keith Urban, Carrie Underwood and Lee Ann Womack.


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The 2025 iHeartRadio Music Awards will feature performances from Alex Warren, Lainey Wilson, RAYE and Kehlani, as well as host Ludacris and, for the first time together, TLC, Salt-N-Pepa and En Vogue. The show will air live from the Dolby Theatre in Los Angeles on Fox on Thursday night (March 26) from 8-10 p.m. ET (tape-delayed on the West Coast) and on iHeartRadio stations nationwide and on the iHeartRadio app.

As previously announced, the show will also feature a special appearance by this year’s most-nominated artist, Taylor Swift, who has nine noms going into the show. Heartland rocker John Mellencamp will be presented with this year’s iHeartRadio Icon Award, honoring the rocker’s five-decade career, which has spawned such iconic hits as “Jack & Diane,” “Pink Houses” and “Small Town,” among many others.

In addition to performing and hosting, rapper Ludacris will receive the 2026 iHeartRadio Landmark Award, Miley Cyrus will be presented the 2026 iHeartRadio Innovator Award and “Ordinary” singer Warren will take home the 2026 iHeartRadio Breakthrough Artist of the Year Award.

The 13th annual awards that celebrate the most-played artists and songs on iHeartRadio stations and the iHeartRadio app throughout 2025 will also feature special appearances from 2026 Winter Olympic gold medalist Alysa Liu, Ne-Yo, Nicole Scherzinger, comedian Nikki Glaser, sombr, Weezer and others.

The all-star performance from TLC, Salt-N-Pepa and En Vogue comes just days after the titanic trio announced the dates for their upcoming It’s Iconic joint tour, a first-ever co-headlining trip that will bring together three of the most influential hip-hop/R&B girl groups of the modern era.

Among the artists receiving multiple nominations this year are: Warren, Bad Bunny, Benson Boone, BLACKPINK, Chris Brown, Ed Sheeran, Ella Langley, GloRilla, Grupo Frontera, HUNTR/X, Jelly Roll, JENNIE, j-hope, KATSEYE, Kendrick Lamar and Lady Gaga, among others.


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The Guggenheim in New York City is one of the most famous art museums in the world, and on the morning of Wednesday (March 25), BTS descended on the landmark to add a little performance art to its galleries ahead of the band’s Tonight Show Starring Jimmy Fallon appearance.

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Billboard was on the scene as RM, Jin, Suga, j-hope, Jimin, V and Jung Kook sang and danced to two tracks from their new album, ARIRANG, which dropped earlier in March. One of them was “SWIM,” the project’s lead single, while the other was “2.0.”

There were about 150 fans invited to the top-secret performance, and no phones were allowed. The septet performed the two tracks in the Guggenheim’s striking multi-story round in the main lobby — and while RM was able to dance for “SWIM,” he sat on a stool during “2.0” as he recovers from the ankle injury he suffered shortly prior to BTS’ March 21 comeback show in Seoul.

As previously announced, the Bangtan Boys will appear on The Tonight Show Starring Jimmy Fallon on Wednesday night for their first full-group late-night interview since reuniting. One of BTS’ Guggenheim performances from Wednesday morning will air during the episode, while the second will be shown to Fallon viewers on Thursday (March 26).

The Guggenheim showcase and Fallon interview come as BTS has been promoting ARIRANG — the group’s first full-length since 2020’s Billboard 200-topper Be — in New York City. A few days prior, the members answered ARMY questions and performed for an immersive Spotify fan event.

Check out BTS’ interview and the first of the band’s two Guggenheim performances when Fallon airs at 11:35 p.m. on NBC.

Reporting by Danielle Pascual.


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The 2025 iHeartRadio Music Awards will feature performances from Alex Warren, Lainey Wilson, RAYE and Kehlani, as well as host Ludacris and, for the first time together, TLC, Salt-N-Pepa and En Vogue. The show will air live from the Dolby Theatre in Los Angeles on Fox on Thursday night (March 26) from 8-10 p.m. ET (tape-delayed on the West Coast) and on iHeartRadio stations nationwide and on the iHeartRadio app.

