Mark Pritchard and Thom Yorke are “Back in the Game”, with the pair joining forces once again for a new single.

Pritchard, who has spent more than 30 years as an electronic musician and producer, first teamed up with the Radiohead and The Smile frontman back in 2016, with Yorke providing guest vocals on “Beautiful People” for Pritchard’s Under the Sun record. Five years earlier, Pritchard had also shared a pair of remixes of Radiohead’s “Bloom”, with both versions (one of which was released under his Harmonic 313 alias) appearing on the TKOL RMX 1234567 album.

Much like their previous collaboration, “Back in the Game” sees Yorke’s vocals digitally distorted by Pritchard, this time by way of the H910 Harmonizer, the world’s first commercially-available digital audio effects device.

The track has also been a staple of Yorke’s recent live sets, with the musician having debuted the song in Christchurch, New Zealand in October as part of his Everything solo tour and playing it at every show since.

“Back in the Game” comes accompanied by a surreal, kaleidoscopic Jonathan Zawada-directed visual which combines both analog and digital techniques. In a statement, Zawada explained that an early demo of the track saw him envision a cocky, strutting John Travolta in the final scene of Staying Alive, albeit with a more sinister approach.

“Slowly a version of that visual arose around a character wearing a kind of giant parade head with a fixed expression of mania stuck on their face, such that you couldn’t tell if their endless march was one of aggression or celebration,” Zawada explained. “The more I paid attention to the lyrics the more details began to fill themselves out and the overall concept began to form [a] parade of many characters marching past a building from within which everything was being thrown out of a window and into a giant bonfire.

“Ultimately the film for ‘Back in the Game’ ended up depicting a sort of blind celebration taking place as civilization slowly deteriorates around it, a kind of progression through regression. Overlaid onto this is an exploration of how and where we choose to place value in our collective cultural expression and how we collectively confront major cultural shifts in the 21st century.”

Selena Gomez is back to the pop star life, despite teasing that she might be done with music — and she’s bringing her superstar producer fiancé Benny Blanco along for the ride.

“I always trick you guys,” Gomez wrote on Instagram, alongside a series of photos snuggling in a bedroom with Blanco. “my NEW album I Said I Love You First with my best friend @bennyblanco, is out on 3/21 🖤Our first song, Scared of Loving You is out now on all streaming platforms. Merchandise and signed products for the album are available for pre-order now. We can’t wait to share this special project with you soon!”

See the post here.

Gomez and Blanco have been teasing working on music together in the past few months. The “Rare” singer took to her Instagram Stories in January to share a video wearing headphones while sitting at what appears to be a studio desk, before grabbing the phone and turning it around to reveal the screen in front of her, blocking its contents with a red heart emoji.

In a previous TikTok video, the producer responded to a fan who commented on a previous video, “Benny please make some new songs for our queen.” Blanco walks into a home studio to show Gomez sitting on a couch and adjusting a microphone.

Gomez hasn’t released a full-length album since her 2020 third studio project Rare, which debuted atop the Billboard 200 and spawned her first-ever No. 1 hit on the Billboard Hot 100 with “Lose You to Love Me.” In 2021, she unveiled a Spanish-language EP, Revelación. 

It’s hardly the first time Blanco and Gomez have worked on music together. Blanco coproduced “Kill Em with Kindness” and “Same Old Love” off Gomez’s 2015 album Revival, and the duo collaborated on 2019’s “I Can’t Get Enough,” alongside Tainy and J Balvin. Most recently, they worked on Gomez’s single “Single Soon.”

The couple began dating in June 2023, and got engaged last month. Gomez shared the happy news with a Dec. 11 Instagram carousel featuring her marquise-cut engagement ring, along with the caption, “forever begins now..”

Australian rock veterans INXS are taking a look back in time, celebrating 40 years of their international breakthrough record, Listen Like Thieves.

Originally released in October 1985, Listen Like Thieves was the Sydney sextet’s fifth album, and their first to make a sizable impact on a global scale. Their second consecutive chart-topper in their homeland, it would be their first to chart in markets such as the U.K. and Switzerland, and their highest peak to date in the U.S., with the record reaching No. 11 on the Billboard 200.

