Soulja Boy is coming to the SNL stage, whether he likes it or not.
In a new promo for SNL‘s upcoming April 11 episode, cast member Veronika Slowikowska whips out some of her best tips and tricks to impress first-time host Colman Domingo and convince him to green light her wildest pitches.
In the video shared to YouTube on Wednesday (April 8), Domingo is apprehensive about Slowikowska’s ideas and unsure of what exactly she is trying to convey. The SNL comedian starts by introducing her character, Domingo’s incredibly loud upstairs neighbor. As she brings out a variety of props including a fake rat and a hobby horse, Domingo’s inner monologue lets viewers know that he hates her ideas. Unfortunately, his external response is mismatched with his internal one and he tells Slowikowska that her ideas are amazing.
Of course, this only stokes the comedian’s flame and she continues to whip out pitch after pitch and bad idea after bad idea for the actor’s approval. At one point she hits a very iconic 2000s dance.
“Is she doing Soulja Boy?” Domingo’s internal monologue asks while Slowikowska hits the all too familiar “Crank That” moves. In the end, Domingo can’t help himself and agrees to all of Slowikowska’s out-there ideas, leading him into an internal spiral.
Hopefully musical guest Anitta can help pull him out of this spiral by Saturday. The Brazilian super star is set to make her SNL debut alongside the first-time host. Anitta will appear on SNL two days after her new Shakira collab “Choka Choka” drops. Her seventh studio album, EQUILIBRIVM, is set to be released the Friday after her SNL performance, April 16.
Domingo and Anitta will be some of the last acts to take the SNL stage this season. The sketch comedy show also announced on Wednesday this season’s final slate of hosts and musical guests.
Olivia Rodrigo will make her SNL return by pulling double duty as host and musical guest on May 2. The pop star’s appearance on the show will mark her third time on the show but her first as a host. The stint is perfect promotion for Rodrigo’s upcoming third album, You Seem Pretty Sad for a Girl So in Love, set to release June 12. Though the album will not come until after her SNL performance, the lead single, “Drop Dead,” drops on April 17, just in time for her to debut it live on the show.
Third-time host Matt Damon and musical guest Noah Kahan will take the stage the following week on May 9. Kahan will likely perform songs from his fourth studio album The Great Divide, which comes out just two weeks prior on April 24.
Finally, sixth-timer Will Ferrell will host the last episode of the season with fifth-time musical guest Paul McCartney on May 16. McCartney’s new album The Boys of Dungeon Lane drops on May 29.
Fans can catch Saturday Night Live live on NBC at 11:30 p.m. ET and on streaming on Peacock.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-08 20:25:412026-04-08 20:25:41Veronika Slowikowska Hits the ‘Soulja Boy’ for First-Time ‘SNL’ Host Colman Domingo in New Promo
Ryan Castro and Gangsta earn their first No. 1 on Billboard’s overall Latin Airplay chart as “La Villa,” with Kapo, jumps 2-1 on the chart dated April 11. Kapo adds his fourth champ.
“‘La Villa’ was born from a real vibe, from a party with Kapo, all organic, nothing forced,” Castro tells Billboard. “When music comes out like that, big things happen. This No. 1 means a lot to me and to the fans who have been with me since day one.”
“La Villa” incorporates a sample from Jamaican dancehall artist Sister Nancy’s 1982 song “Bam Bam,” whose chorus is itself inspired by the 1966 track of the same name by Byron Lee and the Dragonaires, featuring Toots and The Maytals. Both Castro’s “La Villa” and Sister Nancy’s “Bam Bam” draw from the instrumental “Stalag Riddim”—the oft-sampled reggae rhythm—originally created for Ansell Collins’ 1973 track “Stalag 17,” which was produced by Winston Riley.
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“La Villa” was produced by Colombian Gangsta, who previously earned a No. 1 as producer on Latin Airplay through Maluma’s “11 PM” in 2019 —both Sony Music Latin releases. “La Villa” jumps 2-1 after an 15% growth, to 8.8 million audience impressions in the week ending April 2, according to Luminate.
