Anthony Raneri says the person least surprised that his band Bayside is still around to celebrate its 25th anniversary may be the teenage version of himself, the one from Queens, NY, who knew he wanted to be a rock star.

“I was just so sure it was gonna happen,” Raneri, 42, tells Billboard. “You could ask me (at a different age) and I would be shocked there was a version of me still doing this. But at 15 or something, I was just so sure. I started this band so young that reality never factored in. I was a kid. I was a dreamer. Bills weren’t part of my life. It was all hopes and dreams at that point. I was too young to know better. And now fast forward…and it’s actually happened.”

Raneri and Bayside — which still includes first-album member Jack O’Shea on guitar, with Nick Ghanbarian on bass since 2004 and drummer Chris Guglielmo since 2006 — will be celebrating the group’s overall 25th anniversary this spring with The Errors Tour. The three-leg outing kicks off March 29 in Buffalo, NY, and all but one of its 23 stops will be two-night affairs with completely different setlists; the first show will feature songs from Bayside’s first four albums, and the second from the subsequent five titles, leading up to last year’s There Are Worse Things Than Being Alive.

“We conceptualized this years ago, and we decided the 25th anniversary was the right time to put it into place,” Raneri explains. “Every tour we try to shake things up a little bit. It can’t just be the same show all the time. At this point in our career, with the back catalog we have, so many singles over the years, it’s hard to get songs into the setlist. That means track eight on our first record or track five on our fifth record, when do you ever get to that? So this way, if we can dedicate an hour and a half to just the first four records and then the next night to the next five, we get to those deeper cuts and songs that have been left out, which makes it more interesting for us and, I think, for the fans.”

Not surprisingly, Raneri says preparations for the tour have been “very intense” for the quartet. In addition to its own choices Bayside solicited fan requests via social media, which yielded surprises such as “Indiana,” a B-side from 2014’s Cult that also appeared as a bonus track on a deluxe edition of the album.

“We’ve bought into the concept,” Raneri says. “The cool thing about our band, and something we’re so insanely lucky with, is that we can pull something like this off. There’s a lot of bands that exist that have as many records as we do that couldn’t dedicate nights of a tour to newer albums. But we’re lucky that people like and buy and still enjoy our new albums. Our anniversary doesn’t mean we have to go out and just play old records.”

Bayside has, of course, scored some must-play hits from its nine albums as well as EPs, including “Devotion and Desire” from its self-titled 2005 set and “Sick, Sick, Sick,” a top 40 Alternative Airplay chart hit from 2010’s Killing Time. “The second night might not have ‘Devotion and Desire,’” Raneri notes, “but ‘Sick, Sick, Sick,’ it’s crazy to think that’s in the second half of our career, and ‘Already Gone’ and ‘Go To Hell.’ I think there’s plenty to keep people happy either night, if you don’t come for both.”

Raneri feels he and his bandmates have become “more proficient” players during the intervening years, while diving deep into the catalog has given him a perspective on why Bayside has been able to maintain a loyal following for all this time.

“I just think there is an honesty in what bands from our world have always done that’s different than other genres,” he explains. “What we do, it’s not image stuff. With other genres, there’s a lot of things that are of their time. You look at A Flock of Seagulls or something like that, and it’s just so ’80s; they look like the time, they sound like the time, the lyrics are of the time. Same thing with hair metal: [Cinderella’s] ‘Hot and Bothered’ is a bad-ass song when you’re in high school, but when you’re 40 or 50 does it still connect like that? Do you still wear your hair like that? Do you still dress like that? Of course not. I think our scene, it’s earnest as a pillar of its identity. The emotions are more timeless and not as much about the moment the (songs) were made in.”

Raneri and company plan on adding to Bayside’s catalog soon. The group is concentrating on The Errors Tour for the time being, but the frontman promises that “the day after our big, final 25th anniversary show on Long Island (Sept. 26), I’m writing the new record, and that will be our main focus. All of next year we’ll be working on a new record.

“I always start with finding influences,” Raneri explains, “so I’m just listening to a lot of music, and I’m writing down ideas. When I hear a song that I think would be a cool inspiration for something, I write it down. I have notepads around my house with my ideas, notes apps in my phone, playlists that I’ve made of songs I want to take inspiration from for the next record. I’m not at a stage where I know what that inspiration turns into, but I’m shaping. It’s almost like I’m making this very large Pinterest board in my head, and then when it comes time to actually put pen to paper, I’ll have that board to reference.”

Bayside
Bayside


Bayside’s The Errors Tour itinerary includes:

(with Sincere Engineer)
3/29 – Buffalo, NY @ Town Ballroom
3/30 – Buffalo, NY @ Town Ballroom
4/1 – Toronto, ON @ The Opera House
4/2– Toronto, ON @ The Opera House
4/4 – Cleveland, OH @ House of Blues
4/5 – Cleveland, OH @ House of Blues
4/6 – Chicago, IL @ House of Blues
4/7 – Chicago, IL @ House of Blues
4/9 – Detroit, MI @ Majestic Theatre
4/10 – Detroit, MI @ Majestic Theatre

(with Smoking Popes)
6/6 – Denver, CO @ Summit Theater
6/7 – Denver, CO @ Summit Theater
6/8 – Salt Lake City, UT @ The Depot
6/9 – Salt Lake City, UT @ The Depot
6/11 – Seattle, WA @ The Showbox
6/12 – Seattle, WA @ The Showbox
6/13 – Portland, OR @ Revolution Hall
6/14 – Portland, OR @ Revolution Hall
6/16 – San Francisco, CA @ August Hall
6/17 – San Francisco, CA @ August Hall
6/19 – Anaheim, CA @ House of Blues
6/20 – Anaheim, CA @ House of Blues
6/21 – Las Vegas, NV @ Fremont Country Club
6/22 – Las Vegas, NV @ Fremont Country Club
6/24 – Mesa, AZ @ The Nile
6/25 – Mesa, AZ @ The Nile
6/27 -Austin, TX @ Emo’s
6/28 -Austin, TX @ Emo’s

(with The Sleeping)
9/6 – Lake Buena Vista, FL @ House of Blues
9/7 – Lake Buena Vista, FL @ House of Blues
9/8 – Atlanta, GA @ The Masquerade (Hell)
9/9 – Atlanta, GA @ The Masquerade (Hell)
9/11 – Nashville, TN @ Main Stage at Eastside Bowl
9/12 – Nashville, TN @ Main Stage at Eastside Bowl
9/13 – Charlotte, NC @ The Underground
9/14 – Charlotte, NC @ The Underground
9/16 – Philadelphia, PA @ Brooklyn Bowl
9/17 – Philadelphia, PA @ Brooklyn Bowl
9/19 – New York, NY @ Irving Plaza
9/20 – New York, NY @ Irving Plaza
9/21 – Boston, MA @ Paradise Rock Club
9/22 – Boston, MA @ Paradise Rock Club
9/24 – Asbury Park, NJ @ Stone Pony
9/25 – Asbury Park, NJ @ Stone Pony
9/26 – Huntington, NY @ The Paramount

Who knew Playboi Carti did his own stunts?

After releasing a deluxe version of his No. 1 album Music — which included four new songs in “Different Day,” “2024,” “Backr00ms” and “FOMDJ” — Carti dropped the video for the latter and channeled Tom Cruise by not needing a stuntman.

After the video went up on YouTube, the Atlanta rapper posted a screenshot on his Opium Instagram page of himself standing on top of a pickup truck with a caption that reads, “I went Tom Cruise. No edit dis s–t real movin car all dat.” He also hung out the truck’s window like the Joker and got a new face tat in the video.

Music marks his second album to reach the top of the albums chart — after 2020’s Whole Lotta Red — with 298,000 equivalent album units earned in the U.S. in the week ending March 20, according to Luminate.

He’s also the third artist in history — and first rapper — to chart more than 30 songs on the Billboard Hot 100 in a single week, with “Evil J0rdan” sitting at No. 2 and “Rather Lie” featuring The Weeknd at No. 4. The rest are peppered throughout, with “Walk” ranking the lowest at No. 96.

And while Kendrick and SZA‘s song “Luther” still dominates the Hot 100, the Compton rapper’s three Carti features “Good Credit,” “Backd00r” with Jhené Aiko and “Mojo Jojo” sit at No. 17, No. 25, and No. 17, respectively.

This is the second video to drop from the album in recent weeks, with “Like Weezy” being the first. The videos for “2024,” “Backr00ms,” and “Evil J0rdan” were released over the last year on Instagram and YouTube.

Check out the “FOMDJ” below.

The Long Feng art car will serve as the stage for the upcoming Framework in the Desert parties happening around the first weekend of Coachella 2025.

Related

Electronic events producer Framework announced Wednesday (March 26) that the lineups for these parties will feature Dutch producer Mau P, Manchester’s Interplanetary Criminal and California native Max Styler on Saturday, April 12, and Alesso playing one of his underground Body Hi sets on Sunday, April 13, with special guests Francier Mercier and Layton Giordani. The lineup for Friday, April 11, will be announced in the coming weeks.

Framework in the Desert will be the first time that the Long Feng art car has appeared outside of Burning Man, where it made its debut last year. Featuring sets by a flurry of underground DJs, the car was an immediate standout for both its Funktion-One sound system and dragon design.

These festival afterparties are happening at the Atlantic Aviation airport hangar in Thermal, Calif., a few miles from the Coachella site. Tickets are on sale now.

“Framework is back at the Atlantic Aviation hangar in Thermal, bringing our staple production and musical artists to the desert,” said Framework co-founder Kobi Danan. “After unforgettable moments like Chris Lake with Fisher, Black Coffee b2b The Martinez Brothers, Peggy Gou and last year’s standout sets from Charlotte de Witte, Dom Dolla and John Summit, Framework in the Desert has cemented itself as a pivotal extension of the festival experience. In 2025, expect a fresh lineup of global talent and forward-thinking artists, all set in an atmosphere for those craving something beyond the main stage. This year, we’re adding exciting new elements while keeping the unique vibe that’s made this event a fan favorite.”

Framework also curates the lineups for Coachella’s club space, the Yuma Tent, which will this year feature DJ/producers including Mercier, Indira Pagonotto, Vintage Culture, Amelie Lens, Haai, Tripolism, Damian Lazarus and many more. Coachella 2025 happens April 11-13 and April 18-20 in Indio, Calif., with headliners including Lady Gaga, Green Day, Post Malone and Travis Scott.

See the poster for Framework in the Desert below:

Framework In The Desert festival afterparty
Framework In The Desert

GloRilla is currently trekking across North America while headlining her Glorious Tour, but ended up having to cut a St. Louis show short earlier this week after several fights broke out among the audience.

Per local affiliate FOX 2 Now, brawls led GloRilla to end her The Factory show in St. Louis early on Monday night (March 24). Footage emerged online appearing to show women involved in physical altercations in the general admission area as security attempted to intervene.

“Come on man, y’all better than that,” GloRilla said mid-show, attempting to defuse the melees. “They still fighting, what the f–k. Come on, y’all ain’t that mad.

She continued: “Ain’t nobody did nothing that bad for y’all to be out there fighting. We here to have a good time. Ya’ll supposed to be feeling glorious at the Glorious Tour.”

The 25-year-old eventually had enough as more fights continued to take place, and Glo ended the show and headed backstage.

Billboard has reached out to GloRilla’s reps for comment.

“It was real fun … Up until the fighting,” a fan named Andy Johnston, who attended the show at The Factory, told FOX 2. “It was actually like a WWE fight. It was really fun. We’re up there peeking over — I had front row in the balcony, and it’s like a sea of people. Then you see a little scramble for a second, and people would start running to it.”

He added: “It could be something that makes the artists not want to come here to our city because of all the fighting.”