It also boasted a number of successful singles, including its title track, “Kiss the Dirt (Falling Down the Mountain)”, “This Time”, and “What You Need”. The latter was the record’s most successful, peaking at No. 2 in Australia and No. 5 on Billboard’s Hot 100.

At the time of the record’s release, the band were already a success story in Australia thanks to their unique sound and relentless touring schedule, with Listen Like Thieves aiming to translate those aspects to the listener’s turntable. “We’ve done the album like a live show and what is there is there,” frontman Michael Hutchence told Rolling Stone in 1985. “We want to present this record as a band – the idea of six people playing together and using traditional sounds.”

Ahead of the record’s 40th anniversary, the band’s surviving members have announced a new deluxe edition of the seminal album. Arriving on May 9, the 3CD/LP collection features a new remix of the album with Chris Thompson’s original production being overhauled by Giles Martin and Paul Hicks. It also boasts a number of unreleased outtakes and demos; a rare BBC Recording, Live From The Royal Albert Hall, London, 1986; and a new interview with the band by writer Paul Sexton. A 2CD edition pairs the new mix with a selection of B-sides, remixes and live recordings, while a single LP version contains the 2025 mix alone.

“Chris Thomas was one of the most talented and exciting producers we ever had the privilege to work with,” recalled keyboardist and guitarist Andrew Farriss. “From the moment we met, there was no doubt he would bring a new dynamic to our music, his drive and determination helped Michael and I deliver a smash hit in ‘What You Need’. 40 years on, Giles and Paul captured the original raw energy we felt when we first recorded the album and created a sonic depth to give the record an entirely new dimension that we couldn’t be prouder of.”

The BBC’s live recording of INXS’ June 1986 appearance at London’s Royal Albert Hall is also of note, with the band’s audience that evening comprising a number of notable artists such as Mick Jagger, The Cult, and the Psychedelic Furs. Described as a “poignant night” for the band, it wasn’t their first visit to the U.K., but arguably the turning point in their relationship with the region. Almost five years later to the day, INXS would headline London’s Wembley Stadium and perform before a sold-out crowd of 72,000.

INXS’ biggest commercial success would come two years after the release of Listen Like Thieves, with 1987’s Kick turning them into megastars. The album would top the charts in Australia, Canada, and New Zealand, and give them a career-best of No. 3 on the Billboard 200.

Though the band would initially split following the untimely passing of Hutchence in 1997, a revolving door of vocalists would precede their eventual permanent retirement in 2012. Despite this, the band are consistently one of the best-selling Australian bands to this day, with the Australian Recording Industry Association’s end-of-year charts for 2024 seeing the band’s 2011 collection The Very Best listed at No. 81 on the album charts – one of only three local records to make the cut.

Israeli grassroots Zionist organization Imtritzu posted a controversial deepfake video on Tuesday that depicted a stream of AI-generated Jewish artists including Drake, Lenny Kravitz, Maroon 5’s Adam Levine, Simon & Garfunkel, Jack Black, Jake Gyllenhaal, Mila Kunis, Adam Sandler and more wearing T-shirts featuring a hand with a Jewish star in it throwing up the middle finger with the word “Kanye” underneath.

The short video featuring the message “enough is enough” and “Join the fight Against Antisemitism” appeared to be a reaction to the disgraced rapper Ye’s recent four-day spree of offensive posts on X in which he repeatedly used antisemitic, homophobic, sexist and ableist slurs while once again declaring “I’m a Nazi” and “I love Hitler.”

The T-shirt also seemed like a rejoinder to an antisemitic shirt Ye sold on his website — promoted in a bizarre ad that aired in a few markets during Sunday’s Super Bowl LIX — that featured a Nazi swastika and the code “HH-01,” code for “Heil Hitler.” The Yeezy website was taken down by Shopify on Tuesday following backlash about the shirt that the company said violated its terms.

The deepfake video, cued to an instrumental, electronic version of the traditional celebratory Jewish folk song “Hava Nagila,” also features doctored images of Scarlett Johansson, Steven Spielberg, Woody Allen, Mark Zuckerberg, Sacha Baron Cohen, Schwimmer, Lisa Kudrow and others modeling the shirt. Johansson was the first A-lister to respond to the unapproved response video, urging U.S. legislators to put limits on AI, denouncing the project to People in a statement over the “misuse of A.I., no matter what its messaging.”

