All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

You can finally glow like 16-time Grammy winner Alicia Keys with her skincare and makeup brand Keys Soulcare. As part of her mission to help inspire confidence and embrace one’s inner glow, the brand is releasing a brand-new Let Me Glow Illuminating Serum and Makeup Primer on Tuesday (Oct. 29).

Preorders have opened for the Let Me Glow Illuminating Serum in three different shades: Moonstone Aura, Bronze Aura and Gold Aura. Each shade represents a crystal that creates a different glow. Moonstone Aura has a cool glow for self-discovery, Bronze Aura gives off a warm bronze look for courage, and Gold Aura highlights a neutral golden light inspired by the Golden Healer Quartz for manifestation.

The inspiration behind the launch came from the 43-year-old’s own beauty routine.

“Crystals are a big part of my self-care ritual,” she said in a press release. “I love how they make me feel.”

The illuminating serum is suitable for all skin types from oily to dry. Plus, it offers hydrating and skin-loving ingredients that can nourish your skin without causing irritation like: niacinimide, rose water, squalane and amethyst crystal.

Let Me Glow Illuminating Serum & Makeup Primer

$24.70 $26 5% off

Pre-Order Now On Amazon

This grammy winner-approved serum can help brighten and plump your skin while providing a radiant, dewy highlight. If you’re unfamiliar with these skincare ingredients, here’s a glimpse into their distinctive properties. Niacinamide can help improve skin texture and enhance overall radiance while rose water can help “replenish dry and dull skin,” according to the brand. That’s not all: squalane can help hydrate the skin and amethyst crystal can help sooth inflammation and promote healing.

---

It’s also fragrance-free for those with sensitive skin — plus, it acts as both a serum and primer to help boost your skin’s inner glow without leaving it feeling weighed down.

For the “Girl On Fire” singer, ingredients play a key part in crafting a skincare product that’s both effective and safe on skin.

“The Keys Soulcare concept is about efficacious ingredients and learning how to connect to your inner self so the reflection on the outside is brilliant,” she said in a press release. “This is the secret to the glow that everyone asks me about.”

For more product recommendations, check out Selena Gomez’s Rare Beauty Body Wash collection, this La Roche-Posay moisturizer and cleanser and these Starface’s Hydro-Star Pimple Patches to add to your skincare routine.

Singer-songwriter Mariya Takeuchi sat down with Billboard Japan for its Monthly Feature interview series highlighting today’s leading artists and works. The veteran artist recently released her first studio album in a decade called Precious Days.

The 18-track set illuminates the daily lives of her listeners from different angles through a wide variety of musical styles. Billboard Japan asked Takeuchi to share her thoughts on her recent project, and also to comment on the “city pop” revival in recent years, which has launched her vintage hit song “Plastic Love” from 1984, among others, into the global limelight.

As the title Precious Days suggests, the mood that runs throughout the album as one of its themes is the value of each irreplaceable day in our lives.

When I do tie-ins, I write songs based on the themes I’m given, and recently I’ve been getting a lot of requests for songs with themes like encouraging people or cheering them up. I guess that reflects the times to some extent. It’s a time of uncertainty, so people are feeling uneasy and want to be cheered up, you know?

So as a result, it became an album that’s in tune with the times.

That’s what happened. I’ve always wanted to sing songs that are irrelevant to age, and I think I’ve been able to achieve that.

It seems to me you’ve been delivering music to a wide range of listeners throughout your career. Why did you focus on that sentiment again this time?

I didn’t particularly think about generations write writing the songs, but I do think there are certain emotions that are commonly sought after. I want to make music that is universal, both the words and the sound, and won’t be considered old even after 20 or 30 years. That’s what Tatsuro Yamashita (co-producer of the album) is most careful about. He does the same when making his own music, and he does it when producing mine.

That aesthetic is probably connected to the revival of city pop. Regarding the rediscovery both in Japan and abroad of ‘80s and ‘90s retro Japanese pop music, have you had opportunities to personally experience that movement?

A lot recently, yes. When I was checking to see who was listening to “Plastic Love,” I saw comments written in Russian and Korean and more. I have a niece who lives in Canada, and she says that people are surprised when she tells them the singer on “Plastic Love” is her aunt. Also, I studied abroad in Illinois long ago, and apparently the grandchild of my host sister at the time went to an electrical appliance store where they kept playing songs by Tatsuro and me. When they said, “That person was at my grandma’s house for a year,” the people at the store were surprised. I’m just so grateful, because those songs are 40 years old.

Why do you think city pop music is loved by people of all ages and nationalities?

I think maybe people find it unusual, in that it’s not the uniform sound of machines and that Japanese players were doing something that sounded like Western music by hand in the analog ‘80s. I imagine people were surprised to discover that young people in Asia they didn’t know about at the time were doing something like this with an awareness of the real thing, including Tatsuro’s arranging prowess.

We were certainly aiming to make something good and to create a sound influenced by Western music, but we weren’t trying to sell it in the Western music market. It was more like, “That sounds cool, doesn’t it?” But you know, it had power. The studio musicians were highly proficient, and above all, Tatsuro’s arrangements were perfect. I think that’s why it held up over time. It proves that the players’ performances were good enough to go out into the world, so it’s a really happy phenomenon.

Did the city pop revival also lead to the universality of your latest album?

Universality has been the starting point from the very beginning. From the time I made my debut, pop music, in whatever form it takes, has always been about aiming to create something that people will listen to and sing for a long time, and that could become a standard. I’ve always kept that in mind and tried to do my best. It’s fun to listen to music while thinking about what’s popular at the moment, but there are many other artists who make that kind of music, so I’m always trying to figure out what people want from me.

Could you tell us why you named your project Precious Days?

When a few songs were ready, it occurred to me that I was singing about “irreplaceable days.” At the same time, I happened to have a number of songs with the word day in them, like “Brighten up your day!,” “Days of Love,” and “Smiling Days,” so I figured if I was going to name the album “something Day,” then it would be “Precious.”

“Have a Good Time Here” was written as the theme song for Pokémon Concierge on Netflix and must have reached a wide range of listeners.

I had a lot of fun making that song, too. If I hadn’t been tapped to write it, I probably wouldn’t have thought to make a track in the style of samba. It was inspired by the Pokémon Resort. I was asked to write a song that would encourage the main character Haru and the Pokémon.

“Watching Over You” is a collaboration with singer-songwriter Anri. You both made your debut in the same year, class of ’78.

Yes, we made our debut around the same time. I talk to Anri on the phone from time to time. A long time ago, I happened to run into her in L.A. Bruce Springsteen was swimming in the hotel pool, and we were both young, so we went up to him and asked him things like, “Aren’t you coming to Japan to do shows?” and so on. [Laughs]

When artists like you continue to make new studio albums, regardless of the length of their careers, it must be reassuring and encouraging for both their fans and other artists.

I think you have to keep doing that to stay relevant. It’s possible to keep going just by singing old songs, but you have to keep creating new things. For example, I’m a huge Beatles fan and if I were to go to a Paul McCartney concert, I’d want him to do Beatles songs for sure. But I’m pretty certain he definitely wants you to listen to his new releases, too. Maybe “Yesterday” is the song that really gets you, but there’s significance in artists performing new ones, and that’s what makes the classics shine too.

It’s about how many songs I can create that make people think, “I want her to do that one.” They’ll become the density of time that I can share with everyone as we grow older, so I try not to stand still and think, “I’ll just play those songs.” Accumulating new songs while mixing in some old favorites for people to hear. I think that’s the most beautiful way to be, though it’s hard. And because that’s something I can only do if I’m in good physical condition, I hope I can stay healthy for a long time, thinking, “I want to write a song like that” and keep plugging away.

Adele is sharing her gratitude for Celine Dion, who surprised the “Rolling in the Deep” singer by attending one of her Las Vegas residency shows at Colosseum at Caesars Palace on Saturday (Oct. 26).