“It is an honor to reach this No. 1, not just as a producer but also as a standout artist,” Gangsta, born Pedro Juan de la Ossa Medrano, adds. “This is a song that, like all our music, was born genuinely and with strong musical identity because it combines the best of two genres: dancehall and Afrobeat, which we call Afro dancehall.”
The Colombian producer of Latin Afrobeats, dancehall and Caribbean music has been instrumental in crafting most of Kapo’s hits. Among those, three Latin Airplay top 10s: “Ohnana” peaked at No. 2 in November 2024; “Uwaie” reached No. 5 in March 2025; while Kapo’s previous Castro pair-up, “Dónde,” stretched to No. 8 in January.
While Castro and Gangsta celebrate their first No. 1, Kapo adds his fourth chart-topper, dating to Danny Ocean collaboration “Imagínate,” “Más Que Tú,” with Ozuna, and “Luna,” with Wisin —all in 2025.
The popularity of “La Villa” extends beyond the U.S. The song spent six weeks atop the Billboard Argentina Hot 100 and the Billboard Colombia Hot 100 charts between January-April.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-08 19:41:432026-04-08 19:41:43Ryan Castro & Gangsta Snatch First No. 1 on Latin Airplay With Kapo Collab ‘La Villa’
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When BTS came back with new album Arirang on March 20, the popularity of the boy band’s merch exploded.
The demand for BTS-themed paraphernalia skyrocketed, so much so that the K-pop act dropped an ARIRANG merch line with Target, which included a ton of wearable pieces such as socks, hoodies and tote bags. While those pieces sold out like lightning, one item seemed to draw all of the attention: BTS’ gen 4 official lightstick. This partnership with Target made the lightstick more accessible than ever.
The problem? The lightstick, otherwise known as an ARMY Bomb, sold out quickly at Target, which was one of the only places you could get it at the time, beyond Amazon. Spoiler alert: Amazon also no longer sells BTS’ gen 4 lightstick. Luckily, we’ve found the official ARMY Bomb still available on StockX. The lightstick retails for $119 on an online marketplace and resale platform, a jump in price due to high demand. This means ARMY can still get their hands on the group’s lightstick without having to go through third party sites only to get tariffs/duties tacked on. In three days alone, this lightstick was sold 123 times, proving the demand for BTS merch is still just as prominent.
This is an official BTS lightstick. Lightsticks are used during K-pop concerts.
Lightsticks are usually light-up wands that correspond with a specific K-pop group. Every K-pop group has one, often featuring a specific color or motif associated with the group. BTS’ ARMY Bomb hasa clear bomb-shaped head and BTS’ logo on the inside. ARMY will use their official lightsticks at concerts, such as the group’s upcoming world tour, to cheer on their idols, bopping the lightstick to the music with fellow fans.
K-pop fans know that official lightsticks are hard to find and buy, and they were even harder to buy back in the early days of K-pop. With K-pop’s surge of popularity, many U.S. retailers are now selling official lightsticks from tons of groups, including Stray Kids, ATEEZ, TWICE, aespa and, of course, BTS. We’re hoping that with the demand for more lightsticks, retailers will catch on, fixing that accessibility issue for non-South Korean fans in the future. For now, though, StockX is your best bet.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-08 19:26:502026-04-08 19:26:50BTS’ Official Lightstick Sold Out Everywhere: Here’s How You Can Still Buy It Online
Following the U.K.’s decision to ban Ye (the artist formerly known as Kanye West) from entering the country ahead of a scheduled appearance at London’s Wireless Festival in July, the festival announced Tuesday (April 7) that it had canceled the event entirely. The annual festival was originally slated to take place July 10-12 in Finsbury Park, with Ye announced as the headliner for all three nights.
