The Chicks are returning to the road this year, as the 13-time Grammy-winning trio celebrates the 20th anniversary of its album Taking the Long Way.

Related

The group announced the new tour with an Instagram post that included the message, “Still not ready to make nice.”

The group’s 16-show Taking the Long Way 20th Anniversary Tour launches Sept. 30 at the Fox Theatre in Detroit, and will include stops in Chicago, New York City, Seattle and Nashville, and will wrap with two shows at the Dolby Theatre in Hollywood on Nov. 1 and 2.

The tour recognizes the success of the trio’s 2006 album Taking the Long Way, which topped the Billboard 200 and earned the trio five Grammy Awards, among them album of the year, record of the year and song of the year. The album, spearheaded by “Not Ready to Make Nice,” marked a defiant, creative juggernaut from The Chicks’ Natalie Maines, Martie Maguire and Emily Strayer. The album addressed the political controversy and backlash the country trio had received after Maines’ 2003 comments against then-President George W. Bush during one of the trio’s London concerts prior to the launch of the Iraq War. During that show, Maines said, “We do not want this war, this violence and we’re ashamed that the president of the United States is from Texas.”

After a nearly 14-year hiatus, the trio released Gaslighter in 2020, featuring the song “March, March.” In 2022-2023, they embarked on The Chicks Tour, which visited areas including Canada, the United States, Australia and Europe.

Artist presale tickets will be available starting June 3 at 10 a.m. local time through Live Nation (those taking part must sign up by Sunday, May 31, at 11:59 p.m. PT), with general on sale beginning June 4 at 10 a.m. local time via The Chicks website.

See the Taking the Long Way 20th Anniversary Tour Dates below:


Billboard VIP Pass

They say brothers fight, but they’re still brothers. Cam’ron and Jim Jones came up as childhood friends in Harlem and left an indelible mark on hip-hop and pop culture as co-founding members of Dipset in the early 2000s.

Cam, Jim, Freakey Zekey and Juelz Santana joined the Roc-A-Fella movement as Cam’ron broke out as a star on the solo front. The Diplomats’ major label debut arrived in 2003 — Diplomatic Immunity, which debuted inside the top 10 of the Billboard 200 (No. 8), signaling the group’s commercial appeal while also feeding the streets as kings of the mixtape game. Dipset also became style icons in hip-hop fashion in the process.

Dipset’s run burned bright and burned fast, as by the mid-2000s Roc-A-Fella splintered and Cam feuded with Jay-Z, which led to the fracturing of the Harlem crew.

With the group separating, Jim Jones became a solo star in his own right in the mid-2000s, which was around the time Capo and Cam began feuding in the second half of the aughts. As Jim Jones titled his 2009 track targeting Cam and Max B, “Frienemies.”

It’s been nearly two decades since then, and Cam and Jim brought their petty beef into 2026, which found them exchanging jabs on social media. While there’s been brief reunions, the most recent of which came in 2021 on the Verzuz stage when Dipset lost to The LOX, there doesn’t seem to be much hope for a reconciliation from the childhood homies.

In the last year, both parties involved don’t see them being friends with one another in the future, and there hasn’t been much of any direct communication since that Verzuz battle over four years ago.

Check out our timeline of Jim and Cam’s feud below.

KATSEYE might be one of the world’s biggest girl groups right now, but at the end of the day, the members are just fangirls like everyone else. That was apparent when they met BTS in Las Vegas recently, during which Yoonchae says she “forgot” how to speak her native language because of how starstruck she felt.

Related

Toward the beginning of their Monday (May 25) livestream on Weverse, Yoonchae and bandmate Sophia gushed about brushing elbows with the Bangtan Boys backstage at the AIRIRANG World Tour concert in Sin City. “I started crying,” Yoonchae, who is from Korea, recalled. “After that, my brain was blank.”

“They were all so down to earth,” said Sophia, who is from New York. “They were so kind. I looked to my right and Yoonchae wasn’t speaking. She was trying to compose herself. And then I was like, ‘Yoonchae’s Korean; she can speak Korean!’”

“My heart dropped when you said that,” Yoonchae replied, recreating how she started stuttering in the moment. “I was like, ‘I forgot Korean again.’ When I get nervous, I forget Korean.”

