She’s got a princess face, a killer body, samurai mind. Nicki Minaj showed off her Disney princess fantasy in a new social media post on Monday (Oct. 31).

For Halloween, the rapper decided to dress up as a high-fashion Cinderella… or Chunderella, according to her fairy tale rewrite of a caption. “And as she heard the whispers…Chunderella snickered,” she wrote. “The ugly/evil step sisters had EVERY RIGHT to bicker (through their blisters!) After all, deep down inside…they knew…they’d never fit the glass slippers… The END.”

In the slideshow, Minaj poses in a blond wig, tiara and an architectural take on Cinderella’s classic blue gown. However, the Harajuku Barbie proved once she turned around that her version of the princess is quite the “Super Freaky Girl,” complete with two rather NSFW cutouts carved out of the backside of the dress.

Earlier this month, Nicki linked up with NBA YoungBoy on their new collaboration “I Admit,” which is featured on the latter’s brand-new album Ma, I Got a Family.

Meanwhile, she’s also been bumping heads with the Recording Academy over “Super Freaky Girl” being moved from the rap category into the pop category for voting at the upcoming 2023 Grammy Awards — that is, when she hasn’t been busy feuding with Latto on Twitter over whether her own “Big Energy (Live)” should (or shouldn’t) be facing the same categorization at the awards show.

In other awards news, Minaj recently landed five nods at the MTV EMAs, including best artist, best song and best video (both for “Super Freaky Girl”), best hip-hop and biggest fans.

Get a look at Nicki as “Chunderella” below.

Luke Bryan responded to a wave of criticism he’s received for warmly welcoming Florida Gov. Ron DeSantis to his stage Friday night (Oct. 28).

The country star and American Idol judge brought out DeSantis in front of a Jacksonville, Fla., crowd, on a stop on his Raised Up Right Tour. In footage from the concert, DeSantis is seen tossing swag out to audience members and giving a high five to Bryan, who pats him on the back.

“We’re gonna have some fun and we’re gonna raise some money tonight for the great state of Florida,” Bryan announced at the show.

DeSantis shared a pair of photos on Twitter of the two appearing to have a good time on stage together. He wrote, “Thanks for letting me crash the party last night, @lukebryan!”

Bryan released a statement on Sunday defending his decision to have DeSantis join him at the show. He noted that “this felt right” as part of an effort to help raise awareness and money for people impacted by Hurricane Ian in Florida. The singer had postponed a set of Florida tour dates in September due to the hurricane.

“I typically don’t respond to stuff when I’m getting run down on a social platform but here’s the deal. I understand Governor Desantis is a very polarizing figure,” Bryan wrote on social media Sunday afternoon (Oct. 30). “But I grew up in a country where if a governor ask you if they can come and raise awareness to help victims of a natural disaster you help.”

“I’ve generally stayed out of politics throughout my career,” said Bryan. “I knew people would chatter about this but for me the more important piece was if I am going to come back there a few weeks after a large portion of people have been affected by a natural disaster in a state where people have been good to me this felt right. Raise awareness, have a little fun between the GA and FL college fans before the game and do what I love on stage.”

He closed the note by writing, “This is all I am saying about this. I’ll be outdoors with my boys. Enjoy your Sunday.”

“Your greeting of DeSantis on stage certainly appeared to be more than wanting to help Hurricane victims. It looked like a full endorsement of DeSantis – DeSantis is worse than polarizing,” one person commented on Bryan’s post. It was one of the top comments of more than 13,000, a significant uptick from the usual amount of comments seen on the singer’s tweets.

“So, it’s impossible to support victims of a hurricane while also supporting the LGBTQ community?” another asked. DeSantis was behind Florida’s “Don’t Say Gay” law, which prohibits instruction in Florida schools on sexual orientation or gender identity from kindergarten through grade three, or in any grade “in a manner that is not age-appropriate or developmentally appropriate for students in accordance with state standards.”

“You can raise awareness (and money) with your own name,” noted another Twitter user. “Having Desantis on stage with you have the impression (true or not) that you supported him. In this day and age, we all have to be willing to speak out against lies, hate and injustice.”

Below, see a video clip of the moment Bryan welcomed DeSantis to the stage, followed by Bryan’s statement.

As has been often quoted since her death Oct. 4 at the age of 90, Loretta Lynn said that to make it, “You have to be different, great or first. I think I was just a little different.” 

Time and time again during Coal Miner’s Daughter: A Celebration of the Life and Music of Loretta Lynn, which took play tonight (Oct. 30) from Nashville’s Grand Ole Opry and aired live on CMT, viewers were reminded that Lynn sold herself short: she was all three. 