Alongside an emotional photo of the duo embracing at the concert, Adele took to social media to share a sweet note. “I have been performing in Celine Dion’s room at the Colosseum for almost 2 years now. 4 weeks to go,” she began. “It was the only venue I wanted to play in Vegas because it was built for her. I have a picture of her right next to the stage that I touch every night before I walk on and she came to the show this weekend and it was a surprise and it was a MOMENT!!”

Dion — who opened the Colosseum with her first residency in 2003 — was seated beside her sons, Nelson and Eddy Angélil, in a side box at the venue. In a fan-captured video posted to X, Adele noticed her while she was performing “When We Were Young” and began to cry. The legendary Canadian singer is seen holding Adele’s face and kissing her hand, before Adele waved to nearby fans and returned to the stage.

“Celine I love you so very very much,” Adele continued in her note. “Words will never sum up what you mean to me, or what you coming to my show means, let alone how it felt seeing you back in your palace with your beautiful family. I have loved being there it has been such an honor and Saturday night will be something I remember forever and ever. Such a full circle moment for me to be there with you.”

See the full note here.

Following a Donald Trump rally at Madison Square Garden over the weekend that included racist and derogatory comments about Latinos, Puerto Rico and others, a representative for the Manhattan arena distanced itself from highly publicized remarks but stopped short of condemning the comments.

“As a business we are neutral in political matters,” the rep says in a statement provided to Billboard. “We rent to either side. We don’t censor artists, performers or speakers.”

The statement follows an appearance at the rally by comedian Tony Hinchcliffe, whose 12-minute address involved a series of disparaging remarks about Palestinians, Jewish people, Latinos, major musical stars and more.

“These Latinos, they love making babies, just know that. They do. There’s no pulling out. They don’t do that. They come inside, just like they did to our country,” said Hinchcliffe, host of the popular live comedy podcast Kill Tony. He followed that statement by saying, “There’s literally a floating island of garbage in the middle of the ocean right now. I think it’s called Puerto Rico.”

This latter statement garnered swift and widespread backlash, with Democratic nominee Kamala Harris quickly releasing a video pledging to do her best for the citizens of the island. Harris’ video was boosted by myriad Puerto Rican artists including Bad Bunny, Jennifer Lopez, Ricky Martin and Luis Fonsi.

On Monday (Oct. 28), Marc Anthony also responded, writing on X (formerly Twitter) that “[Trump] launched his campaign by calling Latinos criminals and rapists. He’s told us what he’ll do. He’ll separate children from their families and threatened to use the ARMY to do it This election goes way beyond political parties… And that’s why I support Kamala Harris for President.”

For the Sunday (Oct. 27) rally, the Trump campaign rented Madison Square Garden, which has been used for a number of political events over its long history, including both the Democratic and Republican National Conventions. During the rally, the Democratic National Committee projected messages on the side of the venue, including one that read “Trump Praised Hitler.” (To wit, in 1939, Madison Square Garden hosted a rally for the American Nazi party that was billed as a “pro-Americanism” and attended by approximately 20,000 people. The American Nazi party was later outlawed following Adolf Hitler’s declaration of war against the U.S. following the Japanese attacks on Pearl Harbor at the end of 1941.)

In addition to his other remarks, Hinchecliff’s speech included several derogatory statements about major music stars. “I don’t know about you, but I think that Travis Kelce might be the next O.J. Simpson,” he said in reference to the boyfriend of Taylor Swift, whom Trump lashed out at on X (formerly Twitter) after the superstar endorsed Harris for president in September.

The comedian also referenced Harris supporters Leonardo DiCaprio, Eminem and Beyoncè, saying that “every day the Democratic party looks more like a P. Diddy party.”

During his speech, Trump himself called Madison Square Garden “incredible” and thanked MSG Entertainment CEO James Dolan, a registered Democrat who’s been friends with Trump for more three decades. “I want to thank Jim Dolan,” Trump said. “He’s been incredible. He’s been just incredible. The job they’ve done. The job they’ve done. Thank you.”