BTS is currently in the middle of a four-night stint at Allegiant Stadium, which KATSEYE attended while both groups were also in town for the American Music Awards. At the Monday night ceremony, the girl group won new artist of the year and shouted out the boy band on stage.

“We want to give a special shout-out to BTS tonight for inspiring us to represent our culture at a global scale,” Sophia said while accepting the award alongside Yoonchae, Lara, Daniela and Megan.

Backstage at the award show, KATSEYE posed for a picture with RM, Jung Kook, j-hope, SUGA, V, Jimin and Jin. BTS also won big that night, taking home artist of the year, best male K-pop artist and song of the summer for Billboard Hot 100-topping single “SWIM.” Both groups provided performances during the broadcast as well, with BTS contributing a pre-filmed take of single “Hooligan” live on tour and KATSEYE delivering hit “Pinky Up” — of which j-hope is apparently a fan — on stage at the MGM Grand Garden Arena.

“When we walked in for the meet-and-greet, j-hope was doing ‘Pinky Up’ to us,” Sophia said on the livestream, miming the song’s signature dance move with her pinky. “He’s the best. They’re all the best.”

KATSEYE’s new EP, Wild — sans Manon, who’s on hiatus from the group — is set to drop Aug. 14. Following their stay in Vegas, the members of BTS will continue their AIRIRANG trek in South Korea with two shows in Busan.


Billboard VIP Pass

Drake has been in a celebratory mood following the release of ICEMAN, which broke several Billboard chart records, including him surpassing Michael Jackson for the most No. 1 Billboard Hot 100 hits as a male soloist with 14 No. 1s after “Janice STFU” topped this week’s chart.

Related

Drizzy took to his Instagram Story on Tuesday night (May 26) rocking a black leather jacket, matching Chrome Hearts pants and sparking slippers to celebrate his hard work.

The OVO boss was surrounded by ICEMAN-themed blue and silver balloons and a massive poster graphic laid out in the corridor of his Toronto mansion listing all of his No. 1 achievements to date.

ICEMAN serves as Drake’s 15th No. 1 album atop the Billboard 200, and it’s in the biggest and boldest font on the poster.

“Neck broke from carrying the chain, back broke from carrying the game, records broken carry on my name, carry on carry on,” he added in a punchline underneath all of his listed accomplishments.

The phrase could double as bars on an upcoming song, which he included as his caption on an IG post from Tuesday featuring an illustrated photo of Michael Jackson to celebrate surpassing the King of Pop when it comes to having the most No. 1s among male soloists. The Beatles have the most of any act, including groups with 20 No. 1 hits.

Drake released a trifecta of albums on May 15 with ICEMANHABIBTI and MAID OF HONOUR. The trio debuted at Nos. 1, 2 and 3 on the Billboard 200, which makes Drake the first to hold the top three slots simultaneously in the chart’s history.

ICEMAN gave Drizzy his 15th No. 1 album — which breaks a tie with Jay-Z for the most among rappers — earning 463,000 equivalent album units in the United States in the week ending May 21, according to Luminate. HABIBTI and MAID OF HONOUR still posted six-figure first week numbers, as the albums earned 114,000 and 110,000 units, respectively.

This week’s Billboard Hot 100 is all about Drake, as he holds a staggering 42 entries on the chart — which breaks Morgan Wallen’s record for the most entries in a week in Hot 100 history — including nine of the top 10 songs, with the only non-Drake track being Ella Langley’s “Choosin’ Texas” at No. 5. The 6 God is now the first act ever to accumulate more than 400 entries on the Hot 100 in his career.


Billboard VIP Pass

As Drake’s ICEMAN debuts atop the Billboard 200 albums chart (dated May 30), it not only scores the biggest streaming week for any album in 2026, but also one of the top 10 largest streaming weeks ever.

ICEMAN arrives with 462.2 million on-demand official audio and video streams of the album’s 18 tracks in the United States in the tracking week ending May 21, according to Luminate. The figure adds the streaming totals of the 18 tracks on the album during the tracking week.

The sum places ICEMAN at No. 10 on the list of the biggest streaming weeks for albums, where half of the top 10 are held by Drake releases. All of the top 10 weeks are debut weeks.

Further, Drake now has the top five largest streaming weeks ever among R&B/hip-hop albums, with ICEMAN’s start coming in fifth.

