The Long Feng art car will serve as the stage for the upcoming Framework in the Desert parties happening around the first weekend of Coachella 2025.
Related
These Are All the Electronic Artists Playing Coachella 2025
Electronic events producer Framework announced Wednesday (March 26) that the lineups for these parties will feature Dutch producer Mau P, Manchester’s Interplanetary Criminal and California native Max Styler on Saturday, April 12, and Alesso playing one of his underground Body Hi sets on Sunday, April 13, with special guests Francier Mercier and Layton Giordani. The lineup for Friday, April 11, will be announced in the coming weeks.
Framework in the Desert will be the first time that the Long Feng art car has appeared outside of Burning Man, where it made its debut last year. Featuring sets by a flurry of underground DJs, the car was an immediate standout for both its Funktion-One sound system and dragon design.
These festival afterparties are happening at the Atlantic Aviation airport hangar in Thermal, Calif., a few miles from the Coachella site. Tickets are on sale now.
“Framework is back at the Atlantic Aviation hangar in Thermal, bringing our staple production and musical artists to the desert,” saidFramework co-founder Kobi Danan. “After unforgettable moments like Chris Lake with Fisher, Black Coffee b2b The Martinez Brothers, Peggy Gou and last year’s standout sets from Charlotte de Witte, Dom Dolla and John Summit, Framework in the Desert has cemented itself as a pivotal extension of the festival experience. In 2025, expect a fresh lineup of global talent and forward-thinking artists, all set in an atmosphere for those craving something beyond the main stage. This year, we’re adding exciting new elements while keeping the unique vibe that’s made this event a fan favorite.”
Framework also curates the lineups for Coachella’s club space, the Yuma Tent, which will this year feature DJ/producers including Mercier, Indira Pagonotto, Vintage Culture, Amelie Lens, Haai, Tripolism, Damian Lazarus and many more. Coachella 2025 happens April 11-13 and April 18-20 in Indio, Calif., with headliners including Lady Gaga, Green Day, Post Malone and Travis Scott.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 18:56:552025-03-26 18:56:55Long Feng Art Car to Appear at Framework in the Desert Parties With Alesso, Mau P & More
GloRilla is currently trekking across North America while headlining her Glorious Tour, but ended up having to cut a St. Louis show short earlier this week after several fights broke out among the audience.
Per local affiliate FOX 2 Now, brawls led GloRilla to end her The Factory show in St. Louis early on Monday night (March 24). Footage emerged online appearing to show women involved in physical altercations in the general admission area as security attempted to intervene.
“Come on man, y’all better than that,” GloRilla said mid-show, attempting to defuse the melees. “They still fighting, what the f–k. Come on, y’all ain’t thatmad.“
She continued: “Ain’t nobody did nothing that bad for y’all to be out there fighting. We here to have a good time. Ya’ll supposed to be feeling glorious at the Glorious Tour.”
The 25-year-old eventually had enough as more fights continued to take place, and Glo ended the show and headed backstage.
Billboard has reached out to GloRilla’s reps for comment.
“It was real fun … Up until the fighting,” a fan named Andy Johnston, who attended the show at The Factory, told FOX 2. “It was actually like a WWE fight. It was really fun. We’re up there peeking over — I had front row in the balcony, and it’s like a sea of people. Then you see a little scramble for a second, and people would start running to it.”
He added: “It could be something that makes the artists not want to come here to our city because of all the fighting.”
GloRilla gets back on the road Wednesday night (March 26) with a hopefully more peaceful show slated for Milwaukee’s The Rave-Eagle Club, and then she’ll head to Minneapolis on Thursday (March 27).
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 18:50:282025-03-26 18:50:28GloRilla Cuts St. Louis Concert Short After Fights Break Out Among Fans
Sleep Token scores its first No. 1 on a Billboard multimetric chart, topping the Hot Hard Rock Songs tally dated March 29 with “Emergence.”
“Emergence” rises to No. 1 after debuting at No. 2 on the March 22-dated list via just one day of tracking data after being released on March 13. (It earned 2 million official U.S. streams, 211,000 radio audience impressions and sold 1,000 downloads that day, according to Luminate.)
In the week ending March 20, its first full seven days of tracking, “Emergence” accumulated 9.9 million streams, 528,000 impressions and 2,000 downloads.