GloRilla gets back on the road Wednesday night (March 26) with a hopefully more peaceful show slated for Milwaukee’s The Rave-Eagle Club, and then she’ll head to Minneapolis on Thursday (March 27).

Sleep Token scores its first No. 1 on a Billboard multimetric chart, topping the Hot Hard Rock Songs tally dated March 29 with “Emergence.”

“Emergence” rises to No. 1 after debuting at No. 2 on the March 22-dated list via just one day of tracking data after being released on March 13. (It earned 2 million official U.S. streams, 211,000 radio audience impressions and sold 1,000 downloads that day, according to Luminate.)

In the week ending March 20, its first full seven days of tracking, “Emergence” accumulated 9.9 million streams, 528,000 impressions and 2,000 downloads.

The band’s Hot Hard Rock Songs reign follows a No. 2-peaking song in 2023 in “The Summoning.” “Emergence” became Sleep Token’s seventh top 10 on the ranking upon its debut, tying it with Ghost and I Prevail for the eighth-most top 10s since the list began in 2020.

Most Top 10s, Hot Hard Rock Songs

  • 19, Bring Me the Horizon
  • 17, Linkin Park
  • 13, HARDY
  • 10, Falling in Reverse
  • 10, Five Finger Death Punch
  • 10, Foo Fighters
  • 8, Metallica
  • 7, Ghost
  • 7, I Prevail
  • 7, Sleep Token

“Emergence” also rules Hard Rock Digital Song Sales for a second week and bows at No. 1 on Hard Rock Streaming Songs. It’s the band’s first ruler on the latter, eclipsing the No. 16 peak of “The Summoning,” and marks the survey’s first No. 1 debut since Linkin Park’s “The Emptiness Machine” in September 2024.

“Emergence” concurrently vaults 30-7 on Hot Rock & Alternative Songs, Sleep Token’s first top 20 (“The Summoning” peaked at No. 22), and starts at No. 57 on the all-format Billboard Hot 100, the band’s maiden appearance. Its 9.9 million streams are even enough for a No. 50 debut on Streaming Songs, the first hard rock song to reach the list since Linkin Park’s aforementioned “The Emptiness Machine.”

As the lead radio single from Even in Arcadia, Sleep Token’s upcoming fourth studio album (May 9), “Emergence” debuts at No. 31 on Mainstream Rock Airplay, equaling the peak of “Granite,” the band’s only previous appearance on the ranking, from 2024.

Even in Arcadia is the follow-up to 2023’s Take Me Back to Eden, which debuted and peaked at No. 2 on the Top Hard Rock Albums chart dated June 3, 2023, and has earned 744,000 equivalent album units to date.

Bad Bunny‘s Un Verano Sin Ti is the gift that keeps on giving. The LP’s “Me Porto Bonito” — featuring Chencho Corleone — achieved a new milestone as it surpassed the one billion views on YouTube, nearly three years after it was released.

The feat scores the Puerto Rican superstar his 16th Billion Views Club entry as a lead, featured artist or collaborator, setting a new record for most entries on the streaming platform. Currently, Bad Bunny ranks No. 5 on YouTube’s on Global Top Artists. 

“Me Porto Bonito’s” music video became the third official clip from Un Verano Sin Ti — following “Moscow Mule” and “Titi Me Preguntó” — to reach the mark. Directed by Fernando Lugo, the video shows Bunny washing a pickup truck for two ladies who are making plans to go out at night, while Chencho is driving around town in a white car. The two artists then come together at a pool party where they are joined by the two ladies and a group of women.

Related

The Chencho Corleone collaboration — which he previously said was recorded just after he attended the Met Gala in New York in 2022 — peaked at No. 6 on the Billboard Hot 100. Meanwhile, the reggaetón track ruled the Hot Latin Songs chart for 14 weeks.

“Me Porto Bonito” joins other Bad Bunny Billion Views Club entries “Soy Peor,” “Dákiti,” “Callaíta,” “Amorfoda” and more.

Bad Bunny — who currently stars in Calvin Klein’s newest campaign — is set to join the cast of Happy Gilmore 2, which will hit Netflix July 25, 29 years after the original Happy Gilmore premiered.

