Just weeks after the release of her Lana project, SZA has teased plans for her next musical endeavors, hinting that it may simply be a ploy to satisfy the demands of her recording contract.

SZA shared these plans in a Tweet on Saturday (Jan. 4), in which she further mused that her next two records may also be her last. “To fulfill my last 2 album requirements I think I just wanna make peaceful children’s music n get outta here,” she wrote. “Then [I’ll] go be a farmer n donate the produce to underserved communities.”

Though it’s difficult to determine whether SZA’s comments were made in earnest or with a sense of fun, recording albums simply to meet contractual obligations is far from a new undertaking.

Ahead of the release of 1968’s now-iconic Astral Weeks album, Van Morrison had attempted to leave his former label Bang Records by recording 36 tracks that would fulfill his obligations and allow his release from the label. Despite recording songs about sandwiches and ringworm on an out-of-tune guitar, the tracks were deemed “nonsense” and not officially released until 2017.

Another famous example came about when Marvin Gaye’s divorce from Anna Gordy Gaye came to a head in 1977. As part of the legal proceedings, a deal was struck by Gaye’s lawyer to give his ex-wife 50% of the royalties of his next record. Though Gaye had initially planned to simply make a “quickie record — nothing heavy, nothing even good”, his perfectionism resulted in an album that, while not a commercial success, became a well-respected part of his discography.

Currently, SZA’s discography boasts two studio albums – including 2017’s Ctrl and 2022’s Billboard 200-topping SOS – and deluxe editions of each record. It’s not known, however, how many albums her contract requires her to deliver.

The deluxe edition of SOS, dubbed Lana, was released on Dec. 20 and has since seen the album clock up its 12th week atop the Billboard 200 albums chart. As a result, it now holds the honor of boasting the most weeks atop the chart for an R&B/hip-hop album by a woman.

Lana featured an additional 15 songs prepended to the original record, though SZA has since told fans that the deluxe edition would be altered with new mixes. On Dec. 30, she shared that “updated mixes and new songs” will be added once her label “comes back from holiday”.

Joe Alwyn and Taylor Swift‘s years-long relationship, which came to an end in 2023, continues to make headlines in 2025.

The actor, who starred in A24’s The Brutalist and is presumably doing press for the film ahead of Oscar nominations being determined and announced this month, recently spoke with The Guardian about his work on the project — which premiered at Venice, with director Brady Corbet receiving the Silver Lion honor for best direction, and is up for several Golden Globes. An interview about Alwyn’s journey as an actor shifted topics to his experience with fame, and how dating one of the most recognizable pop stars in the world accelerated his ascent into celebrity.

The Guardian asked Alwyn if he worried “his relationship with Swift would overshadow his career.”

“I have tried just to focus on controlling what I can control,” Alwyn said. Looking back to his earliest work in the industry, in the 2016 film Billy Lynn’s Long Halftime Walk, he added, “And right from the beginning, tried to focus on the things that are meaningful for me: friends, family, work, of course. So noise outside of that, I think I’ve done what lots of people who find themselves in the public eye do, which is just try and ignore it. If you don’t, and if you let all of that other stuff in, and if it starts to affect you and your behavior, you’re living from the outside in. And then you’re pretty f—ed.”

When the publication’s reporter pressed that Alwyn “must just want to move on” from the public scrutiny he faced during his time with Swift, Alwyn tactfully made it clear that he has moved on, while pointing out that moving on remains “something for other people to do.”

“We’re talking about something that’s a while ago now in my life,” he replied. “So that’s for other people. That’s what I feel.”

In the article, published Sunday (Jan. 5), Alwyn spoke fondly of his collaborative work with his ex. He received credit as songwriter “William Bowery” on songs from Swift’s pandemic-era sister albums, 2020’s Folklore (“Exile,” “Betty”) and Evermore (“Champagne Problems,” “Coney Island,” “Evermore”), and on one from 2022’s Midnights (“Sweet Nothing”). Alwyn also received credit as a co-producer on several Folklore tracks, which resulted in him being awarded an album of the year Grammy alongside Swift, Jack Antonoff and Aaron Dessner in 2021.

“Lockdown was a whole host of surprises and that was pretty special,” Alwyn said of writing songs with Swift.

He continued, “That was not something I would have foreseen.”

The last time Alwyn, who’s known to stay quiet about his private life, spoke of his past relationship with The Tortured Poets Department hitmaker was in the summer, when The Sunday Times Style Magazine also brought her up in their convo with the actor.

“I would hope that anyone and everyone can empathize and understand the difficulties that come with the end of a long, loving, fully committed relationship of over six and a half years. That is a hard thing to navigate,” said Alwyn, who navigated questions about Swift carefully; he noted they’d agreed to “keep the more private details of our relationship private” during their time together.

Of their split, which made the news on April 8, 2023, he noted to The Sunday Times, “What is unusual and abnormal in this situation is that, one week later, it’s suddenly in the public domain and the outside world is able to weigh in … So you have something very real suddenly thrown into a very unreal space: tabloids, social media, press, where it is then dissected, speculated on, pulled out of shape beyond recognition. And the truth is, to that last point, there is always going to be a gap between what is known and what is said. I have made my peace with that.”

Read The Guardian‘s full feature on Alwyn here. The actor is next reported to appear in two Shakespeare-themed films: Aneil Karia’s adaptation of Hamlet and Chloé Zhao’s Hamnet (yes, Hamnet; not a typo), a story centering on William Shakespeare’s wife, Agnes.

Selena Gomez was photographed on two red carpets, styled in contrasting and confident looks, in Palm Springs, California, on Friday and Saturday (Jan. 3 and 4).

Gomez was in town for the 2025 Palm Springs International Film Festival’s Film Awards Gala, where she accepted the Vanguard Award with the cast of Emilia Pérez and the film’s director, Jacques Audiard.

The singer-actress walked the Palm Springs Film Fest red carpet Friday night in a custom, monochromatic suit by Ralph Lauren. The pearl-white, menswear-inspired ensemble included long-length trousers that covered her shoes, which were paired with a sheer top worn under a vest and an open blazer, all topped off with a matching necktie. Her hair was smoothly pulled back in a bun.

Meanwhile, a Saturday brunch organized by Variety saw Gomez looking demure in a baby pink, tweed Oscar de la Renta minidress with long sleeves, a modest neckline, and a short skirt featuring cherry blossom-embroidered pockets. The dress, from the designer’s pre-fall 2025 collection, was complemented by light pink heels and soft, wavy hair parted in the middle and worn down.

The brunch was held to recognize the publication’s 10 Directors to Watch and Creative Impact Awards. Emilia Pérez director Audiard was honored with the Creative Impact in Directing Award.

“Your films are not just entertainment, they’re experiences,” Gomez said in tribute to her director. “Emilia Pérez is a powerful and poignant exploration of love, loss and the human condition. It is a true honor ro celebrate your incredible talent.”

Gomez, who’s engaged to marry producer Benny Blanco, wore her marquise-cut diamond engagement ring both days. The couple recently shared sweet photos from their time together over the holidays and celebrating the new year.

See Gomez’s complete red carpet looks, styled by Erin Walsh, from the Palm Springs Film Festival on Friday and Variety‘s brunch on Saturday: