This week, Billboard’s New Music Latin poll — curated with key recommendations by Billboard Latin and Billboard Español editors — features a number of new albums including Carlos Vives’ El Último Disco, Vol.1, Chiquis’ Janney and Leslie Grace’s Amor, Quién Eres?.
On his second studio album, a 16-track, innovative pop set dubbed Vulnerable, Más de lo Normal, Marcelo Rubio pours his heart out.
“On a personal level, this album allowed me to be more honest with myself; unlike with my first album, this time around I took a little more time to truly enjoy the process — every step of it, and every word that emerged,” the Venezuelan newcomer and former On the Radar Latin artist tells Billboard. “I was also a bit more open to addressing other themes — topics that perhaps used to intimidate me a little — though, naturally, they were couched in the language of love. I began working on this record when I was at a very low point in my life in terms of mental stability, and I believe it proved immensely beneficial to my personal growth, helping me become the person I aspire to be in the near future.”
Artists such as Cazzu, Carín León, Eladio Carrion and Sech also released new music this week.
The most recent New Music Latin poll was topped by Andreína Bravo’s “Primera Cita” with more than 85% of the vote.
Which release this week do you think is best? Give these new releases a spin and vote for your favorite new Latin music release below.
Editor’s Note: The results of the weekly New Music Latin poll will be posted if the poll generates more than 1,000 votes. This poll closes at 11 a.m. ET on Monday, May 4.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-01 19:10:592026-05-01 19:10:59Marcelo Rubio’s ‘Vulnerable, Más de lo Normal’ & More: Vote for the Best New Latin Music Release This Week
A Drake fan now appears to own an expensive piece of 6 God history, as Drizzy’s Rolex from his 2011 Take Care album cover art has reportedly sold for six figures.
According to WatchPro, Wind Vintage sold Drake’s Rolex GMT Master II for $500,000. The lucrative sale is $400,000 over market value, per EveryWatch data. Billboard has reached out to Drake’s reps for confirmation.
Drizzy rocked the gold Rolex, which has the OVO owl engraved on its backside, on the cover for Take Care and again in the “Marvin’s Room” video.
“Marvin’s Room” served as the lead single from Take Care, peaking at No. 21 on the Billboard Hot 100.Take Care arrived in November 2011 and topped the Billboard 200 with 631,000 total album units earned, according to Nielsen SoundScan (now Luminate). Drake’s sophomore album came in at No. 31 on Billboard‘s 100 Greatest Rap Albums of All-Time list.
“Personally, I have never seen the collectible watch market hotter than it is today,” Wind Vintage’s Eric Wind told WatchPro. “The velocity with which we are selling the watches, frequently selling the watches within minutes of listing the watch on our site, is mind-blowing, but there is a broad diversity of highly educated buyers who are collecting them, so it is not isolated to a specific and narrow group of buyers that would mean the market is fragile and risky.”
Drake has rapped about his Rolexes or other sophisticated watches from his decorated collection throughout his career. “This a Rollie, not a stopwatch, s—t don’t ever stop,” he raps on “Nonstop.”
We’ll see if Drake rhymes about his favorite wristwear these days on his upcoming album Iceman, which is slated to arrive on May 15.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-01 18:56:302026-05-01 18:56:30Drake’s Rolex From the ‘Take Care’ Cover Has Reportedly Sold for $500,000
All eyes were on The Beaches when the Toronto act took home the Global Force Award presented by FACTOR at Billboard Women in Music 2026. During the star-studded ceremony, which took place on Wednesday, April 29, in Los Angeles, the group became the first act to receive the accolade.
“All of the women in this room, we’re so honored to be in your presence. To be representing Canada on a global stage like this is not only an honor, but a dream come true to four Canadian girls,” Jordan Miller said at the podium, alongside bandmates, Kylie Miller, Leandra Earl, and Eliza Enman-McDaniel. “We’re lucky to have organizations like FACTOR and Billboard to help us along the way, so thank you so much. Finally, to all the women who have helped us get here in our 13-year career, rock music is a particularly male dominated genre,” she continued. “I don’t know if you guys know that, and we’ll never forget all of your help and guidance. I think women are easily overlooked and seen as underdogs, but the reality is that we make some of the coolest art ever and are at the forefront of defining culture at this moment in time.”
Natt Lim
Earlier in the evening, the group took to the red carpet and spoke with Billboard about winning the Global Force Award presented by FACTOR. “We’re so honored and humbled to be here,” Miller told Billboard’s Lyndsey Havens and special co-host Drew Afualo. “This is our first, sort of, American award show, so this really feels really incredibly humbling and, especially, to be here with so many incredibly talented women, it’s a dream come true.”
Drew Afualo, Leandra Earl, Eliza Enman McDaniel, Kylie Miller, Jordan Miller and Lyndsey Havens at Factor at the Billboard Women in Music 2026 held at Hollywood Palladium on April 29, 2026 in Los Angeles, California.
Natt Lim
The victory comes just a few weeks after the band’s high-energy set at Coachella Valley Music & Arts Festival. It’s just one of the many benchmarks for the foursome in recent years after scoring multiple placements on the Billboard Canadian Albums chart, the Modern Rock and Mainstream Rock charts and the U.S. Airplay charts. They’ve also toured vigorously, building their audiences across North America, Europe and Australia.
“The Beaches represent exactly the kind of Canadian talent that resonates far beyond our borders,” says Mo Ghoneim, President of Billboard Canada and Billboard UK. “At Billboard Canada, our role is not only to spotlight artists at home, but to help create meaningful pathways onto the global stage. Celebrating them at Billboard Women in Music in the U.S. reflects both their undeniable impact and the growing influence of Canadian artists worldwide.”
Hosted by Keke Palmer, Billboard Women in Music 2026 also celebrated fellow Canadian Tate McRae, who received the Hitmaker Award, as well as Teyana Taylor (Visionary Award), Ella Langley (Powerhouse Award), Kehlani (Impact Award), Laufey (Innovator Award), Mariah the Scientist (Rising Star Award presented by Honda Stage), Zara Larsson (Breakthrough Award), Thalia (Icon Award) and more.
Click here for more highlights on Billboard Women in Music 2026!
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In addition to calling Riley Green a chart-topper, singer and songwriter, fans can now also call him doctor.
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The 37-year-old artist has received an honorary doctorate from Alabama’s Jacksonville State University. During the university’s spring commencement ceremony on Thursday (April 30) at Pete Mathews Coliseum, Green was awarded a Doctor of Letters, honoris causa, which recognizes his music accomplishments as well as his continued support of Jacksonville and Jax State, and the impact he’s had as an ambassador for his hometown. His honorary doctorate degree hooding was performed by members of the Jax State Board of Trustees, including chairman Randy Jones and Country Music Hall of Famer Randy Owen of the group Alabama.
Green, a former Jax State quarterback, also served as the keynote speaker for the 1 p.m. ceremony and encouraged graduates to focus on work ethic and owning their path.
During his keynote speech, Green also recalled the lessons in discipline and accountability he learned from the coaches early on at Jacksonville State University, saying, “I had to show up and put the work in, or I was not going to be successful … it was pretty eye-opening for me.”
He also spoke of how he briefly worked in construction before pursuing music, and again spoke of how work ethic was key no matter what job he was doing. “If I was toting lumber, I was carrying as many 2x4s as I could … I got that from my dad. He’s the hardest working man I’ve ever been around … I was very fortunate to grow up around a lot of really hard-working men. I think that’s something that’s probably gotten me further than anything I’ve ever done in my life … that was the biggest praise I could get, was being told I was a hard worker,” he said. “So my advice to the 2026 graduating class is grab the heavy end. Whatever you’re doing, whatever it is that you find that you’re good at — and you will find something — don’t let it get away. Chase it.”
“Riley’s story is one our students can see themselves in,” said Jax State President Dr. Don C. Killingsworth Jr., in a statement. “He started here, put in the work, took a chance on his path and built something meaningful. What makes today special is not just what he’s accomplished, but how he has continued to show up for this university and this community. He represents the very best of Jax State, and we are proud to recognize both his success and his impact with this honorary doctorate.”
Green’s hard work is paying off. He’s earned four No. 1 Billboard Country Airplay chart hits, including “Worst Way” and the Ella Langley collab “You Look Like You Love Me,” and has won several CMA and ACM Awards to date.
Green is set to perform during the upcoming ACM Awards on May 17, where is he also up for male artist of the year, album of the year (for Don’t Mind if I Do (Deluxe)), artist-songwriter of the year and music event of the year (for “Don’t Mind If I Do,” featuring Ella Langley).
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-01 18:41:232026-05-01 18:41:23Riley Green Awarded Honorary Doctorate at Jacksonville State University
The Beatles’ Apple Corps Ltd. has unveiled a raft of new hires and promotions for their executive team. In September 2025, Tom Greene was named chief executive of the company which oversees the Fab Four’s creative and business interests.
Lux Paterson joins as chief strategy and marketing officer, leading the team’s marketing, digital, press and publicity, and strategy. She previously lead growth strategy for global franchises at Warner Bros Discovery.
Jonathan Sands leads on retail and experiences “with a focus on Apple Corps’ ambitions in visitor experiences.” His previous ventures include Star Wars The Exhibition and Platform 9 ¾ retail group, which was acquired by Warner Bros.
Jemma Hill assumes the role of chief finance and operating officer, joining from literary and entertainment agency The Blair Partnership.
Miranda Langford joins as head of marketing following a 6-year stint at MPL, the umbrella company for the business interests of Paul McCartney.
In addition, Cathy Hawkes is promoted to chief of staff following three decades at Apple Corps, and NeilMohring is upped to general counsel to lead all business affairs. All roles are effective immediately.
Speaking of the hires, Greene says: “I’m delighted with the team we’ve assembled. Their unique skill sets, expertise and energy perfectly set us up for fulfilling the ambitions we have for a seismic period in Apple Corps’ and The Beatles’ history. The opportunities are huge. Apple Corps has always been about cultural innovation and progress, and we now have the perfect team to continue that into the future.” — Thomas Smith
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-01 18:37:502026-05-01 18:37:50Executive Turntable: The Beatles’ Apple Corps Ltd. Reveals New Leadership Team; NITO Unveils New Board
The first wave of performers for the inaugural L.A. Jazz Festival is now available. John Legend, Janelle Monáe, Parliament Funkadelic featuring George Clinton, Raphael Saadiq and Charlie Wilson are among the artists who will hit the stage for the fest’s Jazz on the Beach closing weekend Aug. 22 and 23. Additional performers announced for that weekend include the Free Nationals & Friends, Big Freedia, Original Koffee, Joey Alexander and Ezra Collective.
Kicking off Aug. 7, the L.A. Jazz Festival is a 17-day experience showcasing artists from more than 13 nations performing in locations across Los Angeles. Organizers are looking to attract 250,000 attendees during the festival’s run. As noted in the press announcement, the L.A. Jazz Festival “will be a landmark cultural and civic event that will make ‘all of L.A. the stage,’ aiming to become the third-largest international jazz festival in the world and the largest Black-owned jazz festival ever.”
In his statement, L.A. Jazz Festival founder and CEO Martin Ludlow said, “From the Motherland and through the pain of oppression came the fierce improvisation, the very heartbeat, born in New Orleans that now shapes every musical genre across the globe.”
Opening night festivities will feature Lalah Hathaway and Chief Adjuah, with additional performers to be announced. Among the other musical components comprising the festival are a Caribbean street carnival; Jazz in the Park, a series of 25 free concerts in urban parks; Jazz After Dark, a series of free pop-up in clubs, restaurants and other locales; and the State of Jazz Conference.
The festival’s Jazz on the Beach closing weekend on L.A.’s Dockweiler Beach will also offer special performances and exclusive collaborations such as Michelle Coltrane Celebrates the Coltrane Centennial, as well as an appearance by the L.A. Jazz Festival Foundation Youth Band. Additional performers for that weekend and lineups for other L.A. Jazz Festival events will be revealed in the coming weeks.
StubHub is also being announced as the official ticket marketplace of the L.A. Jazz Festive. Airbnb was earlier announced as the event’s inaugural title sponsor. Tickets for Jazz on the Beach for Aug. 22 and 23 are now on sale via the festival’s website.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-01 18:32:122026-05-01 18:32:12John Legend, Janelle Monáe & More Among Performers Slated for Inaugural L.A. Jazz Festival
Powerhouse acts, both in front of and behind the scenes, showed up to Billboard Women in Music 2026 for a night of celebration.
On Wednesday, April 29, women from all sectors of the industry took to the red carpet at the Hollywood Palladium in Los Angeles for a night to remember, hosted by the infectious Keke Palmer. To mark the occasion and in honor of its long history of supporting musical artistry, Hennessy set up shop on the red carpet and inside the venue with dedicated bars, offering attendees a selection of two craft cocktails to rejoice: Hennessy Espresso Martinis and Henny-Ritas™. As guests made their way through, they paused to grab a drink and became part of something bigger: a celebration of music, culture, and community.
Similar to Hennessy’s longstanding connection to music and artists, Billboard’s tribute to women across the industry resonated throughout the evening. Honorees included Tate McRae (Hitmaker Award), Teyana Taylor (Visionary Award), Ella Langley (Powerhouse Award), Kehlani (Impact Award), Laufey (Innovator Award), Zara Larsson (Breakthrough Award), and Thalia (Icon Award), The Beaches (Global Force Award presented by FACTOR), Zara Larsson (Breakthrough Award), Thalia (Icon Award) and more.
If you missed the red-carpet action, we’ve got you covered with standout shots from the night. Click here for more on the 2026 Billboard Women in Music, including show highlights, exclusive interviews, and more!
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With Janney, Chiquis challenges listeners to put down their distractions, close their eyes, and let the music take them somewhere only she can guide them.
Released Thursday (April 30), the Mexican-American singer-songwriter’s ninth studio album is a transformative work named after her given name. “I wanted to name it Janney because I’ve always wanted a self-titled album,” Chiquis tells Billboard Español over Zoom. “I just didn’t know when it was going to come… But once I was done with the whole album, I just knew. I was like, this is really me. This is who I am.”
Across the 20-track spiritual odyssy, the three-time Latin Grammy winner and self-proclaimed Reina Abeja steps away from her signature banda sound and into a more reflective version of herself. She offers listeners a soundscape that moves effortlessly between English and Spanish, fusing soothing pop and Latin folkloric influences with a spiritual undertone.
“I want this album to take you out of your mind and into your body, into the moment,” she explains. “It’s a good reminder for myself as well. For a long time it was hard for me to be in the present, and I feel like this album gives you no other choice but to be. That was the intention.”
Amid themes of survival and self-love, tracks like “VOLVÍ” reflect her own journey to healing, with the artist describing the song as “very personal, intimate, and vulnerable, but also a song that’s celebrating — you’re giving yourself permission to celebrate yourself and everything that you’ve been through.” Songs like “Eres MÁS” speak directly to her younger self, reminding listeners to trust their intuition.
Chiquis also draws listeners further into her world through a luminous lineup of collaborations, including Jesse & Joy on the breezy “MALIBU,” Lila Downs on the transcendent “ESPÍRITU” and Arroba Nat on the huapango-laden “FÉNIX.” “That’s what this entire album is about: giving hope where perhaps hope has been lost, because I’ve been there too,” she adds.
Below, the singer-songwriter breaks down five essential tracks from her new album, Janney. To listen to the full set, click here.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-01 18:26:172026-05-01 18:26:17Chiquis Breaks Down 5 Essential Tracks From Her New Album ‘Janney’: ‘We Are Magic, We Are Women, We Are Roots’
The pop (and country!) girls are out in full force for this New Music Friday (May 1).
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Kacey Musgraves leads the way with her new Middle of Nowhere album, which features her latest Billboard Hot 100 song “Dry Spell” (No. 55), as well as stellar collaborations with Miranda Lambert, Willie Nelson, Billy Strings and more. Zara Larsson also shared her Midnight Sun: Girls Trip remix album, recruiting some of the buzziest names across dance, pop and R&B, including Shakira, Kehlani, Robyn and PinkPantheress.
The Lady Gaga-led Devil Wears Prada 2 soundtrack also arrived, as did a deluxe version of Halsey’s acclaimed 2024 The Great Impersonator LP. North West, daughter of Ye (formerly Kanye West) and Kim Kardashian, also shared her debut project, N0rth4evr.
Not to be outdone, several standout male artists across hip-hop, Afrobeats, reggae and R&B also shared new projects, including Durnad Benrarr (BERNARR.), Isaiah Rashad (It’s Been Awful), Asake (M$NEY) and Ziggy Marley (Brightside).
Over on the singles side, Madonna released the duet she and Sabrina Carpenter debuted at the “Espresso” singer’s Coachella Weekend Two headlining set. Reminiscent of the house flourishes that color “Vogue,” “Bring Your Love” is another promising taste from Madge’s forthcoming Confessions II. In addition to Gaga’s three new songs, the Devil Wears Prada 2 soundtrack also boasts a new track from Sienna Spiro titled “Material Lover.” “Build a B—h” singer Bella Poarch also shared her new “Ribcage” single.
This New Music Friday also includes new songs from Labrinth (“Prostitute”), Lizzo (“Bitch”), Bella Kay (“Promise?”), Vince Staples (“Blackberry Marmalade”), Bryson Tiller (“It’s OK”), Maroon 5 (“Heroine”), Jessie Reyez and Muni Long (“Ain’t You Tired?”), Bleachers (“I’m Not Joking”) and DaBaby, Yung Miami, YKNIECE and GloRilal (“Pop Dat Thang” remix).
Which new release this week is your favorite? Vote — or share your own pick — in Billboard‘s New Music Friday poll below:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-01 18:26:172026-05-01 18:26:17Madonna & Sabrina Carpenter, Kacey Musgraves & More: Which Is Your Favorite New Music Release This Week? Vote!
Starting with next year’s Oscars, actors may have to compete with themselves in the final round of Oscar voting following a rule change announced on Friday (May 1) by the Academy of Motion Picture Arts & Sciences: “In the acting category, actors may be nominated for multiple performances in the same category if those performances place in the top five votes, which aligns with achievements in other award categories.”
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In other categories, people do sometimes receive multiple nominations in the final round, which is an impressive achievement but also creates a situation where they could wind up splitting their votes.
The last time a composer or team of composers had two nominees for best original score was in 2021, when Nine Inch Nails‘ Trent Reznor and Atticus Ross were nominated for both Soul (which they created in tandem with Jon Batiste) and Mank. (They won for Soul.) The last time a songwriter had two nominees for best original song was in 2025, when Camille and Clément Ducol were nominated for two songs from Emilia Pérez‘s “El Mal” (which they cowrote with the film’s director, Jacques Audiard) and “Mi Camino.” (They won for “El Mal.”)
Here are other key rules tweaks that were approved by the academy’s board of governors and announced Friday.
In the original song category, the rules have long held that the first new music cue in the end credits is eligible. The academy tweaked its rules so it can more easily verify that a submitted song is indeed the first music cue in the credits: “For songs submitted as the first new music cue once the end credits begin, the video clip must include the last 15 seconds of the film before the credits begin.”
In the international feature film category, there are now two ways to submit a film for consideration. In addition to a film being submitted as an official selection by a country or region via the academy-approved selection committees, a non-English language film can now be submitted for consideration by winning a qualifying award at an international film festival as specified in the international feature film award qualifying festival list.
Qualifying festivals for the 99th Oscars are the Berlin International Film Festival (Golden Bear for best film), Busan International Film Festival (Busan Award – best film award), Cannes Film Festival (Palme d’Or), Sundance Film Festival (World Cinema Grand Jury Prize), Toronto International Film Festival (Platform Award) and Venice International Film Festival (Golden Lion).
Additionally, in that same category, the film will henceforth be credited as the nominee rather than the country or region, and the award will be accepted by the director on behalf of the film’s creative team. The director’s name will be listed on the statuette plaque after the film title and, if applicable, the country or region.
The academy also announced several rule tweaks that respond to AI. In the acting category, only roles credited in the film’s legal billing and demonstrably performed by humans with their consent will be considered eligible. In the writing categories, the rules codify that screenplays must be human-authored to be eligible. The academy also added language that it reserves the right to request more information about the nature of the use and human authorship.
In the casting category, which was first awarded earlier this year, the number of statuettes awarded will increase from a maximum of two to a maximum of three statuettes.
In the cinematography category, the preliminary voting round will produce a shortlist of 20 films rather than 10-20.
In the visual effects category, all academy members must view the three-minute before-and-after reels from the visual effects “bake-off” to be eligible to vote in the final round.
In the makeup and hairstyling category, branch members must attend at least one of the two final branch meetings (roundtables) to be eligible to vote in the preliminary round.
At the Governors Awards, where typically three Academy Honorary Awards and one Jean Hersholt Humanitarian Awards are presented, a minimum of three disciplines must be represented in a given awards year.
For the complete 99th Academy Awards rules, inclusion standards and campaign promotional regulations, visit the Oscars’ website.
The academy also announced awards submission deadlines and additional key dates. The submission deadline for best original song is Wednesday, Oct. 14. The submission deadline for best original score is Wednesday, Nov. 4.
Here’s the complete list:
Thursday, Aug. 13: First submission deadline for animated short film, documentary feature film, documentary short film and live-action short film categories
Thursday, Sept. 17: First submission deadline for general entry categories, animated feature film, best picture, and Representation and Inclusion Standards Entry (RAISE) form
Wednesday, Sept. 30: Submission deadline for international feature film
Thursday, Oct. 8: Final submission deadline for animated short film, documentary short film and live-action short film categories
Wednesday, Oct. 14: Submission deadline for music (original song)
Thursday, Oct. 15: Final submission deadline for documentary feature film
Wednesday, Nov. 4: Submission deadline for music (original score)
Thursday, Nov. 12: Final submission deadline for general entry categories, animated feature film, best picture, and Representation and Inclusion Standards Entry (RAISE) form
Jan. 8-10, 2027: Casting, makeup and hairstyling, sound and visual effects voting events (bake-offs)
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-01 18:16:112026-05-01 18:16:11For 2027 Oscars, Actors May Compete With Themselves in Final-Round Voting, Just Like Everybody Else