One day after the 44th anniversary of their split, the trailer for the first-ever authorized documentary on Led Zeppelin has arrived.

Titled Becoming Led Zeppelin, the documentary has been in the works for some years, with director Bernard MacMahon helming the project following the success of his 2017 exploration into U.S. roots music, American Epic.

Featuring the participation of the three surviving members – singer Robert Plant, guitarist Jimmy Page, and bassist John Paul Jones – the project was taken to Cannes in 2019, at which point it was noted as being in the post-production phase.

“When I saw everything Bernard had done both visually and sonically on the remarkable achievement that is American Epic, I knew he would be qualified to tell our story,” Page said at the time.

“The time was right for us to tell our own story for the first time in our own words, and I think that this film will really bring this story to life,” added Jones.

Hype for the project first gathered steam when a work-in-progress version was screened at the Venice Film Festival, receiving a 10-minute standing ovation. MacMahon later noted that the team behind the film has spent “years designing this film to be experienced on the big screen with the best possible sound.”

Such meticulous attention to sound detail is vital for a project of this caliber, which follows the group – including late drummer John Bonham – as they rise up through the British music scene in the 1960s playing in small clubs. It follows them to a fateful rehearsal in 1968 that changed the course of their careers and culminates in their first tour of America in 1970 as they ascended to rock superstardom.

Led Zeppelin ultimately split on Dec. 4, 1980 following the unexpected death of Bonham just months earlier. Now, almost 44 years to the day since their dissolution, the official trailer for the upcoming documentary has arrived, complete with previously-unheard archival interviews with Bonham himself.

Soundtracked by 1969’s “Whole Lotta Love”, the trailer features visuals of the band’s kaleidoscopic career, interspersed with recent interviews with surviving band members. “The first time we played together, it was stunning,” Bonham says at the end of the trailer. “It was like a gift from heaven, wasn’t it?”

“We spent five years flying back and forth across the Atlantic scouring attics and basements in pursuit of rare and unseen film footage, photographs and music recordings,” writer-producer Allison McGourty said of the film’s production in a press release. “Then we transferred each piece of media with custom techniques, so that in IMAX, these 55-year-old clips and music would look and sound like they came out of the lab yesterday.”

Becoming Led Zeppelin is set for release in IMAX cinemas on Feb. 7.

Members of Soundgarden are set to take to the stage next week as part of a benefit concert in their Seattle hometown.

The performance, which takes place at Seattle’s Showbox on December 14th, will see guitarist Kim Thayil, drummer Matt Cameron, and bassist Ben Shepherd adopting the name Nudedragons for the affair. That moniker is the same name Soundgarden used in 2010 when they performed at the same venue for their first live date since 1997.

Shaina Shepherd will take on vocal duties with the band in what is being described as a “brief encore performance”.

The upcoming live show takes place as part SMooCH, an annual campaign to raise funds for the Seattle Children’s Hospital’s Uncompensated Care Fund. Previous SMooCH events have featured acts such as Modest Mouse, The Afghan Whigs, Jason, Isbell, Angel Olsen, and more.

Alongside Nudedragons, this year’s SMooCH lineup will also include Sebadoh, Doug Martsch of Built To Spill, and Duff McKagan of Guns N’ Roses.

Originally forming in 1984, Soundgarden intially remained active until 1997, becoming icons of the Seattle grunge scene in the process thanks to albums such as Superunknown, which topped the Billboard 200 upon its release in 1994.

Following various side projects for its members during the interim, Soundgarden reconvened in 2010, and remained active until the passing of frontman Chris Cornell in 2017. The following year, Thayil noted an uncertainty of what Soundgarden’s future could look like, before announcing the retirement of the band name.

Since then, members of the group have reunited for a handful of performances, including a 2019 tribute performance for Cornell dubbed I Am The Highway, which featured guest vocalists such as The Pretty Reckless’ Taylor Momsen and the Foo Fighters’ Taylor Hawkins.

Upon Hawkins’ passing in 2022, Thayil and Cameron were joined by Momsen and members of Nirvana the Foo Fighters for another tribute performance.

As 2024 winds down, Bad Bunny aims to leave his mark on the year’s final stretch with his latest single “EL CLúB,” released Thursday (Dec. 5).

The track artfully merges pulse-quickening house beats with a nostalgic undercurrent, with the help of his longtime producers MAG and La Paciencia, as well as Saox. Then, ethereal-like guitar tones of traditional Afro-Puerto Rican plena enter, blending electronic elements with Puerto Rico’s rich cultural heritage.

According to the press release, the song encapsulates “the longing for a life chapter that still holds a special place in memory.” This theme is vividly depicted in the accompanying music video, directed by STILLZ and featuring a narrative crafted by Benito himself. The video captures Bad Bunny as he enters an elevator en route to “the club,” surrounded by a swirl of psychedelic imagery amid a huge crowd. It culminates with him carrying a box that appears to contain the ashes of a burned house, which he solemnly buries and marks with the Puerto Rican flag.

The ashes of a burnt house could symbolize the lingering environmental contamination from coal ash produced by the AES Puerto Rico power plant, a major source of toxic ash pollution on the island, impacting local communities with health risks due to improper disposal and leakage into groundwater.

This act of burial and remembrance in the song/video also echoes the theme of his previous single “Una Velita,” where he tackled government negligence following Hurricane Maria and underscored the need for societal and political engagement.

The release coincides with Bad Bunny being named Spotify’s most-streamed Latin artist worldwide and follows his recent Latin Grammy win for best reggaeton performance with “Perro Negro” featuring Feid. His latest album nadie sabe lo que va a pasar mañana is currently in the running for a Grammy for best música urbana album.

Stream Bad Bunny’s “EL CLúB” below:

Ye enters the the top five of the TikTok Billboard Top 50 along with Stepz and Silento makes a comeback in the top 10. Keep watching to see who’s No. 1!

Tetris Kelly:

A rapper has grabbed his first TikTok chart topper. Stepz’s “Rock” lifts a spot to No. 1 on the TikTok Billboard Top 50 chart dated Dec. 7. Stepz himself even contributed to usages of “Rock.” Also up a spot, Gia Margaret’s “Hinoki Wood” lifts 3-2. “Hinoki Wood” is tied to the Chill Guy meme/trend, with creators using the song to upload content showcasing how much of a chill person they are. Ye’s “Bound 2” re-enters the TikTok Billboard Top 50 at No. 4 – its highest rank yet, which is no coincidence due to the 2013 song’s “We made it to Thanksgiving, so maybe we can make it to Christmas” lyric. Ole 60’s “Thoughts of You” breaks the top 10 for the first time, vaulting 41-6 with the country band’s lyric, “Where’d November go?” And lastly, one other song reaches the top 10 for the first time, and it’s also the week’s top debut: Silento’s “Watch Me,” at No. 9. Every Thursday, Billboard will bring you the verified list of the hottest songs on TikTok by monitoring music discovery and engagement on the platform in the United States. To find the TikTok Billboard Top 50 each week, users can simply go to any sound detail page and tap the top right button to access the charts page. 

Peso Pluma isn’t wrapping up the year just yet.

The Mexican music star unleashed the introspective yet provocative “Gervonta,” a corrido that finds Peso reflecting on his own journey to stardom. The nearly three-minute song kicks off with a slow and somber beat and then quickly transitions into a more uptempo, multi-instrumental sound that has characterized Peso’s corrido tumbado style.

The title is a nod to American boxer Gervonta “Tank” Davis, a former three-division world champion who has held the World Boxing Association lightweight title since 2023. (Peso Pluma translates to lightweight in Spanish.) The professional athlete even reposted the new song’s cover art on his own Instagram Stories.

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In the flashy “Gervonta,” Peso sings about an extravagant lifestyle, one that thrives on wealth, travel and indulgence. It’s a theme Peso is familiar with, and one he’s explored in previous songs, including in his latest album Éxodo, which he released in June.

The LP — featuring collabs with Cardi B, Ivan Cornejo and Quavo, to name a few — peaked at No. 1 on the Top Latin Albums chart for 12 weeks. On the Billboard 200, the set earned a No. 5 spot. The album also landed in the top five of Spotify’s most-streamed Global Latin Albums, according to 2024 Spotify Wrapped, while Peso was the second most streamed Latin artist globally in 2024 after Bad Bunny.

Peso Pluma’s Éxodo is up for best música mexicana album (including Tejano) at the Grammys, taking place Feb. 2. He’s up against Carín León (Boca Chueca, Vol. 1), Jessi Uribe (De Lejitos) and Chiquis (Diamantes).

Below, stream Peso Pluma’s “Gervonta.”

Stephen A. Smith has a message for Drake.

During his YouTube series The Stephen A. Smith Show, the sports media personality revealed that the Toronto rapper may be upset with him about previous comments he made about his battle with Kendrick Lamar and that Drake should answer “Not Like Us” with a song instead of answering with litigation.

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“I understand that Drake is a bit sensitive in these times. He’s in his feelings,” he said as he started his rant. “And don’t ask me how, but I know that he’s seen this show and I know that he’s seen some of things I have said about him on this show. I did not say or echo a negative thing about you. You’re a phenomenal artist, you’re big time.”

Adding, “What I said was fact: ‘Not Like Us’ got you. I even pointed how the line about accusing you about being a pedophile — ain’t nobody paying attention to that. They just think it’s lyrics. It’s bars being dropped and he got the better of you. What I’m saying is, you don’t go the lawyer route in hip-hop over something like this. You take it to the studio. You take it to the streets. That’s all I said,” Smith continued. “I didn’t sit up there and say you can’t answer Kendrick Lamar. I said, ‘You better figure out a way to do so,’ meaning you have the capability, I think, to pull it off. That’s all!”

You can watch the episode below.

Well, that was fast. Wicked has been making box-office history since it opened on Nov. 22. The long-awaited film adaptation of the 2003 Broadway musical has already grossed $372.9 million worldwide, a total topped by only three other films that were based on Broadway musicals.

Ariana Grande and Cynthia Erivo star in the film, which was directed by Jon M. Chu, whose hit-studded résumé includes a previous film adaptation of a Broadway musical, the 2021 movie version of Lin-Manuel Miranda’s breakout hit In the Heights.

Seven film adaptations of Broadway musicals appear on Box Office Mojo’s list of the top 1,000 films in terms of lifetime worldwide grosses. That counts Mamma Mia!, a film adaptation of the 2001 stage musical built around ABBA music, but not its Cher-featuring sequel Mamma Mia: Here We Go Again, on the grounds that the latter was really just a sequel to a hit movie, not a Broadway musical. (The sequel did astonishingly well, with a worldwide gross of $395.6 million.) Of course, not all sequels are guaranteed to become box-office successes. Grease is here, but its 1982 sequel, Grease 2, which grossed just $15 million worldwide, didn’t come close. (Michelle Pfeiffer, the star of Grease 2, is represented on this list with Hairspray.)

Wicked Part Two is due for release on Nov. 21, 2025. Will it follow its predecessor to box-office glory? If it does, Chu will join Rob Marshall as the only director with two films on this list; Marshall directed both Chicago and Into the Woods.

One disclaimer about this list right at the top: You can’t really compare box-office grosses of films from different eras. The biggest blockbusters of earlier eras simply can’t match the grosses of today’s hits. (It’s not just your imagination that ticket prices are much higher than they used to be.) The Sound of Music has grossed $159.5 million worldwide, according to Box Office Mojo – not enough to make their list of 1,000 top-grossing films. But that 1965 adaptation of the 1959 Broadway musical is one of the biggest hits in film history.

Other film adaptations of Broadway musicals that have grossed more than $50 million worldwide, but not enough to make the list, include Dreamgirls ($155.5 million), the 2021 version of West Side Story ($76 million), My Fair Lady ($72.7 million) and Funny Girl ($52.2 million).

Here are the seven top-grossing film adaptations of Broadway musicals. All appear Box Office Mojo’s list of the top 1,000 films in terms of lifetime worldwide grosses.

Sum 41 has canceled their entire Australian tour, including their co-headlining slot at the Good Things Festival, due to frontman Deryck Whibley’s battle with pneumonia.

The band announced the decision on Dec. 5, citing medical advice from Australian doctors who deemed Whibley too unwell to perform.

“It is with deep sadness and regret that we announce our 2024 Australian tour is unable to proceed,” the band shared in a statement on social media. “We were beyond excited to deliver this tour from December 4 – December 12, and connect with our Aussie fans once more.”

“Now that we’re here though, and under the guidance and direction of multiple Australian doctors, it’s clear that Deryck is too unwell to perform. We understand and appreciate your disappointment – we’re gutted too.”

The statement continued: “The good news is Good Things Festival is still going ahead in Melbourne, Sydney and Brisbane this weekend with an incredible line-up of local and international acts. We can’t be there, but get along for us and have the best time.”

The tour was set to support Sum 41’s eighth and final album, Heaven :x: Hell, released in March. The dates were highly anticipated as part of the band’s farewell run, leading up to their final-ever show at Toronto’s Scotiabank Arena in January 2025.

The cancellation follows the band’s earlier decision to call off their Dec. 4 sideshow at Brisbane’s Fortitude Valley Music Hall. At the time, the band stated, “Unfortunately, we have to make the difficult decision to cancel tonight’s show in Brisbane due to Deryck being diagnosed with pneumonia. He is receiving the best possible local care.”

This marks the second time Australian fans have missed out on seeing the Canadian rockers due to Whibley’s health. In 2011, the band canceled their appearance at the Soundwave Festival after Whibley was hospitalized with pneumonia.

For their final act, Sum 41 will be inducted into the Canadian Music Hall of Fame during the 54th Annual JUNO Awards on March 30, 2025, in Vancouver.

Despite the setback, the Good Things Festival will proceed as planned, with Korn headlining the three-city event, alongside acts like Violent Femmes, Jet, Northlane, and Billy Corgan.

“Sum 41 are gutted they can’t perform, and we fully understand and appreciate fans’ disappointment,” the festival organizers said in a statement. “Deryck’s health and wellbeing is the focus and priority though, and we hope you will join us in sending him well wishes for his recovery.”

The festival kicks off in Melbourne on Dec. 6, followed by dates in Sydney and Brisbane. Ticket holders for Sum 41’s sideshows will receive refund information shortly.

After earning its first No. 1 on Billboard’s Alternative Airplay chart in over two decades earlier this year, Sum 41 scored another as “Dopamine” hit No. 1 on the Nov. 30-dated survey.

The song follows the two-week Alternative Airplay command for “Landmines” in March. The latter led 22 years, five months, and three weeks after Sum 41’s first No. 1, “Fat Lip,” in August 2001, rewriting the record for the longest break between rulers for an act in the chart’s 36-year history.

It shattered the previous best, held by The Killers, who waited 13 years and six months between the reigns of “When You Were Young” in 2006 and “Caution” in 2020.

Whibley’s recently released memoir, Walking Disaster: My Life Through Heaven and Hell, also became a No. 1 bestseller on Amazon’s punk musician biographies chart following its October debut. In the deeply personal autobiography, the frontman reflects on his rise to fame with Sum 41, navigating the highs of international success and accolades like Grammy nominations and MTV Video Music Award.

Depeche Mode fans may need to enjoy the silence for some time, with vocalist Dave Gahan noting that new music isn’t a priority for the band at this time.

Gahan’s comments were made in a recent interview with NME which saw him reflecting on the loss of musicians such as close friend and collaborator Mark Lanegan ahead of a 60th birthday celebration for the late musician in London.

Lanegan, who passed away in February 2022, had risen to fame as a member of alt-rock outfit Screaming Trees before joining Queens of the Stone Age in the early ’00s. Not long after, he and Gahan founded a friendship which resulted in the pair working together collaboratively, including on songs recorded as part of Soulsavers and Humanist.

During his comments, Gahan turned his attention to the topic of writing, claiming that he’s been feeling inspired by his daughter, Stella Rose, and her own musical experiences. However, he admitted that while he’s discussed new music with bandmate Martin Gore, fans will need to hold tight before anything comes to fruition.

“Martin and I have talked. We actually saw each other recently, and it was really nice,” Gahan explained. “We spent some time in Italy where Anton Cobijn and his wife were renewing their wedding vows in a really nice spot just outside of Rome.

“We had a really nice time without any work or show pressure. I actually did ask Martin if he’d been writing and he was like, ‘Nah!’” he added. “That’s normal – especially when you’ve worked intensely for a couple of years. It takes a while. Wait and see. I wouldn’t rule out as getting together at some point, but it’s not on the cards at this point.”

Depeche Mode wrapped up their Memento Mori World Tour in April, havng played 112 shows around the globe in support of 2023’s Memento Mori – their first new album in six years. The album and tour was the band’s first since the passing of co-founding keyboardist Andy Fletcher in 2022.

Sean Lennon has reflected on the impact that John Lennon’s passing had upon his mother, Yoko Ono.

On Sunday (Dec. 8), Sean and the rest of his family will mark the 44th anniversary of father John’s death in New York City in 1980. Viewed by many as another example of ‘the day the music died’, Lennon’s untimely passing has had an impact on countless individuals throughout the world. No more have felt that impact, Sean says, than his mother.

Speaking to BBC Radio 6 Music about the recent Grammy-nominated expanded box set of John’s 1973 Mind Games album, Sean touched on his parents’ relationship around the record’s creation. At the time of Mind Games’ writing, John was in the midst of the 18-month ‘lost weekend’ period in which he was separated from Ono.

“A lot of people said like, ‘Yoko wasn’t around for this record, why are they featuring her in the booklet’ or something,” Lennon began. “And I think there’s a lot of history, there’s a lot of assumptions made about that time period because they were sort of on their way towards that famous separation that people called The Lost Weekend.

“But the truth is, even when they were apart they were always talking, so I don’t think they ever really broke up, all his stuff was still in the apartment with my mum, it’s not like they had a real separation. And on top of it, all my dad was thinking about was her.

“You look at the album cover, it’s a collage of my mum literally the size of a mountain, and he’s this little tiny thing sort of fading into the background” he continued. “And I think it’s clear what his view of my mum was in his life. She was monumental, obviously. And the whole album is about her.”

Speaking about his mother directly, Sean claimed that she “never has moved on from that relationship” since John’s passing, but agreed that the recent Mind Games release was something of a “love letter” to his parents.

“I’ve never put it that way but I would say it’s my best effort to try to be a good son,” Sean replied.