A week after dropping the hilarious, retro ’90s video for “Opalite,” Taylor Swift is doubling down with two extended versions of the star-studded clip. In an Instagram post announcing the bonus footage on Friday morning (Feb. 13), Swift shared a series of behind-the-scenes screen grabs from the set, writing, “I never want to forget a single detail of this hysterical shoot, and now I don’t have to! Excited to share more of the ‘Opalite’ Music Video with two extended versions full of dance lessoning, our phenomenal cameos, camcorder footage, gigantic scrunchies & fanny pack angles!”

In the first extended cut, after the full official video featuring dance partner Domhnall Gleeson, as well as Lewis Capaldi, Greta Lee, Jodie Turner-Smith, Graham Norton and Cillian Murphy unspools, Swift pops up on old school TV explaining the genesis of the clip that had a real-life inspiration. “For like a year I was like, ‘what would I do for the ‘Opalite’ video?’,” Swift says, explaining that the idea for the visual she wrote and directed was hatched when she appeared on Norton’s British chat show in October with a panel that became the cast of the video.

Lee adds, “It was wild. In the middle of our interview we turn and we see,” then Capaldi breaks in and notes that Gleeson made his pitch on the show to one day be in a Swift video, with Lee wondering where his nerves went in that moment. Turner-Smith says, “we were all thinking it,” as the camera cuts to Swift’s surprised look at Gleeson shooting his shot during the broadcast.

Gleeson recalls someone asking if he noticed Swift’s shocked reaction when he made his pitch and he admits he didn’t. “‘She’s thinking about it.’ [And I said], ‘there’s no way she’s thinking about it,’” The Paper actor says in an on-set confessional-style interview. But, Swift being Swift, she confirms that unscripted moment instantly sparked an idea for the video.

A smash cut of behind-the-scenes footage leads to Swift smiling and saying, “this one was absolutely absurd and hilarious to make,” as she waves goodbye to 1993. “We miss you,” she adds with a kiss to the camera in the bonus footage that, of course, dropped on the 13th, extending her obsession with her favorite number. The first extended clip ends with bonus footage of the guest stars on set goofing around, Swift wielding a handheld video cam, as well as the singer learning the choreo for her silly dance with Gleeson and joking that the song’s chorus “actually sounds like a commercial.”

“So what if it was in the music video this magical product?,” she says of her idea to turn the word into a spray that has otherworldly powers. “Opalite is for people who want to choose to be unhealed, Opalite is for people who want to choose a path that serves them, but in our metaphor, inanimate objects represent the kind of toxic relationship they’re in, so I become best friends with this rock who is always, like, weighing me down,” she explains of her igneous lover in the video.

The end of the clip reveals that Swift surprised Gleeson with the dance portion, including a bit where she advises him to go “full send” on his performance, and then explains what the phrase means to the Irish actor.

The second extended cut opens with a confessional video of Swift on the set, as well as Capaldi, who plays a mall photographer, bragging that he has a special gift for “capturing people’s essence.” He says that in the brief periods he’s spent with Swift in the past she definitely noticed that quality about him. We then see him giving Swift and Gleeson advice on how to pull off their ridiculous poses, as well as Swift freaking out when she sees Turner-Smith in her 1980s aerobics instructor outfit for the first time. “I don’t even know what to do! Your such a star!,” Swift tells the Queen & Slim actress.

Norton pops in to gush about how detailed Swift’s treatment for the video was, marveling at how close it was to the finished product. “I’ve written this shot list, I’ve chosen every frame. I know exactly what we’re going for,” says Swift, who has directed 14 of her own videos to date.

The two extended videos are available now on Spotify, Apple Music, Amazon Music and Tidal.


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The European Commission has given its final stamp of approval for Universal Music Group’s $775 million acquisition of Downtown Music Holdings, concluding a two‑phase review that focused on competition and data‑access risks tied to Downtown’s services business.

The proverbial thumbs-up, announced early Friday (Feb. 13), follows remedies UMG submitted in December to address regulators’ concerns over access to commercially sensitive information from rival labels via Downtown’s Curve royalty accounting and rights‑management platform, as well as its broader artist and label services operations. Following the closing of the deal, Curve Royalties will be held as a separate business until its divestment.