The U.K. government had confirmed to the BBC earlier Tuesday that Ye would be unable to enter the U.K. on an Electronic Travel Authorization (ETA) visitor visa (the U.K.’s new entry visa for U.S. visitors), with The Home Office stating, “His presence in the U.K. would not be conducive to the public good.”
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While the ETA allows a person to come to the U.K. for up to six months, they cannot do paid or unpaid work for a U.K. company or as a self-employed person unless they are doing a permitted paid engagement on the Creative Worker visa concession. The Creative Worker visa is what is typically used by foreign performers.
Festival Republic Limited, which promotes Wireless Festival and is owned by Live Nation Entertainment, said in a statement, “The Home Office has withdrawn Ye’s ETA, denying him entry into the United Kingdom. As a result, Wireless Festival is canceled and refunds will be issued to all ticket holders.
“As with every Wireless Festival,” the promoter continued, “multiple stakeholders were consulted in advance of booking Ye and no concerns were highlighted at the time.”
Live Nation and Wireless Fest did not respond to Billboard’s request for comment.
But where does the cancellation leave the festival, and how does it affect its stakeholders — from Festival Republic, to Ye, to other artists on the bill?
With the government stepping in and denying Ye’s visa, the circumstances likely qualify as force majeure, which is a contractual provision freeing parties of obligations due to unforeseeable or uncontrollable events, several sources tell Billboard. That would mean Wireless Festival does not remain responsible for remaining artist payouts and wouldn’t owe Ye any money for the cancellation. No other artists had been publicly announced for the festival, but if deposits had been paid to acts who had signed deals to play the event, artists would likely be able to hold on to them.
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Still, because a full lineup hadn’t yet been announced, it’s also possible that further acts hadn’t yet been confirmed — meaning deposits wouldn’t have gone out, and Wireless Festival would not be on the hook for paying them.
Others, however, disagree with the contractual element being at play. “I don’t think in [the case for other confirmed acts] it would be a force majeure,” says Jarred Arfa, executive vp and head of global music at Independent Artist Group. “It has nothing to do with [the other artists on this bill] that the headliner cannot get into the country. Usually, Live Nation gives 10% deposits, so depending on the act and the leverage, you can walk away with that. If you’re a bigger artist, maybe you could command more.”
In a way, a cancellation four months ahead of the event makes things simpler for Wireless Festival than if it had canceled closer to its set date. Ultimately, it had only put a fraction of the total amount of money into the festival that it would have, and the build at the festival site wasn’t yet underway.
“I think [the festival] will probably just be able to skip [a year],” Arfa says. “I’m sure there were some marketing dollars spent, but I think ultimately, it’s more incremental costs at this point, and nothing crazy. If they come back next year, it’s all about the lineup and who’s on it. I think they have enough of a brand that they could bring it back successfully.”
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Last year, Drake served as the headliner for all three nights of Wireless Fest, curating the rest of the event’s lineup, which included performances from Burna Boy, PARTYNEXTDOOR, Summer Walker and Vybz Kartel. Further previous editions included Nicki Minaj, 21 Savage, J Hus and Doja Cat in 2024; Playboi Carti, Travis Scott and D-Block Europe/50 Cent in 2023; and Dave, Cardi B and J. Cole in 2022.
Still, despite its reputation, even if Wireless had wanted to forge ahead with an event this year without Ye, it would have been extremely difficult to execute. “It’s hard in a short period of time to get one headliner replacement, let alone three,” Arfa adds. “Also, it’s about generating the excitement that he did. I’m sure there were a lot of people excited to go see Kanye. If you go to another run-of-the-mill headliner, I’m not sure people will be excited for that. Last year, they did three nights of Drake, and that went over huge.”
While artists will likely be able to retain their deposits (as those are typically non-refundable, unless contract language says otherwise), the future of the festival could still be in question. A brand is only as strong as its last show, and this year’s events could lead to hesitancy in bookings for 2027, sources say.