The band’s Hot Hard Rock Songs reign follows a No. 2-peaking song in 2023 in “The Summoning.” “Emergence” became Sleep Token’s seventh top 10 on the ranking upon its debut, tying it with Ghost and I Prevail for the eighth-most top 10s since the list began in 2020.
Most Top 10s, Hot Hard Rock Songs
19, Bring Me the Horizon
17, Linkin Park
13, HARDY
10, Falling in Reverse
10, Five Finger Death Punch
10, Foo Fighters
8, Metallica
7, Ghost
7, I Prevail
7, Sleep Token
“Emergence” also rules Hard Rock Digital Song Sales for a second week and bows at No. 1 on Hard Rock Streaming Songs. It’s the band’s first ruler on the latter, eclipsing the No. 16 peak of “The Summoning,” and marks the survey’s first No. 1 debut since Linkin Park’s “The Emptiness Machine” in September 2024.
“Emergence” concurrently vaults 30-7 on Hot Rock & Alternative Songs, Sleep Token’s first top 20 (“The Summoning” peaked at No. 22), and starts at No. 57 on the all-format Billboard Hot 100, the band’s maiden appearance. Its 9.9 million streams are even enough for a No. 50 debut on Streaming Songs, the first hard rock song to reach the list since Linkin Park’s aforementioned “The Emptiness Machine.”
As the lead radio single from Even in Arcadia, Sleep Token’s upcoming fourth studio album (May 9), “Emergence” debuts at No. 31 on Mainstream Rock Airplay, equaling the peak of “Granite,” the band’s only previous appearance on the ranking, from 2024.
Even in Arcadia is the follow-up to 2023’s Take Me Back to Eden, which debuted and peaked at No. 2 on the Top Hard Rock Albums chart dated June 3, 2023, and has earned 744,000 equivalent album units to date.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 18:42:122025-03-26 18:42:12Sleep Token Scores First Hot Hard Rock Songs No. 1 With ‘Emergence’
Bad Bunny‘s Un Verano Sin Ti is the gift that keeps on giving. The LP’s “Me Porto Bonito” — featuring Chencho Corleone — achieved a new milestone as it surpassed the one billion views on YouTube, nearly three years after it was released.
The feat scores the Puerto Rican superstar his 16th Billion Views Club entry as a lead, featured artist or collaborator, setting a new record for most entries on the streaming platform. Currently, Bad Bunny ranks No. 5 on YouTube’s on Global Top Artists.
“Me Porto Bonito’s” music video became the third official clip from Un Verano Sin Ti — following “Moscow Mule” and “Titi Me Preguntó” — to reach the mark. Directed by Fernando Lugo, the video shows Bunny washing a pickup truck for two ladies who are making plans to go out at night, while Chencho is driving around town in a white car. The two artists then come together at a pool party where they are joined by the two ladies and a group of women.
Related
All of Bad Bunny’s Music Videos With 1 Billion Views: ‘Soy Peor,’ ‘Dakiti…
The Chencho Corleone collaboration — which he previously said was recorded just after he attended the Met Gala in New York in 2022 — peaked at No. 6 on the Billboard Hot 100. Meanwhile, the reggaetón track ruled the Hot Latin Songs chart for 14 weeks.
“Me Porto Bonito” joins other Bad Bunny Billion Views Club entries “Soy Peor,” “Dákiti,” “Callaíta,” “Amorfoda” and more.
Bad Bunny — who currently stars in Calvin Klein’s newest campaign — is set to join the cast of Happy Gilmore 2, which will hit Netflix July 25, 29 years after the original Happy Gilmore premiered.
In the meantime, revisit the “Me Porto Bonito” music video below:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 18:42:112025-03-26 18:42:11Bad Bunny’s ‘Me Porto Bonito’ Surpasses 1 Billion Views on YouTube, Setting New Record
Russell Wilson is heading back to the Empire State.
A year after he signed a one-year deal with the Pittsburgh Steelers, the 10-time Pro Bowl quarterback signed another one-year deal this week — $10.5 million with the New York Giants to become their starter, the NFL announced on Tuesday (March 25).
To celebrate, the football star’s wife Ciara was supportive as always. The “1, 2 Step” singer took to her Instagram Stories to re-share Wilson’s photo of MetLife Stadium, where the Giants play. “Been here before… can’t wait to do it again,” he wrote, in reference to his previous Super Bowl XLVIII win at the same venue in 2014, when he played with the Seattle Seahawks.
Ciara then posted another Stories photo, in which Wilson is seen in his New York Yankees gear (the athlete briefly had the opportunity to play with the baseball team in 2018). “New York State of Mind,” Ciara wrote. “My greatest inspiration.”
With the Steelers, 36-year-old Wilson threw for 2,482 yards with 16 touchdown passes, five interceptions and a 96.5 passer rating. The Giants is working on shaping up their team for the upcoming season, as they also signed Heisman Trophy winner Jameis Winston to a two-year contract, and notched the third pick at the upcoming NFL draft in April.
Ciara and Wilson tied the knot in 2016. The longtime couple has since welcomed three children, seven-year-old Sienna Princess, four-year-old Win Harrison and one-year-old Amora Princess. Ciara also shares 10-year-old son Future Zahir with her ex, rapper Future.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 18:15:302025-03-26 18:15:30Ciara Celebrates ‘Greatest Inspiration’ Russell Wilson’s Return to New York With One-Year Giants Deal
Honda Stage is dedicated to celebrating determined artists and their journeys while bringing exclusive content to fans, and the 2024-2025 group was no exception. Honda Stage and Billboard have come together to spotlight the incredible talents and career trajectories of Mustard, Maeta and Amirah. As part of this music discovery program, the content capsules offer fans each artists’ unique, candid takes on their origin stories, new music and even allows them to have a little fun along the way.
Scroll on below to see the artists in their element through each of their respective video capsules as part of the program!
Mustard as part of the Honda Stage program presented by Honda Stage and Billboard.Amirah as part of the Honda Stage program presented by Honda Stage and Billboard.Mustard and Amirah as part of the Honda Stage program presented by Honda Stage and Billboard.Mustard and Amirah as part of the Honda Stage program presented by Honda Stage and Billboard.Maeta as part of the Honda Stage program presented by Honda Stage and Billboard.Maeta as part of the Honda Stage program presented by Honda Stage and Billboard.Maeta as part of the Honda Stage program presented by Honda Stage and Billboard.
About Honda Stage
Honda Stage is a music platform that builds on the brand’s deep foundation of celebrating determined artists and their journeys while bringing unique music experiences to fans. Honda Stage offers exclusive, behind-the-scenes music content and inspirational stories from on-the-rise and fan-favorite artists, giving music fans access to the moments they love while celebrating the creativity and drive it takes to make it big.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
In celebration of Big Sean Night at the Detroit Pistons vs. San Antonio Spurs game on March 25, the “Yes” rapper has dropped a limited-edition apparel collection in honor of the Motor City, his hometown.
The collab features a unique T-shirt and hoodie adorned with a custom Detroit, World Tour 2025 design. Initially revealed at the NBA game, the collection has made its way online for Detroit fans to shop. So if you couldn’t attend Big Sean Night, you can now shop the collab on the Pistons’ site. Shop quickly though, because both tops are selling fast.
The Pistons announced Big Sean night back in February and planned to celebrate his ties to the NBA organization, his impact in Detroit, as well ashis birthday, which is also on March 25. The night immersed fans in all things Sean Don, including in-game activations, contests and prizes, and a special halftime performance by Detroit rapper Nasaan, curated by Big Sean.
Big Sean x Detroit Pistons
“Being from the city, you all know how much this means to me and the journey we all have to go through to make something of yourself, so I truly appreciate the support,” said Big Sean in a statement. “To be able to work with the Pistons as the creative director of innovation is a dream come true, and I can’t wait to bring Don Life to the city.”
As a part of the night, the Pistons are also creating an exclusive Big Sean bobblehead available to fans only through a special charitable ticket package, which includes the one-of-a-kind bobblehead and a ticket to the game. Proceeds from the ticket package will benefit the Detroit Pistons Foundation as well as the Boys & Girls Club of Southeastern Michigan via the Sean Anderson Foundation. Tickets must be purchased by visiting the Pistons site.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 17:31:552025-03-26 17:31:55Big Sean & Detroit Pistons Release a Limited-Edition NBA Collection: Shop It Here
Last summer, Chappell Roan made headlines for loudly calling out predatory fan behavior through a series of social media posts. Months later, she says her interactions in public have drastically changed, with the “Hot to Go!” artist theorizing on Call Her Daddy that listeners are now too afraid to approach her.
Related
Leave Chappell Alone: Why Do Fan-Artist Relationships Turn Toxic, And What Can Be Done?
“I think people are scared of me,” Roan told host Alex Cooper on the podcast posted Wednesday (March 26). “I think I made a big enough deal about not talking to me that people do not talk to me.”