“Bringing Downtown’s exceptional team and capabilities to Virgin Music Group means greater flexibility and a sharper set of services for independent entrepreneurs, artists and labels,” said Nat Pastor and JT Myers, Virgin Music Group co‑CEOs. “By uniting two culturally compatible companies with deeply complementary strengths, we’re creating a more powerful, more open ecosystem… We appreciate the European Commission’s thoughtful review and look forward to welcoming our new Downtown partners and colleagues.”

Pieter van Rijn, CEO of Downtown Music, added: “By joining forces with Virgin Music Group, we’re helping build a more diverse, dynamic and opportunity‑rich environment—one that amplifies independence and expands the cultural impact of the extraordinary partners we serve.”

Trade association IMPALA, which represents Europe’s independent sector, called the decision a landmark that underscores the EU’s readiness to intervene in culture‑defining markets — while warning that allowing the market leader to grow larger “falls short.”

“We thank the European Commission for their determination… to securing structural concessions,” said Helen Smith, IMPALA’s executive chair. “With only 1% of mergers in 2025 going to Phase II and a conclusion arriving fourteen months after the deal was struck, the EC is sending a clear message about the risks of expansionist policies in music. At the same time, the final outcome falls short.”

This is a developing story…

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The first week of the 2026 Winter Olympics is already almost over. Approximately 2,900 athletes from around the world have gathered in Milan to compete for medals across 16 sports. So far, fans have been able to witness tense matches in figure skating, Alpine skiing, curling, ice hockey, speedskating, biathlon, snowboarding, freestyle skiing, ski jumping and Zamboni ghost riding with Snoop Dogg at the Olympic Winter Games Milano Cortina 2026. As of Day 6, Italy leads the total medal count with 17 (6 Gold), closely followed by Norway (7 Gold, 14 Total) and the United States (4 Gold, 14 Total).

Watch the 2026 Winter Olympics, At a Glance:

Thanks to the time-zone difference between Milan, Italy, and the U.S., expect most live events to happen early in the morning. If you’re not a morning person, there will be primetime replays and select live coverage airing on NBC throughout the event. The games officially kick off with the opening ceremony on Feb. 6. However, many preliminary matches are already taking place today and tomorrow for hockey, curling and other sports.

Live coverage of every event will be available to stream through the official streaming partner, Peacock. To learn how you can stream the 2026 Winter Olympics online without cable and for free, keep scrolling.

How to Watch the 2026 Winter Olympics Online for Free

The 2026 Winter Olympics in Milan will broadcast on NBC, USA Network, CNBC and NBCSN. The best way to stream the games is the channel’s official streaming platform, Peacock. While there is no free trial for new users, the platform offers affordable plans starting at just $10.99 per month, or an annual plan for $109.99 per year (which gets you 12 months of streaming for the price of 10).

DIRECTV

With DIRECTV, new subscribers can take advantage of a five-day free trial, so you can watch a week’s worth of Olympic games live and for free. The streaming platform carrier every network broadcasting the 2026 Winter Olympics, so you’ll never miss a sports moment. With so many different sports happening. DIRECT offers unlimited DVR storage so you can record, save and watch your favorite olympic moments whenever you’d like.

Hulu + Live TV

For the most content offerings, you can sign up for Hulu + Live TV and get access to the Hulu library in addition to more then 95 live TV channels (including NBC). The streaming platform starts at $89.99 per month, but there’s also three-day free trial for new users.

And, for even more programming, Hulu + Live TV now comes bundled with Disney+ and ESPN Unlimited, which gives you everything within the Hulu library, in addition to exclusive content on ESPN for even more sports coverage.

Sling TV

Sling TV offers the Blue package, which comes with NBC, USA Network, CNBC, MS NOW, Bravo and others. Blue is one of the most affordable options and comes with more than 40 channels and can be streamed on up to three device at a time. Please note: Pricing and channel availability varies from market-to-market.

Full 2026 Winter Olympics Streaming Schedule (Updating):

All times are in Eastern Standard Time.

