Chappell Roan is receiving some love from Lady Gaga — and the feeling is mutual.

In a recent interview with The New York Times, Gaga — who released her seventh album, Mayhem, on Friday (March 7) — was asked about Roan’s powerful acceptance speech at the 2025 Grammy Awards, where she advocated for record labels to support up-and-coming artists by providing them with livable wages and healthcare.

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“I think Chappell Roan is speaking the truth, and she is courageous to do so,” Gaga said. “I look at what she’s been doing and saying and think, ‘Man, I should have stood up for myself more when I was younger.’ I think women speaking their mind is a powerful thing, and I was really happy she did that.”

On Saturday (March 8), the “Pink Pony Club” singer took to social media to thank Gaga for the shout-out and returned the compliment with a message of her own.

“Thank you @ladygaga I love you + your album so much <3,” Roan wrote in her Instagram Story over a screenshot of the Times interview.

During her best new artist acceptance speech at the Grammys on Feb. 2, Roan called out record labels for failing to provide livable wages or healthcare coverage for their artists, sharing her own experience after being dropped by Atlantic Records in 2020.

“If my label would have prioritized artists’ health, I could have been provided care by a company I was giving everything to,” she told the audience.

This isn’t the first time Gaga has shown support for Roan. Earlier, Gaga expressed admiration for Roan and other pop stars like Charli XCX, Billie Eilish, Taylor Swift and Kesha, all of whom she personally praised in her Vogue cover story in September 2024.

“I’m not only cheering them on, I want them to know that my heart is in it with them,” Gaga said at the time, tearing up. “And I want them all to feel really happy.”

Earlier this year, Gaga also shared some hard-earned wisdom with younger pop stars following in her footsteps. In an Elle interview in January, the 13-time Grammy winner gave her thoughts on artists like Roan and Sabrina Carpenter, who were quickly rising to superstar status in 2024.

“They’re amazing,” Gaga said of the musicians. “They’re strong and vibrant and creative and artistic. I think they’re being celebrated because they’re wonderful.” As for the advice she’d give to today’s younger pop stars, Gaga shared, “It would be that the whole you matters.”

“Who you are at home is just as valuable as who you are when you’re onstage,” the star explained. “And no matter what anyone says to you, you can value who you are outside of all of this … I’ve been in this business for years. Being a woman and a product at the same time was really exhausting.”

Doechii is openly bisexual, as the Swamp Princess came out in a 2022 interview with GQ. The rapper faced off with her DJ Miss Milan on Friday (March 7) for an episode of Hot Ones Versus, where the duo revealed their red flags when it comes to the dating scene.

“Is it being on the DL?” Miss Milan asked.

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Doechii said she was on the right track but revealed the red flag was actually “being a straight man.” Milan had a laugh and admitted she was actually going to plainly say, “Men.”

The Grammy-winning rapper hasn’t been shy about discussing her sexuality as her star power and exposure grows. “I’m bisexual. That’s cool,” she told The Breakfast Club in December. “I’ve dated bisexual men, no problem.”

Doechii continued: “Let me know what it is up front. I’ll accept you for who you are. It doesn’t really matter,” she said. “I think it’s like cheating on top of lying and secrecy about just who you are as a person. How can I be bisexual and then I’m gonna date somebody else who’s bisexual? Why, because it’s a man? Who cares?”

The Top Dawg Entertainment signee confirmed she had a girlfriend and went on to add, “I think that sexuality is fluid and I really don’t give a damn.”

On the music side, Doechii is preparing to cement her quantum leap to stardom with her debut album later this year.

The 26-year-old is coming off a best rap album win at the 2025 Grammy Awards for her Alligator Bites Never Heal mixtape and currently holds a pair of slots on this week’s Billboard Hot 100. “Denial Is a River” sits at No. 25 and her JENNIE collaboration “ExtraL” debuted at No. 75.

Watch the full Hot Ones Versus episode below.

After co-founding Mastodon in Atlanta in 2000, guitarist/singer Brent Hinds has announced his exit from the metal band 25 years later.

The group shared the news Friday (March 7) on social media, describing the decision as mutual.

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“Friends and Fans, After 25 monumental years together, Mastodon and Brent Hinds have mutually decided to part ways,” the post reads. “We’re deeply proud of and beyond grateful for the music and history we’ve shared and we wish him nothing but success and happiness in his future endeavors. We are still very inspired and excited to show up for fans in this next chapter of Mastodon. As we move forward, all 2025 touring plans will remain intact. We look forward to seeing you on the road.”

The four-man lineup of Hinds, bassist/singer Troy Sanders, guitarist Bill Kelliher and drummer/singer Brann Dailor had remained unchanged since 2001, until Friday’s announcement.

Among nine Billboard 200-charting albums, Mastodon has landed three in the top 10 of the all-genre chart: 2011’s The Hunter, 2014’s One More ‘Round the Sun and 2017’s Emperor of Sand, with the latter two both hitting No. 1 on Top Rock Albums. From six Grammy nominations, the band has taken home one win: best metal performance for “Sultan’s Curse” in 2018.

Mastodon is set to perform at Tool Live in the Sand this weekend in Punta Cana, Mexico, alongside Tool, Primus, Coheed and Cambria, Eagles of Death Metal and more hard-rock acts. They have tour dates scheduled through August.

Find the band’s full announcement below:

Live Nation, Sphere Entertainment Co. and MSG Entertainment stocks fell this week as markets were hurt by fears about the impacts of U.S. tariffs, ongoing inflation and government layoffs. 

Live Nation, which reported record full-year results on Feb. 20, dropped 11.0% to $127.51, erasing the stock’s entire year-to-date gain. Sphere Entertainment Co. dropped 18.8% to $35.45 following the company’s quarterly earnings on Monday (March 3). MSG Entertainment slipped 7.7% to $31.86. 

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U.S. stocks had their worst week in months. The Dow slipped 2.1%, the S&P 500 dropped 3.1% and the Nasdaq Composite fell 3.5%. In the U.K., the FTSE 100 dipped 1.5%.

On Friday, Treasury Secretary Scott Bessent told CNBC that the U.S. economy would go through an adjustment period with less government spending. “The market and the economy have just become hooked,” he said. “We’ve become addicted to this government spending, and there’s going to be a detox period.”

Doubts about live music’s ability to sustain growth in the current economic climate were captured in a CFRA analyst’s note. “Live entertainment and exorbitant ticket prices have raised investor concerns whether record demand will recede with a rising household cost of living and lower consumer confidence,” analyst Kenneth Leon wrote in a March 5 note to investors.

Nevertheless, Leon maintained its $135 price target and upgraded Live Nation shares to “hold” from “sell.” The company, he added, “is a market leader in tickets and continues to fund large capital expenditures to expand its own venues.”

Sphere Entertainment Co. shares fell 13.6% on Monday (March 3), the day the company released quarterly earnings, and slipped another 6% through Friday (March 7). Revenue fell 2% to $308.3 million from the prior-year period, although revenue for the Sphere venue was up 1%. At the company’s MSG Networks division, revenue dropped 5% and its $34.2 million operating profit turned into a $35 million operating loss.

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Numerous analysts made downward revisions to their Sphere models after the earnings release. Benchmark dropped its price target to $35 from $36. JP Morgan cut its price target to $54 from $57. And Seaport cut its earnings-per-share estimate for the current quarter to -$2.03 from -$1.66. 

Other companies in the live entertainment space also declined. MSG Entertainment fell 7.7%, Vivid Seats dropped 3.9%, Eventbrite dipped 2.1% and German concert promoter CTS Eventim lost 0.6%. Many other companies that depend on consumer discretionary spending also fell this week, including Expedia Group (down 6.9%), Hyatt Hotels (down 3.7%) and cruise operator Carnival Corporation (down 13.7%). 

The 20-company Billboard Global Music Index (BGMI) dropped for the third consecutive week, falling 6.3% to 2,449.61. Although the index is up 15.3% year to date, it has fallen 11.1% in the last three weeks. Most of the index’s most valuable companies were among the week’s winners. Other than Live Nation, none of the 13 stocks that lost ground are among the index’s most valuable companies — with one major exception.

Spotify, the BGMI’s largest single component, dropped 12.6% to $531.71, putting the stock 18.5% below its all-time high set on Feb. 13. With a market capitalization of roughly $105 billion, Spotify is large enough to influence the fortunes of an index that contains 19 other stocks. Despite having a few off weeks, however, Spotify is the best-performing music stock of the last year and has gained 14.0% year to date. 

Universal Music Group (UMG) shares rose 6.8% on Friday following the company’s fourth-quarter earnings release on Thursday (March 6), though itended the week up just 3.3%. Warner Music Group appeared to benefit from investors’ enthusiasm about UMG’s earnings as its shares rose 2.0% to $34.39. 

iHeartMedia CEO Bob Pittman caused his company’s stock to spike 23% on Thursday after an SEC filing revealed the executive purchased 200,000 shares. Investors noted the CEO’s optimism in his company’s future, and the stock ended a downward slide to finish the week up 3.4% to $1.83. 

The week’s biggest gainer, Chinese music streaming company Tencent Music Entertainment (TME), rose 9.2% to $13.31. TME benefitted from a surge in Chinese stocks as comments made during the country’s parliamentary meetings this week fueled optimism that the government will provide stimulus for Chinese technology companies. The company will release fourth-quarter earnings on March 18. 

Cumulus Media was the week’s biggest loser after dropping 27.8% to $0.52. The company revealed on Friday that it received a warning from the Nasdaq stock exchange that it faces a de-listing for failing to meet the minimum shareholders’ equity threshold of $10 million. 

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Disney+ has announced a surprise streaming deal for March, that gets you a subscription to the Disney streamer and a subscription to Hulu for just $2.99 total.

That’s right, the limited-time offer gets you the Disney+ and Hulu bundle for just $2.99/month for your first four months. That’s a total savings of 73% each month when compared to the regular price. After your four months of discounted pricing are up, you can cancel your subscription or continue on with the regular price of $10.99/month.

$2.99 $10.99 73% off

GET: DISNEY+ AND HULU BUNDLE

The new streaming offer runs through March 30, 2025. The good news: it’s applicable to both new and eligible returning customers. See more details at DisneyPlus.com.

This limited-time promotion comes just in time for new premieres on both Disney+ and Hulu, including Marvel’s Daredevil: Born Again, Disney’s hit animated musical Moana 2, season two of Andor, and the return of Hulu Originals like The Handmaid’s Tale, now into its sixth season.

Disney+ also offers a host of musical content, like the Taylor Swift Eras Tour movie, Olivia Rodrigo’s Driving Home 2 U and Billie Eilish’s Happier Than Ever: A Love Letter to Los Angeles, among others.

The $2.99 sale price is the first promotion we’ve seen for Disney+ and Hulu in 2025, and one of the best streaming deals online. See the full bundle offer details here.

$2.99 $10.99 73% off

GET: DISNEY+ AND HULU BUNDLE

Looking for more Disney+ and Hulu deals? Both streaming services offer student discounts, with prices starting at just $1.99/month. See more details here.

While the music world mourns Roy Ayers, the Godfather of Neo-Soul and a jazz-funk pioneer who died at age 84 on March 4, the hip-hop community will always remember him as one of its brightest inspirations.

“Everybody Loves the Sunshine,” the enduring hit from Roy Ayers Ubiquity’s 1976 album of the same name, became the highlight of his legacy — and everybody loved it so much they couldn’t help but borrow a bit of its brilliance. The New York Times‘ obituary for Ayers reported that “Everybody Loves the Sunshine” has been sampled nearly 200 times.

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“Well, I have more sampled hits than anybody,” he said in a 2004 interview with Wax Poetics. “I might not have more samples than James Brown, but I’ve had more sampled hits. Oh, man, and there’s a few I don’t know about.”

Mary J. Blige — who sampled “Everybody Loves the Sunshine” for “My Life” from her 1994 album of the same name, which was later interpolated on “MJB Da MVP” featuring 50 Cent, on her 2005 LP The Breakthrough — opened up about the song’s indelible impact on her in her 2021 documentary My Life. “I don’t know what’s in that record, but it was something in it that just cracked open everything in me. That was the first music as a child that stuck with me because it made me forget that we lived where we lived,” Blige said in the film. “‘My life in the sunshine’ was something I wanted.” The Queen of Hip-Hop Soul also heavily sampled Ayers’ 1976 track “Searching” on her 1997 album Share My World.

Like Blige, Dr. Dre, TLC, Juvenile and Joe Budden also have songs titled “My Life,” while Scarface and Naughty by Nature have songs called “Sunshine.” Thirty years after he sampled “Everybody Loves the Sunshine” on “Book of Life” from his 1994 album Resurrection, Common dug back in the crates and dusted off the sample for the Grammy-nominated song “When the Sun Shines,” featuring Posdnuos, from his and Pete Rock‘s 2024 Grammy-nominated joint LP The Auditorium Vol. 1.

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Outside of being sampled and interpolated by hip-hop heavyweights, Ayers also collaborated with Tyler, the Creator on “Find Your Wings,” also featuring Syd and Kali Uchis, from Tyler’s 2015 album Cherry Bomb; Erykah Badu on “Cleva” from her 2000 LP Mama’s Gun; The Roots on “Proceed II” from the deluxe version of the band’s 2005 album Do You Want More?!!!??!; and Talib Kweli on “In the Mood,” also featuring Ye (formerly known as Kanye West), from his 2007 album Eardrum as well as on “Something Special” from Kweli and Madlib‘s 2024 joint LP Liberation 2.

“Roy Ayers called me like ‘tyler, hey man, those changes are amazing, your chord selection is just beautiful my man’ OMG MY HEART MELTED,” Tyler tweeted in 2015. The Chromakopia rapper also sampled Ayers’ 1982 track “Ooh” on “Pothole,” featuring Jaden Smith, from his 2017 album Flower Boy. Later that same year, Ayers performed at his Camp Flog Gnaw festival. Questlove hailed him as “the cat who birthed us all in the ‘vibes only’ movement. The Soundtrack that ALL the incense you ever burned was truly made for. Thank You Roy Edward Ayers Jr for EVERYTHING you gave us. taught us. showed us. soothed us.”

Billboard rounded up 21 hip-hop and R&B songs that have sampled and interpolated Roy Ayers Ubiquity’s “Everybody Loves the Sunshine,” in order from newest to oldest.

Billie Eilish’s Hit Me Hard and Soft returns to the top of the ARIA Albums Chart this week, reclaiming the No. 1 position for the first time since mid-July.

The album, which previously spent five non-consecutive weeks at the summit in 2024, surged back to the top following her sold-out Australian tour dates.

The record finished 2024 as the No. 2 album of the year in Australia and continues to be a strong performer across streaming and physical formats, now clocking in six non-consecutive weeks at No. 1 since its release.

Blackpink’s Lisa makes a strong debut at No. 5 with her first solo album, Alter Ego. The project features collaborations with Raye, Doja Cat, Future, Rosalia, Tyla, and Megan Thee Stallion. Lisa is the second member of Blackpink to land a solo album in the ARIA Top 10 in the past four months—Rosé’s Rosie peaked at No. 2 in December and is currently at No. 45. Meanwhile, fellow bandmate Jennie just dropped her debut album, Ruby, which is set to make its chart debut next week.

The top five albums on this week’s ARIA Albums Chart are all by female artists. Following Eilish at No. 1, Tate McRae’s So Close To What holds steady at No. 2, Sabrina Carpenter’s Short n’ Sweet is at No. 3, SZA’s SOS climbs to No. 4, and Lisa’s Alter Ego debuts at No. 5.

Architects also make an impact this week with The Sky, The Earth & All Between, debuting at No. 8. The British metalcore band has a strong Australian following, with For Those That Wish to Exist reaching No. 1 in 2021.

Over on the ARIA Singles Chart, Rosé and Bruno Mars’ collaboration “APT” extends its reign at No. 1 for a 13th non-consecutive week. The track is now tied with Lil Nas X and Billy Ray Cyrus’ “Old Town Road” (2019) as the longest-running duet at No. 1 in the past five years. The all-time record for longest-running duet on the ARIA Singles Chart remains The Kid LAROI and Justin Bieber’s “Stay,” which dominated for 17 weeks between 2021 and 2022.

With Eilish reclaiming the top spot and Lisa making a major solo debut, female artists continue to dominate the ARIA charts this year.

Peso Pluma and his cousin, Tito Double P, were both fetted with special honors at the 2025 BMI Latin Awards, held March 6 at the Coastal Convention Center in the Fontainebleau Hotel in Miami.

Peso Pluma received the BMI Champion Award for is great influence in the global musical landscape, and for opening doors to the exploding Música Mexicana movement. In winning the Champion Award, Peso Pluma joins a select group of honorees that includes Mark Ronson, Keith Urban and Residente. Peso Pluma also received the regional Mexican Songwriter of the Year award.  

The Contemporary Latin Songwriter of the Year award went to both global superstar Karol G and producer and songwriter MAG, who each worked on six hit songs, including “Mi Ex Tenía Razón,” where they both have credits.

Tito Double P also received a special award –the BMI Impact Award– for “his contributions to Peso Pluma’s success and his innovative songwriting that has propelled him into one of the most popular new artists in the Música Mexicana genre.”

Hit song “Lady Gaga,” written by Gabito Ballesteros and Alexis Fierro Román, was named Regional Mexican Song of the Year while “La Bebé (Remix),” written by Peso Pluma and HASA KING Beatz, won Contemporary Latin Song of the Year.

Sony Music Publishing took home the honor for Regional Mexican Publisher of the Year for representing 11 of the previous year’s most-performed regional Mexican songs, including those by JOP and his stable of songwriters at Street Mob Records; and Kobalt Music Publishing won Contemporary Latin Publisher of the Year for representing seven of the previous year’s most-performed contemporary Latin songs. 

The evening was hosted by BMI’s President & CEO Mike O’Neill, and Jesús González, VP creative for Latin, with awards given to the songwriters and publishers of the top 50 Latin songs of the previous year, including Ryan Castro and Miguel Armenta.

The gala also featured live performances by FloyyMenor, who sang his smash hit “Gata Only,” and Jasiel Núñe, who, accompanied by his excellent band, performed an impressive medley that blended Mexican, blues and country sensibilities.  

Prior to the ceremony, the BMI Foundation presented the 2025 Peermusic Award to jazz pianist Tomás Jonsson, a student at Peabody Conservatory,  for his winning song “Ocurrencias.”

For a complete list of 2025 BMI Latin Award winners, click here.

BTS’ j-hope is back with a fresh solo release, teaming up with R&B powerhouse Miguel for the ethereal new single “Sweet Dreams,” out today (March 7).

A smooth fusion of R&B, pop, and hip-hop, “Sweet Dreams” pairs j-hope’s effortless melodic flow with Miguel’s signature velvety vocals, creating an ethereal, late-night groove. The song continues the BTS rapper’s journey of blending genres, showcasing his artistic range while adding another solo to his growing discography.

And there’s even more in store for fans: Billboard recently revealed that j-hope is set to make his solo debut on The Tonight Show Starring Jimmy Fallon on Monday, March 10, where he’ll take the stage for a performance of his new single.

The single j-hope’s first proper release since his special album Hope on the Street Vol.1, which arrived in March last year. The project reached No. 5 on the  Billboard 200, his highest solo peak on the chart to date.

The “More” vocalist also paired the LP with a docuseries of the same name. Traveling to New York, Paris, Osaka, Seoul and his hometown of Gwangju in South Korea, j-hope explored his passion for dance in the six-part Prime Video project.  

He’s now gearing up to hit the road again, this time on a tour kicking off one week before “Sweet Dreams” drops. The 31-date HOPE ON THE STAGE trek will begin with a three-night stay at Seoul’s KSPO DOME starting Friday (Feb. 28). 

Not counting his February feature on Don Toliver’s “LV Bag” alongside Pharrell Williams, “Sweet Dreams” also marks j-hope’s first proper solo release since he was discharged from the South Korean military.

Stream “Sweet Dreams” below.

It’s clear that nearly 20 years after she reconfigured the modern understanding of pop stardom, Lady Gaga has virtually nothing left to prove. She’s a veritable hitmaker with six No. 1 hits on the Hot 100 and three times as many top 10’s; she’s raked in a whopping 14 Grammys and 24 more nominations; she’s become one of the most sought-after touring acts of this century; she’s even proven herself as an A-list movie star.

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Yet on Mayhem, the pop icon’s much-anticipated seventh studio album (out today via Interscope Records), Gaga performs as though everything — her fame, her reputation, her very life — is at stake.

As a result, Mayhem plays from front to back as a bold, daring piece of pop anarchism from Mother Monster. She takes the sounds that have defined the majority of her career (dance-pop, stadium rock, EDM and even some funk), dismantles them to a molecular level and builds them back up into tantalizing new shapes. The LP swings wildly from industrial to techno to disco to soul and back again, all while affording Gaga an opportunity to share some of her most deep-cutting lyrics to date.

It’s not a coincidence that Mayhem harkens back to some of Gaga’s earliest works — as the singer told Billboard, part of the intention behind this record was to reconnect with her roots and find some of the joy that had gone missing along the way. “I do think that I felt a lot of pressure, over the years, to prove myself as a musician. And that sometimes stopped me from having fun,” she said. “So, I tried to have a lot of fun making this record.”

Below, Billboard takes an in-depth look at the creativity and chaos of Lady Gaga’s Mayhem, ranking each of the albums 14 new songs: