The Prince estate is now asking a federal judge to dismiss a lawsuit by the late singer’s Purple Rain co-star Apollonia, who claims the estate is trying to “steal” her name.

In court filings Thursday, the estate (Paisley Park Enterprises LLC) says it has no intention of stopping the singer and actress (Patty Kotero) from continuing to use her stage name – and that her lawsuit was “improperly filed” over “hypothetical threats.”

“PPE has absolutely never insisted that plaintiff cease using Apollonia as her stage name, nor has PPE demanded that plaintiff cease any of her business activities,” writes L. Londell McMillan, a longtime Prince advisor and one of the managers of Paisley Park Enterprises. “I have personally told this to plaintiff several times.”

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Apollonia, who rose to fame playing a character of the same name in Purple Rain, sued the estate last month, claiming it had “embarked on an aggressive campaign” at the U.S. Patent and Trademark Office to cancel her trademark registrations to the name. “There is only one Apollonia,” she wrote at the time.

But in Thursday’s response filing, the estate says it wanted to peacefully co-exist with her – and that it only took action at the USPTO because her existing trademark registration on “Apollonia” was blocking the estate’s own efforts to secure a trademark for “Apollonia 6,” the name of the Prince-founded girl group that Kotero led.

The estate says it had valid grounds to seek to cancel Kotero’s trademark, which it claims she obtained “during [the] chaotic period following Prince’s death.”

“Following his death, certain people with no ownership interest in Prince’s trademarks registered or applied to register marks that rightfully belonged to Prince,” McMillan writes in the court filings. “These same individuals never attempted such improper actions during Prince’s lifetime.”

Prince died of a fentanyl overdose in 2016 without a written will, and his affairs spent more than six years in probate court, as heirs, advisors and others battled over how the valuable estate would be managed in the future. The estate is now split evenly between Paisley Park Enterprises and another group controlled by Primary Wave (which is not involved in the current dispute).

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Apollonia, whose song “Sex Shooter” from Purple Rain spent six weeks on the Billboard Hot 100 in 1984, filed her lawsuit in August, claiming Paisley Park Enterprises’s litigation seeking to void her trademark registrations was threatening “to disrupt not only Apollonia’s livelihood, but also her identity.”

But in Thursday’s court filings, the estate says it never made such threats, meaning Apollonia has no grounds to sue: “Defendant has not demanded that Kotero give up her name, nor has defendant accused plaintiff of infringement,” the estate writes. “Plaintiff’s case should therefore be dismissed for lack of subject matter jurisdiction.”

Kotero’s lawyers didn’t immediately return a request for comment on Thursday. They’ll have a chance to respond to the estate’s motion to dismiss in the weeks and months ahead.


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The first quarter of the 21st century has been a remarkable time for country music, with the genre continuing to broaden its widespread appeal.

Superstars who began their musical journeys in the 1980s and ‘90s — such as George Strait, Reba McEntire and Kenny Chesney — continued to collect hits, while new movements, including the party-hearty Bro-country phenomenon, ushered in by the likes of Florida Georgia Line in the ‘10s, brought in newer fans.

Then, as artists from Luke Combs and Morgan Wallen to Lainey Wilson and Jelly Roll reigned among the dominant artists into the ‘20s, yet more flocks of listeners turned to country.

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Producers played a key part in the waves of sounds that became summer anthems, songs we danced to and songs we cried to. They incorporated hip-hop beats and pop sounds traditionally not heard in country, while making sure that the music advanced but remained true to the storytelling that is the hallmark of the genre.

Reflecting the biggest sonic architects in country from Y2K to today, check out the top 25 creators on The Top Producers of the 21st Century on the Hot Country Songs Chart below.

The ranking follows the reveals of Billboard’s top country artists, albums and songs of the 21st century — as well as The Top Producers of the 21st Century on the Hot 100, covering all genres — with all coverage of Billboard’s 21st Century Charts here.

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Billboard’s Top Country Artists, Top Country Albums and Top Hot Country Songs of the 21st Century recaps reflect performance on weekly charts dated Jan. 1, 2000, through Dec. 28, 2024. The Top Country Artists category ranks the best-performing acts in that span based on activity on Top Country Albums and Hot Country Songs. (Titles released prior to mid-1999 are excluded, although such entries that appeared on Top Country Albums or Hot Country Songs in that span contribute to the calculation of the Top Country Artists chart.) The Top Producers of the 21st Century on the Hot Country Songs Chart reflects producers with the most No. 1s on weekly Hot Country Songs charts dated Jan. 1, 2000, through Dec. 28, 2024, with ties broken by most top 10s and most overall chart entries.

Country superstar Jason Aldean is feeling right at home at BMG. The company announced on Thursday that it has acquired the recorded music catalog encompassing Aldean’s first big batch of chart-topping albums, along with publishing and recorded rights from a diverse group of nearly two dozen other artists and songwriters, totaling over 1,000 songs across multiple genres.

The deal brings Aldean’s full discography back under BMG’s umbrella, following its 2017 acquisition of BBR Music Group, which originally released Aldean’s music through its Broken Bow Records imprint. This acquisition spans nine studio albums, from Aldean’s platinum-certified self-titled debut in 2005 to 2019’s aptly-titled 9, four of which reached No. 1 on the Billboard 200. BMG continued to release Aldean’s subsequent albums, including Macon, Georgia (2021–2022) and Highway Desperado (2023), which featured the Hot 100-topping hit “Try That In a Small Town.” In April, Aldean celebrated his 40th top 10 on Billboard’s Country Airplay chart with “Whiskey Drink.”

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Aldean had previously signed a distribution and marketing deal with BMG in 2019, expanding the company’s rights beyond the U.S. and Canada. This new acquisition ensures BMG controls the full scope of Aldean’s recorded output and neighboring rights (the public performance rights associated with a sound recording).

BMG said the multi-layered acquisition is its largest catalog investment to date and part of broader investment strategy under parent company Bertelsmann’s Boost program, which has surpassed $1.5 billion in music rights investments since 2021. Financial details and the seller were not disclosed.

BMG CEO Thomas Coesfeld called the deal a “landmark” moment that “sets a new level of catalog acquisitions” at the company. “By bringing together the iconic catalog of Jason Aldean, we are strengthening our footprint in country music while expanding across genres and deepening our investment in the U.S.,” he said. “This move highlights our ability to maximize the value of music rights and represents a powerful step in BMG’s strategy to be the most effective, artist-first music company in the world.”

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Aldean said he was proud of the deal, noting the long-standing support from BBR and BMG. “Knowing all of my music is in the hands of my long-time label team makes this a full-circle moment,” he said.

Jon Loba, president of Frontline Recordings in the Americas, praised Aldean’s impact on country music, crediting his debut album with helping define the genre’s sound and adding that “while his signature style has remained a common thread across every release, Jason has consistently pushed the envelope both sonically and lyrically.”

CoComelon is evolving from the cartoon world of baby JJ to a live-action classroom for its upcoming series The Melon Patch — and their popular nursery rhymes are coming along for the ride.

Leading the way in the educational series The Melon Patch — arriving Sept. 23 on YouTube — is Ms. Appleberry (played by Allie Rivera Quiñonez), joined by Mr. Doodad the art teacher, Mr. Acorn the nature and exploration expert, and Ms. Twist the dance and movement coach. Below, Billboard Family is premiering CoComelon’s new rendition of “Apples and Bananas,” alongside a clip from The Melon Patch of Ms. Appleberry teaching how to make a tasty (and healthy) snack.

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Before The Melon Patch hits YouTube, kids and parents can start streaming CoComelon Nursery Rhymes (Songs From The Melon Patch), the new album of brand-new and reimagined nursery rhymes from the series, on Friday (Sept. 19).

Joshua Embury, music director at Moonbug Entertainment, tells Billboard Family that this new album is an extension of what CoComelon has already been doing for years.

“What makes this album special is that it combines our most iconic nursery rhyme renditions with fresh reimaginings, creating a complete CoComelon nursery rhyme journey,” Embury says. “We wanted to celebrate the songs that first connected families to CoComelon while also introducing new rhymes we’ve been developing. Because nursery rhymes are such an important part of every child’s musical journey, creating a definitive collection felt essential.

“For the new tracks, we focused on more organic instrumentation to give the music warmth and authenticity, and added human touches like whistling and humming,” he adds. “We also wove in our signature marimba motif from the CoComelon intro, using it in interludes, intros and outros to build familiarity. By experimenting with tempos and structures, especially in originals like ‘I Can Do It,’ we aimed to give the album a fresh and contemporary sound.”

Embury says his favorite song on the project is CoComelon’s new version of “Down by the Bay.” While the song is often associated with children’s singer Raffi, who recorded it in 1976, it’s actually a traditional folk song whose exact origins are unknown. “It feels big and anthemic, while still being playful and silly with lyrics like ‘Did you ever see a llama wearing pajamas?’” Embury says. “It’s fun, unexpected, and a great example of how we’re giving classic rhymes a fresh energy.”

Also on the album: CoComelon’s classic “Wheels on the Bus” recording, which has had a consistent presence on Billboard‘s Global charts thanks in part to its video’s heavy rotation on YouTube. The song has so far peaked at No. 88 on the Global 200 Excl. U.S. — a chart that didn’t even exist when “Wheels” was initially released in 2019.

Embury says that “Wheels on the Bus” is the “most definitive nursery rhyme because it’s simple, repetitive, and endlessly adaptable. Kids love it because it’s easy to sing and full of movement, and parents can personalize it by adding their own verses. The way the melody progresses feels very kinetic and although cliché to say, the song really does move ‘round and round.’ In terms of what makes CoComelon’s rendition of the song so successful, I think it’s a combination of how the music and the visuals work together to create such a fun and engaging experience that really brings the song to life.”

CoComelon has previously placed three albums on Billboard‘s Kid Albums chart, including two top 10s: Nursery Rhymes by CoComelon, which peaked at No. 2 this year, and CoComelon Kids HIts, Vol. 1 (No. 8 this year).

The Melon Patch premieres Sept. 23 on YouTube, while CoComelon Nursery Rhymes (Songs From The Melon Patch) is out Friday.

Kenneth “Babyface” Edmonds — whose writing and production credits include music for the movies Waiting to Exhale, Boomerang and Soul Food — is adding another film project to his repertoire. The 13-time Grammy winner has written, recorded and produced the new song “Faithful,” featured on the five-song companion EP for the upcoming Netflix film Ruth & Boaz.

Singer-actress Serayah stars as title character Ruth Moably and performs “Faithful” onscreen. The song plays over the Ruth & Boaz end credits as well. Babyface also makes an appearance as himself in the film, produced by DeVon Franklin and Tyler Perry. Netflix will premiere the movie on Sept. 26 — the same day the EP, Ruth & Boaz (Soundtrack from the Netflix Film), becomes available. “Faithful” becomes available Sept. 19 on all DSPs.

Directed by Alanna Brown, Ruth & Boaz is a faith-based story involving rising Atlanta hip-hop artist Ruth Moably, her decision to pivot away from the glamourous, fast-paced music scene after a personal tragedy and start afresh in rural Tennessee as the caretaker for her surrogate mother Naomi, her late boyfriend’s mother. Then vineyard owner Boaz comes into Serayah’s life. Naomi is portrayed by Phylicia Rashad; Boaz by Tyler Lepley. The cast also includes Grammy-winning songwriter-producer Jermaine Dupri. The film was written by Michael Elliot and Cory Tynan.

It was friend and film producer Franklin who asked Babyface to participate in the project. Of writing “Faithful” specifically for the film, Babyface tells Billboard that he “loved and was inspired by the film’s faith-based romance. So the song is just that. It’s about someone being faithful to their relationship with one person because she finally found a relationship she could trust. I loved how they used it in the movie; it turned out to be very impactful.”

In her comments to Billboard about “Faithful,” Serayah — who starred on the Fox drama Empire that aired from 2015 to 2020 — notes that “lyrically and melody-wise I instantly fell in love with the record. It represents not only the unconditional love Boaz has for Ruth, but also the unconditional love God has for each and every one of us. Love has the power to come in and bring you back to who you are called to be if you let it. Babyface is an incredible writer [whose] genius makes it feel like a timeless record. I also enjoyed performing this record because I’ve never sung a country-influenced song. Now I want to explore it more.”

The EP also includes the Babyface-produced cover of the gospel classic “Goodness of God,” which he performs with Serayah in the film. The three remaining tracks are “Prayer for Your Journey,” written by Franklin and music producer Brett Nolan with a spoken word performance by Franklin and vocals by K-CI; “Money Rules,” performed by Serayah and Nijah Brenea; and “Wildflowers,” sung by Serayah.

Of shooting the studio scene in the film during which he and Serayah briefly sing together, Babyface describes it as “natural and organic — she has a beautiful voice.” Adds Serayah of meeting and then collaborating with Babyface in the studio scene, “I was self-conscious, I’m not going to lie! I was nervous about what he thought or felt about my voice. But also, [about] just living in such an organic moment that may or may not ever happen again. It was definitely a memory I will never forget. When you’re in the presence of a legend like Babyface, you just have to soak it all in.”

Watch the trailer for Ruth & Boaz below:

Michelle Jubelirer and Arjun Pulijal, former top executives at Capitol Music Group, have officially launched Soft Shock, a new management and media collective designed to reshape how talent is developed and supported across entertainment. Positioned “at the edge of boutique,” Soft Shock said in its launch announcement that it will offer a wide range of services including talent management, creative marketing, brand development and content production/distribution across all media formats.

Soft Shock is backed by a strategic investment from HarbourView Equity Partners, a four-year-old firm founded by Sherrese Clarke. HarbourView, based in Newark, NJ, has amassed nearly $3 billion in music and entertainment assets — including a mix of active and passive publishing rights and master royalty holdings — with a catalog that includes stakes in works by Kelly Clarkson, Wiz Khalifa, George Benson, Fleetwood Mac and others.

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Focused on authenticity and direct fan engagement, the company describes its mission as championing artists and driving cultural impact, adding it is committed to building a diverse roster of talent and leaning more on trust-based partnerships. Beyond music, Soft Shock will also represent a broad range of creatives — comedians, filmmakers, actors, athletes, designers, chefs and others.

“The name Soft Shock exemplifies our approach to everything. We are humanistic and empathetic first… but we are going to fiercely protect artists and fight to make things happen for them,” said Jubelirer. “It’s a volatile time for the creative psyche – that applies to talent as well as those on the business side trying to build careers –  these are people’s lives. We believe creative intention, personal fulfillment, and commercial success can all co-exist. It just takes curation and bravery, or as we say, ‘a soft touch with the courage to shock.’” 

Jubelirer, who made history as the first female chair and CEO of Capitol in its 80-plus year history, brings a wealth of experience from both the legal and music industries. Her career includes roles at Sony Music, the law firm King, Holmes, Paterno & Berliner, and Capitol, where she helped guide the careers of artists like Tyler the Creator, Frank Ocean, and M.I.A. She exited CMG in early 2024 following a restructuring at CMG parent Universal Music Group, and that same year was named Billboard‘s Women In Music executive of the year.

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Pulijal, who served as president of CMG before departing a month after Jubelirer, previously led marketing efforts for the label, crafting acclaimed campaigns for artists such as Paul McCartney, Halsey, and Maggie Rogers. He joined Capitol in 2013 after seven years at Epic Records. Together, Jubelirer and Pulijal bring over 50 years of combined experience and a track record of commercial and creative success. During their tenure at CMG, they oversaw major milestones including the rise of Ice Spice, Sam Smith and the release of the Beatles’ final single “Now & Then.”

“It may not always feel like it, but artists have the power now and it’s never going back,” said Pulijal. “Telling talent ‘go viral and then we’ll care’ is a race to the bottom. We combat that by building scale on the side of talent through a diverse network that offers thought partnership and collaboration. All artists are creators and Soft Shock is ready to provide them with the tools, resources, and creative freedom they need to build sustainable, multi-faceted careers.”

With Soft Shock, Jubelirer and Pulijal aim to create a top spot for talent seeking authentic collaboration, supported by HarbourView’s portfolio. HarbourView CEO Sherrese Clarke cited the founders’ “vision and conviction” as leaders. “I’ve watched Michelle fight for artists with the same courage she brings to every table we’ve shared, including our shared passion for the most vulnerable, and Arjun is equally relentless in reimagining what’s possible,” said Clarke. “At HarbourView, we look for partners who not only shift culture but expand it – with Soft Shock’s focus on artistry, equity, and impact in entertainment, they perfectly embody that.”


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Madonna is going back to the start. Warner Records announced on Thursday (Sept. 18) that the pop icon is returning to her original label home after nearly two decades away. The best-selling female artist of all time has signed with Warner for what the label called her “highly anticipated, upcoming new dance album.”

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Madonna celebrated the return in an Instagram post in which she wrote, “Almost 2 decades later — And it feels like home with Warner Records! Back to music, Back to the Dance Floor, Back to where it all began! COADF – Pt. 2 2026.” The post included a series of pictures of the 67-year-old superstar seated on mattress on the floor in a gauzy light pink nightgown staring at the camera with an old-fashioned typewriter at her feet, striking the kinds of sultry looks that have been her signature for more nearly half a century.

The final slide consisted of a snap of a pair of gold heels and what looked like a black purse with the message “P–sy Power” in rhinestones across the front.

Warner Records was Madonna’s home for the first 25 years of her career, starting in 1981, when she signed with the Seymour Stein-run label subsidiary Sire Records. She released her self-titled debut on the label in 1983, which spawned a series of indelible early dance pop hits, including “Everybody,” “Burning Up,” “Holiday,” “Lucky Star” and “Borderline.”

”From being a struggling artist in New York City to signing a record deal to release just three singles it seemed at the time my world would never be the same again and in fact that couldn’t have been truer,” Madonna said in a statement announcing the deal. “Since the beginning Warner Records has been a real partner with me. I am happy to be reunited and look forward to the future, making music, doing the unexpected while perhaps provoking a few needed conversations.”

The deal will bear immediate fruit with a new album due out in 2026, marking the singer’s first full-length collection of new songs since 2019’s Madame X. According to the release, the untitled new album will find Madonna re-teaming with producer/songwriter Stuart Price for the sequel to her Confessions on a Dance Floor LP, which featured the hits “Hung Up” and “Sorry.”

”We are honored to welcome Madonna back home to Warner Records. Madonna isn’t just an artist — she’s the blueprint, the rule-breaker, the ultimate cultural juggernaut. For decades, she has not only defined the sound of global pop music but also reshaped culture itself with her vision, innovation, and fearless artistry,” said Warner Records co-chairmen Tom Carson and Aaron Bay-Schuck in a statement. “This signing represents a historic, full circle moment, one that brings her back to the label where it all began and reaffirms her unparalleled influence, setting the stage for an exciting new era of creativity and impact.”

She remained on Warner through her record-setting run in the 1980s, 1990s and early 2000s, during which time she released such iconic LPs as Like A Virgin (1984), True Blue (1986), Like a Prayer (1989), Erotica (1992), Bedtime Stories (1994), Ray of Light (1998), Music (2000), American Life (2003), the original Confessions on a Dance Floor (2005) and Hard Candy (2008). She hopped to Interscope Records in 2012 for her MDNA LP.

At press time no release date has been announced for the upcoming album.

In July, Madonna released her long-rumored Veronica Electronica album, a collection of eight rare and unreleased remixes of songs from her beloved 1998 Ray of Light album.


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The year 1995 truly had it all for TLC. The trio of Tionne “T-Boz” Watkins, Rozanda “Chili” Thomas and Lisa “Left Eye” Lopes had become stars with their 1992 album Ooooooohhh… On the TLC Tip, but in late 1994, the release of sophomore set CrazySexyCool had taken them to the next level — a winning streak that would last through all of ’95 for the R&B group. But even in the midst of multiple era-defining No. 1 hits, VMAs-dominating music videos and unprecedented millions in album sales, the group had to fight through countless setbacks — medical, legal and (particularly) financial.

On this week’s Vintage Pop Stardom episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by NYU professor, longtime music industry exec and social media legend Naima Cochrane to remember a year that essentially serves as the midpoint for all of ’90s pop stardom. We recall just what made TLC so exceptionally sensational — even during an absolute golden age for R&B girl groups — and talk about all the factors that would make such a year of pop stardom near-impossible 30 years later.

Along the way, we of course ask all the most important questions about the Greatest Pop Stars of 1995: What made CrazySexyCool such a great leap forward for an already A-list group? Did you really have to have one or multiple sets of silk pajamas to be fly in the mid-’90s? How differently would we talk about Left Eye’s toxic relationship with Andre Rison in 2025? Is “Waterfalls” a timeless classic or a dated message song? Was TLC secretly the model for HUNTR/X from KPop Demon Hunters (and every other girl group of the last 30 years)? And perhaps most importantly: What would it take for us to really get girl groups back in the mainstream in the 2020s?

Check it out above — along with a YouTube playlist of some of the most important moments from TLC’s 1995, all of which are discussed in the podcast — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!

And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:

Transgender Law Center

Trans Lifeline

Destination Tomorrow

Gender-Affirming Care Fundraising on GoFundMe

Also, please consider giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.


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Grammy-nominated singer-songwriter Clairo has signed with Atlantic Records, the label announced Thursday (Sept. 18).

“Clairo represents the rare kind of artist who reshapes the music landscape simply by being true to herself,” said Elliot Grainge, chairman and CEO of Atlantic Music Group, in a statement. “She’s not just one of the most important songwriters of her era, she’s an artist whose work and aesthetic is truly unique. As a leading voice in music today, we are honored that she has chosen the Atlantic family to be part of her next chapter.”

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Clairo was previously signed to Republic Records, which released her 2021 album, Sling. Her self-released 2024 follow-up, Charm, received a Grammy nomination for best alternative music album.

“I’m so thrilled to begin this next chapter of my musical journey with Atlantic,” said Clairo. “From our first meeting, they immediately understood my vision, and it feels good to know I can continue to be as expressive and free with my ideas with a great new partner by my side.”

All three of Clairo’s albums to date have charted on the Billboard 200: 2019’s Immunity (No. 51), Sling (No. 17) and Charm (No. 8). All three also charted in the top five on Billboard‘s Top Rock Albums and Top Alternative Albums tallies, with Sling spending one week at No. 1 on the latter. Charm also spent a week at No. 1 on the Independent Albums chart. The singer-songwriter has racked up 3 million equivalent album units (399,000 of that in traditional album sales), as well as 3.76 billion on-demand official streams in the U.S., according to Luminate.

The BBC has announced the new broadcast date for an Ozzy Osbourne documentary that was pulled from its schedule at the last minute in August due to the family’s request. According to an update posted on Wednesday (Sept. 17), the one-hour movie Ozzy Osbourne: Coming Home — originally slated to air on Aug. 18 — will now screen on BBC One and iPlayer on Oct. 2.

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The film covering the final few years of the rock icon’s life was pulled from the network’s schedule just hours before it was slated to screen, with the network saying that the move came in an effort at “respecting the family’s wishes to wait a bit longer before airing this very special film.”

The initial air date would have been less than a month after Osbourne died at age 76 on July 22, just two weeks after performing his final show at his home soccer stadium, Villa Park, in Birmingham, England as part of the all-star Back to the Beginning tribute show.

The movie will cover the final three years of the Rock and Roll Hall of Famer’s life as he and wife/manager Sharon Osbourne moved back to their native U.K. after years of living in Los Angeles, as well as his “heroic” fight to overcome a series of medical issues to return to the stage for the July 5 show in Ozzy’s native Birmingham.

An updated description of the “intimate” doc says it will provide a “candid and moving portrait of one of Birmingham’s favorite songs, and the remarkable relationship with Sharon as the couple faced a “monumental battle, both on a professional and personal level” to overcome the effects of Parkinson’s disease on the heavy metal icon, as well as the aftermath of a difficult spinal surgery.

“Pulling off either the move or the gig will be a phenomenal achievement, and son Jack is worried about the toll of relocating to a country that his parents have barely spent time in over the last two decades, as well as the impact on such close-knit family dynamics,” reads the description. “But Ozzy has never been a man to take no for an answer, and with Sharon’s support he sets about achieving his goals with the determination, blistering honesty and razor-sharp sense of humor that have endeared him to millions for over 50 years. He will stop at nothing to make his body work as well as it used to, with the film capturing remarkable levels of resolve.”

The BBC doc will hit screen just five days before another emotional doc covering Ozzy’s final years, Ozzy: No Escape From Now, which will follow the rocker in the six years before his death. That movie, directed by BAFTA Award-winner Tania Alexander will premiere on Paramount+ on Oct. 7 in the U.S. and internationally (excluding Japan). The project produced in collaboration with the Osbourne family, will feature Sharon, as well as their children, Aimee, Jack and Kelly, describing the devastating effects of a late-night fall Ozzy suffered in Feb. 2019 that led to the cancellation of his planned two-and-a-half-year farewell tour.

In addition to the Osbourne family, No Escape From Now will feature interviews with Ozzy’s Sabbath and solo band members guitarists Tony Iommi and Zakk Wylde, as well as the Red Hot Chili Peppers drummer Chad Smith, Rage Agains the Machine’s Tom Morello, Smashing Pumpkins singer Billy Corgan, Metallica singer/guitarist James Hetfield and bassist Robert Trujillo, Billy Idol, Guns N’ Roses’ Duff McKagan, Tool’s Maynard James Keenan and many others.


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