Wynonna, The Gaither Trio and Larry Strickland opened the service with an elegiac “How Great Thou Art” and Alan Jackson sang “Where Her Heart Has Always Been,” a moving tribute originally written about his own mother’s death, but otherwise, the performers sang songs made famous by Lynn. The selections repeatedly showcased what a trailblazer she was in taking topics that were heretofore whispered about behind closed doors and turning them into country chart-toppers that rang out from radio stations across the land in the ‘60s and ‘70s.  

As a very emotional Faith Hill said, “she didn’t just push boundaries, she shredded them.” Via video, Taylor Swift, whose ability to write songs with great universal appeal drawn from the most personal details of her own life takes a page from Lynn, praised Lynn for “saying things that might make people uncomfortable” with her brutal honesty. Also, via video, Kacey Musgraves laughed about being a 9-year old performing such feisty, grown-up tunes as “Fist City” and “You Ain’t Woman Enough.”  (A number of other artists, including Dolly Parton and Reba McEntire also weighed in via video.)

In a bit of gender bending that worked very well (and showed the strength of her songs), Darius Rucker delivered a strident “Fist City” and George Strait drew a rave reaction for his take on Lynn’s first No. 1, “Don’t Come Home a Drinkin’ (With Lovin’ On Your Mind).”

Margo Price performed a spirited rendition of Lynn’s controversial 1975 liberation anthem, “The Pill,” after host Today’s Jenna Bush Hager noted the song had been banned by dozens of radio stations and Lynn supposedly threatened to quit the Grand Ole Opry if the august body didn’t let her sing it on stage. 

Though Lynn was country through and through, she was “so much bigger than any genre,” noted Sheryl Crow, who recorded with Lynn. No more was that more evident than in 2004, when Lynn released Van Lear Rose, produced by the White Stripes’ Jack White. As Price recounted, Lynn and White endearingly met after the White Stripes dedicated their 2001 album White Blood Cells to the legend and she invited White and former bandmate Meg White over for chicken and biscuits, which led to Jack White and Lynn working together. She also introduced a video, recorded during the making of Van Lear Rose, of Lynn singing “Whispering Sea,” a song she said she wrote while “up in a tree fishing.” As White encouraged her to sing it in the small room, Lynn, still in top vocal form, simply said, “if I sang out, you couldn’t stand it in here.” Following the video, White played a spirited version of the Grammy-winning album’s title track. 

The service’s emotional highpoint came toward the end when Lynn’s granddaughter, Emmy Russell (noting this was the first time she has performed on stage without Lynn here “to look at me with her proud eyes”) and Willie Nelson’s son, Lukas Nelson, sang “Lay Me Down,” a gorgeous song about death and rebirth that Lynn and Nelson recorded in 2016—the only duet by the two icons. 

The daunting task of taking on Lynn’s anthem, “Coal Miner’s Daughter,” fell to The Highwomen—Amanda Shires, Natalie Hemby, Brandi Carlile and Brittney Spencer (filling in for Maren Morris)—who delivered a resonant version to close the service. 

For as much focus was on the music, almost as much attention was devoted to Lynn as a true friend to fellow artists, especially the women who followed in her wake. Martina McBride, whom Lynn inducted into the Grand Ole Opry in 1995, told of the tremendous support Lynn had shown her and how she ended each phone conversation with “I love you, honey. Come see me anytime.”  Now, McBride said, the responsibility is on today’s country female artists to carry on Lynn’s generous tradition. “She made us feel like she was in our corner,” she said. “Part of her legacy is for us to mentor and to make sure we have each other’s backs. And for those coming up the ladder, make sure we’re available and can say, ‘I love you honey. Come see me anytime.’”

The celebration, produced by CMT and Sandbox Productions in partnership with the late legend’s family, will re-air on CMT on Nov. 2 at 8 p.m. ET and Nov. 6 at 11 a.m. ET.  The special will also be made available on Paramount+ in early 2023.

Set list Coal Miner’s Daughter: A Celebration of the Life and Music of Loretta Lynn

Keith Urban, “You’re Lookin’ At Country”

Tanya Tucker, “Blue Kentucky Girl”

Darius Rucker, “Fist City”

Alan Jackson, “Where Her Heart Has Always Been”

George Strait, “Don’t Come Home a Drinkin’ (With Lovin’ on Your Mind”

Jack White, “Van Lear Rose”

Little Big Town, “Let Her Fly”

Emmy Russell and Lukas Nelson, “Lay Me Down”

Margo Price, “The Pill”

Brandi Carlile, “She’s Got You”

The Highwomen, “Coal Miner’s Daughter”