Ed Sheeran opened up about his long-running copyright lawsuit during the first of three Sydney shows, telling a crowd of 70,000 at Accor Stadium that being forced to hand over his devices in court unexpectedly led to one of his most personal songs.

The British singer-songwriter kicked off the Sydney leg of his Loop Tour on Friday (Feb. 14), performing hits including “Castle on the Hill,” “Shape of You” and “Perfect.” Midway through the set, Sheeran paused to address the $100 million copyright lawsuit filed in 2015 alleging that his 2014 single “Thinking Out Loud” copied elements of Marvin Gaye’s “Let’s Get It On.”

In 2023, after an eight-year legal battle, a New York jury found that Sheeran did not copy the 1973 classic. Speaking to the Sydney audience, Sheeran reflected on the toll of the case and the unusual position it put him in.

“In the last 10 years, if you have seen my name in the news it might be related to a lawsuit – a copyright lawsuit in 2015,” he said. “I got sued for a song by someone else that had said I had stolen their song, and the only thing I could do in that situation, because I hadn’t done it, was take it to court and prove that I hadn’t done it.”

As part of the legal process, Sheeran said he was required to hand over his electronic devices so investigators could review messages and files.

“All I’ll say is that I’m glad there’s nothing weird on them, you know,” he joked.

Sheeran told fans that he has not owned a mobile phone since the lawsuit was filed. He said he stopped using one during a 2015 Australian tour and later rediscovered the device when it was requested as evidence in court.

“I did a tour down here [in Australia] for Multiply in 2015 and I remember at the end of that tour, I switched that phone off and going, ‘I do not want to use a mobile phone again,’” he said. “I moved to email and I’ve used email since then.”

Powering the phone back on years later proved emotional.

“I opened it again for this lawsuit and I switched it on to go through the emails and text messages and that sort of stuff and it was like going through a time machine to right back to 2015. But not only back to 2015 but to 2007, when I started texting on this number,” he said.

“It proper like spun me out. I was like frozen in time,” he added, noting that he found old conversations with friends who had since died and with family members he had not spoken to in years.

The experience ultimately inspired “Old Phone,” a track from his 2025 album Play, which Sheeran performed for the stadium crowd.

“I find whenever anything negative happens in my life, I write a song about it and it somehow makes sense of that bad thing that’s happened. And it also works with something good that happens in my life – I write a song about it,” he told fans.

“Any song you hear of mine is basically like two-minute extremities. Either I feel a lot of this or I feel a lot of this … I find when the bad days happen, good songs come from it.”

Elsewhere in the show, Sheeran expressed his affection for Australian audiences, recalling that the country was one of the first outside the U.K. to embrace his music.

“This is why I love coming back to Australia. When I first came here when I was like 19 or 20, the crowds have always been nuts,” he said. “No matter the occasion, no matter the day, the crowd has always been nuts.”

Later in the show, he gushed about his love for Australia, sayign, “Sydney, it feels amazing to be back. If you haven’t lost your voice tomorrow, I haven’t done my job.

“Australia was the first place I had a hit outside of the UK … so I am super happy to start the tour here. It means a lot and I hope you know that.”

Sheeran is scheduled to perform two more Sydney dates before continuing the Australian run in Brisbane, Melbourne and Adelaide.

Timothy Very, the longtime drummer of Manchester Orchestra, has died. Bandmates Andy Hull, Robert McDowell and Andy Prince confirmed the news of Very’s death on Saturday (Feb. 14).

His cause of death has not been reported.

Very joined Manchester Orchestra for the group’s third full-length album, Simple Math, which was recorded in 2010 and released via Favorite Gentlemen in 2011, when it debuted in the top 10 on Billboard‘s Top Rock Albums and Top Alternative Albums charts. He began touring with them starting that year.

“The entire Manchester Orchestra family has been devastated by the sudden passing of our brother, Timothy Very,” the band wrote in a statement on Instagram Saturday afternoon. “The most beloved human being any of us were lucky enough to know in this life. We’ve all been dreading sharing this news as we are all still in absolute disbelief.

“Tim was instantly likable and interacted with everyone he met with kindness and warmth. His laugh was infectious and he immediately made people feel invited and encouraged. His humor and energy were the very foundation that held together the entire MO universe. Strangers quickly became friends and friends became family.

“He had an undeniable light that was only matched by his dedication and love for the craft that he was clearly put on earth to do. No words can ever do him justice. Please know, if you are someone who loved Tim, he loved you too.

“The only thing that Tim loved more than creating music was being with his family. You’d be pressed to find a more joyful dad.

“We love you Tim, thank you for loving us. You are a force of positivity that will be a constant presence in the rest of our days,” Manchester Orchestra’s note said.

Very officially started working with the group — originally formed by frontman Andy Hull in the suburbs of Atlanta, Ga., in 2004 — upon former drummer Jeremiah Edmond’s departure in 2010.

Very’s first live performance with Manchester Orchestra was in Camden, London, in 2011 on the U.K. leg of the band’s tour in support of Simple Math. During an interview the following day with Alter the Press, he said, “I threw up during it. It’s been awesome. I can talk about it for hours, but I’ll just say this is what I’ve always wanted to do and these are guys I’ve known for a long time. It’s the best.”

He stayed with the band through the time of his death, appearing on the albums Cope/acoustic companion Hope (2014), A Black Mile to the Surface (2017) and The Million Masks of God (2021), and the EP The Valley of Vision (2023).

“I guess I would like to describe myself as a songwriter’s drummer,” Very said in an episode of the podcast Drummers on Drumming in 2022. “I’d like to think that after doing this for 20 years or so, whatever it’s been at this point, that I’m bringing something to the table that isn’t just drums and grooves and all that, but it’s understanding what a song should have, or could have in it, to hopefully enhance it or hopefully add something — a flavor, a feel to it … Leaving your mark on a song and feeling like, ‘Man, that’s better ’cause I played on it,’ that’s kind of what I’m always sort of circling around and hoping to reach: having an impact on a song that’s just that right thing.”

Very, whose father is also a drummer, began playing the drums himself as a teen, when a neighbor spotted one of his dad’s unused drum sets and asked why he wasn’t playing.

“My dad heard me banging on them and he came down and set ’em up the right way,” he recalled of that day. “That really kind of started the whole path. I wasn’t one of those guys that got to start playing when I was like six years old, got lessons out the gate. It took me a little while to kind of find my identity. I instantly knew that this was something I was going to be doing for a long time.”

Dave Grohl was a huge influence on Very’s drumming, he said, noting that it was Nirvana’s heyday in the ’90s when he started on the instrument. “I instantly jumped in and started trying to learn Nirvana songs, which I think is a killer place to start as a drummer because he [Grohl] writes attainable drum parts, but they’re the perfect parts for songs. It’s a great introduction on how, what I hope to do is service a song, kind of enhance it — he still gets to have his fun, but he’s doing the right thing for the song.”

“It sounds so trite when you’re young, when people are like, ‘Believe in your dreams!’ But some of that is true,” Very said more recently, in a podcast clip on how he got his start in music posted on Manchester Orchestra’s Patreon in July 2025. “If you like actually believe in yourself and are willing to just bite down on the dream and go like, man, I’m gonna hang in here. Whatever it is, whatever you’re doing out there — it doesn’t have to just be music — this can go across the board for anything. You can make it happen. It just won’t happen the way you thought it would.”

Harry Styles is reflecting on some of the lifestyle changes he’s embraced recently.

In a new interview with The Sunday Times Magazine, published Saturday (Feb. 14), the 32-year-old pop star opened up about his love for Italy, slowing down after a busy period, becoming an uncle, running a marathon, and more.

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Nearly four years after his Grammy-winning third album, Harry’s House, Styles teased his return to music in early January. His fourth album, Kiss All the Time. Disco, Occasionally, is set to arrive on March 6, followed by an extensive global residency tour. To build anticipation, the former One Direction member released the album’s first single, “Aperture,” which debuted at No. 1 on the Billboard Hot 100 in early February.

Since wrapping up his Love on Tour in 2023, Styles has largely stayed out of the spotlight, occasionally appearing around the world to run major marathons or being spotted in Rome last May to witness the reveal of Pope Leo XIV.

After finishing the two-year trek in support of Harry’s House, “it was time for me to stop for a bit and pay some attention to other parts of my life,” Styles told The Sunday Times Magazine.

The “As It Was” singer noted that he spent the summer in Italy in 2024, describing it as a “transitional moment for me — to stop working and be settled somewhere for a while. I was settling into that life and a new space.”

Styles said his time in Rome taught him the importance of slowing down.

“Italy became so important to me because I was so used to everything moving so quickly and being on the go, but then I remember going to a café and sitting and having a coffee and thinking, ‘I don’t remember the last time I sat down and had a coffee — if I’ve ever sat down and just had a coffee,’” the musician said.

“I realized the pleasure in just being in the moment of what you’re doing. The Romans are the best at that — that’s their speciality. The pace they’ve taught me has been so special.”

Around the same time, Styles’ sister, Gemma, had a baby. “To be there to get to know my niece as she’s growing up, it’s so obvious to me what’s real,” he said. “It was really obvious that was where I wanted to be.”

Other changes the artist has made include distancing himself from social media. “I’ve made small changes, like not having Instagram on my phone any more,” Styles said. “I feel so much healthier in my relationship with this world that I’m stepping back into.”

Styles also touched on his love of running, which he started in his early twenties. As he approached 30, his desire to run a marathon grew stronger.

“As I was approaching my 30th birthday, I thought it was only going to get harder to start running again,” he said. “I knew I could approach it in a better way now. So it was healthy for me to have something as an outlet that gave me some structure in a moment where I was spending a lot of time by myself. It showed me that I could do difficult things by myself. Running wasn’t about being perfect, or the best, and it has been really rewarding.”

In March 2025, the pop star ran the Tokyo Marathon, finishing in the top fraction of runners, completing the 26.2-mile race in three hours and 24 minutes. He also completed the 2025 Berlin Marathon, running a time of 2 hours and 59 minutes under the pseudonym “Sted Sarandos.”

Kiss All the Time. Disco, Occasionally will mark Styles’ fourth solo album. It follows his 2017 self-titled debut, 2019’s Fine Line, and 2022’s Harry’s House, all of which debuted at No. 1 on the Billboard 200. The latter also won album of the year at the Grammys and spawned the 15-week Billboard Hot 100-topping hit “As It Was.”


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Adam Lambert is speaking out against the removal of the Pride flag at Stonewall National Monument in New York City.

In early January, the Trump administration replaced the rainbow-colored flag — a symbol of LGBTQ+ rights and inclusion — with an American flag at the National Park Service–run site in Manhattan’s Greenwich Village.

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“Stonewall is not just a park, it is sacred historical ground in the fight for LGBTQ+ rights,” Lambert, a founding partner of Pride Live and the Stonewall National Monument Visitor Center (SNMVC), wrote on Instagram Thursday (Feb. 12).

The singer continued, “The Pride flag is not a political prop; it is a symbol of visibility, resilience, and the countless lives that have fought, and continue to fight, for dignity and equality. Removing it sends a message that our history and our humanity are negotiable. They are not. We were here. We are here. And we will continue to be.”

The Stonewall National Monument, located across the street from the Stonewall Inn — a historic bar known as the origin point of the LGBTQ rights movement — is a national civil rights landmark established in 2016 by President Barack Obama.

The Pride flag was taken down on Feb. 10 under new guidance from the Trump administration. Weeks earlier, the Department of the Interior had issued federal guidance prohibiting the display of “non-agency” flags in the National Park System.

On the same day Lambert shared his thoughts on social media, local elected officials raised the Pride flag once again at the Stonewall National Monument.

Lambert wasn’t the only artist to speak out against the Pride flag removal. Gracie Abrams also made her opinion clear by resharing comedian Benito Skinner’s post about it being “Demonic” on her Instagram Story on Feb. 10.

Recently elected NYC mayor Zohran Mamdani said in a statement on X that he was “outraged” by the seizure of the flag.

New York is the birthplace of the modern LGBTQ+ rights movement, and no act of erasure will ever change, or silence, that history,” he wrote. “Our city has a duty not just to honor this legacy, but to live up to it.”


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Wiz Khalifa is mourning the loss of his father.

On Friday (Feb. 13), the 38-year-old rapper took to social media to share an emotional tribute following the death of his dad, Laurence W. Thomaz. He was 63, according to TMZ.

“Today my father decided not to wake up,” Wiz wrote on X. “I will always love him, miss him and be [grateful] for the things he taught me. He went out like a true yogi, at peace and on his own time. I love you forever Laurence W. Thomaz.”

The “Black and Yellow” artist continued, “My father’s passing was sudden but seeing how many people love and respected him makes happy and i know he’s proud that he left a positive impact on this earth. Literally all he ever wanted.”

Khalifa, whose real name is Cameron Jibril Thomaz, also shared several throwback photos on his Instagram Story. One childhood snapshot showed his father helping him on a swing, captioned, “Love you big guy.” Another image featured a young Wiz with his dad and what appears to be his sibling, Dorien “Lala” Thomaz, who died in 2017. “My boy was smooth,” Wiz wrote alongside the photo, referring to his father. Another caption on the photo read, “You and La La are together again,” along with a praying hands emoji.

Wiz was reportedly close to his dad, who was a former member of the military. The rapper previously told NME that Thomaz opened a recording studio in his hometown of Pittsburgh, Pennsylvania, when he was a kid, which helped lay the foundation for his future.

“I lived in that studio. And that’s what turned me into who I am today,” the rapper told the publication in 2016.

Khalifa wrote on X that his last conversation with his dad “was him telling me how proud of me he was for the movie i was in and I promised him i would do more.”

The hip-hop star’s most notable acting role was co-starring with Snoop Dogg in the 2012 stoner comedy Mac & Devin Go to High School, where Wiz played the character Devin Overstreet. The movie’s soundtrack featured “Young, Wild & Free,” with Bruno Mars, which peaked at No. 7 on the Billboard Hot 100 chart.

Wiz also thanked those who shared their condolences for his father’s passing. “It really means a lot in this tough time and is helping me feel better,” he wrote.


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From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

New Doc Celebrates the Life and Legacy of Eddie Palmieri

A new documentary feature film, Eddie Palmieri: Sweet Sweet Sugar, directed by Emmy-nominated filmmaker Omar Acosta, is currently in production. The film focuses on the life and legacy of Grammy-winning pianist, composer, and bandleader Eddie Palmieri, who revolutionized salsa and Latin jazz and shaped the genre as we know it. Set against the backdrop of Spanish Harlem and the Bronx from the 1950s to the 1980s, the film explores how Palmieri used his music to amplify the voices of Puerto Ricans while shaping Latin music’s global influence today.

“Puerto Ricans came to New York with rhythm, passion, and very little else. We didn’t melt into the pot. We reshaped it. Eddie Palmieri is the proof,” said director Acosta in a press release. “Born in the crucible of Spanish Harlem, his music captures the moment Puerto Rico collided with New York and invented something new, something permanent. Eddie speaks for the Puerto Rican diaspora, a people whose fight for dignity and opportunity transformed not only themselves, but American culture and the world beyond it.” 

Produced by David Kennedy and Nick Quested of Goldcrest Films in co-production with Uprising Music NYC and in cooperation with the Eddie Palmieri estate, the film has full access to Palmieri’s music catalog and never-before-seen archival footage.

Eddie Palmieri. Photo Credit: Robert Schneider

Outernational Brings Revolution Rock to Bogotá’s Streets

New York troupe Outernational brought the streets of Bogotá to life with a riveting performance on Callejeras Música de a Pie, a YouTube channel that transforms public spaces into open stages. Frontman Miles Solay was joined by Bogotá ensemble — Diana Castro (accordion), Juancho Mendez (tiple), Hector Marín Bedoya (bass), Sergio Arias (guitar) — as they fused their rebellious future rock with Latin American rhythms, such as cumbia, carranga, jazz, and slam poetry in La Candelaria, creating a riveting celebration of music in 15 minutes. Songs “Woman on the Edge of Time,” “La Gente Nueva,” and “Welcome” — all from their 2024 album Welcome to the Revolution, produced by Chad Smith — invited onlookers passing by to connect, dance, and reflect. Watch below.

Peso Pluma Joins the Adidas Family

Adidas announced on Friday (Feb. 13) that Peso Pluma has officially joined its roster of global ambassadors. “Representing the three stripes for Mexico and our music with Adidas is something I dreamed about since I was a kid,” the Mexican superstar said in a statement. “This isn’t just about me, it’s for my people, my culture, and everyone pushing Mexico forward. I’m excited to join the Adidas family and keep showing the world who we are.” Peso joins the ranks of Bad Bunny, Pharrell Williams and Jennie (BLACKPINK), who have also partner with the iconic brand.

Guaynaa & Lele Pons Welcome Baby Girl

Beloved Latin music couple Guaynaa and Lele Pons — who are also Billboard Español cover star alums — welcomed their first born child. They introduced their blue-eyed girl on a shared Instagram post on Wednesday (Feb. 11), captioning, “Say hello to Eloísa.” A bevy of stars congratulated them, including Jay Wheeler, who wrote, “What we create are works of art! God bless her,” and who also recently welcomed a child with his wife. De La Ghetto commented, “She has the same face as her dad.” Meanwhile, Anitta shared her excitement, simply writing, “Loooooove.” See the post below.

Jimmy Fallon and longtime music executive Tommy Mottola have scrapped plans to launch a branded pasta sauce line following renewed scrutiny tied to recently released Epstein-related documents.

According to The Hollywood Reporter, Fallon and Mottola had been in early development on a pasta sauce brand that could have launched as late as 2027. However, the project is no longer moving forward as attention intensifies around Mottola’s association with Jeffrey Epstein.

Page Six first reported that the collaboration had been placed on “pause,” citing a source close to the project who said, “Nobody wants to be within 50 feet of anyone in the Epstein files.” The Hollywood Reporter later reported that the venture has been shelved entirely.

The development follows the release of hundreds of gigabytes of documents connected to federal investigations into Epstein, the financier and convicted sex offender who died in jail in 2019 while awaiting trial on federal sex trafficking charges.

The files, made public after congressional action compelled the Department of Justice to release additional materials, include communications and records involving numerous high-profile figures.

According to The Hollywood Reporter, Mottola’s name appears in approximately 600 documents released to date, with the materials showing contact between Mottola and Epstein over multiple years, including references to travel arrangements and other communications.

Fallon and Mottola have been friends for years and have frequently been seen together in New York. Mottola has appeared as a guest on The Tonight Show Starring Jimmy Fallon to promote his projects.

Mottola is chairman of Mottola Media Group and co-founder of Ntertain Studios. Fallon continues to host NBC’s The Tonight Show Starring Jimmy Fallon.

Casey Wasserman is planning to sell his namesake agency amid escalating fallout tied to documents released in the Jeffrey Epstein case, according to a report from The Wall Street Journal published on Friday (Feb. 11).

The Journal reported that Wasserman formally put the agency on the market and informed staff of the move in an internal memo, citing the controversy and recent client and executive departures.

In the memo, Wasserman wrote: “At this moment, I believe that I have become a distraction to those efforts. That is why I have begun the process of selling the company, an effort that is already underway.”

He added that Wasserman president Mike Watts “will assume day-to-day control of the business” while he focuses on his role leading the Los Angeles 2028 Olympic and Paralympic Games organizing committee.

“First and foremost, I want to apologize to you,” Wasserman wrote to employees. “I’m deeply sorry that my past personal mistakes have caused you so much discomfort. It’s not fair to you, and it’s not fair to the clients and partners we represent so vigorously and care so deeply about.”

The decision follows intense scrutiny after newly unsealed Epstein-related materials included email exchanges between Wasserman and Ghislaine Maxwell from 2003. Wasserman has maintained that his interactions were limited and occurred before Maxwell’s criminal conduct became public.

In Friday’s memo, he reiterated that position, writing that his contact “consisted of one humanitarian trip to Africa and a handful of emails that I deeply regret sending.”

He also stated he was “heartbroken that my brief contact with them 23 years ago has caused you, this company, and its clients so much hardship over the past days and weeks.”

The fallout has already had measurable impact across the representation business. Multiple music and sports clients have exited or signaled plans to leave the agency in recent days, including high-profile music acts and athletes. Reporting across trade outlets has described internal pressure from agents exploring buyout scenarios or spin-offs to protect client relationships.

Chappell Roan, Orville Peck and Sylvan Esso are among those to have departed the agency, while Best Coast’s Bethany Cosentino wrote on Feb. 5, “I did not consent to having my name or my career tied to someone with this kind of association to exploitation.”

On Jan. 31, a day after the release of the latest round of files in the Epstein case, Wasserman sent a statement to The Hollywood Reporter apologizing for his involvement with Maxwell while denying “a personal or business relationship” with Epstein himself.

“I deeply regret my correspondence with Ghislaine Maxwell which took place over two decades ago, long before her horrific crimes came to light,” Wasserman said. “I never had a personal or business relationship with Jeffrey Epstein. As is well documented, I went on a humanitarian trip as part of a delegation with the Clinton Foundation in 2002 on the Epstein plane. I am terribly sorry for having any association with either of them.”

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Want to smell like a Disney princess? Thanks to another collaboration between Disney and Bath & Body Works, fans can now bring home the unique fragrances of Mulan, Snow White, Rapunzel, Tiana, Belle and Aurora.

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The collection doesn’t stop there, though: With a whopping 90-product assortment, each princess gets an array of beauty items crafted to fit their animated persona, including fine fragrance mist, body wash and cream, lip gloss, candles, hand soap, sanitizer and decorative accessories.

Meet the Princesses and Their Fragrance Line:

Mulan

For Mulan’s collection, her fragrance scent features magnolia blossom and radiant apricot meet the freshness of fierce waters. It’s bold yet graceful, this scent reflects Mulan’s spirit of courage, passion and determination.

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Mulan Fine Fragrance Mist


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Mulan Pedestal 3-Wick Candle Holder


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Mulan Nightlight Wallflowers Fragrance Plu


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Mulan Gentle & Clean Foaming Hand Soap


Rapunzel

Raunzel’s scent includes floral sundrop flowers and rich nectar wrapped in golden musk evoking the Disney Princess’ vibrant and optimistic personality.

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Rapunzel Ultimate Hydration Body Cream


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Rapunzel Gentle & Clean Foaming Hand Soap


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Rapunzel 3-Wick Candle


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Rapunzel Fine Fragrance Mist


Snow White

Take in notes of mystic red apple and ripened fruits set against a backdrop of enchanted woods creating a fragrance as charming and whimsical as Snow White herself.

