The Jonas Brothers are feeling nostalgic, with a sweet note to their fans about upcoming plans momentarily leading to fears of an impending split.

The familial trio are diving headfirst into a big 2025, with their 20th anniversary bringing with it some rather sizable plans. On Wednesday (Feb. 12) however, the group shared a lengthy post to their social media accounts, with its formal nature swiftly causing panic that their 20th year may be their last.

“To our incredible fans, as a family, we have been reflecting a lot lately,” the post began. “It’s been 20 years since we started this journey together. To us, it feels like just yesterday we were loading up our family mini-van with a couple of guitars and copies of It’s About Time CDs, en route to an afternoon performance at a local to play for anyone who would listen.

“We were chasing our dream to play music and connect with others in a deep way that only music can provide,” they added. “We were teenagers then.. actually, Nick wasn’t even old enough to get into a PG-13 movie.”

Understandably, the opening lines were enough to add some fears into the mix. As it stands, the top comments on their posts all relate to unfounded fears the note was a farewell to their fans.

As their message continued though, it was made clear that the Jonas Brothers weren’t intending to break some hearts, instead they were sharing an appreciation post to the fans that had allowed them to continue their journey for these past two decades.

“In the years that followed, you’ve given us a thousand lifetimes of incredible memories. We wake up each day filled with gratitude that you’ve been on this 20-year journey with us,” they continued. “Together, we have celebrated wins, made mistakes, overcome obstacles, and grieved losses. Put simply: we’ve all grown up together.

“It’s seemingly impossible to put our appreciation into words. None of this would have been possible without you. You’ve shown up for us. Rooted for us. Encouraged us. And inspired us. We’ve made memories with you at shows, bumped into you on the street, run into you at airports, and read your amazing stories on socials. We treasure our connection with you as much today as we did when we played our first show. We are celebrating this wild 20-year journey by doing what we love, and we can’t wait to share it with you.”

Wrapping up their post, the group promised that the coming year will be “a year of music”, teasing new music from the Jonas Brothers, a live concert album, a soundtrack, and solo music.

“Nick returns to Broadway this spring for The Last Five Years. And we are nearly wrapped on our holiday movie that we can’t wait for you to see this fall,” they added.

Initial fears of a split wouldn’t have been unfounded for fans of the Jonas Brothers. After all, 2013 brought with it the news that after eight years together as a band, and four albums, the brothers would be calling it quits

While Joe and Nick launched solo careers in the interim, Kevin found himself working on music production, appearing in reality television, and even getting involved in a handful of business ventures. The brothers would reunite officially in 2019, however, relaunching their music career and issuing two new records, including 2019’s Happiness Begins and 2023’s The Album.

Having previously teased big plans during their appearance on Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest in New York City on Dec. 31, the Jonas Brothers closed out their latest message to fans by promising that formal announcements would be made in the coming days and weeks. Currently, the band’s website boasts a countdown clock which is set to conclude on Valentine’s Day (Feb. 14).

“From the bottom of our hearts: thank you!” they wrote. “Here’s to the next 20 years, and here’s to doing it together. The best is yet to come.”

Israeli grassroots Zionist organization Imtritzu posted a controversial deepfake video on Tuesday that depicted a stream of AI-generated Jewish artists including Drake, Lenny Kravitz, Maroon 5’s Adam Levine, Simon & Garfunkel, Jack Black, Jake Gyllenhaal, Mila Kunis, Adam Sandler and more wearing T-shirts featuring a hand with a Jewish star in it throwing up the middle finger with the word “Kanye” underneath.

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The short video featuring the message “enough is enough” and “Join the fight Against Antisemitism” appeared to be a reaction to the disgraced rapper Ye’s recent four-day spree of offensive posts on X in which he repeatedly used antisemitic, homophobic, sexist and ableist slurs while once again declaring “I’m a Nazi” and “I love Hitler.”

The T-shirt also seemed like a rejoinder to an antisemitic shirt Ye sold on his website — promoted in a bizarre ad that aired in a few markets during Sunday’s Super Bowl LIX — that featured a Nazi swastika and the code “HH-01,” code for “Heil Hitler.” The Yeezy website was taken down by Shopify on Tuesday following backlash about the shirt that the company said violated its terms.

The deepfake video, cued to an instrumental, electronic version of the traditional celebratory Jewish folk song “Hava Nagila,” also features doctored images of Scarlett Johansson, Steven Spielberg, Woody Allen, Mark Zuckerberg, Sacha Baron Cohen, Schwimmer, Lisa Kudrow and others modeling the shirt. Johansson was the first A-lister to respond to the unapproved response video, urging U.S. legislators to put limits on AI, denouncing the project to People in a statement over the “misuse of A.I., no matter what its messaging.”

She added, “It has been brought to my attention by family members and friends, that an A.I.-generated video featuring my likeness, in response to an antisemitic view, has been circulating online and gaining traction. I am a Jewish woman who has no tolerance for antisemitism or hate speech of any kind. But I also firmly believe that the potential for hate speech multiplied by A.I. is a far greater threat than any one person who takes accountability for it. We must call out the misuse of A.I., no matter its messaging, or we risk losing a hold on reality.”

Johansson — who threatened legal action in November 2023 when a company used her A.I. likeness in an ad without permission and was again disturbed when a voice that sounded like hers was used as the official voice of OpenA.I.’s ChatGPT — did not name West in her statement, which concluded, “I urge the U.S. government to make the passing of legislation limiting A.I. use a top priority; it is a bipartisan issue that enormously affects the immediate future of humanity at large.”

Before the AI video surfaced, the Anti-Defamation League lambasted Ye’s swastika shirt, noting that it was further proof of the rapper’s antisemitism and that “the swastika is the symbol adopted by Hitler as the primary emblem of the Nazis. It galvanized his followers in the 20th century and continues to threaten and instill fear in those targeted by antisemitism and white supremacy… There’s no excuse for this kind of behavior. Even worse, Kanye advertised his website during the Super Bowl, amplifying it beyond his already massive social media audience.”

Before Ye (formerly known as Kanye West) seemingly deleted his X account on Monday, former Friends star David Schwimmer implored X owner Elon Musk to ban the hate-spewing rapper from the platform. In addition, Charlie Puth begged Ye to stop promoting “incredibly dangerous” messages and singer/DJ Matthew Koma offered his own pointed response to Ye’s promotion of hateful ideology on Tuesday, posting an image of a “F–k Ye” shirt he’s selling. “Hey I can make a shirt too – link in bio , all proceeds to the blue card holocaust survivor charity,” Koma wrote.

In addition, the Israeli-American Council (AIC) announced a “Hate Is Out of Fashion” campaign on Wednesday (Feb. 12) featuring a Star of David T-shirt to “foster Jewish pride, strength and unity.” The group said the shirt was a response to West’s swastika merch. “Whenever and wherever antisemitism rears its ugly head, it poses a threat not only to Jews but to our entire society and its most basic values,” said IAC CEO Elan Carr. “We American Jews and Israeli-Americans stand on the front lines against the world’s oldest hatred. In response to Kanye West’s despicable attempt to capitalize on his hatred, our creative campaign mirrors his twisted fashion but instead promotes a positive message of pride, philosemitism, and American values.”

Country singer-songwriter Lainey Wilson and her boyfriend Devlin “Duck” Hodges are engaged.

On Feb. 12, Wilson and Hodges both shared a carousel of photos on Instagram, with Wilson showing off her engagement ring. They captioned the photos “4x4xU forever,” a nod to both their relationship and Wilson’s current top five Billboard Country Airplay hit “4x4xU.”

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One of the photos shows the couple standing on a front porch, surrounded by roses, candles and framed photos of Hodges and Wilson. Wilson has her face in her hands, clearly happily surprised by the proposal, while Hodges sports a big grin. Another photo shows the couple embraced in a kiss, while the batch of photos/videos concludes with a video of Wilson, clad in a dark red coat, walking down a flight of stairs and flashing her massive engagement ring for the camera and giving the camera a smile.

Wilson and Hodges have been dating since 2021 and made their red-carpet debut at the ACM Awards in 2023. Hodges, who previously played for the Pittsburgh Steelers, inspired a few love songs on Wilson’s most recent album, Whirlwind, including “4x4xU” and “Counting Chickens.”

In an interview with Billboard last year, Wilson said Hodges has been a steadfast supporter of her, both onstage and off. “Thankfully, I have found a man that is so happy that he’s with a lady that can do her own thing. He’s just my cheerleader. He makes it real easy and it’s fun to be able to share this part of my life…”

Wilson has repeatedly joked that she was waiting for a proposal from Hodges, recently telling Bunnie XO in an interview for CMT, “No pressure, brother! No pressure. I might have to propose to him. We waiting!”