ICEMAN marks Drake’s 15th No. 1 on the Billboard 200, tying him with Taylor Swift for the most No. 1s among soloists. Drake also surpasses Jay-Z for the most No. 1s among solo men and R&B/hip-hop acts. Only The Beatles have more No. 1s than Drake and Swift, with 19 leaders. Jay-Z follows Drake and Swift with 14 No. 1s.

Below, count down the top 10 largest streaming weeks for albums in the United States, through the May 30, 2026, chart week, dating to December 2014, when the Billboard 200 began measuring titles by equivalent album units. (Source: Luminate; streams reflect the total number of on-demand official audo and video streams generated by the tracks on the album in a week.)


Billboard VIP Pass

We already knew Rihanna was a huge fan of the Real Housewives franchise after she reportedly sent a direct message last week to RHOBH star Amanda Frances begging her to return for season 16.

Now we know she also keeps tabs on the Real Housewives of Salt Lake City clan after the singer weighed in on a recent complaint from cast member Whitney Rose. On Tuesday (May 26) Rihanna reposted a message from Rose on her Instagram Story in which the OG Salt Lake City housewife lamented a fate many of us have resigned ourselves to for nearly a decade: the lack of a new RihRih album.

“I’m just sitting here getting some work done, feeling kind of sad and sorry for myself,” Rose says in a selfie video. “Because I just realized that we still have not had any new music from Rihanna.” Taking a beat to process the fact that the singer has not released a new LP since 2016, when she dropped her eighth studio album, Anti — which spent two weeks at the top of the Billboard 200 album chart — Rose purses her lips and shoots her shot in trying to get the “Work” singer and mother of three young children back on the radio.

Rose goes on to dub Rihanna her “favorite, my girl, my queen,” shrugging her shoulders and sighing, “still no new music,” while reiterating that the lack thereof has made her feel sorry for herself after listening to Rih’s “entire playlist.”

“I want more,” Rose says.

Rihanna clearly heard the message, because in addition to reposting it, she added the message “I feel ATTACKED!!!!” above Rose’s head and added three crying laughing emoji underneath the video.

Rose has plenty of company in wishing for new Rihanna music. Last month, Billie Eilish told Elle magazine that, “If Rihanna ever f–king makes R9, then I’m excited for that,” in reference to the popular nickname for the singer’s as-yet-unannounced next LP. Last February, Rihanna told Harper’s BAZAAR that the rumors she’s working on a reggae album were false and that she’s simply awaiting the perfect moment to return to the music scene.

“Every time, I was just like, ‘No, it’s not me. It’s not right. It’s not matching my growth. It’s not matching my evolution. I can’t do this. I can’t stand by this. I can’t perform this for a year on tour.’ After a while, I looked at it, and I was like, this much time away from music needs to count for the next thing everyone hears,” she told the magazine. “It has to count. It has to matter. I have to show them the worth in the wait. I cannot put up anything mediocre. After waiting eight years, you might as well just wait some more.”

The good news is that Rihanna said back then that she’s been in the studio this whole time, though the muse remains elusive. “But it didn’t hit me. I was searching for it,” she said. “I went through phases of what I wanted to do. ‘This kind of album, not that album.’ I know it’s not going to be anything that anybody expects. And it’s not going to be commercial or radio, digestible. It’s going to be where my artistry deserves to be right now. I feel like I’ve finally cracked it, girl!’”


Billboard VIP Pass

John McClain, co-executor of Michael Jackson‘s estate and a longtime music executive, has died at the age of 71.

In a Wednesday (May 27) statement to Billboard, Jackson co-executor John Branca confirmed the Tuesday (May 26) passing of McClain, who had helped lead the King of Pop’s estate since the star’s death in 2009. Branca said he was “profoundly grieved at the loss of my partner and ‘brother.’”

Related

“He brought a passion and sense of conviction to all that he did and was the most generous of friends,” Branca said. “It is difficult to imagine a world without him.”

McClain was a longtime executive at A&M Records, where he helped launch Janet Jackson’s career and produced her breakthrough 1986 album Control. He later did stints at Interscope Records and DreamWorks Records.

When Jackson died in 2009, McClain and Branca, a veteran music attorney, were named in his will as co-executors of his estate. Though the estate was reported to be nearly $500 million in debt at the time of his death and dogged by abuse allegations, it has since become a multi-billion business, including a $600 million deal to sell half his catalog to Sony Music and a smash hit biopic Michael earlier this year.

