All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Mariah Carey’s long-awaited 16th studio album is here, with “Here for It All” dropping Sept. 26. Now, the Grammy-winning singer is dropping some new Mariah merch to go along with the new tunes.

Amazon has released a collection of Carey T-shirts, hoodies, baseball caps, accessories and limited-edition vinyl as part of its official artist merch shop online. The officially-licensed collection includes T-shirts bearing the “Here for It All” cover artwork, along with a butterfly-branded hoodie, and a baseball cap with the album title on the front and Carey’s butterfly icon on the back.

Some of the pieces also reference the singer’s new track, “Mi,” which is a play on Carey’s nickname, first revealed in 2005’s The Emancipation of Mimi. One of these pieces is a black baseball cap adorned with the phrase “The Era of Mi,” while fans can also pick up a pink T-shirt featuring an image of Carey on the front and lyrics on the back reading, “I don’t care about much if it’s ain’t about Mi.” Clever right?

Amazon’s Mariah Carey merch shop also includes Carey’s “I’ve Done Enough” T-shirt, which references her now-viral interview meme, along with previously-released tees and baseball caps inspired by the album’s lead single, “Type Dangerous,” which scored the singer her first number-one on the Adult R&B Airplay Chart in almost 20 years.

Here for It All” features collaborations with Anderson .Paak (on “Play This Song”) and the Clark Sisters (on “Jesus I Do”), along with Kehlani and Shenseea, who joined Carey on her summer single, “Sugar Sweet.” It’s her first studio album since 2018’s well-received, Caution.

You can pick up Mariah Carey’s “Here for It All” in stores now or stream the album on your favorite streaming service. You can also shop her new album merch from Amazon, below.

Mariah Carey 'Here for It All' Album Merch: Buy T-Shirts, Hoodie, Hats

Mariah Carey Official Merch Here For It All Tracklist T-Shirt

This unisex tee features an alternate album image on the front and the complete tracklist on the back. Choose from sizes small to 3XL.


Mariah Carey 'Here for It All' Album Merch: Buy T-Shirts, Hoodie, Hats

Mariah Carey Official Merch Here For It All White T-Shirt

This relaxed fit tee features a screen-printed photo of Carey on the front, with her Here For It All logo and gemstone butterfly detail on the back.


Mariah Carey 'Here for It All' Album Merch: Buy T-Shirts, Hoodie, Hats

Mariah Carey Official Merch Here For It All I Don’t Care Pink T-Shirt

This pink T-shirt references the lyrics from album opener, “Mi,” which is a play off the singer’s nickname, Mimi.


Mariah Carey 'Here for It All' Album Merch: Buy T-Shirts, Hoodie, Hats

Mariah Carey Official Merch Here For It All Butterfly Gem Zip Hoodie

This Amazon exclusive hoodie features a large butterfly graphic surrounding the zip-up front, with an image of Carey from her album photoshoot on the back. The unisex hoodie is made from a cozy cotton blend, with ribbed cuffs and waistband. Select from sizes small to 3XL.


Mariah Carey 'Here for It All' Album Merch: Buy T-Shirts, Hoodie, Hats

Mariah Carey Official Merch Here For It All The Era of Mi Black Cap

This baseball cap features a relaxed fit (like a “dad cap”) with an adjustable strap on the back. The front of the cap declares that it’s “The Era of Mi.”


Mariah Carey 'Here for It All' Album Merch: Buy T-Shirts, Hoodie, Hats

Mariah Carey Official Merch Here For It All White Cap

We love the laidback vibes of this cotton twill baseball cap, which features the album’s declarative title on the front and an embroidered Mariah butterfly logo on the back.


Mariah Carey 'Here for It All' Album Merch: Buy T-Shirts, Hoodie, Hats

Mariah Carey Official Merch Here For It All Tote Bag

Get an official Mariah tote on Amazon as part of this merch release. The tote bag is made from a heavyweight cotton canvas and measures 10.5 x 14 inches in size, with 23-inch drop handles.


Mariah Carey 'Here for It All' Album Merch: Buy T-Shirts, Hoodie, Hats

Mariah Carey Official Merch Here For It All Done Enough White T-Shirt

When Carey was asked in an interview over the summer about Katy Perry’s trip to space, she was seemingly unaware that the “Firework” singer had gone into orbit. Asked if she would dare go to the (actual) ends of the earth, Carey responded with her now-viral quip: “I’ve done enough.” That meme — with a new photo of Carey — is now available on this official tee.


The Greek Theatre, one of Los Angeles’ most iconic outdoor concert venues, has been named in a sweeping new lawsuit by Trident Concert Productions, an independent concert promoter working with folk revival act The Kingston Trio. The lawsuit, filed by L.A. litigator Konrad Trope, accuses the building’s management company, ASM Global, along with Ticketmaster, Live Nation and the City of Los Angeles of orchestrating a corrupt system that shuts out independent promoters and leaves fans — particularly seniors — without access to concerts at the venue.