Wilson has stayed busy over the past couple of years. Last year, she headlined her Country’s Cool Again Tour and picked up a Grammy win for best country album (for Bell Bottom Country). In 2023, she was named entertainer of the year by the Country Music Association and the Academy of Country Music. This year, she’s gearing up for her Whirlwind headlining tour to launch in March. The tour will run through November.

Marlon Wayans is not tolerating Soulja Boy after the rapper’s homophobic comments.

The Scary Movie actor and the musician have been feuding online ever since Wayans called out Soulja Boy for performing at the Crypto Ball in Washington, D.C. in celebration of Donald Trump’s presidential inauguration. The back-and-forth came to a head when Soulja began poking fun at Wayans’ role in White Chicks, in which he portrays an FBI agent who goes undercover as white woman.

“I can’t believe I’m arguing with a n—- that dressed up like a white b—- wtf is wrong with me,” Soulja Boy wrote, before taking aim at Wayans’ transgender child via a series of homophobic tweets, calling 24-year-old Kai “a t—– that suck d—.” He then wrote about Wayans’ support for his child: “That f—– s— run in the family huh? @MarlonWayans no wonder u like dressing up as a b—- it’s in your blood.”

Upon seeing those tweets, Wayans immediately fired back, writing, “If @souljaboy had a career he could get canceled for this type of slander. Luckily he ain’t been relevant since 2007.”

He followed up with a photo of Soulja Boy, writing, “Hey @souljaboy My child had top surgery and still has more chest than you.”

Wayans has been a passionate supporter of his child, and most recently opened up about his “beautiful, magical” journey to acceptance on The Jennifer Hudson Show, noting that Kai is “the same child they was before — they just got a beard now. Okay! Same baby.”

He also told People, “At the end of the day, in my heart, only thing that matters to me is that my child is happy.”

Country singer-songwriter Rory Feek’s daughter Hopie recently shared an update about their family, sharing in a video on Instagram that the results of a 23andMe DNA test revealed that Feek — who raised Hopie and her sister Heidi — is not Hopie’s biological father.

“I’ve always felt a little bit different — and now I know why,” Hopie, 36, said in the video. “I took a 23andMe test and I got the results I never knew I needed,” she added, showing a photo of herself with a man she had recently met. “Turns out this is my dad — not the one everyone knows — and his name is B.C.” Hopie noted that upon meeting B.C., he “immediately loved me and was so excited to call me his daughter.” Hopie expressed gratefulness for “the new people who I have in my life and the new family who love me for who I am.”

Feek raised Hopie and her sister Heidi as a single parent following his split with their mother, Tamara Gilmer. Feek went on to marry Joey Martin in 2002; together, they also formed the musical duo Joey + Rory, competing on the CMT musical competition Can You Duet?, and earning Billboard Hot Country Songs entries including “Cheater, Cheater.” Joey and Rory welcomed daughter Indiana in 2014. Joey died in 2016 at age 40, following a battle with cancer.

A few days after Hopie revealed the familial news in the Instagram video, on Feb. 11 Feek shared his own thoughts about the revelation in a blog post titled “A Different Dad,” published on his website. Feek noted that Hopie revealed the news to him in a meeting near where Joey is buried.

“I’m not sure what I thought Hopie was going to say, but I was not expecting to hear that,” he said in his post. “I just listened. Not quite sure that this was really happening–processing it the best I could.”

Feek also noted that the news did not completely surprise him, recalling a period of time just after Hopie’s birth, when he suspected that Hopie was not his. In his blog post, Feek wrote about recalling that the doctor had told him Hopie was born several weeks past her due date, which Feek had thought did not align with the timeline of when he had returned home from a six-month military deployment. In his blog post, Feek had also noted that at one point during his split from his ex-wife, he had asked her directly if Hopie was his child, and says that he’d been assured that Hopie was his.

“I told Hopie that I guess a part of me knew. But more than that, I told her I didn’t care. That this news and this blood test doesn’t change anything for me. ‘I love you as my daughter and I always will,’” he wrote. He also shared the “hurt” he has for Hopie, writing, “Hopie has such a tender heart, filled with child-like wonder and light, even in the darkest of days. It’s heartbreaking that she has had to deal with such an incredible amount of pain and loss in her relatively short life.”

That same day, Hopie wrote a response message on Instagram, expressing frustration and disappointment with Feek’s comments. “When I had the conversation with Rory, my one request was for him to be kind and not shame my mom. Today, he shared her private history in his blog, which is extremely disappointing. I shared my story because I couldn’t keep it all to myself anymore. I’m really not a public person, but because Rory is, my private life becomes content for his fans (who are often unkind online).”

Hopie also expressed displeasure and regret in having previously shared with Rory about her sexuality, noting that she felt Feek had used that information in order to sell books, such as his 2018 book Once Upon a Farm.

“From now on, I just wish my stories could be my own to tell and share,” Hopie wrote on Instagram. “I want to move forward and find happiness with the people who love me, far away from this online hate.”

Music often intertwines with sports, as we’ve seen in Super Bowl halftime shows, pre-game performances, star-studded attendances and more. However, some musicians take their love for a sport a step further by buying a percentage of ownership of their favorite teams.

Most recently, Tems joined the San Diego Football Club’s ownership group as a club partner through her company The Leading Vibe, becoming the first African woman to be involved in MLS ownership. “I am thrilled to join San Diego FC’s ownership group and to be part of a club that celebrates creativity, culture and the power of community,” the “Me & U” singer said in a press release following the announcement. “Football has a unique way of bringing people together, and I am excited to help build something special in San Diego, a city that thrives on diversity and innovation.”

Tems is hardly be the first musician to dip her toes in sports ownership.T he trend of music stars owning percentages in sports teams stretches back throughout the 2000s, with artists like Nelly, Justin Timberlake, Jay-Z, Jennifer Lopez, Usher and more taking part in the athletic world. Many artists ponying up six figures or more for even a measly percentage of team ownership.

“Sports is entertainment. There is crossover at every level,” Mark Cuban, who sold his majority stake in the NBA’s Dallas Mavericks, previously told Billboard, but it’s “no different than any business,” he noted, adding, “If it’s not well run [and] customers aren’t happy, you can lose a lot of money.” 

See below for a full list of musician sports owners below.

Veteran industrial outfit Ministry are looking to rewrite their own history with their next album.

March 28 will see the band issue their new album, The Squirrely Years Revisited. As the title indicates, it sees Ministry revisiting their earlier, somewhat despised ‘80s material. “Since I hated my early stuff for decades, I decided to take ownership of it and do it right,” singer and founding member Al Jourgensen said in a statement.

Ministry first formed in Chicago, IL back in 1981, albeit with a far different sound to what contemporary fans would be familiar with. At the time, the group featured a decidedly synth-pop sound, and following shows alongside Depeche Mode, Culture Club, and A Flock of Seagulls, they issued their debut album With Sympathy in 1983.

The material on that record largely disappeared from setlists by the end of 1984, and in 1986, the band released their sophomore record Twitch. Harnessing a sonic shift for the band, it was still influenced by synth-heavy bands of the era, but featured a darker, more industrial lean to it.

Though Jourgensen claimed that record label influence had pressured him to not only venture into this synth-pop style, but also adopt an English accent for With Sympathy, Jourgensen’s future Pailhead bandmate Ian MacKaye later claimed that the Ministry founder only discovered heavier music after the band’s first two records.

Regardless of the timeline, Ministry leaned into this far heavier sound for their third album, 1988’s The Land of Rape and Honey, and by the ’90s, the group had become an influential presence on the industrial scene, with 1996’s Filth Pig peaking at No. 19 on the Billboard 200.

Ministry previously broke up in 2008 following their C-U-LaTour farewell jaunt, but would later reform in 2011. In recent years, Jourgensen has spoken of an impending split, with Ministry signing a deal in 2024 for the band’s final album.

However, The Squirrely Years Revisited will not be that final release from the group, with a statement from the band noting that it “comes ahead of the final new studio album from Ministry in 2026, a record that has Jourgensen teaming up with Paul Barker once again”. 

The Squirrely Years Revisited will largely consist of material originally featured on With Sympathy, along with re-recordings of 1985 single “(Every Day Is) Halloween”, and rarities such as “Same Old Madness” and “I’ll Do Anything For You”. Their Twitch album will also be revisited, but only for three tracks exclusive to the CD edition.

Ministry will also embark on a North American tour in April, performing alongside Die Krupps, Nitzer Ebb, and My Life With The Thrill Kill Kult.

Ludacris signed with UTA for representation in all areas, including music, film/TV and other ventures. The rapper is still repped by Cara Lewis Group for concert bookings in the U.S. He’s managed by Chaka Zulu and Jeff Dixon of Ebony Son Entertainment and attorney Darrell Miller of Fox Rothschild.

Longstanding electronic music producer Seven Lions signed with Los Angeles-based artist management company MLennial, with the partnership focused on all of the artist’s future endeavors, including global touring. Launched a year ago, MLennial is run by founder Mike Lisanti, formerly the COO of Prodigy Artists, and focuses on multi-genre DJs and producers in dance and bass music. “Jeff (Seven Lions) has been one of my favorite artists since the start of my journey in the music industry,” says Lisanti. “His win in the Above & Beyond ‘You Got To Go’ remix contest on Beatport inspired me to enter similar competitions for exposure back in 2012. At the time, I was part of Charity Strike, and my duo partner and I went on to win two Beatport contests shortly after Jeff’s iconic entry. That moment kickstarted my entire career in the industry. Now, managing Seven Lions at the company I’ve built from the ground up feels not only full circle but truly surreal. We’re thrilled to unveil this new chapter for Seven Lions and are committed to serving both longtime and new fans through a fresh, innovative lens.” – Katie Bain

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Grammy- and Oscar-winning rapper, actor, author and activist Common signed with CAA and Anonymous Content. He continues to be represented by Ceremony Music Group, The Lede Company, SMAC Entertainment, and Myman Greenspan Fox Rosenberg Mobasser Younger & Light.

McFly signed to Absolute Label Services for the release of the U.K. pop group’s “21st birthday album,” 21 LIVE. The release follows the ITV music special McFLY: The 21st Birthday Party, which was recorded at The O2. This will be the band’s fourth album released through Absolute.

Hawaiian country artist Maoli signed with ONErpm and Huff Co., which formed a joint venture last year. He’s set to release the album Last Sip of Summer on June 27 and recently embarked on a tour that will hit New Zealand, Australia, the U.S. and Canada.

Bluegrass band The Steeldrivers signed with Sun Records, which will release the group’s new self-produced album, Outrun, on May 23.

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Universal Music Group Greater China signed an exclusive, multi-year global agreement with Chinese pop star Liu Han, who has been making music in the country for four decades. The deal marks the first time that his “majority body of work,” both recording and publishing rights, will be under a single umbrella, according to a press release. “Liu Huan is a towering figure in contemporary Chinese music history, and we are proud to support his journey in sharing his extraordinary music with the world,” Adam Granite, Universal Music Group executive vp of market development, said in a statement on the deal.

DJ and producer Netsky signed with One World Artists, the official artist agency of Tomorrowland, for global management representation. The drum and bass pioneer recently released the new single “California.”

HSquared Management signed Juno Award-winning artist Jordan St. Cyr. The signing of the “Rescue” hitmaker marks the company’s second joint signing since industry executives Kelli Haywood and Leigh Holt launched the company last year. – Jessica Nicholson

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Pitbull’s Mr. 305 Records signed Cuban singer-songwriter and producer WhiteStar, who is regarded as one founders of the Bajo Mundo movement alongside Farruko and IAmChino. Under the deal, WhiteStar seeks to “expand this movement while exploring new musical horizons,” according to a press release. His contributions to the Bajo Mundo genre, a style that blends reggaetón, guaracha, dembow and EDM, include projects like Farruko’s mega hit “Pepas” and “Helicóptero” by El Alfa. “Joining Mr. 305 Records is a blessing, and a dream come true,” WhiteStar said in a statement. “I’ve always known I had the potential to be a star, and this is the right time to focus on my solo career. I’m excited to work with a label I’ve always admired, one that has played a key role in my development as a songwriter.” – Griselda Flores

The Ophelias signed with Get Better Records, which is set to release the band’s Julien Baker-produced album Spring Grove on April 4. Baker sings harmonies and plays instruments throughout the album, according to a press release. The Ophelias is composed of Spencer Peppet (guitar & vocals, she/her), Mic Adams (drums, he/him), Andrea Gutmann Fuentes (violin, she/her), and Jo Shaffer (bass, they/she).

Sophia Talamas, a content creator with more than 30 million followers on social media who last year participated in the influencers’ panel at Billboard Latin Music Week, signed a record deal with Sony Music Latino and will release her first single on Feb. 21. “This song is called ‘Funeral’ and is based on ‘real events’,” Talamas tells Billboard, adding that she has been working with Sony for over a year. “It’s not that easy to release a 1st song. I have learned to have a lot of patience, especially when you also have to complement or go from influencer to artist,” she adds. “When the 2nd one comes, it should be easier and faster.” – Isabela Raygoza

Mom+Pop Music signed alt-country supergroup Chaparelle, which released a new song, “Devil’s Music,” on Jan. 31. The group — composed of Zella Day, Jesse Woods and Beau Bedford — will be releasing new music throughout the year and is slated to kick off a 2025 tour on April 3. Chaparelle is managed by Jack Gallagher and Fiona Dolan at OPEN Management.