For Wireless Festival itself, insurance likely will not cover the costs of the cancellation. With Ye’s controversies well-known (his song “Heil Hitler” was released in May 2025), Paul Bassman, managing director of insurance firm Higginbotham, where he specializes in entertainment, tells Billboard, “I don’t think it’s insurable. I don’t know the circumstances of how it was placed, or when it was placed, but I don’t think they could have gotten that done. I think they just ate it.”
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While each of the festival’s half-dozen sponsors pulled out of the festival prior to its cancellation, production vendors, staging and marketing likely had costs committed early, and those may not be recoverable.
“Whether it’s the venue working with catering, security, all of those things that go into putting on a big event like Wireless Festival, there are going to be contracts,” says Angela Kennedy, a partner in the Insurance Coverage Litigation group at Armstrong Teasdale. “It’s not always a cut-and-dry question of whether an act of a government is force majeure.
“The arguments I’d be making if I were on the other side is, well, Kanye didn’t make those statements after you booked him,” Kennedy says. “He made these statements a long time before he was booked, and that risk hasn’t changed. I think there are arguments on both sides, which is why it’s an interesting and novel question.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-08 19:12:132026-04-08 19:12:13After Ye Cancellation, What Happens to Wireless Festival Now?
Despite what the song says, the Pink Pony Club is not in West Hollywood — it’s in space. NASA shared the official Artemis II wake‑up playlist via social media on Wednesday (April 8).
NASA launched the Artemis II mission on April 1, sending four astronauts — Jeremy Hansen, Victor Glover, Reid Wiseman and Christina Koch — aboard the Orion spacecraft to the moon and back. One week into the trip, the space crew has curated a list of tracks to get them up and moving every day of their flight.
“Each track was selected by the Moon crew, continuing a tradition that started more than 50 years ago,” NASA explained with a photo of the astronauts on Instagram. “Stay tuned to find out which songs they’ll choose next.”
The first song the astronauts chose to wake up to in space is perfect for the occasion: “Sleepyhead” by Young & Sick, a solo music project by Dutch artist Nick van Hofwegen. John Legend and André 3000‘s 2008 Hot 100 hit “Green Light,” rose the team from their slumber next with lyrics fit for people on a mission: “I’m ready to go right now.”
The third song, “In a Daydream” by Freddy Jones Band, certainly describes the feeling of waking up beyond the stratosphere. Chappell Roan brought the “Pink Pony Club” to the stars when the crew started the day aboard the Orion with the anthemic Billboard Hot 100 No. 4 hit. CeeLo Green‘s “Working Class Heroes (Work)” is No. 5 on the list, followed by Mandisa and Toby Mac’s “Good Morning.”
Also making the playlist on the Orion is “Tokyo Drifting” by Glass Animals and Denzel Curry. Curry celebrated being included in the astronauts’ daily music routine with a post to X on Tuesday (April 7). “Even Aliens F— with my S–t!” Curry wrote, reposting a NASA video of the spacecraft playing his tune. “First Rapper Played in SPACE N—A!”
Glass Animals also responded to the reveal of the group’s inclusion on the playlist. “this is the coolest thing that’s ever happened to me in my life ever,” the band commented on the Instagram post.
See who else made the Artemis II Wake-Up Songs playlist below:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-08 19:12:132026-04-08 19:12:13Here Are the Songs the Artemis II Crew Is Waking Up to in Space
Just ahead of their global debut performance as Nine Inch Noize at Coachella on Saturday (April 11), Nine Inch Nails and Boys Noize have announced a collaborative album that appears to be self-titled.
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The project is out April 17, six days after the legendary band and the pioneering German techno producer play the Sahara Tent at Coachella. The group will return for a repeat performance the following weekend, with both shows presumably set to include music from the new album.
News of the collaborative album isn’t necessarily surprising, given that Boys Noize has been the opening act for Nine Inch Nails’ 2025/26 Peel It Back tour, a 63-date international run during which the two acts also played a segment of the show together.
Sharing the news of the album on social media Wednesday (April 8), the two artists posted what appears to be the album’s cover art, an orange-ish square with a sticker that says “Nine Inch Nails” with “oize” scrawled vertically under the latter N.
The Peel It Back tour concluded in March in Sacramento, Calif., a show at which frontman Trent Reznor clarified a statement he’d made at an earlier show in Tulsa, Okla., that suggested the band might no longer tour.
In a fan YouTube video from the show, Reznor said it was the last show on the Peel It Back Tour and added, “To be clear, I think I said something the other day that then got misconstrued into something that is not intentionally, necessarily true. What I said was, ‘This is the last show of this tour and we don’t have any shows booked and we don’t have any plans to book any shows anytime in the future, so far.’”
“That doesn’t mean we may not tour again,” he continued. “We may tour again. It won’t be next month, it won’t be this year. I never said we were intentionally stopping, and I never meant that.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-08 18:45:492026-04-08 18:45:49Nine Inch Nails & Boys Noize Announce Collaborative Album: Here’s When It Arrives
Gwendolyn “Blondy” Chisolm — who cofounded pioneering female hip-hop trio The Sequence with Cheryl “The Pearl” Cook and the late Angela “Angie B” Brown (aka Angie Stone) — has died. The rapper-singer-songwriter succumbed following a brief illness on Monday (April 6) in Atlanta. She was 66.
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“My sister gave a lot of herself to the music industry. Everyone knows her famous lyrics and melodies, which continue to bring joy to millions of people,” Chisolm’s sister Monica Scott said in a statement on behalf of the Chisolm and Scott families. “She was a creative force who touched countless hearts.”
Calling Chisolm “the star of our family,” Scott added, “We’re heartbroken right now. But we take comfort in knowing that her beautiful spirit lives on through the songs she shared with the world. We hope the world will remember her as a passionate artist and a voice for a generation. You can honor her memory by turning up her music.”
Recognized as the first female hip-hop act and the first such act signed to Sugar Hill Records, The Sequence is best known for its 1979 Gold-certified hit “Funk You Up.” Peaking at No. 15 on Billboard’s Hot R&B/Hip-Hop Songs chart, the single also made history as the first chart hit released by a female hip-hop group. With its bass-thumping, body-bopping beat, “Funk You Up” played a key role in hip-hop’s evolution.
Over the ensuing decades, the song has continued to connect with music fans thanks to being sampled by artists such as Dr. Dre (“Keep Their Heads Ringin’”), En Vogue (“Whatever”) and Erykah Badu (“Love of My Life Worldwide,” also featuring Sequence member Stone). Katy Perry interpolated the song in a commercial (“Did Somebody Say”) for a food delivery service.
That creative force was sparked when Chisolm teamed up with C.A. Johnson High School friends Cook and Stone as The Sequence. While backstage at a Sugarhill Gang concert in 1979, the trio got the chance to perform an impromptu audition for Sugar Hill Records CEO Sylvia Robinson. After signing them to the label, Robinson also produced the group-penned “Funk You Up.”
Before disbanding in 1985, The Sequence charted two more singles. “Funky Sound (Tear the Roof Off)” and “I Don’t Need Your Love (Part One)” reached No. 39 and No. 40, respectively, on Hot R&B/Hip-Hop Songs. The group also recorded three albums: Sugar Hill Presents The Sequence (1980), The Sequence (1982) and The Sequence Party (1983).
According to the press release sent to Billboard, Chisolm continued to work in the music industry, collaborating with established and emerging artists, booking/producing shows and writing/recording her own music. The latter includes the 2011 song “On Our Way to the Movies” with Sequence’s Cook. Following Stone’s death in 2025, Chisolm worked with Tyler Perry to arrange the former’s memorial and funeral services.