“I’ve been with people, like, friends who are artists, and when they’re with me, they’re like, ‘It’s a force field around us. People don’t come up to me if I’m with you,’” the Missouri native continued. “I’m just like, ‘Damn, baby. You say it too. You say, ‘Don’t touch me, don’t touch me. Don’t look at me, don’t touch me. I don’t know who you are.’ And they won’t come up and bother you.”
The interview comes about seven months after Roan sparked widespread discourse about how society treats celebrities in public, with the Grammy winner at the time emphasizing how scary it can be to have people touch her without consent, harass her family members or track her whereabouts. “Women don’t owe you s–t,” she wrote in an August note on Instagram. “I chose this career path because because I love music and art and honoring my inner child, I do not accept harassment of any kind because I chose this path, nor do I deserve it.”
On Call Her Daddy, Roan clarified that just because she felt the need to set boundaries with fans, doesn’t mean she enjoyed doing it. “It hurts that I have to … I know it really hurts people,” she said. “They feel like it’s me disrespecting them, that I owe it to them and that, how dare I call it abuse or complain about success. I get that a lot, but I’m not complaining about success. I’m just complaining about creepy behavior. I love admiration — everyone loves admiration. I just don’t want you to interrupt me when I’m having a fight with my girlfriend. Don’t be like, ‘Can I get a photo?’ when I’m crying, talking to my girlfriend. That’s f–king crazy.”
Related
Chappell Roan Reveals She’s in a ‘Serious’ Relationship: ‘I’m Very in Love…
The reason Roan felt compelled to call out fans in the first place was due in part to how quickly she became a household name within the span of just a few months in 2024, thanks to the runaway success of her Billboard Hot 100 hit “Good Luck, Babe!,” summer festival appearances and album The Rise and Fall of a Midwest Princess. “It happened literally overnight,” Roan recalled to Cooper.
As her fame levels multiplied, so did the amount of creepy experiences with fans, a metamorphosis that Roan compared to a “second puberty.” “It’s like everything is gonna change, and everything is gonna hurt and everything is gonna be uncomfortable now,” she said. “Katy Perry was so straight up … When she came up to me at [Charli XCX and Troye Sivan’s] Sweat Tour, she’s like, ‘Just don’t read the comments, honey. Bye bye.’ She just, like, hopped off, and I was, like, actually cackling. Like, why am I doing this to myself?”
“You don’t realize how many people are watching you, and you don’t realize they are,” Roan added. “Some people want me dead. It’s crazy. People know everything about me. People know my flight numbers. People know everything.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 17:22:112025-03-26 17:22:11Chappell Roan Says Fans Are ‘Scared’ to Approach Her After She Spoke Out Against Predatory Behavior
The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard 200 dated April 5, we look at the chances of engaged performer-producer duo Selena Gomez and Benny Blanco’s collaborative set I Said I Love You First to unseat Playboi Carti’s Music atop the chart.
Selena Gomez & Benny Blanco, I Said I Love You First (Friends Keep Secrets/Interscope): One of the most-anticipated pop sets of early 2025 comes from two longtime pop hitmakers: cross-platform megastar Selena Gomez and shapeshifting producer Benny Blanco. Last Friday (March 21), the pair – who have been sporadic collaborators for a decade and are now also a real-life couple who announced their engagement in December – released their first full album together, I Said I Love You First, following a whirlwind rollout.
The set’s 14 tracks all of course feature vocals from Gomez and production from Blanco, but they’re hardly the only performers or behind-the-scenes contributors on the set. It also includes guest appearances from fellow contemporary stars Gracie Abrams (on the pre-release Billboard Hot 100 hit “Call Me When You Break Up”), J Balvin, GloRilla and The Marias, as well as writing and/or production assistance from recognizable names Finneas, Justin Tranter and Julia Michaels, Dylan Brady (of 100 Gecs) and Cashmere Cat. Even Charli XCX shows up to co-write and performs background vocals on “Bluest Flame,” like she did for Gomez’s hit “Same Old Love” a decade earlier.
The album is also available for purchase in a wide variety of physical formats. There are seven different vinyl variants for sale — color variants and some with alternate covers, and one signed version available on her webstore – as well as three CD versions (standard, signed and a Zine/CD in expanded packaging) and a deluxe box set containing branded merch and a CD. What’s more, five d2c-exclusive download album variants have been released on her store, each purchasable for $5 –- all featuring alternative covers, three with a single bonus track each (“Stained,” “Talk” or “That’s When I’ll Care (Seven Heavens Version)”), and one being a commentary edition with 14 bonus commentary tracks about the album’s songs.