Branca, who has long played the more public role in running the Jackson estate, said in Wednesday’s statement that McClain had been “one of the great innovators in the world of music and music marketing” and “a visionary, seeing past the mundane and into the future.”

“When we were named in Michael’s will, I knew that he would bring great insight into Michael’s music and that his friendship and dedication to Michael would underscore all the great projects that we could bring to the world,” Branca said. “He brought a passion and sense of conviction to all that he did and was the most generous of friends.”

A cause of death has not been given publicly for McClain. But TMZ, which first reported the news of his passing, reported that he had been “sick for several years” before his death.


Billboard VIP Pass

Grupo Frontera founding members Juan Javier Cantú, Alberto “Beto” Acosta and Adelaido “Payo” Solís III have launched their own indie label, BoderTown Records, Billboard can exclusively announce on Tuesday (May 27). 

Established in partnership with The Orchard, the label will be based in Grupo Frontera’s hometown of McAllen, Texas. It will offer a 360 ecosystem that includes record label, management, marketing, public relations and more. 

Related

“What we are building is a structure designed to ensure that, in the long run, Mexican music can truly shine,” Miguel Ramirez, general manager at BorderTown Records, tells Billboard. “It allows us to discover new artists and provide them with opportunities that many lack at the start of their careers — offering them a comprehensive ecosystem supported on all fronts, including a massive partner like The Orchard.” 

“We have collaborated with artists from every genre, so we are not limiting ourselves solely to Mexican music,” Cantú adds. “We look for artists who are willing to put in the work. We want to expand globally and work with artists who can thrive within our ecosystem. This record label was founded to represent all artists from the border region — from both sides.” 

Grupo Frontera will also soon open the doors to its creative headquarters, YUMA — named after the street where the facility is located and also where the group recorded its first songs. 

“Much of the Latin music scene is centered in Miami and Los Angeles; however, Texas lacks a significant musical presence in terms of recording studios that are accessible to the general public,” Ramirez shares. “It felt like a natural fit for Frontera to establish its home studio — and the base for its record label — right in its hometown. It’s a comprehensive complex where everything you need is at your fingertips: An artist can go in for a songwriting camp and walk away with a finished album. This applies to the artists we are currently seeking, to Frontera itself, and also to our colleagues who might wish to record while they are in Texas.” 

“Through BorderTown Records and YUMA, Grupo Frontera is investing in creative infrastructure and artist development for their peers and the next generation of talent in both Música Mexicana and other genres,” notes Jason Pascal, EVP of global artist & label partnerships at The Orchard. “Their ability to stay rooted in the culture while continuing to evolve globally is exactly what makes them such important artists and partners for The Orchard.”

The launch of BorderTown Records comes four years after Grupo Frontera became a household name with its viral norteño cover of Morat’s “No Se Va” in 2022. Since then, the group has been a strong force on the Billboard charts, including 16 No. 1s on Regional Mexican Airplay, as well as placement on Hot Latin Songs and the all-genre Billboard Hot 100. A Billboard Latin Music Award and Latin Grammy winner, the group has collaborated with artists such as Bad Bunny, Romeo Santos, Shakira and Alejandro Sanz while always remaining independent artists.  

“We have seen that it is possible to be successful independently — just like signed artists,” Cantú says. “From the very beginning, we never came across a deal that appealed to us; however, with The Orchard, we liked the way we would be working together. We [BorderTown] want to provide the right level of service and be fair to the artist. We want to offer the same formula that Frontera used to achieve success to other artists who wish to work with us.” 

Grupo Frontera will launch its new EP, Con Dolor, under BorderTown Records on Thursday (May 28). The set includes the previously released single “Cada Vez Me Gusta Más” with Alejandro Fernandez. The EP will showcase a mix of the authentic Frontera sound, as well as a twist on old-school rhythms like bolero.


Billboard VIP Pass

Katy Perry will perform a free concert in the Mexican state of San Luis Potosí on Aug. 25 as part of the lineup for the annual state fair, Feria Nacional Potosina, or FENAPO. The pop superstar made the surprise announcement in a video posted to her Instagram on Tuesday night (May 26).

“I’m really excited about this announcement. I told you I’d be coming back, and now I am. Aug. 25, FENAPO,” Perry said in the clip. “Free show for all of my Mexican KatyGatos! Let’s go!”