Having earlier relocated from Charlotte, N.C., to Atlanta, Chisolm spent time speaking to students at HBCUs about hip-hop’s influence and the music business. At the time of her death, she was completing her memoir and collaborating with Nashville’s National Museum of African American Music to present a permanent exhibit spotlighting The Sequence’s iconic legacy.
A private memorial service for Chisolm will be held at a future date.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-08 18:27:572026-04-08 18:27:57The Sequence’s Gwendolyn Chisolm of ‘Funk You Up’ Fame Dead at 66: ‘A Voice for a Generation’
Amid its drops of hits by artists like t.A.T.u., Feist, Wolf Parade and Wet Leg, lust-fueled hockey television phenomenon Heated Rivalry features a largely electronic score by Canadian singer, songwriter, producer and composer Peter Peter.
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On the heels of this success, Peter Peter (born Peter Jones) has signed with Range Music, the management division of Range Media Partners. Run by industry vet Jeff Jernigan, Range Music’s composer division also includes Oscar-winning composer Steven Price (Gravity), Emmy-winning composer Brandon Roberts (Andor), Emmy-nominated composer and songwriter Tom Howe (Ted Lasso) and Ivor Novello Award-winning composer Raffertie (The Substance).
“Peter is a natural music-driven storyteller,” Jernigan says in a statement. “His music for Heated Rivalry is so integral to what has made the show a massive success, it draws you in from note one. We’re thrilled to have Peter join Range Music’s growing composer division and support this new side of his career.”
Peter Peter was personally invited to score Heated Rivalry by the show’s creator and showrunner Jacob Tierney, after Tierney heard Peter Peter’s 2024 album Éther. The ten-track collection of largely electronic tracks, with vocals in French, was released on Quebec-based label Les Disque Audiogramme.
Meanwhile, the Heated Rivalry soundtrack will get an official physical release on July 10, with the album set to include select songs heard in the series, along with the full original score. Copies of the album will feature silver vinyl reminiscent of an rink ice, with the CD featuring shirtless-pics of the shows stars Connor Storrie and Hudson Williams.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-08 17:56:582026-04-08 17:56:58‘Heated Rivalry’ Composer Peter Peter Signs With Range Music
Sia has opened about what the singer-songwriter described as a very difficult year following her split with estranged husband Daniel Bernad. In an X post on Tuesday (April 7), the “Dance Alone” star lamented that the details of her child custody settlement with Bernad had been made public and alluded to the details of the arrangement signed by both parties in Los Angeles on April 3.
“I’m a sober working mom trying to buy peace. I have primary custody of our son and since i am the only parent earning income i still have to pay California’s incredibly high child support,” Sia (born Sia Furler), 50, wrote of the settlement — the details of which were obtained by Billboard — which will require her to pay Bernad $42,500 per month in child support.
“This has been a horrific year but it taught me how to navigate incredibly difficult situations, prioritize my family and not absorb other people’s negativity,” she added, tacking on the well-known Alexander Pope phrase: “To err is human, to forgive is divine.” In a second post that appeared to take aim at her ex, Sia wrote, “good dads get jobs.” Bernad’s lawyer declined to comment on Sia’s posts at press time.
According to the court documents filed in Los Angeles Superior Court on Monday (April 6), Sia will pay Bernad the five-figure amount per month to support their child, son Somersault Wonder Bernad; the payments were slated to begin on April 1. The singer, who also adopted two children in 2019, will continue to pay the monthly fees to Bernad until their son turns 18 or, if he continues to attend high school full-time, until he graduates or turns 19.
Sia is also responsible for paying private school tuition, fees for agreed-upon extracurricular activities and uninsured health care costs, as well as for maintaining health insurance for her son, according to the agreement. Sia is also required to obtain a life insurance policy for her son with a death benefit of $5 million, with Somersault as the beneficiary and to pay Bernad’s $350,000 attorney’s fees.