At the heart of the complaint is a claim that city officials and corporate partners have quietly undermined the Greek Theatre’s 2018 management agreement, which mandated the venue be run as an “open building” free from exclusive ticketing and promotion deals. Instead, Trident alleges that the city, in partnership with Ticketmaster and Live Nation, allowed a de facto monopoly over the venue, forcing promoters into arrangements that stifled competition and limited access for fans.

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One of the lawsuit’s sharpest accusations centers not on pricing or antitrust, but on the failure to properly record two Kingston Trio concerts at the Greek on Aug. 17 and Aug. 18, 2024.

“Trident and the Trio’s intent was to produce a documentary concert film and a high-quality live concert album to accompany the film,” Trope said. “This concert was contracted with and to be distributed by BRI for worldwide distribution in theatres, television, and streaming.”

Trident paid $50,000 to secure the filming and performance dates for the concert, according to the lawsuit.

“During the first show, on the evening of August 17, 2024, the Trio’s entire Saturday show, critical to the ultimate success of Sunday’s show, was not recorded. Not a single second of performance was saved to any hard drives we provided damaging the potential for the documents,” Trope said. Two of the Greek’s employees allegedly never “checked to make sure that the necessary hard drives required to record the Shows were actually plugged in,” the lawsuit reads.

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Despite that alleged failure to properly record the first concert, Trident claims it was presented with a $200,000 bill for filming and “delivering” the concert footage. It adds that a third-party contractor hired to run the show’s AV subsequently blamed venue staff at the Greek for failing to instruct them to record the show, despite being aware of Trident’s “intent to film and record both nights for a full-length feature documentary film to be released in 2025, in time for the Academy Award screening season.”

“There wasn’t even a backup protection track, the most basic element of all, produced either for the video or sound,” the lawsuit reads. “This was unprofessional to the maximum degree and reflective of the dismissive attitude that The Greek Theater displayed towards Trident and the Kingston Trio.

The lawsuit claims this alleged failure was not an isolated oversight, but part of a broader pattern at the Greek Theatre, Trident says. By allowing concerts to proceed without proper record-keeping, the company claims, the venue’s management created conditions where outside promoters were left in the dark about how their shows performed financially. This lack of transparency, the suit says, effectively shields Ticketmaster and Live Nation from scrutiny while making it nearly impossible for independents to challenge their dominance.

For a band like The Kingston Trio, whose cultural legacy stretches back more than six decades, the complaint suggests that the Greek’s mishandling of the concert was more than a logistical slip. It was, in the words of Trident, “a breach of trust that denied artists and their audiences the integrity they deserve.”

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The lawsuit accuses Los Angeles Mayor Karen Bass and the Department of Recreation and Parks commissioners of turning a blind eye to what it calls an “illegal financial arrangement” with Ticketmaster and Live Nation. These deals, Trident claims, not only sideline independent promoters but also discriminate against fans who cannot navigate Ticketmaster’s mobile-only ticketing platforms.

“Concert producers and live events at The Greek Theater that appeal to senior citizens are discouraged or suffer financial ruin if they are not contracted with Ticketmaster and Live Nation,” the filing alleges.

For Trident, the dispute is about more than market share. The company claims it made repeated attempts to stage shows at the Greek without Live Nation or Ticketmaster’s involvement, only to be shut out by the venue’s management and denied fair access to ticketing. When concerts did move forward, the lack of proper documentation and recording left promoters without the ability to track ticket sales or resolve disputes, the lawsuit says.

This, Trident argues, makes it nearly impossible for smaller promoters to operate successfully at a city-owned venue that should be run in the public interest.

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Billboard reached out to officials with the Greek Theatre for comment, but did not receive a response by press time.

In May, Trident filed a separate lawsuit over The Kingston Trio’s Greek Theatre shows against L.A. attorney David A. Helfant, whom the band and promoter hired for his supposed inside connections at the venue. In that complaint, Trope wrote that in fact, “Helfant did not have expertise or the inside track or any superior knowledge about how to secure concert dates” at the Greek despite claiming that he did. Trope alleged that Helfant charged the band $650 per hour for his services and convinced it to spend $10,000 to hire a consultant to “grease the wheels” at the venue, though the group ended up booking the venue using the Greek’s own public booking process. Trope filed a petition to have the case dismissed in August after reaching a settlement.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

To help celebrate the 150th anniversary of Bulova, Latin music icon and brand ambassador Marc Anthony has teamed up with the storied watchmaker to create a stunning limited-edition timepiece. The four-time Grammy winner helped design Bulova’s latest commemorative piece, a limited-edition Series X2 watch.

The new watch features a 41mm, transparent, square case that’s constructed in three layers, either with a gold-tone or a rose gold-tone stainless steel mid-case secured between two edge-to-edge clear sapphire crystals. The dial features black and gold-tone accents and two-tone hands with super luminous fill, while the 1, 3, and 5 markers are highlighted for their personal significance to Marc Anthony.

Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Series X2 Limited-Edition watch


Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Series X2 Limited-Edition watch


If you flip the watch over, enthusiasts will be impressed by the robust mechanical calibre on full display. Paying homage to the watch brand’s birthday, the case back crystal displays a special 150th anniversary design as well as Marc Anthony’s signature. Also, each watch is individually numbered to designate each piece’s limited-edition, which there are 600 pieces per style.

To finish, the yellow gold-tone limited-edition timepiece comes with a black rubber strap with a matching metal pin buckle. Similarly, the rose gold-tone watch is tethered to a white rubber band with rose three-piece closure. If that wasn’t enough, every watch comes in a Marc Anthony-signed spotlight presentation box that illuminates the watch and features a storybook from the iconic singer-songwriter.

The limited-edition Bulova Series X2 watches are available online at bulova.com for $2,950 as well as other pieces from Anthony’s collection. Keep scrolling to shop even more watches, pendants and bracelet’s that the Latin star and Bulova have collaborated on.

Shop the Watch Collection

Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Curv watch

$1,062.50 $1,250 15% off

Buy Now on bulova


Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Series X watch

$1,100.75 $1,295 15% off

Buy Now on bulova


Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Maquina watch

$488.75 $575 15% off

Buy Now on bulova


Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Quadra watch

$375 $625 40% off

Buy Now on bulova


Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Modern watch

$403.75 $475 15% off

Buy Now on bulova


Shop the Pendant Collection

Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Marc Anthony Pendant


Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Marc Anthony Pendant


Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Marc Anthony Pendant


Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Marc Anthony Pendant


Shop the Bracelet Collection

Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Classic Bracelet


Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Classic Bracelet


Marc Anthony Releases Stunning Limited-Edition Timepiece With Bulova

BULOVA X MARC ANTHONY

Bulova Link Bracelet


Faith Evans has a message for parents raising kids with autism after President Donald Trump held a controversial press conference earlier this week where he linked autism to childhood vaccines and pregnant women taking pain medication with the active ingredient acetaminophen, like Tylenol.

TMZ ran into Evans in NYC recently, where she was asked her thoughts on Trump’s claims about autism because her 18-year-old son Ryder is autistic and the singer has been an outspoken advocate on his behalf.

“I’m not a doctor, I’m not a scientist, I’m not sure that Trump is either,” she said about the president’s claims. “I have to live it [and] walk the walk with my son every day, so until those things are proven, I don’t that it makes sense to get people up in arms, you know what I mean? Sometimes it can cause a little more fear or it can cause a little more doubt in people [by] just throwing misinformation. So, yeah, I don’t know. I can’t say one way or another.”

She was then asked if she had a specific message for parents like her, and she again reiterated to take Trump’s comments with a grain of salt until his claims are scientifically proven. “You mean regarding the Tylenol stuff? I don’t know what to say about that,” Evans said. “I would say: Don’t let it get you in a tizzy if it’s not proven, you know? We gotta live it every day, so just continue to fight the good fight for your kid or your adult that you’re caring for.”

Faith was also on the Tamron Hall Show recently, where she spoke about her experience raising her autistic son and to promote the inaugural gala for her nonprofit Ryder’s Room that happening this weekend in her hometown of Newark, New Jersey.

“I knew,” she said of her experience fighting to get a diagnosis from doctors before Ryder had turned 3 years old. “Having three children before he was born, I knew that he wasn’t meeting certain milestones — specifically language. And the doctor kept telling me to wait, every child is different, you know? And I’m like, I feel like he should be talking, he should be saying a couple of words by now. So I finally just begged enough so that he gave me a written diagnosis.”

She then added that after getting the diagnosis, she was confused as to what to do next, but other parents helped her along the way and she wants to pay it forward with Ryder’s Room.

“It can still kinda be a little bit confusing if you really don’t know what specifically is wrong with your child,” she admitted. “Every child is different, you know? It is a spectrum. So, yeah, I think it was more fear but with the help of other parents — thank God — who helped me early on, who became my first advocates … and then I wanted to do the same thing as I’ve grown and still learning and still navigating this walk but I’ve learned so much, and I just wanted to share that with other parents who just don’t know where to turn.”

The Ryder’s Room Inaugural Gala will be held Saturday (Sept. 27) at The Newark Museum of Art.

Tickets for the event are sold out, but you can make a donation to Ryder’s Room here.

Resorts World NYC, which partnered with Nas, received unanimous approval in a 6-0 vote from the Community Advisory Board to bring its $5.5 billion casino to Queens.

Following Thursday’s (Sept. 25) victory, the Resorts World project is now on the 1-yard line, awaiting a final approval decision from the Gaming Facility Location Board.

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Resorts World officials hope the Southeast Queens casino will open doors by July 2026, and the Aqueduct Park project is expected to be one of the largest in the U.S. at 350,000 square feet.

“On behalf of the entire Resorts World team, I want to thank the Community Advisory Committee for recognizing the impact we will have not only on Queens but all of New York City and State,” said Robert DeSalvio, who serves as the president of Genting Americas East. “We are incredibly grateful to the large number of residents, partners, and supporters who touted this project, without a single person speaking against it. This is a testament to our mission – solidified over the last 15 years – to be the best neighbor possible here in Queens.”

Queens Borough President Donovan Richards Jr. even took a shot at Jay-Z, after Roc Nation’s proposal was struck down by the CAC last week, which has all but killed Hov’s hopes of building a casino in Times Square.

“There’s a theme in Queens, and I know that Nas was a part of this: Queens get the money. Sorry, Jay-Z, we win again,” Richards quipped. “You can let the Brooklyn borough president know that I send my regards to him.”

Along with a state-of-the-art casino and 30 eateries, Resorts World will open a 7,000-person capacity entertainment venue to bring concerts, games and events to the area.

According to Covers, NBA champion Kenny “The Jet” Smith will help bring a sports and media complex to the Resorts World campus.

The Resorts World project hopes to bring 24,000 new jobs to Queens and $1 million in new revenue during its first year of operation.

Resorts World wasn’t the only bid to hear good news, as MGM Empire Casino’s bid to transform its racino to a full-service casino in Yonkers was also approved, meaning there’s one gaming license remaining for New York.

“This is an ambitious project that will give new opportunities to the hard-working families who call Queens home, attract top-tier talent, and build up the next generation of leaders,” Nas said in March 2024 when he came on board with Resorts World. “Clearly, with this project, the world is ours.”

Tekashi 6ix9ine has pled guilty yet again to breaching the plea deal he secured by testifying against his former Brooklyn gangmates, marking his third violation of supervised release in less than a year.

The rapper copped to the violation during a Thursday (Sept. 25) hearing in New York federal court. According to prosecutors, Tekashi (Daniel Hernandez) admitted that he attacked a man in a Florida mall last month after the man taunted him for flipping on his crew in return for leniency back in 2018.

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The assault, a misdemeanor, runs afoul of rules that ban criminal offenders from violating the law again during their period of so-called supervised release. The 29-year-old rapper has repeatedly violated his supervised release in the last year, and Judge Paul A. Engelmayer ordered him to remain under house arrest until a final sentencing hearing on the violations in November, according to prosecutors.

Tekashi’s lawyer did not immediately return a request for comment on Thursday.

Once a rising hip-hop star, Tekashi was charged in 2018 with helping the Nine Trey Gangsta Bloods gang as they “wreaked havoc on New York City.” But he quickly cut a deal with prosecutors to flip on his gangmates in exchange for leniency.

Under the terms of that deal, Tekashi was sentenced to just two years in prison and five years of supervised release. The rapper was released even earlier due to health risks associated with his asthma during the COVID-19 pandemic, and he began serving supervised release in 2020.

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With just months left on the five-year supervised release, Tekashi was charged last November with committing a host of violations, including methamphetamine usage, failing to appear for drug tests and traveling to Las Vegas without permission.

Tekashi admitted to these violations, and Judge Engelmayer sentenced him to 45 days in jail plus another year of supervised release. Federal officers then found illegal drugs in his Miami home after he got out, and he pled guilty in July to another violation for possessing cocaine and MDMA.

The rapper was awaiting sentencing on the second violation when the Florida mall assault occurred in August.  He’s due back in court on Nov. 4.


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President Donald Trump has signed an executive order that he says will allow TikTok to continue operating in the United States in a way that meets national security concerns laid out by the law.

President Joe Biden signed legislation last year calling for China’s ByteDance to sell TikTok’s assets to an American company by early this year or face a nationwide ban, but Trump has repeatedly signed orders that have allowed TikTok to keep operating in the U.S. as his administration tries to reach an agreement for the sale of the social media company.

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Much is still unknown about the actual deal in the works, but Trump said Thursday that Chinese leader Xi Jinping has approved it. Any major change to the popular video platform could have a huge impact on how Americans — particularly young adults and teenagers — consume information online.

The Chinese embassy in Washington didn’t immediately respond to an AP inquiry seeking confirmation that China has signed off on the proposed framework deal.

About 43% of U.S. adults under the age of 30 say they regularly get news from TikTok, higher than any other social media app including YouTube, Facebook and Instagram, according to a Pew Research Center report published Thursday.

Trump said in response to a question at a signing ceremony Thursday that he would make the American- controlled TikTok “100% MAGA” if he felt he could, but he intends for “every philosophy, every policy” to be “treated right.”

Vice President JD Vance said the deal ensures that “American investors will actually control the algorithm” that determines the content seen on the social media app. He said more information about the deal will be revealed in the coming weeks.

Who will control the new TikTok venture?

Under the terms of the deal that have so far been revealed by the White House, the app will be spun off into a new U.S. joint venture owned by a consortium of American investors — including Oracle and investment firm Silver Lake Partners.

Though the details have yet to be finalized, the investment group’s total stake in the new venture would be around 80%, while ByteDance is expected to have a 20%, or smaller, stake in the entity. The board running the new platform would be controlled by U.S. investors. ByteDance will be represented by one person on the board, but that individual will be excluded from any security matters or related committees.

TikTok’s new owners include many whose business or political interests are tied to Trump, including Oracle co-founder Larry Ellison and Rupert Murdoch, raising questions about whether political influence will be exerted into the platform.

Although he stepped down as Oracle’s CEO more than a decade ago, Ellison remains heavily involved as chairman and chief technology officer. Now 81, he could be in line to become a behind-the-scenes media power player, having already helped finance Skydance’s recently completed $8 billion merger with Paramount, a deal engineered by his son, David.

Trump also mentioned Dell founder Michael Dell will be an investor in the new venture.

TikTok users could now “get the editorial policies of the people who now have control of the company,” said David Greene, civil liberties director of the Electronic Frontier Foundation. ”It won’t be 100% MAGA. The question is how it will treat criticism of him and people he likes.”

What we know about the algorithm powering the platform

The recommendation algorithm that has steered millions of users into an endless stream of video shorts has been central in the security debate over TikTok. China previously maintained the algorithm must remain under Chinese control by law. But a U.S. regulation that Congress passed with bipartisan support said any divestment of TikTok must mean the platform cut ties with ByteDance.

American officials previously warned the algorithm — which is a complex system of rules and calculations that platforms use to deliver content to your feed — is vulnerable to manipulation by Chinese authorities, who can use it to shape messaging on the platform in a way that’s difficult to detect, but no evidence has ever been presented by U.S. officials showing that China has attempted to do so.

Trump, during his first term, signed an executive order attempting to ban the app if it didn’t split off its U.S. business, warning that TikTok’s “data collection threatens to allow the Chinese Communist Party access to Americans’ personal and proprietary information.”

Trump has since changed his approach to TikTok, often citing its role in helping him reach young voters in the 2024 presidential election.

Although the details remain unclear, a Trump administration official said that a licensed copy of the ByteDance created algorithm — retrained solely with U.S. data — will power the new U.S. version of the app. Administration officials say this retraining effort will nullify any risk of Chinese interference and influence.

Vance said “we wanted to keep TikTok operating” but address security concerns so that “Americans can use TikTok but use it with more confidence than they had in the past.”

Young people especially “really wanted this to happen,” Trump said during the signing ceremony.

That makes it unclear if the U.S. version of TikTok will be a different experience than what users in the rest of the world are used to. Any noticeable changes made to a social media platform’s service raises the risk of alienating its audience, said Jasmine Enberg, an analyst for the research firm eMarketer.

In a prime example of how a change of control can reshape a once-popular social media platform, billionaire Elon Musk triggered an almost immediate backlash after he completed his takeover of Twitter nearly three years ago.

But Musk made extremely visible changes, including changing its name to X, pulling back on its content moderation and adding exclusive features for paid subscribers. The changes that gradually occur while different data is fed into the U.S. copy of TikTok’s algorithm could be subtle and unnoticeable to most of its audience.

“Social media is just as much about the culture as it is the technology, and how users will take to new ownership and potentially a new version of the app is still an open question,” Enberg said.

What motivated China to make this deal

Beijing once called the demand that TikTok be spun off from its Chinese parent company an act of “robbery,” but Chinese officials changed their tune as the U.S.-China trade war progressed.

Following the announcement of a possible TikTok framework deal after U.S.-China trade talks in Spain, some observers believed that China was able to extract concessions from the U.S. on loosening trade restrictions in exchange for the TikTok deal. Others believe China was willing to do so to pave the way for a meeting between Xi and Trump.

A TikTok deal would allow China to keep the ball rolling on trade negotiations, said Sun Yun, director of the China program at the Washington-based think tank Stimson Center. “TikTok alone does not compare with the importance of an amicable U.S.-China relations and the positive momentum that prevents many negative development from happening.”

Dimitar Gueorguiev, associate professor of political science at Syracuse University, said TikTok has become an “expendable concession” to Beijing because it is no longer a disruptive newcomer as it was five years ago.

TikTok’s highly personalized “For You” video feed was seen as its secret sauce five years ago, when Trump first threatened to ban the app, but Instagram and other rivals now work similarly.

Gueorguiev argues that Beijing is more interested in retaining access to U.S. technology and services, at least in the short term, so it can build up self-sufficiency in semiconductor, artificial intelligence and advanced manufacturing.

“That is the front line of technological competition,” Gueorguiev said. “TikTok, by contrast, is a maturing consumer app with diminishing strategic weight.”

This story was originally published by The Associated Press.

Reneé Rapp kicked off her Bite Me Tour this week at the vaunted Red Rocks Amphitheatre in Morrison, Colorado, bringing her biggest hits and fan favorites to the mountains.

The pop singer/songwriter is promoting her sophomore album Bite Me, which arrived last month in the top five of the Billboard 200 (No. 3 peak) and marked her first No. 1 on the U.K. albums chart. She performed all 12 songs from the project, marking the live debut of a handful of the new tracks. She also, of course, performed “Colorado” to mark the location of her opening night.

Our Billboard photographer was in the house for night 1, and below, you can find the best photos from Tuesday’s (Sept. 23) show — including pics of opening act Ravyn Lanae, whose breakthrough hit “Love Me Not” is still in the top 10 of the Billboard Hot 100, so far peaking at No. 5.

You can also find the night 1 setlist here too:

Leave Me Alone
Kiss It Kiss It
Talk Too Much
Poison Poison
Colorado
Shy
Mad
Why Is She Still Here?
That’s So Funny
Sometimes
Good Girl
Swim
I Think I Like You Better When You’re Gone
I Can’t Have You Around Me Anymore
Tummy Hurts
You’d Like That Wouldn’t You
Pretty Girls
In the Kitchen
Snow Angel
Not My Fault
At Least I’m Hot

Jason Bonham’s Led Zeppelin Evening is gearing up for a final run of its tour celebrating the 50th anniversary of Led Zeppelin’s Physical Graffiti. “This is it, the last run,” the son of Zeppelin’s late drummer John Bonham promises Billboard. “We will not do it again.”

But Bonham already has a good idea of what he’ll do next.

“After 15 years of doing this, I’m always inspired to go, ‘What could be next?’ And this time…Presence!” he says, referencing Led Zeppelin’s seventh studio album, which will celebrate its golden anniversary next year. “That’s one of my favorites. And underrated: ‘For Your Life,’ ‘Achilles Last Stand,’ ‘Candy Store Rock.’ I can’t wait. I feel like we’ve definitely got to try it.” Bonham did, in fact, play the epic Presence opener “Achilles Last Stand” during shows last year after avoiding it previously — “’cause I was always scared of it,” he notes with a laugh.

Bonham acknowledges he’s even looking beyond Presence. “I’m not too sure if I’ll be able to play that well, but in 2029, Presence into (1979’s) In Through the Out Door, in their entirety, would be the way to go,” he says, noting that most of the latter’s songs were never played live by Zeppelin due to the band breaking up after his father’s death 13 months after its release. He’s particularly hot to take on the careening “Carouselambra,” which he played with Jimmy Page and John Paul Jones during rehearsals in 2008, when Zeppelin was trying to continue after its triumphant December 2007 Celebration Day reunion at London’s O2 Arena.

“They played it as if they had just left the studio, and they hadn’t played it since they day they recorded it. It was mind-blowing,” Bonham recalls. “Jimmy was only using this tiny little amp, and it still had that sound (sings), that breakdown in the middle. I’d love to play that for (an audience).”

With that future mapped out, albeit loosely, Bonham is looking forward to returning to the Physical Graffiti shows, starting Oct. 22 in Louisville, Ken., with 26 North American dates booked through Nov. 26 in Hollywood, Fla. He considers the Billboard 200-topping Physical Graffiti — Zeppelin’s first on its own Swan Song Records label and the first album to go platinum on advance orders — to be “THE Led Zeppelin” album. He says performing it has been as rewarding as he hoped when he and the JBLZE band set out to do it.

“It’s the first time we’d ever had to go into a place to rehearse,” he says, “because even though we had done nearly every one of these songs at some point, maybe just for one tour, we never thought of actually doing it as the whole album. (Led Zeppelin) used to do ‘In My Time of Dying’ live. They did ‘Kashmir’ live, ‘Ten Years Gone,’ ‘Sick Again.’ But then to do ‘The Wanton Song’ and ‘Down By the Seaside’ and ‘Night Flight’…When I found out ‘Night Flight’ was a Led Zeppelin IV outtake, it made perfect sense; when dad does the (sings drum fill), that’s the ‘Stairway to Heaven ‘ fill. You know, drummers, when we find a new fill we’ll put it in anything, like, ‘Oh, that’ll work there as well..’” He’s also fond of talking to the audience about why the song “Houses of the Holy” wound up on Physical Graffiti and not on Zeppelin’s preceding album of that title.

JBLZE does not, however, play Physical Graffiti in its original running order.

“It’s a show; we’re trying to keep people engaged in this,” he explains. “I know if I went to a concert and knew it was gonna be in order, you subconsciously go, ‘I can nip off to the bathroom on this one’ if it’s not one of my favorites. There’s no way you can put ‘Kashmir’ [the sixth track on the album] that early in the show. And it’s working. From what we’ve done so far, it’s been one of the most successful runs we’ve ever done, just from the feedback we’re getting. People are like, ‘It’s so great to hear those songs in a live environment,’ ’cause nobody plays ‘In the Light.’ Zeppelin never played ‘In the Light.’ Some of these songs never saw the light of day other than when they were recorded, so…here they are.”

Those emotions are resonating even stronger with Bonham this year, which marks 15 years “of doing a project that I really didn’t think I was gonna do that long…. But I realized it’s not about what I want, really. Who am I to stop? It’s what Zeppelin means to so many people. People write to me about it, still, and it gets me every time. I get emotional. It took on a life of its own and I’m glad.”

Besides DNA, of course, Bonham’s own Zeppelin history includes playing with Page, Jones and Robert Plant at the Atlantic Records 40th anniversary concert in 1988 at Madison Square Garden as well as at the 02 show in 2007. He still has particularly fond memories of the latter. “I’d gone from this younger version of me when I’d played with them before, when I had kind of a chip on my shoulder…and now I was a sober 39-year-old that wanted it to be perfect, wanted the knowledge,” he recalls. “I wanted to know everything. I wanted to ask them all the questions…because it’s my dad’s peers, my dad’s bandmates. So you’re having conversations with them, musically, to the point where they’re like, ‘Whoa, slow down! Cut the coffee out.’

“People ask  me a lot, ‘What was the highlight of playing with them?’ back when we did Celebration Day. To be honest with you, the highlight was the six weeks leading up to it, being with them from 11 in the morning ’til 6 p.m., five days a week. That was really special.”

Bonham also holds dear one special conversation with Plant, with whom he’s closest, in which the singer bared his reason for never wanting to reactivate Led Zeppelin as a going concern.

“He gets a lot of grief for that,” Bonham notes. “We had a great conversation right after the O2…We went to (a pub) to watch a football game, and on the way back my son dozed off and I said, ‘I’ve got to ask you…are we gonna get the band back together?’ and he said, ‘I loved your dad way too much…Everything we said when your father passed, it would be like we didn’t mean it. When your father left us, left the world, that was it for Led Zeppelin. I can’t go out there and fake it. I can’t be a jukebox. I can’t. We couldn’t do what The Who did. It was too vital. I can’t go out there and try and do it that way.’”

Bonham says that Plant also assured him that his decision “‘is not out of disrespect to you. You know the stuff better than all of us, and no one can play it who is alive as close to your dad like you. But it’s not the same.’ And I got it. I was absolutely fine for that. My dad and Robert, they’d known each other since they were, like, 15. So it’s a lot deeper because of their relationship.”

Outside of JBLZE work, Bonham toured earlier this year with Black Country Communion, the supergroup with guitarist Joe Bonamassa, bassist-vocalist Glenn Hughes and keyboardist Derek Sherinian. A live album was recorded during the tour as well. “We hadn’t played together for so many years…and it was great,” Bonham reports. “I’m so glad they were recording every night, ’cause one night we suddenly went into a whole other realm.”

Bonham reports he remains on good terms with Sammy Hagar despite being dismissed from his Best of All Worlds band last year and replaced by Kenny Aronoff — partly because Bonham had to tend to his ailing mother in England, who’s since recovered. “I wish it could’ve ended in a slightly different way,” he says of Hagar. “But I had an amazing 10-year-run with him, and I’m grateful for it. I always joke with him. He always sends me a message and says, ‘You know it’s not over, right? You know we’re not done yet,’ and I always write back and go, ‘Oh, we are. You can’t afford me anymore,’” he laughs.

The upcoming Jason Bonham’s Led Zeppelin Evening tour dates include:

Wed, Oct 22 – Louisville, KY – The Louisville Palace Theatre
Fri, Oct 24 – Cincinnati, OH – Hard Rock Casino Cincinnati
Sat, Oct 25 – Gary, IN – Hard Rock Live Northern Indiana
Sun, Oct 26 – Cleveland, OH – MGM Northfield Park
Tue, Oct 28 – Indianapolis, IN – Murat Theatre at Old National Centre
Wed, Oct 29 – Detroit, MI – The Fillmore Detroit
Thu, Oct 30 – Rockford, IL – Hard Rock Casino Rockford
Sat, Nov 1 – Waterloo, NY – The Vine Showroom at del Lago Resort & Casino
Sun, Nov 2 – Port Chester, NY – The Capitol Theatre+
Tue, Nov 4 – Ottawa, ON – Hard Rock Live Ottawa
Wed, Nov 5 – Toronto, ON – Massey Hall
Fri, Nov 7 – Atlantic City, NJ – Sound Waves at Hard Rock Hotel & Casino
Sat, Nov 8 – Danville, VA – The Pantheon at Caesars Virginia
Sun, Nov 9 – Montclair, NJ – The Wellmont Theater
Tue, Nov 11 – Boston, MA – Citizens House of Blues Boston
Wed, Nov 12 – Providence, RI – The VETS
Fri, Nov 14 – Hampton Beach, NH – Hampton Beach Casino Ballroom
Sat, Nov 15 – Bethlehem, PA – Wind Creek Event Center
Sun, Nov 16 – Hanover, MD – The HALL at Live!
Tue, Nov 18 – Huntington, NY – The Paramount
Wed, Nov 19 – Albany, NY – Palace Theatre
Fri, Nov 21 – Bristol, VA Hard Rock Live Bristol
Sat, Nov 22 – Atlanta, GA – Coca-Cola Roxy
Mon, Nov 24 – Orlando, FL – Walt Disney Theater at Dr. Phillips Center for the Performing Arts
Tue, Nov 25 – Tampa, FL – Hard Rock Event Center – Seminole Hard Rock Tampa
Wed, Nov 26 – Hollywood, FL – Hard Rock Live

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Bruce Springsteen has never been shy about where he stands when it comes to politics, and he’s not about to stop now. In a new Time cover story published Thursday (Sept. 25), the Boss explains why he’s called out and will continue to call out President Donald Trump.

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 “I’m going to stay true to who I’ve tried to be … I can’t give these guys a free pass,” he told the magazine about speaking out during the kickoff show of his Land of Hope and Dreams Tour in Manchester, England, on May 14. During that set, the 20-time Grammy winner slammed the president, saying that the United States was “currently in the hands of a corrupt, incompetent and treasonous administration.” (His speech was included in The Land of Hope and Dreams EP, which arrived in May.)

Two days after Springsteen shared his stance about the current occupant of the White House on stage, Trump responded to the insult on his Truth Social platform, calling the Boss a “jerk” who’s “not talented” and “dumb as a rock,” then warned the musician to “KEEP HIS MOUTH SHUT until he gets back into the Country.”

But Springsteen — who endorsed Democratic presidential nominee Kamala Harris in the 2024 election — told Time he “couldn’t care less” what the twice-impeached president thinks of him. “He’s the living personification of what the 25th Amendment and impeachment were for,” he said. (The 25th Amendment refers to the removal of the president from office.) “If Congress had any guts, he’d be consigned to the trash heap of history.”

His verbal clashes with the president this year didn’t end there. After Springsteen’s onstage criticism of the commander in chief, Trump accused the musician and Beyoncé — who both campaigned for Harris — of taking part in an “illegal election scam” by allegedly accepting payment for their appearances; the claims were debunked. And in a June New York Times interview, the rocker went on to call Trump a “moron” and also slammed the ICE raids around the country as “disgusting, and a terrible tragedy.”

Springsteen went on to say in the Time interview that “a lot of people bought into [Trump’s] lies,” and yet, he added, “[The president] doesn’t care about the forgotten anybody but himself and the multibillionaires who stood behind him on Inauguration Day. … You have to face the fact that a good number of Americans are simply comfortable with his politics of power and dominance.”

Billboard has reached out to the White House for comment.

While the rocker has been tough on Trump, he didn’t go easy on Democrats in his Time interview, either. “We’re desperately in need of an effective alternative party, or for the Democratic Party to find someone who can speak to the majority of the nation,” he stated. “There is a problem with the language that they’re using and the way they’re trying to reach people.”

Coming up next for Springsteen is the expanded five-disc edition of his celebrated 1982 album, Nebraska, which arrives Oct. 12. Nebraska ’82: Expanded Edition will include never-before-heard material, the E Street Band’s “Electric Nebraska” sessions, a previously unreleased version of Billboard Hot 100 No. 9 hit “Born in the U.S.A.” and much more. Springsteen: Deliver Me From Nowhere, the film about the making of Nebraska and starring The Bear‘s Jeremy Allen White as the Boss, arrives in theaters Oct. 24.

See Springsteen’s Time magazine cover below:


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