Noel Gallagher was unimpressed by Kendrick Lamar’s record-breaking Super Bowl Halftime Show performance on Sunday night (Feb. 9).

“I had to switch it off. It was absolute nonsense,” the Oasis frontman said during an appearance on TalkSPORT on Tuesday (Feb. 11), specifying, “I didn’t watch it all, I just switched it off. There was like 300 people getting out of a car in the first two minutes.”

When asked about his favorite past Super Bowl Halftime Show performances, Gallagher explained that he doesn’t typically watch them. “I don’t like the halftime nonsense, it’s usually artists I don’t like,” adding, “I never watch it, I’m not interested it.”

Overall, the rocker doesn’t love the idea of blending music with sports. “Americans are taking over our sport, they’re taking over the Premier League, they’ll take over the Champions League, trust me, 20 years from now it will all be nonsense,” he said.

Lamar’s performance at the Ceasars Superdome in New Orleans is the most-watched halftime show performance of all time, with 133.5 million viewers, earning more views than the Super Bowl itself, which reported an average of 126 million viewers watching the Philadelphia Eagles claim victory over the Kansas City Chiefs with a final score of 40 to 22.

The star also made history as the first solo rapper to headline the Super Bowl Halftime Show, and his performance featured several surprise guests including SZA, Samuel L. Jackson and Serena Williams.

In another testament to SB19‘s unwavering global appeal, the Phillippines’ boy band sensation is gearing up to dominate new U.S. stages as part of their much-anticipated Simula at Wakas World Tour.

Fresh off being crowned winners of the Billboard Fan Army Face-Off for both 2023 and 2024, the group’s global fanbase — affectionately known as A’TIN — can look forward to Pablo, Josh, Stell, Ken, and Justin visiting even more of them this year while hitting new cities and countries.

Billboard can exclusively reveal plans for the SB19 Simula at Wakas World Tour, which will showcase not only their dynamic live performances of the P-pop boy band but, inevitably, the latest evolution of their sound as they gear up to drop their new EP, Simula at Wakas, on Friday, April 25.

Simula at Wakas promises to push the guys further into the global-pop conversation as the final chapter in their musical trilogy following 2021’s Pagsibol and Pagtatag! from 2023. SB19 first teased fans with a new trailer video on January 31, 2025 (below) that featured visual callbacks to previous hits like “What?” and “Gento” (which hit No. 8 on Billboard’s World Digital Song Sales chart in 2023) to signal a fresh, new musical direction for their soon-to-be revealed new single set for a February 28 release.

Soon afterward, the Filipino sensation will hit the road with a series of concerts, including U.S. stops in San Francisco, Los Angeles, Honolulu, and more, alongside international dates in cities like Toronto, Tokyo, Sydney, Taipei, Doha, and more.

“We’re really excited to meet everyone,” Ken tells Billboard. “We’ve been preparing for unlimited surprises for you guys.”

While Justin promises that fans will hear new songs from Simula at Wakas for the first time, Josh is sure to add that A’TIN should “stay tuned for new genres and performances, plus fresh arrangements of our older tracks!”

While the guys are laser-focused on releasing their new music, they say bringing those songs to life in new countries and territories is equally exciting to the quintet.

“We’re thrilled to finally share what we’ve been working on over the past few months,” Stell says. “After a long break as a group, our main focus is now on the new EP, and we can’t wait to reconnect with our fans — especially in places we haven’t visited before. We’re really excited to meet everyone there.”

In addition to the world tour dates already set between May-August, as well as October 2025, SB19 say “more cities will be announced soon” with dates coming soon for their Sydney, Melbourne, Tokyo, and Hong Kong stops.

“We are pushing the boundaries and we want the best for all of the fans,” leader Pablo shares before Josh adds, “We think from our last tour they have seen more of our individuality but this time, we will be coming stronger.”

Stell concludes by speaking to SB19’s larger ambitions, saying “We really want our fans to connect with our stories since we did it with all our hearts. Our goals are not only for SB19 but for the entire Philippine music industry.”

See below for the Simula at Wakas World Tour poster and stay tuned for more information from the band.

SB19 world, U.S. tour
SB19