“The idea for that song came from personal experience,” Billy Steinberg said in an interview with the Los Angeles Times, as chronicled in Fred Bronson’s The Billboard Book of Number One Hits, about Madonna’s “Like a Virgin.”

“I wasn’t just trying to somehow get that racy word virgin in a lyric,” mused Steinberg, who co-authored the song with longtime writing partner Tom Kelly. “I was saying that I may not really be a virgin — I’ve been battered romantically and emotionally like many people — but I’m starting a new relationship and it just feels so good it’s healing all the wounds and making me feel like I’ve never done this before, because it’s so much deeper and more profound than anything I’ve ever felt.”

The song ruled the Billboard Hot 100 for six weeks in 1984-85 and ranks as Madonna’s biggest career hit.

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Steinberg’s compositions became mainstays in the Hot 100’s top 40 from the 1980s to the 2010s, recorded by acts also including the Bangles, Heart, JoJo, Cyndi Lauper and Demi Lovato, whose “Give Your Heart a Break,” which Steinberg co-wrote with Josh Alexander, also hit No. 1 on Billboard’s Pop Airplay chart in 2012.

In honor of Steinberg, who, as announced Feb. 16, died in Los Angeles at age 74, here is a recap of his 15 biggest Hot 100 hits — including five No. 1s — as a songwriter, all enduring top 40 titles and, notably, all sung by women artists.

As for “Like a Virgin,” after it was written, Bronson noted that Michael Ostin, then of Warner Brothers Records’ A&R department, played it for Madonna, after hearing Kelly and Steinberg’s demo, and she “went crazy, and immediately knew it was a song for her and that she could make a great record out of it.”

Songwriter Billy Steinberg’s Biggest Billboard Hot 100 hits chart is based on actual performance on the weekly Billboard Hot 100, through the Feb. 14, 2026 ranking. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. Due to changes in chart methodology over the years, eras are weighted to account for different chart turnover rates over various periods.

Austrian public prosecutors filed terrorism-related charges Monday (Feb. 16) against a 21-year-old defendant who they say planned to carry out an attack on one of Taylor Swift’s concerts in Vienna in August 2024.

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Vienna public prosecutors said in a statement that the unnamed defendant had declared allegiance to the Islamic State group by sharing propaganda material and videos via various messaging services.

Vienna prosecutors also accuse the defendant of having “obtained instructions on the internet for the construction of a shrapnel bomb based on the explosive triacetone triperoxide” typically used by IS, and of having produced a small amount of the explosive.

Prosecutors also say that the defendant had made “several attempts” to buy weapons illegally outside the country and to bring them to Austria.

Vienna public prosecutors plan to proceed with a criminal case against the unnamed suspect in Wiener Neustadt, a town near the Austrian capital.

The spokesperson for the Vienna public prosecutors office confirmed to The Associated Press that the defendant is in custody. Austrian media identified the suspect as Beran A. and said he was arrested in August 2024.

Austrian authorities canceled three planned Taylor Swift shows in Vienna in August 2024 after they said they foiled an apparent plot to target the performances.

The U.S. provided intelligence that fed into the decision to cancel the concerts.

“The United States has an enduring focus on our counterterrorism mission. We work closely with partners all over the world to monitor and disrupt threats. And so as part of that work, the United States did share information with Austrian partners to enable the disruption of a threat to Taylor Swift’s concerts there in Vienna,” then-White House national security spokesman John Kirby said in August 2024.

Songwriter Billy Steinberg, who died Monday (Feb. 16) from cancer, was responsible for some of the most indelible pop songs of the ‘80s and ‘90s, including “True Colors,” which became one of Cyndi Lauper’s signature hits and reached No. 1 on the Billboard Hot 100 in 1986.

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But the Grammy-nominated song wasn’t the only tune that Steinberg and his then songwriting partner Tom Kelly had cut by Lauper. She recorded a number of their songs, including “I Drove All Night” and “Unconditional Love.”

In a statement to Billboard, Lauper said, “I’m so sorry to hear of Billy Steinberg’s passing. He was a great lyricist and a wonderful collaborator. He and Tom had such a way of capturing the range within an emotion, from the subtlety to urgency. When I think back across ‘True Colors,’ ‘Unconditional Love,’ ‘I Drove All Night,’ ‘My First Night Without You,’ and ‘Heading West,’ I’m wowed. I mean, come on, ‘I’m like a letter with no address.’ Pure genius. For ‘True Colors,’ there was a lot of back and forth which I know was hard for him. In the end, he said that I had really invented my own ‘very exquisitely beautiful version’ of the song. That really meant a lot to me. It is a special song.”

Steinberg initially wrote “True Colors” about his mom, but Lauper then amended it to be about a friend who died of AIDS during the early days of the AIDS epidemic. “”He died of AIDS, and [‘True Colors’] was for us to feel better,” she told People in 2023 on the red carpet of the Tribeca Film Festival premiere of her new documentary Let the Canary Sing. “He had wanted me to write a song for him, and I tried.”

The song subsequently became and remains a powerful LGBTQIA anthem of love and acceptance.

At the Grammy Museum’s 2023 “The Power of Song: A Songwriters Hall of Fame Exhibit,” Steinberg was represented by a demo for “True Colors” recorded on a TDK SA 60 cassette and a note from Lauper that read, “Billy — Thanks for sending me and writing such a beautiful song. [Heart] Cyndi.”

Steinberg also co-wrote such pop classics as Madonna’s  “Like a Virgin,” the Bangles’ “Eternal Flame,” Heart’s “Alone” and Whitney Houston’s “So Emotional.”

Robert Duvall, the Oscar-winning actor of matchless versatility and dedication whose classic roles included the intrepid consigliere of the first two Godfather movies and the over-the-hill country music singer in Tender Mercies, has died at age 95.

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Duvall died “peacefully” at his home Sunday (Feb. 15) in Middleburg, Virginia, according to an announcement from his publicist and from a statement posted on his Facebook page by his wife, Luciana Duvall.

“To the world, he was an Academy Award-winning actor, a director, a storyteller. To me, he was simply everything,” Luciana Duvall wrote. “His passion for his craft was matched only by his deep love for characters, a great meal, and holding court. For each of his many roles, Bob gave everything to his characters and to the truth of the human spirit they represented.”

The bald, wiry Duvall didn’t have leading man looks, but few “character actors” enjoyed such a long, rewarding and unpredictable career, in leading and supporting roles, from an itinerant preacher to Josef Stalin. Beginning with his 1962 film debut as Boo Radley, the reclusive neighbor in To Kill a Mockingbird, Duvall created a gallery of unforgettable portrayals. They earned him seven Academy Award nominations and the best actor prize for Tender Mercies, which came out in 1983. He also won four Golden Globes, including one for playing the philosophical cattle-drive boss in the 1989 miniseries Lonesome Dove, a role he often cited as his favorite.

In 2005, Duvall was awarded a National Medal of Arts.

He had been acting for some 20 years when The Godfather, released in 1972, established him as one of the most in-demand performers of Hollywood. He had made a previous film, The Rain People, with Francis Coppola, and the director chose him to play Tom Hagen in the mafia epic that featured Al Pacino and Marlon Brando among others. Duvall was a master of subtlety as an Irishman among Italians, rarely at the center of a scene, but often listening and advising in the background, an irreplaceable thread through the saga of the Corleone crime family.

“Stars and Italians alike depend on his efficiency, his tidying up around their grand gestures, his being the perfect shortstop on a team of personality sluggers,” wrote the critic David Thomson. “Was there ever a role better designed for its actor than that of Tom Hagen in both parts of ‘The Godfather?’”

In another Coppola film, Apocalypse Now, Duvall was wildly out front, the embodiment of deranged masculinity as Lieutenant Colonel Bill Kilgore, who with equal vigor enjoyed surfing and bombing raids on the Viet Cong. Duvall required few takes for one of the most famous passages in movie history, barked out on the battlefield by a bare-chested, cavalry-hatted Kilgore: “I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn’t find one of ‘em, not one stinkin’ dink body.

“The smell, you know that gasoline smell, the whole hill. Smelled like — victory.”

Coppola once commented about Duvall: “Actors click into character at different times — the first week, third week. Bobby’s hot after one or two takes.”

He was Oscar-nominated as supporting actor for The Godfather and Apocalypse Now, but a dispute over money led him to turn down the third Godfather epic, a loss deeply felt by critics, fans and Godfather colleagues. Duvall would complain publicly about being offered less than his co-stars.