With an excited shout, the performer expresses her excitement about returning to the country. “You’re gonna love this show. It’s a new show. Super fun. Lots of joymaxxing. And really just for you, the fan, because I’m a fan of you. You know I love you, you know I keep my promises. I’ll see you Aug. 25 in FENAPO — for free.”

The “I Kissed a Girl” and “Roar” singer kicked off her previous tour, The Lifetimes Tour, on April 23, 2025, at Arena CDMX, where she wowed audiences with spectacular moments during the show, thanks to its innovative futuristic concept.

The trek wrapped up in December with a total gross of over $134 million in ticket sales, according to data provided to Billboard by her management.

In 2025, FENAPO sparked controversy after Marilyn Manson was announced as the headlining artist, leading to protests from religious and conservative groups who deemed his performance “inappropriate” for a family-oriented festival. Earlier that year, the Los Angeles district attorney had announced Manson would not face charges over allegations of sexual assault made against the artist due to the expiration on the statute of limitations and because they could not prove a charge of sexual assault in court. The accusations against the rocker took off in 2021, when Manson’s ex-fiancée Evan Rachel Wood named him as her alleged abuser in an Instagram post, which led to multiple women coming forward with allegations that the musician sexually abused them, with some filing lawsuits. Manson denied all the allegations.

The shock rocker’s free show at FENAPO drew 205,000 people — according to official data — on Aug. 10, an event that the state governor, Ricardo Gallardo Cardona, described as a legitimate “defense of freedom of expression,” as he stated in an interview with Billboard.

In addition to Perry, this year’s FENAPO lineup includes veteran glam rock band Mötley Crüe, Puerto Rican reggaetón star Yandel, as well as Mexican artists Kenia Os and Santa Fe Klan, and Argentine DJ Bizarrap.

See Katy Perry’s video announcement below:


Billboard VIP Pass

After serving 18 years as Sony Music’s executive vp of business affairs and general counsel, Julie Swidler is stepping down at the end of June.

Related

“Julie has been a vital component of the Sony Music senior management team for many years, and her wisdom, experience and knowledge has been a bedrock of our company’s strategy and growth,” said Sony Music Group chairman Rob Stringer in a statement. “She leaves us with our deepest respect and gratitude. As a friend and colleague, on a personal note, as Julie and I have planned together her departure for a while now, she will be missed at Sony Music, but I know that her next working chapter will be equally stimulating and rewarding.”

Swidler, who has regularly appeared on Billboard’s Power 100, Top Music Lawyers and Women in Music lists, is launching an advisory services company for creative-focused ventures.

“Every great adventure eventually makes room for a new one, and this feels like the right moment for mine,” Swidler said. “There are few companies in the world like Sony Music that carry this much history and remain this relevant. Being part of that legacy has been a privilege. That journey would not have been the same without Rob Stringer’s leadership, friendship and trust, and I’m grateful for all of it. I’m just as proud of our global business and legal affairs practice and the extraordinary people in it who are truly second to none. We have always been guided by what is fair and right for artists, and that compass never failed us.”

During her nearly 20-year tenure at the company, Swidler, one of the highest-ranking women in the record industry, has overseen Sony Music’s business, legal and governmental affairs globally, including advising the company’s record labels and operating units on negotiations, talent agreements, litigation, transactions and joint venture operations. More specifically, in 2015, she oversaw Sony Music Nashville during a transition period and in 2018 served on the Recording Academy’s task force to examine diversity and inclusion issues in the recorded music industry.

Swidler, who began her industry career at Polygram Records and Mercury Records, also held senior legal and business affairs positions at Arista Records, J Records (helping launch the label with Clive Davis), RCA Records and BMG. She also served as lead counsel for the 1994 Woodstock Festival.

Swidler will be honored on June 8 by the UJA-Federation of New York at the 26th annual music visionary of the year award celebration alongside Universal Music Group’s Jeff Harleston and Warner Music Group’s Paul Robinson. She has previously received the Grammy Foundation’s Entertainment Law Initiative Service Award, the T.J. Martell Foundation’s Lifetime Music Industry Award and the Music Business Association’s Presidential Honor.  

Swidler, a graduate of Union College, has served as the chair of the board of trustees at her alma mater since 2023.


Billboard VIP Pass