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Snow White Single Wick Candle


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Snow White Basket PocketBac Holder


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Snow White Body Wash


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Snow White PocketBac Hand Sanitizer


Tiana

With Tiana’s collection, experience delicate water lily and gilded amber accented by shimmering bayou woods deliver a harmonious blend of fruity and floral elements, evoking dreams come true in the heart of the bayou.

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Tiana Body Wash


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Tiana Ultimate Hydration Body Cream


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Tiana Fine Fragrance Mist


Aurora

Soft rose petals and sandalwood, finished with a touch of sparkling fairy dust offer a dreamy balance of floral and gourmand notes inspired by Aurora’s graceful, playful and optimistic nature.

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Aurora Nightlight Wallflowers Fragrance Plug


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Aurora Fine Fragrance Mist


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Aurora Ultimate Hydration Body Cream


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Aurora 3-Wick Candle


Belle

With Belle’s line fans will gets notes of rose petals, sparkling buttercup and whipped vanilla to create an elegant mix of floral and gourmand notes for those seeking beauty and adventure.

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Belle Fine Fragrance Mist


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Belle 3-Wick Candle


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Belle Body Wash


Disney

Shop a handful of lights, candle holders and accessories dipped in Disney gold. From Disney castles, fancy carriages and princess music boxes, this magical collection is a go-to for any fan.

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Disney Princess Light-up Castle


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Disney Princess Keepsake Music Box


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Disney Princess Carriage Projector Nightlight


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Disney Princess Backpack


“Disney Princess is a powerful global brand grounded in timeless stories, iconic characters and
values that resonate across generations,” said Liz Shortreed, senior vice president of Disney
Consumer Products. “Through our collaboration with Bath & Body Works, we’re bringing those
core elements to life, translating the distinct spirit of each Princess into fragrances and designs
fans can enjoy every day.”

Blending Disney’s magical storytelling with Bath & Body Works’ signature craftsmanship the Princess collection is surely sell out fast. Start shopping the highly-anticipated collaboration in stores and online today, Friday, Feb. 13.

Toni Bravo gives you a step-by-step tutorial to Doechii’s makeup look for date night. She shares why Doechii inspires her, her key tips to a flawless base and more!

Will you be re-creating this look for Valentine’s Day? Let us know in the comments!

Toni Bravo:

Hi. I’m Toni Bravo. Welcome to Rock the Look. Today, I’m going to be re-creating an iconic look from my girl Doechii for a date night. Okay, first things first, we’re going to do a little skin prep. My skin’s actually it’s looking pretty hydrated, but I always like to add in a little bit of a mist or a hydrator. At first, we’re using the Rhode Glazing Mist. Beautiful. Really, when it comes to this look, it’s all about the prep. I’m using the Charlotte Tilbury Magic Cream. This moisturizer is one of my favorites. I use this whenever I know I need the hydration to last, so I kind of just throw this all over. Now, the MUA for this look happens to be my friend Chelsea, and she made a whole breakdown video for this look and gave me a lot of really great tips. And one of the biggest things she mentioned was hydration. So if you’re doing this look, you kind of can’t skip that part. Now, while I kind of let that sit, I like to add an eye patch moment right underneath the eyes. Today, we’re going to use my Rhode Peptide Eye Prep. Put these right underneath the eyes. When I think of Doechii’s signature look, glam, but also in a way that feels very grounded, just really allowing the glam to be centered around you. It’s very unapologetic. So lips, we’re gonna prep the lips too. We’re using this Rhode Plumping Lip Mask. I put this all over. So this is basically how you should look before the makeup even goes on. Hydrated, glowy and honestly, a little glass like. All right, we’re using my Ardell Brow Glue. I use this for every single look. Kind of just comb it through, just making sure they’re nice and clean before you go in with any type of glue because whatever you add in there will stay. So I let them sit like that. We’re taking a little ABH Micro Brow Pen, and I fill in some of these sparser areas. I don’t do too much. So I kind of just take my time and add in little strokes wherever I feel like. 

Keep watching for more!