The couple will share joint legal custody of Somersault, who was born on March 27, 2024, with physical custody schedules laid out in the court document, including custody on major holidays (such as Mother’s Day, Father’s Day, Halloween, Easter, Thanksgiving, Christmas and the Jewish holidays of Yom Kippur, Passover and Rosh Hashana) and agreements covering vacations, school breaks and communication between the ex’s.
The ruling also specifies that “neither party shall disparage the other” within range of their son, nicknamed “Summi,” and if he is away from either parent for more than 72 hours, the non-custodial parent is expected to be able to FaceTime at a mutually agreed-upon time. In his initial request, Bernad was seeking more than $250,000 a month in spousal support from Sia. In that earlier request, Bernad claimed he had nearly no money in his bank account and no income, saying the singer convinced him to stop working because she disliked his long hours at the hospital and that he was unable to return to work at the hospital because his license had expired.
Sia, listed in the custody agreement as “Sia Bernad,” filed for divorce from oncologist Bernad in March 2025, three years after their 2022 wedding. Bernad filed paperwork in October 2025 seeking sole legal and physical custody of their son, alleging at the time that the singer — who has been open about her past struggles with substance use — was “an unfit and unreliable parent struggling with substance abuse and addiction” according to earlier court documents.
Sia responded and said she’d been sober for six months and was participating in a recovery program that included weekly testing, hitting back with allegations that Bernad was under investigation for alleged possession of child pornography. Bernad “vehemently” denied any wrongdoing and claimed that his ex “planted” illicit material on his computer hard drive. The Los Angeles Police Department and the city’s Department of Child and Family Services both looked into the claims, but closed their investigations without any charges, citing a lack of evidence.
A judge previously rejected Bernad’s emergency request to change the couple’s custody arrangement, saying there was not sufficient evidence to justify the emergency relief at that time.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-08 17:50:492026-04-08 17:50:49Sia Comments on $42K-Per Month Child Support Settlement With Estranged Husband: ‘To Err Is Human, To Forgive Is Divine’
United Talent Agency (UTA) announced Wednesday (April 8) that Janelle Monáe has signed with the agency for global representation in all areas.
“Janelle is a generational talent and the true definition of a multi-hyphenate creative,” Jay Gassner, UTA partner and co-head of talent, said in a statement. “We are thrilled to partner with an artist of Janelle’s singular vision and profound cultural impact, and look forward to working with them and Wondaland to unlock and amplify opportunities across music, film, television, brands, fashion, publishing, theatre, community building and beyond.”
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They were previously booked by Wasserman (now called THE•TEAM) in North America, and WME internationally.
Monáe’s most recent album was 2023’s The Age of Pleasure, which received nominations for album of the year and best progressive R&B album at the 2024 Grammy Awards. The artist also has several upcoming acting projects in the coming months, including a feature in Amazon MGM’s Is God Is, out in theaters on May 15, and a role in Netflix’s upcoming adult animated series, Bass x Machina, premiering on Oct. 6.
Monáe founded the Wondaland Arts Society and Wondaland Pictures, which develops film, TV and multimedia projects under a first-look deal with Universal Pictures. They also produce the month-long, city-wide Halloween festival Wondaween in Los Angeles, with the annual event stretching across cemeteries, theaters, the Hollywood Bowl, the Santa Monica Pier and more.
Monáe continues to be represented by Mikael Moore, Nate Wonder, Chuck Lightning and Kelli Andrews at Wondaland for management; Ben Rubinfield at Ziffren Brittenham, Matthew Johnson at Johnson Shapiro Slewett & Kole and Jonathan Leonard for legal representation; and ID PR.
Monáe is scheduled to perform at Freely Fest in Nashville on April 8 and at North to Shore Festival in Newark, N.J., on June 17. Their last major tour was 2023’s The Age of Pleasure, which ran from Aug. 30 to Oct. 18, 2023, in support of her most recent studio album of the same name.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-08 17:40:562026-04-08 17:40:56Janelle Monáe Signs With UTA for Global Representation