As previously announced, the show will also feature a special appearance by this year’s most-nominated artist, Taylor Swift, who has nine noms going into the show. Heartland rocker John Mellencamp will be presented with this year’s iHeartRadio Icon Award, honoring the rocker’s five-decade career, which has spawned such iconic hits as “Jack & Diane,” “Pink Houses” and “Small Town,” among many others.

In addition to performing and hosting, rapper Ludacris will receive the 2026 iHeartRadio Landmark Award, Miley Cyrus will be presented the 2026 iHeartRadio Innovator Award and “Ordinary” singer Warren will take home the 2026 iHeartRadio Breakthrough Artist of the Year Award.

The 13th annual awards that celebrate the most-played artists and songs on iHeartRadio stations and the iHeartRadio app throughout 2025 will also feature special appearances from 2026 Winter Olympic gold medalist Alysa Liu, Ne-Yo, Nicole Scherzinger, comedian Nikki Glaser, sombr, Weezer and others.

The all-star performance from TLC, Salt-N-Pepa and En Vogue comes just days after the titanic trio announced the dates for their upcoming It’s Iconic joint tour, a first-ever co-headlining trip that will bring together three of the most influential hip-hop/R&B girl groups of the modern era.

Among the artists receiving multiple nominations this year are: Warren, Bad Bunny, Benson Boone, BLACKPINK, Chris Brown, Ed Sheeran, Ella Langley, GloRilla, Grupo Frontera, HUNTR/X, Jelly Roll, JENNIE, j-hope, KATSEYE, Kendrick Lamar and Lady Gaga, among others.


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A lot of fans have Taylor Swift posters up on their walls at home, and Travis Kelce is no different — his “home” just happens to be Arrowhead Stadium, where the tight end recently returned to sign his new contract with the Kansas City Chiefs.

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In a clip posted by the team on Monday (March 23), Kelce strolls through the familiar corridors of Arrowhead — his home away from home — walking by wall posters of famous faces who have previously visited the venue. One of them, of course, was a certain 14-time Grammy winner, who played two shows on her global Eras Tour trek there (with her future fiancé, who’d later lament his inability to meet her backstage afterward, in the crowd).

As the football player went past the image of his superstar fiancée standing on stage while taking in the crowd at Arrowhead, he throws up a hand to sweetly wave at her and mouths the word “Hi.”

“Home sweet home!” he then tells the camera.

The video then shows Kelce signing papers, presumably the three-year $57.7 million contract he signed to continue his 13-year career with the Chiefs. His official commitment to more time with the team comes after months of rumors that he’d be hanging up his helmet after this past season.

In a recent interview, the Grotesquerie star said that Swift was a big reason he decided to return for a 14th season. “We share the same love for what we do,” he told Pat McAfee earlier in March. “We’ve had this desire since we were kids in our selective professions.”

See the moment Kelce saw Swift’s poster in the halls of Arrowhead Stadium below.


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It’s time to celebrate the very best of the internet and who better to lead the charge than one of the internet’s favorite comedians?

The Webby Awards announced on Wednesday (March 25) that Emmy-nominated comedian Josh Johnson will host this year’s awards ceremony. Fresh off his sold-out Flowers Tour, Johnson will take to the stage on May 11 to entertain attendees, guide the awards ceremony and ensure that all winners keep to the Webby’s time-honored tradition of five-word acceptance speeches.

The Webby awards are presented by the International Academy of Digital Arts and Sciences (IADAS) and spotlight all corners of internet greatness. Nominees and winners run the gamut of digital creativity, from viral memes to popular podcasters to trailblazing filmmakers. Nominees for this year’s Webby Awards won’t be announced until Tuesday (March 31), but looking at previous years, there’s bound to be a selection of incredible musicians included.

In 2025, Gracie Abrams, Rihanna and Snoop Dogg were awarded with Webbys, as were Taylor Swift, Selena Gomez, Kendrick Lamar and Ariana Grande.

As the Webby Awards gear up for their 30th year, they are looking back at some of the greatest achievements in internet history, including their list of the Most Iconic Companies in Internet History. Included in the roundup are Spotify for revolutionizing streaming, NPR for work like their Tiny Desk Concerts series and TikTok for helping musicians top charts through sharing short videos.

The Webby Awards will be presented live on Monday, May 11, at Cipriani Wall Street in New York City and streamed on the Webby Awards YouTube channel.

The U.S. Supreme Court on Wednesday (March 25) rejected a billion-dollar music piracy lawsuit filed by the major labels against telecom giant Cox Communications, ruling that the internet service provider cannot be held responsible for infringement by its users.

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In a decision against Universal Music Group, Sony Music Entertainment and Warner Music, the justices unanimously overturned an earlier ruling that held Cox liable for thousands of songs illegally shared by its users — a decision that led a staggering $1 billion infringement verdict in 2019.

“Countless people use the Internet for legal activities, but some use it to illegally share copyrighted works, such as songs and movies,” Justice Clarence Thomas wrote for the court. “Under our precedents, a company is not liable as a copyright infringer for merely providing a service to the general public with knowledge that it will be used by some to infringe copyrights.”

UMG, Sony and WMG teamed up to sue Cox in 2018, claiming the internet provider itself was legally responsible for enabling the digital sins of its users. The labels claimed Cox had received hundreds of thousands of notices about piracy, but had never permanently terminated a single subscriber accused of stealing music.

In December 2019, a jury issued a verdict holding Cox liable for helping users infringe more than 10,000 songs, awarding the labels more than $99,000 per song — adding up to a whopping $1 billion fine.

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Before the Supreme Court, Cox argued the case “jeopardizes internet access for millions of users” by forcing ISPs to terminate users rather than risk billions in legal damages. The labels argued such fears were overblown and designed to distract from the facts of the case: “Cox made a deliberate and egregious decision to elevate its own profits over compliance with the law,” the claimed.

But in Wednesday’s ruling, the justices sided with Cox — ruling that an ISP can only be held responsible “if it intended that the provided service be used for infringement” and not merely if it was aware of certain bad actors.

“Cox neither induced its users’ infringement nor provided a service tailored to infringement,” the court wrote. “Accordingly, Cox is not contributorily liable for the infringement of Sony’s copyrights.”

IVE is expanding its world tour, with the girl group exclusively announcing via Billboard on Wednesday (March 25) that the <SHOW WHAT I AM> world tour will now include a slew of dates in North America and additional performances in Asia.

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After bandmates ANYUJIN, GAEUL, REI, JANG WONYOUNG, LIZ and LEESEO finish their previously announced run of shows in Asia, Australia and New Zealand, they will keep their trek going with a string of performances in Canada and the United States kicking off in late July. Following stops in Toronto and Montreal, the ladies will perform in New Jersey, Texas, California and Washington before circling back up north for a show in Vancouver, B.C.

Then, in September, IVE will proceed as planned with its previously announced shows in China and Taiwan.

The sextet tells Billboard, “We’re so excited to finally meet our fans around the world on this tour!”

“We worked hard to show our unique style and growth, and we can’t wait to share it with as many fans as possible in person,” the bandmates continue. “There are so many songs we’re excited to perform live, including new tracks from REVIVE+. Each member has also prepared a special solo stage, so fans can see some fun and unexpected sides of us too. We’re really looking forward to it!”

IVE dropped 12-track album REVIVE+ in February, which reached No. 3 on Billboard‘s World Albums chart. It came about three years after the girl group last dropped a full-length, with I’ve IVE arriving in April 2023.

The <SHOW WHAT I AM> tour is sure to be in high demand, given the success of IVE’s 2024 trek. The band members closed out with the seventh-highest grossing K-pop tour of that year, raking in $10.8 million over the course of just 10 shows, according to numbers reported to Billboard Boxscore.

See IVE’s full list of <SHOW WHAT I AM> tour dates, with the new shows in bold, below, and see the tour teaser video above:

  • April 4 – Kuala Lumpur, Malaysia – Axiata Arena
  • April 25 – Manila, Philippines – SM Mall of Asia Arena
  • May 9 – Singapore – Singapore Indoor Stadium
  • May 23 – Macao – The Venetian Arena
  • May 24 – Macao – The Venetian Arena
  • June 13 – Sydney – Qudos Bank Arena
  • June 16 – Melbourne, Australia – Rod Laver Arena
  • June 20 – Auckland, New Zealand – Spark Arena
  • July 21 – Toronto, Ontario – Scotiabank Arena
  • July 23 – Montreal, Quebec – Bell Centre
  • July 25 – Newark, N.J. – Prudential Center
  • July 29 – Austin, Texas – Moody Center
  • Aug. 1 – Los Angeles – Kia Forum
  • Aug. 4 – Oakland, Calif. – Oakland Arena
  • Aug. 7 – Seattle – Climate Pledge Arena
  • Aug. 9 – Vancouver, B.C. – Rogers Arena
  • Sept. 4 – Hong Kong – Asia World Arena
  • Sept. 5 – Hong Kong – Asia World Arena
  • Sept. 11 – Taipei, Taiwan Taipei Arena
  • Sept. 12 – Taipei, Taiwan Taipei Arena


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How do songs go viral in today’s music landscape? And why has making it as an artist never been more strategic? Jesse Coren and Andrew Spelman, co-founders of Chaotic Good, joined Billboard On The Record for a live episode at SXSW to break it all down. Speaking from their experience building one of the leading viral marketing agencies in music, they explain how TikTok trends, niche audiences and volume-driven campaigns shape which songs take off. Coren and Spelman share how they simulate trends, optimize placements and use data to help artists reach the right listeners while freeing them to focus on their art. From algorithm insights to creative strategy, they reveal what it really takes to turn a song into a hit and navigate the fast-changing world of music discovery.

Love what you hear? Follow Billboard On The Record on Instagram, Apple Podcasts, Spotify and Youtube @billboard so you never miss an episode.

Billboard On The Record is a podcast in partnership with SickBird Productions. 

Kristin Robinson:

How do songs really go viral? Sure, it could be something as simple as a single singing video posted to TikTok that just totally explodes, but now trying to engineer virality has become a big business in the industry. Perhaps no one knows more about how modern songs go viral than my guests today, Jesse Coren and Andrew Spelman, two of the co-founders of Chaotic Good. These are some of the music industry’s go to digital marketers from Gies to Zara Larson, Travis Scott and Alex Warren. The Chaotic Good team has had a hand in making sure new songs reach listeners in a time when 100,000 songs are uploaded every day, and AI slot makes it harder to find good new hits than ever. All right, hello, hello, hello. Welcome back to our second live taped episode of On the Record, which is Billboard’s new music business podcast. We are going to discuss all things virality. How do songs go viral today in this incredibly crowded landscape? I’m joined here by Jesse Coren and Andrew Spelman. They are the founders of Chaotic Good, which is a digital agency used by so many people it’s hard to count, but a lot of labels hire them, artists managers, all in the service of breaking their songs online. So thank you guys for being here. All right, okay, so I figured that we could start by just talking about the history of TikTok marketing, the very short history of Tiktok marketing because it’s already changed. The online landscape has already changed a million times since TikTok was, you know, popularized in like, about 2020, so, Andrew, do you mind explaining to me, like, kind of the the progression of TikTok marketing for artists.

Keep watching for more!