Gomez is certainly no stranger to the top of the Billboard 200, having bested the chart with each of her three solo albums to date, going back to 2013’s Stars Dance. Whether she will continue the streak as half of this star duo remains to be seen, however – it will have a high bar to clear, coming during the second week of the year’s biggest-debuting hip-hop album to date, and it will be hurt by the lack of an established lead single or major breakout hit on streaming. But the album has picked up on DSPs over the course of its release week, with Marias teamup “Ojos Tristes” and buzzy post-breakup song “How Does It Feel to Be Forgotten” climbing into the top 100 on both the Apple Music real time and Spotify Daily Top Songs USA charts.
Playboi Carti, Music (AWGE/Interscope): Carti’s Music bowed atop this week’s Billboard 200 with an eye-opening 298,000 units, according to Luminate, confirming the cult rapper’s long-rising stardom and setting a new bar for hip-hop releases in 2025. The blockbuster set also blanketed the Hot 100, charting every one of its 30 tracks on the listing, with its two best performing tracks (“Evil J0rdan” and “Rather Lie” alongside The Weeknd) entering in the top five, at Nos. 2 and 4, respectively.
With no physical version of the album yet shipped to fans – the album is available for pre-order in eight separate variants on his website – the set’s performance was almost all due to streaming. (There were three digital album variants available on his webstore, along with a widely available standard edition download, which helped account for its 14,500 in first-week sales.) Music’s streaming numbers should remain mighty in the set’s second week, though it has begun to slip noticeably from its early dominance on DSPs – while the album absolutely dominated the real-time and daily listings on Apple Music and Spotify its weekend of release, it is now down to just two songs in the top 20 on both services, and neither in the top five on either.
However, reinforcements are on their way. On Tuesday (March 25), the rapper announced the release of the album’s deluxe edition – subtitled Sorry 4 Da Wait – which includes four totally new tracks tacked on the end (which were actually the bonus tracks he tacked onto his webstore exclusive download variants of the album a week ago), bringing the tracklist to a staggering 34 cuts, and ensuring fans have plenty of reason to revisit Music this week. Given the set’s ever-expanding streaming volume, it’s expected to post units in the six digits in its second week, and be a tough album for even a star duo like Gomez and Blanco to unseat atop the Billboard 200.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 17:06:492025-03-26 17:06:49Will Selena Gomez & Benny Blanco Finish ‘First’ on the Billboard 200 Next Week?
Pablo Alborán begins a new chapter in his career with the release of “Clickbait,” the first single of his upcoming album, due out in November via Warner Music Spain. The upcoming seventh studio album follows La Cuarta Hoja (2022), but it won’t be his only new music on stage this year: The Malaga-born singer-songwriter is gearing up for his acting debut in a Netflix series, while mapping out an extensive tour set to span Latin America, the United States and Spain.
Talking with Billboard Español, Alborán reflects on the past few months, describing them as one of the most emotionally intense periods of his life — a time that completely shifted his perspective and led him to rethink many things, including his music.
“It’s been a year full of emotions, without a clear path,” he says. “But that’s exactly why I gave myself permission to explore, experiment with sounds, and, most importantly, have fun.”
The first glimpse of this new chapter is “Clickbait.” Released on Wednesday (March 26), it stands as one of the most striking songs of his career, not only for its bold, electronic-infused production but also for its powerful message.
“I’ve never spoken so openly about fame, envy, prejudice, and the obsession with likes,” Alborán explains. “It’s my way of venting, of releasing all the anger this world of fake news and sensationalism —where everything revolves around negativity — provokes in me. I wanted a song that could serve as both a shield and a sword for anyone who needs it.”
The track also experiments with new sonic elements, something that, according to Alborán, even surprised his mother. “It’s a different language — a mix of Spanish and English, saturated sounds, and references to what we consume on social media,” he says. “The first time my mom heard it, she was in shock — but by the third listen, she already knew the hook.”
The music video for the song, directed by La Carbonera Studio and filmed in Madrid, reinforces its critique of the image-obsessed world. In the video, Alborán walks in front of a mirror while a group of dancers tries to stop him from looking at himself: “Each character represents a figure in the industry: a paparazzo, an executive, a lawyer, an influencer,” he explains. “It’s a metaphor for everything that surrounds fame.”