Fellow actors marveled at Duvall’s studious research and planning, and his coiled energy. Michael Caine, who co-starred with him in the 2003 Secondhand Lions, once told The Associated Press: “Before a big scene, Bobby just sits there, absolutely quiet; you know when not to talk to him.” Anyone who disturbed him would suffer the well-known Duvall temper, famously on display during the filming of the John Wayne Western True Grit, when Duvall seethed at director Henry Hathaway’s advice to “tense up” before a scene.

Duvall was awarded an Oscar in 1984 for his leading role as the troubled singer and songwriter Mac Sledge in Tender Mercies, a prize he accepted while clad in a cowboy tuxedo with Western tie. In 1998, he was nominated for best actor in The Apostle, a drama about a wayward Southern evangelist which he wrote, directed, starred in, produced and largely financed. With customary thoroughness, he visited dozens of country churches and spent 12 years writing the script and trying to get it made.

Among other notable roles: the outlaw gang leader who gets ambushed by John Wayne in True Grit; Jesse James in The Great Northfield Minnesota Raid; the pious and beleaguered Frank Burns in M-A-S-H; the TV hatchet man in Network; Dr. Watson in The Seven-Per-Cent Solution; and the sadistic father in The Great Santini.

“When I was doing ‘Colors’ in 1988 with Sean Penn, someone asked me how I do it all these years, keep it fresh. Well, if you don’t overwork, have some hobbies, you can do it and stay hungry even if you’re not really hungry,” Duvall told The Associated Press in 1990.

In his mid-80s, he received a supporting Oscar nomination as the title character of the 2014 release The Judge, in which he is accused of causing a death in a hit-and-run accident. More recent films included Widows and 12 Mighty Orphans.

Robert Selden Duvall grew up in the Navy towns of Annapolis and the San Diego area, where he was born in 1931. He spent time in other cities as his father, who rose to be an admiral, was assigned to various duties.

The boy’s experience helped in his adult profession as he learned the nuances of regional speech and observed the psyche of military men, which he would portray in several films.

Duvall reportedly used his Navy officer father as the basis for his portrayal of the explosive militarist in The Great Santini, based on the Pat Conroy novel. He commented in 2003: “My dad was a gentleman but a seether, a stern, blustery guy, and away a lot of the time.” Bobby took after his mother, an amateur actress, in playing a guitar and performing. He was a wrestler like his father and enjoyed besting kids older than himself.

He lacked the concentration for schoolwork and nearly flunked out of Principia College in Elsah, Illinois. His despairing parents decided he needed something to keep him in college so he wouldn’t be drafted for the Korean War. “They recommended acting as an expedient thing to get through,” he recalled. “I’m glad they did.” He flourished in drama classes.

“Way back when I was in college,” Duvall told the AP in 1990, “there was a wonderful man named Frank Parker, who had been a dancer in World War I. We did a full-length mime play and I played a Harlequin clown. I really liked that.

“Then, I played an older guy in ‘All My Sons,’ and at one point I had this emotional moment, where this emotion was pouring out. Parker said at that moment he didn’t think acting can be carried any further than that. And this guy was a very critical guy. So I thought, at that moment at least, this is what I wanted to do.”

After two years in the Army, he used the G.I. Bill to finance his studies at the Neighborhood Playhouse in New York, hanging out with such other young hopefuls as Robert Morse, Gene Hackman and Dustin Hoffman. After a one-night performance in A View From the Bridge, Duvall began getting offers for work in TV series, among them The Naked City and The Defenders.

Between his high-paying jobs in major productions, Duvall devoted himself to directing personal projects: a documentary about a prairie family, We’re Not the Jet Set; a film about gypsies, Angelo, My Love; and Assassination Tango, in which he also starred.

Duvall had been a tango dancer since seeing the musical Tango Argentina in the 1980s and visited in Argentina dozens of times to study the dance and the culture. The result was the 2003 release about a hit man with a passion for tango.

His co-star was Luciana Pedraza, 42 years his junior, whom he married in 2005. Duvall’s three previous marriages — to Barbara Benjamin, Gail Youngs and Sharon Brophy — ended in divorce.


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Billy Steinberg, the Grammy-winning songwriter who co-wrote such pop classics as Madonna’s “Like A Virgin,” Cyndi Lauper’s “True Colors” and the Bangles’ “Eternal Flame” that were some of the biggest, most indelible hits of the 1980s, had died, his attorney confirmed to Billboard. Steinberg, who was 10 days away from his 75th birthday, died of cancer in Los Angeles.

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In addition to those three songs, Steinberg — who specialized in big, power ballads with impactful, vulnerable lyrics — had two other songs reach No. 1 on Billboard’s Hot 100: Whitney Houston’s “So Emotional” and Heart’s Alone,” all co-written with his longtime writing partner, Tom Kelly.  

The lyricist also penned such hits as the Pretenders’ “I’ll Stand by You,” the Bangles’ “In Your Room” and the Divinyls’ “I Touch Myself.” Taylor Dayne, Tina Turner, Pat Benatar, Bette Midler, Cheap Trip, Belinda Carlisle and many other artists also recorded his songs.

A 2011 inductee into the Songwriters Hall of Fame, the Fresno, California, native grew up in Palm Springs, California. After attending Bard College in New York’s Hudson Valley, he pursued a career as an artist with his band Billy Thermal. While they may not have flourished, Steinberg’s career took off after the group’s guitarist played “How Do I Make You,” penned by Steinberg, for Linda Rondstadt, who recorded it for her Mad Love album in 1980. The song reached No. 10 on the Billboard Hot 100 chart.

Steinberg and Kelly, in addition to recording as the duo I-10 for Epic Records, were one of the top songwriting teams of the ‘80s and ‘90s, often writing signature songs for artists, including “Like A Virgin,” which remained at No. 1 for six weeks, the most of any of Madonna’s hits. Billboard ranked the song as Madonna’s biggest hit of her career in 2024.

After Kelly retired as a songwriter, Steinberg continued to write, often with Rick Nowels, including penning Dion’s “Falling Into You.” More recently, in the 2010s, Steinberg’s songs were cut by Nichole Scherzinger, Miranda Cosgrove and Demi Lovato, who took “Give Your Heart A Break,” (co-written with Josh Alexander) to No. 16 on the Hot 100 in 2012.

Steinberg took home a Grammy at the 39th annual Grammy Awards for album of the year for Dion’s Falling Into You, for which he co-wrote the title track.

At the Grammy Museum’s 2023 “The Power of Song: A Songwriters Hall of Fame Exhibit,” Steinberg was represented by a demo for “True Colors” recorded on a TDK SA 60 cassette and a note from Lauper that read, “Billy — Thanks for sending me and writing such a beautiful song. (heart) Cyndi.”

He is survived by his beloved wife, Trina; his sons, Ezra and Max; his sisters, Barbara and Mary; and his stepchildren, Raul and Carolina. 


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Beyoncé is unveiling a brand new hairstyle.

On Friday (Feb. 13), the 44-year-old superstar shared a series of Instagram photos showcasing a chic new blonde bob. The gallery, dated Feb. 8 — the same day as Super Bowl LX — features Bey in a light green trench coat as she prepares for the big game between the Seattle Seahawks and the New England Patriots at Levi’s Stadium in Santa Clara, California.

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In one shot, the “Texas Hold ‘Em” singer lounges in front of a large window with the stadium in the background. In another, she wears a light-colored top with green leggings while holding a small “touchdown” banner.

This isn’t the first time Beyoncé has rocked a bob. She previously wore a hairstyle above her shoulders in September 2024.

In another set of Instagram snaps from Sunday (Feb. 15), Bey showed off her straight short hair again, this time in a long brown leather coat while holding a vintage telephone receiver and a cigar. In one image, she’s seated at a table with a cheeseburger on a golden platter, flanked by miniature American and Puerto Rican flags — a playful nod to Bad Bunny’s Super Bowl Halftime Show.

During the big game itself, Beyoncé was photographed walking the field alongside her husband, Jay-Z, and their daughters Blue Ivy and Rumi.

The Cowboy Carter artist shared yet another set of images on Instagram from the 2026 Super Bowl, this time wearing a long brown coat with a matching hat and blue jeans. One of the photos shows Bey holding what looks to be a fortune cookie message against her cheek that reads, “Your team’s Super Bowl dreams are looking bright.” She also shared a video of the moving bushes from Bad Bunny’s halftime show performance, along with snaps of herself with Jay-Z and enjoying snacks inside her luxury box at Levi’s Stadium.

She closed her post with a black-and-white photo from the stadium’s video screen that read, “The only thing more powerful than hate is love,” which appeared during the Puerto Rican superstar’s halftime show.


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J. Cole is hitting the road in support of his latest album.

On Monday (Feb. 16), the 41-year-old rapper announced his upcoming worldwide The Fall-Off Tour in support of his Billboard 200–topping album, The Fall-Off.

The headlining arena run will visit more than 50 cities across 15 countries, making stops throughout North America, Europe, the U.K., Australia, New Zealand and South Africa.

The expansive trek launches July 11 at Charlotte, N.C.’s Spectrum Center and wraps Dec. 12 at FNB Stadium in Johannesburg, South Africa. The tour will also make stops in Miami, Atlanta, Montreal, Toronto, Chicago, Los Angeles, Amsterdam, London, Paris, Sydney and Auckland.

Tickets for North America will be available via presale on Tuesday (Feb. 17), with the general onsale beginning Friday, Feb. 20, at thefalloff.com.

The Fall-Off Tour marks J. Cole’s first solo headline tour in five years, following 2021’s The Off-Season Tour. It is also his first full global tour in nearly a decade, since the 4 Your Eyez Only World Tour in 2017.

The tour supports his seventh studio album, The Fall-Off, which debuted at No. 1 on the Billboard 200 chart dated Feb. 21.

J. Cole has previously reached No. 1 on the Billboard 200 with The Off-Season (2021), KOD (2018), 4 Your Eyez Only (2016), 2014 Forest Hills Drive (2014), Born Sinner (2013), and Cole World: The Sideline Story (2011).

Here are the dates for J. Cole’s 2026 The Fall-Off Tour.

July 11: Charlotte, N.C. (Spectrum Center)
July 14: Miami (Kaseya Center)
July 15: Tampa, Fla. (Benchmark International Arena)
July 17: Atlanta (State Farm Arena)
July 20: Philadelphia (Xfinity Mobile Arena)
July 23: Baltimore (CFG Bank Arena)
July 25: Montreal (Bell Centre)
July 27: Toronto (Scotiabank Arena)
July 31: Brooklyn, N.Y. (Barclays Center)
Aug. 4: New York (Madison Square Garden)
Aug. 5: Queens, N.Y. (UBS Arena)
Aug. 7: Boston (TD Garden)
Aug. 11: Chicago (United Center)
Aug. 15: Cleveland (Rocket Arena)
Aug. 16: Detroit (Little Caesars Arena)
Aug. 18: Minneapolis (Target Center)
Aug. 19: Kansas City, Mo. (T-Mobile Center)
Aug. 21: Denver (Ball Arena)
Aug. 24: Vancouver, British Columbia (Rogers Arena)
Aug. 25: Seattle (Climate Pledge Arena)
Aug. 27: Sacramento, Calif. (Golden 1 Center)
Aug. 29: Oakland, Calif. (Oakland Arena)
Sept. 1: Los Angeles (Crypto.com Arena)
Sept. 3: Inglewood, Calif. (Intuit Dome)
Sept. 6: Las Vegas (T-Mobile Arena)
Sept. 9: San Diego (Viejas Arena)
Sept. 10: Phoenix (Mortgage Matchup Center)
Sept. 13: San Antonio (Frost Bank Center)
Sept. 14: Austin, Texas (Moody Center)
Sept. 16: Houston (Toyota Center)
Sept. 19: Dallas (American Airlines Center)
Sept. 23: Fayetteville, N.C. (Crown Coliseum)

Oct. 7: Berlin (Uber Arena)
Oct. 9: Zurich, Switzerland (AG Hallenstadion)
Oct. 12: Amsterdam, Netherlands (Ziggo Dome)
Oct. 15: Cologne, Germany (LANXESS Arena)
Oct. 17: Antwerp, Belgium (AFAS Dome)
Oct. 19: London (The O2)
Oct. 20: London (The O2)
Oct. 22: Dublin, Ireland (3Arena)
Oct. 25: Birmingham, England (Utilita Arena)
Oct. 26: Glasgow, Scotland (OVO Hydro)
Oct. 28: Manchester, England (Co-op Live)
Oct. 31: Nottingham, England (Motorpoint Arena)

Nov. 5: Paris (Accor Arena)
Nov. 8: Hamburg, Germany (Barclays Arena)
Nov. 9: Copenhagen, Denmark (Royal Arena)
Nov. 11: Stockholm, Sweden (Avicii Arena)
Nov. 12: Oslo, Norway (Unity Arena)

Nov. 25: Brisbane, Australia (Brisbane Entertainment Centre)
Nov. 28: Melbourne, Australia (Rod Laver Arena)
Dec. 1: Sydney, Australia (Qudos Bank Arena)
Dec. 5: Auckland, New Zealand (Spark Arena)
Dec. 12: Johannesburg, South Africa (FNB Stadium)


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UPDATE (Feb. 16): Alex Warren is the latest artist to join the 2026 BRIT Awards performer lineup. The “Ordinary” star will take to the stage at the Co-op Live Arena in Manchester on Feb. 28 and is nominated in the international song of the year category.

It’ll be his first televised performance since the 2026 Grammys where he was forced to overcome technical difficulties during his spot in the best new artist medley. He joins Rosalía, Wolf Alice, Mark Ronson, Harry Styles and Olivia Dean as confirmed performers at the upcoming ceremony.

HUNTR/X will pre-record a performance outside of the Manchester venue, and become the first K-pop artist to perform at the BRIT Awards in its history.

PREVIOUSLY (Jan. 28): Harry Styles will perform at the 2026 BRIT Awards, marking his first live performance in almost three years.

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The former One Direction member will appear at the show held at Manchester’s Co-op Live arena on Feb. 28. Styles is a minority partner in the venue operated by the Oak View Group.

Styles is the second artist announced to perform live at the ceremony, following Olivia Dean. He last performed at the BRIT Awards back in 2023, during which he collected four awards, including album of the year for Harry’s House. His final performance on global Love On Tour run took place in Bologna, Italy, in July 2023.

It’s the latest move to be announced as he marks his musical comeback. The week following The BRITs, Styles will release his fourth studio album, Kiss All the Time. Disco, Occasionally, due March 6; he released his first single, “Aperture” from the LP, on Jan. 22, and teased that the album was “meant to be listened to loud.” 

He also shared news of his Together Together global residency, which kicks off on May 17 in Amsterdam. Styles will perform in Amsterdam, London, Mexico City, São Paolo, New York and Melbourne, before the tour wraps in Sydney on Dec. 13. On Sunday (Feb. 1), Styles will present an award at the 2026 Grammy Awards.

Styles also shared news on Wednesday (Jan. 28) of two additional nights at London’s Wembley Stadium to take his run of shows to a total of 12. The move breaks a record previously held by Coldplay for most shows in a calendar year; the British group achieved a 10 show stand back in 2024 for the band’s Music of the Spheres jaunt. He also topples the record set by Taylor Swift for shows by a solo artist, with the 14-time Grammy winner performing eight shows at Wembley on her Eras Tour in 2024.

The nominations for the BRIT Awards were announced Jan. 21, with Olivia Dean and Lola Young both leading the pack with five nominations each, with Sam Fender placed on four. Further performers will be announced for the ceremony, which is taking place outside of London for the first time in its history.


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Zara Larsson’s first full Australasian headline run just got significantly bigger.

After selling out every announced Australian date of her 2026 Midnight Sun Tour within minutes — including multiple added shows — the Swedish pop star has upgraded three key markets to arena venues and added a new date in New Zealand due to demand, promoter Live Nation confirmed Monday (Feb. 16).

Larsson’s Perth, Melbourne and Sydney concerts will all move into larger arenas while keeping their original dates. Her Oct. 20 show in Perth shifts from Perth HPC to RAC Arena. In Melbourne, her Oct. 22 date moves from Margaret Court Arena to Rod Laver Arena. Sydney’s Oct. 23 concert relocates from Hordern Pavilion to Qudos Bank Arena.

All three Australian markets had previously sold out at their original venues. Existing ticket holders will be contacted by Ticketek regarding updated tickets for the new arena layouts.

In addition to the venue upgrades, Larsson has added a new show at Spark Arena in Auckland on Oct. 25, marking her first-ever performance in New Zealand. Tickets for the newly added Auckland date and all upgraded Australian arena shows go on sale Wednesday (Feb. 18) at 1 p.m. local time.

The expanded run follows an initial wave of sold-out shows across Brisbane, Sydney, Melbourne and Adelaide. Her Brisbane Riverstage dates on Oct. 13 and 14, Sydney’s Oct. 15 show at Hordern Pavilion, Melbourne’s Oct. 17 show at Margaret Court Arena and Adelaide’s Oct. 18 date at Entertainment Centre Arena have all sold out.

The Midnight Sun Tour marks Larsson’s debut headline tour of the region at this scale, underscoring her continued global momentum nearly a decade after her breakout hits “Lush Life” and “Never Forget You.” The arena upgrades signal a notable step up in market size for the singer in Australia, where she has previously performed on festival bills and as a support act.

Larsson’s Australian and New Zealand dates are part of the broader Midnight Sun global tour rollout. Updated routing is below.

ZARA LARSSON — THE MIDNIGHT SUN TOUR
AUSTRALIA & NEW ZEALAND 2026

Oct. 13 — Riverstage, Brisbane (Sold Out)
Oct. 14 — Riverstage, Brisbane (Sold Out)
Oct. 15 — Hordern Pavilion, Sydney (Sold Out)
Oct. 17 — Margaret Court Arena, Melbourne (Sold Out)
Oct. 18 — Entertainment Centre Arena, Adelaide (Sold Out)
Oct. 20 — RAC Arena, Perth (Venue Upgrade)
Oct. 22 — Rod Laver Arena, Melbourne (Venue Upgrade)
Oct. 23 — Qudos Bank Arena, Sydney (Venue Upgrade)
Oct. 25 — Spark Arena, Auckland (New Show)

Harry Styles is set to helm one of the U.K.’s most storied live music events this summer.

The global superstar has been announced as curator of Meltdown Festival for 2026, which will see him craft an eclectic bill of music, art and workshops across 11 days (June 11-21). The full line-up of performers and activations is expected to arrive in the spring. 

Now in its 31st edition, Meltdown Festival is held annually at London’s Southbank Centre and is billed as “the world’s longest-running artist-curated music festival.” The multi-arts event spans the venue’s entire site, which comprises multiple performance spaces and galleries.

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Styles joins a prestigious list of previous curators including David Bowie, Yoko Ono, Patti Smith, The Cure’s Robert Smith, David Byrne, Grace Jones, Nick Cave, Jarvis Cocker and most recently, Little Simz. 

In addition to crafting the lineup, Styles is set to headline a marquee gig for Meltdown Festival at Southbank Centre’s Royal Festival Hall, for which further details are set to be announced.

In a statement, the singer said: “I’m deeply honoured to curate the Meltdown Festival, especially for the Southbank Centre’s 75th anniversary year. My goal as the curator is to share the music and art that I love, and to celebrate the rich history of the venue. 

“We both share a passionate belief that music is a vital part of life. It brings us together and the Southbank Centre has been at the heart of it, providing easy access to great music for the past 75 years. I’m incredibly grateful to Southbank for having me, it’s really exciting for me to have this opportunity in such an iconic venue.”

Jane Beese, head of contemporary music at the Southbank Centre, added: “It’s a real privilege to welcome an artist with the cultural impact and presence of Harry Styles as curator of Meltdown in our 75th anniversary year at the Southbank Centre. His openness, warmth and instinct for collaboration feel perfectly aligned with the spirit at the heart of the festival.

“We’re excited to see Styles’ vision play out across the whole site, creating space for connection, discovery and joy, and inviting audiences into a Meltdown that reflects the breadth, playfulness and generosity of his artistic world.”

According to a press release, Styles is expected to draw from a “broad palette of influences” for the line-up, from pop, soul, electronic and rock acts to emerging young British talent. The 2026 bill will also feature free public events designed to engage younger audiences.

Last year’s edition of Meltdown featured a wide-ranging mix of established and emerging artists, from The Streets to Jon Batiste and sets from R&B, jazz and pop talents including Mahalia and Lola Young, with curator Little Simz closing the festival alongside the Chineke! Orchestra.

Styles’ fourth studio album, Kiss All the Time. Disco, Occasionally., is set for a March 6 release. His 2026 Together, Together tour is set to span seven major global cities and over 50 shows, including 30 nights at Madison Square Garden this fall.