In the meantime, revisit the “Me Porto Bonito” music video below:

Russell Wilson is heading back to the Empire State.

A year after he signed a one-year deal with the Pittsburgh Steelers, the 10-time Pro Bowl quarterback signed another one-year deal this week — $10.5 million with the New York Giants to become their starter, the NFL announced on Tuesday (March 25).

To celebrate, the football star’s wife Ciara was supportive as always. The “1, 2 Step” singer took to her Instagram Stories to re-share Wilson’s photo of MetLife Stadium, where the Giants play. “Been here before… can’t wait to do it again,” he wrote, in reference to his previous Super Bowl XLVIII win at the same venue in 2014, when he played with the Seattle Seahawks.

Ciara then posted another Stories photo, in which Wilson is seen in his New York Yankees gear (the athlete briefly had the opportunity to play with the baseball team in 2018). “New York State of Mind,” Ciara wrote. “My greatest inspiration.”

With the Steelers, 36-year-old Wilson threw for 2,482 yards with 16 touchdown passes, five interceptions and a 96.5 passer rating. The Giants is working on shaping up their team for the upcoming season, as they also signed Heisman Trophy winner Jameis Winston to a two-year contract, and notched the third pick at the upcoming NFL draft in April.

Ciara and Wilson tied the knot in 2016. The longtime couple has since welcomed three children, seven-year-old Sienna Princess, four-year-old Win Harrison and one-year-old Amora Princess. Ciara also shares 10-year-old son Future Zahir with her ex, rapper Future.

Honda Stage is dedicated to celebrating determined artists and their journeys while bringing exclusive content to fans, and the 2024-2025 group was no exception. Honda Stage and Billboard have come together to spotlight the incredible talents and career trajectories of Mustard, Maeta and Amirah. As part of this music discovery program, the content capsules offer fans each artists’ unique, candid takes on their origin stories, new music and even allows them to have a little fun along the way.

Scroll on below to see the artists in their element through each of their respective video capsules as part of the program!

Mustard as part of the Honda Stage program presented by Honda Stage and Billboard.
Amirah as part of the Honda Stage program presented by Honda Stage and Billboard.
Mustard and Amirah as part of the Honda Stage program presented by Honda Stage and Billboard.
Mustard and Amirah as part of the Honda Stage program presented by Honda Stage and Billboard.
Maeta as part of the Honda Stage program presented by Honda Stage and Billboard.
Maeta as part of the Honda Stage program presented by Honda Stage and Billboard.
Maeta as part of the Honda Stage program presented by Honda Stage and Billboard.

About Honda Stage

Honda Stage is a music platform that builds on the brand’s deep foundation of celebrating determined artists and their journeys while bringing unique music experiences to fans. Honda Stage offers exclusive, behind-the-scenes music content and inspirational stories from on-the-rise and fan-favorite artists, giving music fans access to the moments they love while celebrating the creativity and drive it takes to make it big.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

In celebration of Big Sean Night at the Detroit Pistons vs. San Antonio Spurs game on March 25, the “Yes” rapper has dropped a limited-edition apparel collection in honor of the Motor City, his hometown.

The collab features a unique T-shirt and hoodie adorned with a custom Detroit, World Tour 2025 design. Initially revealed at the NBA game, the collection has made its way online for Detroit fans to shop. So if you couldn’t attend Big Sean Night, you can now shop the collab on the Pistons’ site. Shop quickly though, because both tops are selling fast.

The Pistons announced Big Sean night back in February and planned to celebrate his ties to the NBA organization, his impact in Detroit, as well ashis birthday, which is also on March 25. The night immersed fans in all things Sean Don, including in-game activations, contests and prizes, and a special halftime performance by Detroit rapper Nasaan, curated by Big Sean.

Big Sean x Detroit Pistons
Big Sean x Detroit Pistons

“Being from the city, you all know how much this means to me and the journey we all have to go through to make something of yourself, so I truly appreciate the support,” said Big Sean in a statement. “To be able to work with the Pistons as the creative director of innovation is a dream come true, and I can’t wait to bring Don Life to the city.”

As a part of the night, the Pistons are also creating an exclusive Big Sean bobblehead available to fans only through a special charitable ticket package, which includes the one-of-a-kind bobblehead and a ticket to the game. Proceeds from the ticket package will benefit the Detroit Pistons Foundation as well as the Boys & Girls Club of Southeastern Michigan via the Sean Anderson Foundation. Tickets must be purchased by visiting the Pistons site.

The limited-edition collaboration follows the release of Sean’s self-help book, Go Higher, as well as linking with Will Smith for a Matrix-inspired music video for “Beautiful Scars.”

Shop the Big Sean x Detroit Pistons limited-edition collection below.

Big Sean x Detroit Pistons: Shop the Limited–Edition NBA Collection

Detroit Pistons x Big Sean Detroit World Tour T-Shirt


Big Sean x Detroit Pistons: Shop the Limited–Edition NBA Collection

Detroit Pistons x Big Sean Detroit World Tour Hoodie


Last summer, Chappell Roan made headlines for loudly calling out predatory fan behavior through a series of social media posts. Months later, she says her interactions in public have drastically changed, with the “Hot to Go!” artist theorizing on Call Her Daddy that listeners are now too afraid to approach her.

Related

“I think people are scared of me,” Roan told host Alex Cooper on the podcast posted Wednesday (March 26). “I think I made a big enough deal about not talking to me that people do not talk to me.”

“I’ve been with people, like, friends who are artists, and when they’re with me, they’re like, ‘It’s a force field around us. People don’t come up to me if I’m with you,’” the Missouri native continued. “I’m just like, ‘Damn, baby. You say it too. You say, ‘Don’t touch me, don’t touch me. Don’t look at me, don’t touch me. I don’t know who you are.’ And they won’t come up and bother you.”

The interview comes about seven months after Roan sparked widespread discourse about how society treats celebrities in public, with the Grammy winner at the time emphasizing how scary it can be to have people touch her without consent, harass her family members or track her whereabouts. “Women don’t owe you s–t,” she wrote in an August note on Instagram. “I chose this career path because because I love music and art and honoring my inner child, I do not accept harassment of any kind because I chose this path, nor do I deserve it.”

On Call Her Daddy, Roan clarified that just because she felt the need to set boundaries with fans, doesn’t mean she enjoyed doing it. “It hurts that I have to … I know it really hurts people,” she said. “They feel like it’s me disrespecting them, that I owe it to them and that, how dare I call it abuse or complain about success. I get that a lot, but I’m not complaining about success. I’m just complaining about creepy behavior. I love admiration — everyone loves admiration. I just don’t want you to interrupt me when I’m having a fight with my girlfriend. Don’t be like, ‘Can I get a photo?’ when I’m crying, talking to my girlfriend. That’s f–king crazy.”

Related

The reason Roan felt compelled to call out fans in the first place was due in part to how quickly she became a household name within the span of just a few months in 2024, thanks to the runaway success of her Billboard Hot 100 hit “Good Luck, Babe!,” summer festival appearances and album The Rise and Fall of a Midwest Princess. “It happened literally overnight,” Roan recalled to Cooper.

As her fame levels multiplied, so did the amount of creepy experiences with fans, a metamorphosis that Roan compared to a “second puberty.” “It’s like everything is gonna change, and everything is gonna hurt and everything is gonna be uncomfortable now,” she said. “Katy Perry was so straight up … When she came up to me at [Charli XCX and Troye Sivan’s] Sweat Tour, she’s like, ‘Just don’t read the comments, honey. Bye bye.’ She just, like, hopped off, and I was, like, actually cackling. Like, why am I doing this to myself?”

“You don’t realize how many people are watching you, and you don’t realize they are,” Roan added. “Some people want me dead. It’s crazy. People know everything about me. People know my flight numbers. People know everything.”

Listen to Roan on Call Her Daddy below.