Choosing “Clickbait” as the lead single for his upcoming album was not an easy decision. Beyond its bold sound and direct message, Alborán had to confront his own fears and the uncertainty of how it would be received. “I asked myself many times: ‘Am I ready to defend this? How will people react?’ But I went back to my first instinct. When I revisit the moment I wrote the song and remember why I did it, I know it has a purpose,” he says. “I’m not doing anything just for the sake of it.”
More than just a collection of songs, his upcoming album — whose title he has yet to reveal — is a window into how he sees the world. Through his music, he invites listeners into his bubble to experience his unfiltered vision, free of labels or prejudice. “It’s a very diverse album,” he says. “I talk about love from a different perspective, about my roots, family, and the people who care for us. And sonically, I’ve allowed myself complete freedom.”
The album features a wide spectrum of sounds ranging from country to flamenco bulerías, and even a special collaboration with renowned guitarist Vicente Amigo, further cementing Alborán’s connection to his Andalusian roots. This identity was formally recognized on February 28, when he was awarded the Medalla de las Artes by the Junta de Andalucía, honoring his contributions to Spanish music and his career achievements.
Far from being confined to a single genre, Alborán has embraced fearless experimentation. “The songs are in charge. If one called for a Dobro (a resonator guitar) and a country rhythm, I added it. If another needed a bulería, I gave it that too. I don’t want to be boxed in,” he says. “I think all artists feel the pressure of expectations, but I’ve learned to let go of that.”
In this process of musical exploration, one of his key collaborators has been Albert Hype, a producer known for his work with artists like Bad Bunny and Kali Uchis. “When we sat down in the studio for the first time, the first thing he said was, ‘Give me a ballad,’” Alborán recalls. “I thought, ‘Really?’ But when I saw what he did with it, I knew I could trust him.”
Their chemistry led to collaborations on several tracks for the album. “Once I saw that Albert understood my essence, I let him go wild,” Alborán says with a laugh. “At the end of the day, my voice is what defines me. It doesn’t matter if the song has touches of reggaetón, flamenco, or experimental pop — it will always sound like me.”
For this album, Alborán also collaborated with producer Julio Reyes Copello, with whom he has worked in the past. “Julio has produced two incredible songs. He’s someone I always connect with perfectly,” says the artist. “His sensitivity for taking a song to another level is unmatched.”
Alborán has made his mark on Billboard charts, with multiple entries on Hot Latin Songs, Top Latin Albums, and Latin Pop Airplay. His album Terral (2014) debuted at No. 1 on Latin Pop Albums and No. 2 on Top Latin Albums, while his collaboration “Dónde Está el Amor” with Jesse & Joy reached No. 16 on Hot Latin Songs and No. 8 on Latin Pop Airplay.
Music isn’t Alborán’s only focus in 2025. He will also make his acting debut in the Spanish Netflix series Respira, playing an emergency plastic surgeon in its second season, though the premiere date has yet to be announced.
“Acting has always intrigued me, but I had never taken the leap. When I was offered the role, my family couldn’t believe it. ‘Are you sure?’ they asked. I was asking myself the same thing,” he admits with a laugh.
To prepare, he spent months studying and even attended real surgeries to better understand the role. “It was intense, but it also helped me a lot on a personal level,” he shares. “I had just gone through a very difficult situation with a family member’s health, and being surrounded by doctors allowed me to see things from a different perspective. It all came together to bring more authenticity to the character.”
Filming has also served as an escape for him. “When the industry overwhelms me, acting feels like a breath of fresh air. I step into another character and disconnect. It’s my way of finding balance,” he says.
He is also preparing for his most ambitious tour to date, set to kick off in February 2026. “This tour is very special to me,” says Alborán. “Not only because it will be global, but because this album allows me to experiment on stage. I’ll be taking audiences through all the stages of my life, from my roots in Málaga to the present.”
His return to the United States and Latin America will be especially emotional following the experience of his last tour during a personally challenging time, as a close family member faced a health issue. “That tour saved my life,” he says about La Cuarta Hoja in 2023. “I went on stage carrying the hardest situation I’ve ever faced at home, and the audience, without knowing it, gave me incredible support. I’ll never forget it.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-26 17:01:112025-03-26 17:01:11Pablo Alborán Talks New Single ‘Clickbait,’ Netflix Debut & 2026 Tour