Thursday, Feb. 12

  • Alpine skiing (slalom) – 4:00 a.m. (Peacock – Live)
  • Snowboard halfpipe finals – 6:00 a.m. (Peacock – Live)
  • Figure skating (ice dance rhythm dance) – 8:00 a.m. (Peacock – Live)
  • Curling (medal round qualifiers) – 10:00 a.m. (Peacock – Live)

Friday, Feb. 13

  • Biathlon pursuit – 5:00 a.m. (Peacock – Live)
  • Figure skating (ice dance free dance – medals) – 8:00 a.m. (Peacock – Live)
  • Skeleton finals – 10:00 a.m. (Peacock – Live)
  • Hockey (quarterfinals) – 12:00 p.m. (Peacock – Live)

Saturday, Feb. 14

  • Alpine skiing (tea.m. combined) – 4:00 a.m. (Peacock – Live)
  • Cross-country skiing distance race – 6:00 a.m. (Peacock – Live)
  • Figure skating (women’s short program) – 8:00 a.m. (Peacock – Live)
  • Speedskating medals – 11:00 a.m. (Peacock – Live)

Sunday, Feb. 15

  • Snowboard cross finals – 6:00 a.m. (Peacock – Live)
  • Figure skating (women’s free skate – medals) – 8:00 a.m. (Peacock – Live)
  • Luge relay – 11:00 a.m. (Peacock – Live)
  • Hockey (semifinals) – 1:00 p.m. (Peacock – Live)

Monday, Feb. 16

  • Freestyle skiing dual moguls – 6:00 a.m. (Peacock – Live)
  • Cross-country skiing team sprint – 8:00 a.m. (Peacock – Live)
  • Curling (medal games) – 10:00 a.m. (Peacock – Live)

Tuesday, Feb. 17

  • Biathlon relay – 5:00 a.m. (Peacock – Live)
  • Speedskating team pursuit – 7:00 a.m. (Peacock – Live)
  • Hockey (placement games) – 12:00 p.m. (Peacock – Live)

Wednesday, Feb. 18

  • Alpine skiing (final technical events) – 4:00 a.m. (Peacock – Live)
  • Freestyle skiing big air – 6:00 a.m. (Peacock – Live)
  • Curling (gold medal match) – 9:00 a.m. (Peacock – Live)

Thursday, Feb. 19

  • Cross-country skiing marathon – 6:00 a.m. (Peacock – Live)
  • Snowboard parallel events – 8:00 a.m. (Peacock – Live)
  • Hockey (bronze medal games) – 1:00 p.m. (Peacock – Live)

Friday, Feb. 20

  • Biathlon mass start – 6:00 a.m. (Peacock – Live)
  • Speedskating final medals – 8:00 a.m. (Peacock – Live)
  • Figure skating gala – 1:00 p.m. (Peacock – Live)

Saturday, Feb. 21

  • Men’s hockey gold medal game – 12:00 p.m. (Peacock – Live)
  • Women’s hockey gold medal game – 3:00 p.m. (Peacock – Live)
  • Men’s hockey gold medal game – 8:00 p.m. (NBC – Primetime)

Sunday, Feb. 22 – Closing Ceremony

  • Cross-country skiing final event – 6:00 a.m. (Peacock – Live)
  • Closing Ceremony – 2:00 p.m. (Peacock – Live)

Doja Cat‘s South African homecoming may have been brought to a halt when Hey Neighbour festival canceled its 2025 staging, but the Grammy winner will finally get to visit her motherland this spring.

Billboard can exclusively announce that Doja Cat will headline the third edition of Move Afrika, in partnership with pgLang and Kendrick Lamar, performing at Rwanda’s BK Arena on March 17 and South Africa’s SunBet Arena on March 20. This year, Move Afrika intends to continue building toward the first-ever pan-African music touring circuit, bringing job growth and increased economic investment to the continent.

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“From my South African roots straight to the world stage, we’re bringing energy, purpose, and real change to Move Afrika in Kigali and Pretoria,” says Doja Cat. “This isn’t just a tour, it’s a movement that creates jobs and opportunities that last. I’m proud to be part of something that celebrates Africa’s creativity, invests in its future, and shows the world that Africa isn’t coming, it’s already here.”

Fans can purchase tickets for the Rwanda show, dubbed “Move Afrika: Kigali,” here. Tickets for the South Africa show, titled “Move Afrika: Pretoria,” will be available to Mastercard cardholders during a pre-sale from Monday to Wednesday. World & World Elite Mastercard cardholders will have their pre-sale on Wednesday. The Big Concerts Fan Club pre-sale will take place from Tuesday to Wednesday. Finally, general public on-sale begins on Wednesday on Ticketmaster. Global Citizen will release details regarding limited free tickets in the coming weeks.

No stranger to Global Citizen’s sprawling network of shows, Doja co-headlined the 2024 Global Citizen Festival, where she used her voice to raise awareness for the “millions of men, women and children in Gaza, Ukraine, Sudan, the Congo and all across the world, [who] are suffering.”

After launching with a Lamar-headlined Rwanda show in 2023, Move Afrika added Ghana as a host nation in 2024, bringing along Nigeria for a John Legend-led night in 2025. In the years prior, Global Citizen mounted star-studded shows in Johannesburg (2018), Lagos (2021) and Accra (2022).

Doja Cat kicked off her Tour Ma Vie trek in New Zealand last November. She toured arenas across Australia and Asia through the end of 2025, kicking off the show’s South America leg in São Paulo, Brazil, earlier this month. After her Move Afrika dates, Doja will resume her tour, visiting Europe and North America for the rest of the year, before concluding Dec. 1 at New York City’s Madison Square Garden.

Last year, Doja earned her fifth Billboard 200 top 10 album with Vie, which spawned a pair of Billboard Hot 100 hits in “Jealous Type” (No. 28) and “Gorgeous” (No. 56).

Ten years ago was a moment in time that future historians will pour over, and many of us will try scrub from our memories.

The year 2016 was a turbulent one. The U.K. voted (narrowly) to leave Europe, the Pulse nightclub shooting shook America, the Zika outbreak threatened to cripple the Rio Olympics, and an outsider, who promised to “drain the swamp,” was appointed president of the United States.

Troye Sivan might have different memories. Ten years ago, the Australian pop singer was basking in the afterglow of Blue Neighbourhood, his autobiographical debut studio album. Blue Neighbourhood followed the EPs Wild and TRXYE (both of which hit No. 5 on the Billboard 200), and went on to hit No. 7 in the United States.

The collection delivered Sivan his first Billboard Hot 100 top 40 hit, as “Youth” peaked at No. 23, and won him two ARIA Awards. The first two of many. Later in 2016, Sivan snagged the MTV Europe Music Award for best worldwide act.

Sivan celebrates the milestone anniversary with Blue Neighbourhood – Ten Years On, which features new, reimagined art from Hsiao-Ron Cheng, the illustrator behind the original cover, and gathers two additional tracks.

One of those is the fan favorite “Strawberries & Cigarettes,” originally written during the Blue Neighbourhood era and synced to the 2018 film and soundtrack Love, Simon. And in a surprise release, the special addition includes “Swimming Pools,” originally available on a retail, physical exclusive version of the album.

Blue Neighbourhood – Ten Years On is issued through EMI on a limited-edition release on Blush & Blue 2LP, CD and cassette.

Much has happened in those 10 years. For Sivan, 26 billion streams, 10 million adjusted albums sold worldwide, nine ARIA Awards, a Billboard Music Award, three MTV Europe Music awards and two GLAAD Media Awards happened.

Stream Blue Neighbourhood – Ten Years On below.

And, breathe.

Jill Scott is finally back, marking her return with To Whom This May Concern, her sixth studio album and first in more than a decade.

The three-time Grammy Award-winning R&B star gave long-suffering fans the news they’d been waiting for, the announcement of new music, by way of a social post on Jan. 2.

That day has arrived, as To Whom This May Concern drops independently through her own Blues Babe imprint, with distribution through Human Re Sources/The Orchard. It’s the follow-up to Woman, which debuted at No. 1 on the Billboard 200 way back in 2015.

“I did not have a creative block,” she tells Billboard’s Gail Mitchell, explaining her absence from the spotlight. “I just took a creative break. [The creative is] always there. It’s the energy that follows me around the house: in the shower, when I’m cleaning, making a bed. But I needed to take a break from that so that I could live life. I am, you know, a human being. So of course, there’s all kinds of stuff like perimenopause. That’s interesting. I have a teenager now; that’s different than ever before.”

To Whom This May Concern arrives just in time Valentine’s Day, and is stacked with guest spots, including appearances from Ab-Soul, J.I.D., Tierra Whack, and Too $hort, and production from Adam Blackstone, Om’Mas Keith, DJ Premier, Camper, Andre Harris, Seige Monstracity, Trombone Shorty, Eric Wortham, DW Wright, and VT Tolan.

“I really don’t think you can create without having the balance between the two,” Scott continues in her conversation with Billboard. “It’s important to one, connect with yourself, remember who you are. Like I tell my folk, ‘Jill Scott doesn’t live in my house.’ Nobody calls me that in my house. There’s a separation so that I can fill her up. And that’s me. I have to fill me up so I can fill Jill Scott.”

Scott has landed eight titles on the Billboard 200, including four top 10s and two leaders, with Woman and The Light of the Sun (from 2011), both of which topped the all-genres albums chart for a week.

Stream all 19 tracks of To Whom This May Concern below.

Karnivool stages a comeback to remember with Versus (via Cymatic Records/Sony Music), which blasts to No. 1 on the ARIA Albums Chart.

Versus is the hard rock outfit’s fourth studio album, and first in 13 years. Hailing from Perth, Western Australia, and led by Birds of Tokyo singer Ian Kenny, Karnivool has three acclaimed and platinum-certified records under their collective belt, Themata (No. 41 peak in 2005), Sound Awake (No. 2 in 2009) and the ARIA Award-winning No. 1 album Asymmetry (2013).

“We can’t believe it,” reads a statement from the band. “After 13 years of waiting it’s bloody lovely not to be forgotten, and at such a wild time for music to get a No. 1 record is pretty amazing. Karnivool as a band has never followed a conventional path, god knows we aren’t even on TikTok, and this album is on our own label through our friends at Sony. So we will raise a glass to our fans, families, Forrester and our friends who worked on the record, and anyone who walks their own path. See you at a show.”

Versus, which was born out of “relentless experimentation in their Perth studio with longtime collaborator Forrester Savell,” reads a message from the band, opens atop the ARIA Chart, published Friday, Feb. 13 and it’s the week’s best-seller on vinyl.

With Karnivool flying high on the national tally, Olivia Dean’s The Art of Loving loses its crown, down 1-2, while Japanese Australian singer Joji completes the podium with Piss In The Wind, his fourth studio album. It blows in at No. 3. Piss In The Wind is the followup to 2022’s Smithereens, which blew up at No. 3, and 2020’s Nectar, which topped the frame for one week.

Bad Bunny has been the headlines, everywhere, following his halftime show at Super Bowl LX and Grammy Award win for album of the year. That attention sees Bunny’s DeBÍ TiRAR MáS FOToS spread its wings, flying 20-4 on the latest ARIA Chart, giving the Reggaeton superstar his first top 10 appearance in Australia. That easily eclipses the album’s peak position of No. 16 in 2025.

Meanwhile, the lead track from the LP, “DtMF,” enters the ARIA Singles Chart for the first time, at No. 4. The Puerto Rican star also bows at No. 25 with “NUEVAYoL” and at No. 34 with “BAILE INoLVIDABLE.”

J. Cole’s sixth and final album, The Fall-Off, enjoys a top 10 debut. It’s new at No. 7. The U.S. hip-hop star has a string of top 10 appearances here, including a week at No. 1 with 2018’s KOD.

Olivia Dean might’ve lost her grip on the albums chart title, but she continues to reign over the ARIA Singles Chart with “Man I Need,” and completes another one-two, as “So Easy (To Fall In Love)” holds at No. 2. The Brit’s breakout hit enters its 13th consecutive week at No. 1, and becomes just the fourth song to dominate for such a stretch since the official ARIA Charts launched in 1983.

“Man I Need” joins Coolio and L.V.’s “Gangsta’s Paradise” (1995-96), Luis Fonsi and Daddy Yankee featuring Justin Bieber’s “Despacito” (2017) and Lil Nas X’s “Old Town Road” (2019), each of which led the survey for at least 13 weeks. The all-time chart champion is Tones and I’s “Dance Monkey,” led for 24 non-consecutive weeks in 2019-20.

Sombr bags a fourth top 40 appearance with his new track, “Homewrecker,” new at No. 18. He’s so hot right now, all four of those songs are currently in the top 40: “12 to 12” (down 6-8), “Back To Friends” (down 14-15) and “Undressed” (down 23-26). The lanky New Yorker visited Australia last December for his The Late Nights & Young Romance Tour, produced by Frontier Touring, and for a spot on four-show Spilt Milk run.

Finally,  Tame Impala’s “Dracula” climbs to a new peak, up 32-22, with a little help from JENNIE. The BLACKPINK star contributes vocals to a new mix for the Deadbeat single, which had, until this week, notched a No. 26 best on the ARIA Chart. It’s the only Australian-made recording in the ARIA Top 50.

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

This week, Charli xcx releases her anticipated project Wuthering Heights, written for the Emerald Fennell-directed film of the same name (also in theaters today); MUNA announced its fourth album, Dancing On The Wall, out May 8, and released its title track; and ahead of Flea’s upcoming instrumental solo album, he shared his take on a Frank Ocean classic.

Check out all of this week’s picks below:

Charli XCX, Wuthering Heights

After previewing the album (and sonic direction of the film) with “House” and “Chains of Love” last November, Charli xcx released “Wall of Sound” in January. Today, with the release of her Wuthering Heights album as the buzzy movie hits theaters, Charli’s cinematic and airy “Always Everywhere” is receiving prime playlist placement. As she shared in a press release in November, director Emerald Fennell called her during Christmas 2024 asking whether she would write a song for the film. “I read the script and immediately felt inspired,” wrote Charli. “After being so in the depths of my previous album I was excited to escape into something entirely new, entirely opposite.”

MUNA, “Dancing On The Wall”

Pop trio MUNA returns this week with the title track off its upcoming fourth album — and as the band does best, the single balances a devastating sentiment with irresistibly uptempo production, bound together by Katie Gavin’s singular voice. The band revealed in a statement that “Dancing On The Wall” is “possibly our favorite song we’ve made as a band…it’s all the best parts of MUNA.” The track was produced by member Naomi McPherson.

Bleachers, “You and Forever”

Bleachers released its self-titled album in March 2024; two years later, the band has announced its upcoming fifth album, Everyone for Ten Minutes, out May 22. Led by single “You and Forever” — written and produced by founding member Jack Antonoff — the rock track sounds a bit inspired by The National, thanks to its deep and layered vocals that narrate a haunting side of love. As the press release teases of the album overall: “Despite moments where it briefly peers into darkness, it’s essentially an optimistic record that feels lovestruck and hopeful, leaping from harmony-laden folk rock to shimmering pop soul to the sax-assisted New Jersey sound that Bleachers have become synonymous for.”

Lykke Li, “Lucky Again”

“I’m going into my existential era,” Lykke Li shared in a statement, revealing the inspiration behind her upcoming album, The Afterparty, out May 8. “Lucky Again” offers the first glimpse into that era — and its euphoric, hopeful and a bit dizzying. “It’s samsara in a song,” the artist continued, writing of the endless cycle of birth, death and rebirth. “The wheel of life: winning, losing, living, dying. Having had something and praying you’ll have it again.”

Flea, “Thinkin Bout You”

After more than four decades rocking with Red Hot Chili Peppers, founding member Flea is returning to his musical roots: jazz. As Flea approached his 60th birthday (he’s now 63) he felt it was now or never and vowed to practice the trumpet every day for two years — and so he did. The result is his debut solo album, Honora, out this March. The album will include six original songs composed and arranged by Flea, alongside his interpretations of songs he loves, including Frank Ocean’s “Thinkin Bout You.” As Flea wrote in a statement: “When [Channel Orange] came out, it really blew me away. I listened to it ten million times…”Thinkin Bout You” is one of the many great songs on that record, and I thought it would be fun to play on trumpet.”

Cruz Beckham is a romantic at heart.

With his new single, “for your love,” which drops today, Feb. 13, Cruz Beckham gets in early with the Valentine’s Day presents.

“For your love” was co-written and produced by Justin Raisen and Lewis Pesacov (Kim Gordon, Joji, Charli xcx), and is the followup to his debut single “Optics,” released in October 2025 alongside “Lick The Toad.” 

The new track is accompanied by an official music video, which features Cruz alongside his group the Breakers, which includes bandmates Dan Ewins, Telmo Seixas and Dario Scotti. Look out for a cameo from his grandad.

“I love this song,” Beckham says. “It’s been so fun to play live over the last couple of months. It was the first track I properly finished with Justin and Lewis, who are total legends at what they do, and we all walked away knowing this had really laid the foundations for everything else we’ve created together. For me, it’s all about love and being fearless in that love, but I hope everyone can interpret it in their own way and find their own meaning to it.”

The apple, we’re so often told, doesn’t fall far from the tree. Beckham is the youngest son of Victoria, the Spice Girl (“Posh”) who helped turn the pop world onto Girl Power in the 1990s, and David, the retired soccer superstar with the golden right foot.

Cruz will support the new release next month for a tour of the United Kingdom and Europe, getting underway in Birmingham on Feb. 25, before visiting Cardiff, Bristol, Leeds, Glasgow, Manchester, Southampton, Brighton, Paris, Amsterdam and Berlin, and wrapping up with three nights at the Courtyard Theatre in London.   

The first show announced for the trek, March 27 at the Courtyard Theatre, sold out in a matter of minutes, reps say.

Those dates follow Beckham’s live debut late last year with a run of unannounced sets under different aliases supporting the Royston Club, visiting various cities around Britain.

“I’m so excited to get out on the road, I’ve always been inspired by bands who do it the right way, so I wanna get out there and play loads of small gigs,” Beckham enthuses in a statement. “I cannot wait to meet the fans and for them to hear the tracks, I can’t believe people have actually spent their hard-earned money to come and see me and my band, so we’re gonna put on a show! I’m so buzzing to have our own banner for The Breakers, we’ve only been a support band so far so this time we get our own banner.”

Stream “for your love” below.

Bye-bye Brat Summer. Welcome, Wuthering Heights.

As the clock struck midnight, Charli xcx dropped her seventh and latest studio album Wuthering Heights (via Atlantic Records), written, of course, for Emerald Fennell’s dramatic feature film of the same name.

Spanning 12 tracks, “Wuthering Heights” houses the previously released “Wall Of Sound,” “Chains Of Love” and the striking opener “House,” featuring Velvet Underground co-founder John Cale. Also, Sky Ferreira guests on album track “Eyes of the World,” which samples Wolf Alice’s excellent “Don’t Delete The Kisses.”

Charli came on board the project when she got the call from Fennell at Christmas 2024. “I read the script and immediately felt inspired so Finn Keane and I began working on not just one but many songs that we felt connected to the world she was creating,” she explains in a press release announcing the project. “After being so in the depths of my previous album I was excited to escape into something entirely new, entirely opposite.”

That previous album was 2024’s BRAT, which peaked at No. 1 on the Official U.K. Albums Chart and ARIA Chart, and bowed at No. 3 on the Billboard 200, for her highest debut in the United States. BRAT was more than a record, or a chart placement. It was a cultural moment, a seemingly inescapable meme that the Collins Dictionary dubbed its word of the year for 2024.

Charli is on fire right now, and not just in the recording space. Later this month, she’ll star in A24’s The Moment, based on her original idea and the first co-production from her new studio365 venture. Also, she’ll appear in Daniel Goldhaber’s remake of the 1978 cult horror Faces of Death, Greg Araki’s erotic thriller I Want Your Sex, Cathy Yan’s independent film The Gallerist, Julia Jackman’s period fantasy 100 Nights Of Hero, Romain Gavras’ satirical action Sacrifice and Pete Ohs’ intimate drama Erupcja.

The Wuthering Heights feature film, based on Emily Bronte’s masterpiece of Gothic romance, and starring Australian pair Margot Robbie (as Cathy) and Jacob Elordi (as Heathcliff), also arrives today, Feb. 13, in theaters via Warner Bros Pictures — just in time for Valentine’s Day.

“When I think of Wuthering Heights,” says Charli of the classic novel, “I think of many things. I think of passion and pain. I think of England. I think of the Moors, I think of the mud and the cold. I think of determination and grit.”

Stream the album in full here.