She added, “It has been brought to my attention by family members and friends, that an A.I.-generated video featuring my likeness, in response to an antisemitic view, has been circulating online and gaining traction. I am a Jewish woman who has no tolerance for antisemitism or hate speech of any kind. But I also firmly believe that the potential for hate speech multiplied by A.I. is a far greater threat than any one person who takes accountability for it. We must call out the misuse of A.I., no matter its messaging, or we risk losing a hold on reality.”

Johansson — who threatened legal action in November 2023 when a company used her A.I. likeness in an ad without permission and was again disturbed when a voice that sounded like hers was used as the official voice of OpenA.I.’s ChatGPT — did not name West in her statement, which concluded, “I urge the U.S. government to make the passing of legislation limiting A.I. use a top priority; it is a bipartisan issue that enormously affects the immediate future of humanity at large.”

Before the AI video surfaced, the Anti-Defamation League lambasted Ye’s swastika shirt, noting that it was further proof of the rapper’s antisemitism and that “the swastika is the symbol adopted by Hitler as the primary emblem of the Nazis. It galvanized his followers in the 20th century and continues to threaten and instill fear in those targeted by antisemitism and white supremacy… There’s no excuse for this kind of behavior. Even worse, Kanye advertised his website during the Super Bowl, amplifying it beyond his already massive social media audience.”

Before Ye (formerly known as Kanye West) seemingly deleted his X account on Monday, former Friends star David Schwimmer implored X owner Elon Musk to ban the hate-spewing rapper from the platform. In addition, Charlie Puth begged Ye to stop promoting “incredibly dangerous” messages and singer/DJ Matthew Koma offered his own pointed response to Ye’s promotion of hateful ideology on Tuesday, posting an image of a “F–k Ye” shirt he’s selling. “Hey I can make a shirt too – link in bio , all proceeds to the blue card holocaust survivor charity,” Koma wrote.

In addition, the Israeli-American Council (AIC) announced a “Hate Is Out of Fashion” campaign on Wednesday (Feb. 12) featuring a Star of David T-shirt to “foster Jewish pride, strength and unity.” The group said the shirt was a response to West’s swastika merch. “Whenever and wherever antisemitism rears its ugly head, it poses a threat not only to Jews but to our entire society and its most basic values,” said IAC CEO Elan Carr. “We American Jews and Israeli-Americans stand on the front lines against the world’s oldest hatred. In response to Kanye West’s despicable attempt to capitalize on his hatred, our creative campaign mirrors his twisted fashion but instead promotes a positive message of pride, philosemitism, and American values.”

Marlon Wayans is not tolerating Soulja Boy after the rapper’s homophobic comments.

The Scary Movie actor and the musician have been feuding online ever since Wayans called out Soulja Boy for performing at the Crypto Ball in Washington, D.C. in celebration of Donald Trump’s presidential inauguration. The back-and-forth came to a head when Soulja began poking fun at Wayans’ role in White Chicks, in which he portrays an FBI agent who goes undercover as white woman.

“I can’t believe I’m arguing with a n—- that dressed up like a white b—- wtf is wrong with me,” Soulja Boy wrote, before taking aim at Wayans’ transgender child via a series of homophobic tweets, calling 24-year-old Kai “a t—– that suck d—.” He then wrote about Wayans’ support for his child: “That f—– s— run in the family huh? @MarlonWayans no wonder u like dressing up as a b—- it’s in your blood.”

Upon seeing those tweets, Wayans immediately fired back, writing, “If @souljaboy had a career he could get canceled for this type of slander. Luckily he ain’t been relevant since 2007.”

He followed up with a photo of Soulja Boy, writing, “Hey @souljaboy My child had top surgery and still has more chest than you.”

Wayans has been a passionate supporter of his child, and most recently opened up about his “beautiful, magical” journey to acceptance on The Jennifer Hudson Show, noting that Kai is “the same child they was before — they just got a beard now. Okay! Same baby.”

He also told People, “At the end of the day, in my heart, only thing that matters to me is that my child is happy.”