Jason Kelce came to Travis Kelce’s defense in the middle of a crowd when he heard someone verbally attacking his brother Saturday (Nov. 2).

After a heckler made a derogatory remark about Travis for dating Taylor Swift — the person called Travis a homophobic slur — the retired Philadelphia Eagles player grabbed the person’s phone, slammed it to the ground, and yelled it back to him.

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The incident was recorded in several cell phone videos filmed by bystanders from different angles and shared on social media, where “Kelce” trended Saturday. Billboard reached out to Jason’s representative for comment.

“Hey, Kelce! How does it feel your brother’s a f—– dating Taylor Swift?” a voice is heard yelling to Jason in one clip in which the former NFL player is seen walking quickly past a cluster of people trying to get his attention.

Jason is seen turning, grabbing the person’s phone and throwing it to the ground in another clip; the harasser had seemingly been trying to film his reaction.

A third video shows Jason facing the person and repeating the slur to him, saying, “Who’s the f—– now?”

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Jason’s brother, Travis, has been linked to Swift since 2023. The pop star first appeared at a Chiefs game on Sept. 23 last year, after Travis said on the brothers’ New Heights podcast in July that he’d tried to give his number to Swift via a friendship bracelet at The Eras Tour’s Kansas City stop.

Swift welcomed Travis to her Eras stage in London this past summer during “I Can Do It With a Broken Heart,” and she gave him a shout-out in her video of the year acceptance speech at this year’s VMAs, which she and Post Malone won for “Fortnight”: “This video seems very sad when you watch it, but it was actually the most fun video to make,” she told the crowd at the awards show on Sept. 11. “I would always just hear someone cheering, like, ‘Whoo!’ from across the studio — that one person was my boyfriend, Travis. Everything this man touches turns to happiness and fun and magic, so I want to thank him for adding that to our shoot.”

Jason talked about his experience attending one of Swift’s Miami concerts in October, on a recent episode of New Heights.

“This Miami show was incredible,” he told Travis, who had a game that weekend. “It was on another level. I texted you halfway through it like, ‘Dude, this rain. Tay is killing it.’”

“When Reputation came on and she came out in the new outfit and the rain was coming down, the place could’ve f—ing erupted,” Jason continued. “I mean, it did. The amount of energy was insane.”

Justin Bieber and Hailey Bieber are celebrating their first Halloween with son Jack Blues.

On Friday (Nov. 1), the 30-year-old pop superstar shared the first photo with all three members of the Bieber family. The adorable gallery on Instagram finds Justin and his wife, Hailey, 27, portraying Ron and Kim Possible from the Disney show Kim Possible, with son Jack Blues dressed as Ron’s pet naked mole rat Rufus.

In the adorable picture, Justin is seen holding his two-month-old son, who’s dressed in a pink onside, while Hailey dons a red wig and places her hand on the baby. The couple’s matching costumes included black T-shirts and cargo pants with a utility belt.

In August, the couple welcomed their first child, Jack Blues Bieber, sharing the news in an Instagram post in which Hailey held her son’s tiny foot. The arrival came more than three months after Hailey shared the news on Instagram, confirming that she was then a little more than six months pregnant. Hailey then took fans along for her pregnancy, including opening up for a W magazine cover story

“I probably could have hid it until the end, but I didn’t enjoy the stress of not being able to enjoy my pregnancy outwardly,” she explained of announcing her pregnancy at the six-month mark. “I felt like I was hiding this big secret, and it didn’t feel good. I wanted the freedom to go out and live my life.”

She also admitted she was savoring the time with Bieber, 30, whom she married in 2018, before they expanded from a duo to a trio. “In the beginning [of pregnancy], it was super emotional for me,” she told W. “Like, ‘I love this human so much. How can I possibly bring someone else into this?’ I’m trying to soak in these days of it being Justin and me, just the two of us.”

While Justin continues to enjoy fatherhood, indie singer-songwriter Mk.gee recently revealed that he’s been in the studio with Bieber working on the singer’s first new album since 2021’s Justice album.

The “Baby” singer has been mostly off the musical radar since cancelling the 2023-2024 world tour in support of Justice after getting diagnosed with Ramsay Hunt syndrome, which resulted in “full paralysis” on one side of his face.

Cardi B shared her thoughts on Donald Trump during a Kamala Harris campaign rally near Milwaukee on Friday (Nov. 1).

Ahead of Election Day on Nov. 5, the “Bodak Yellow” rapper delivered a passionate speech at the Wisconsin State Fair Exposition Center in West Allis, voicing her support for Harris and criticizing Trump’s views on women’s rights.

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“I’ve been waiting for this moment my whole life,” Cardi told the crowd, reading from her cell phone. “I take seriously the call to show up, to speak out, and to share a message that’s been on my heart for a while now.”

She continued, “Like Kamala Harris, I’ve been the underdog, underestimated, and had my success belittled. Women have to work ten times harder and still face questions about how we achieved success. I can’t stand a bully, but just like Kamala, I always stand up to one.”

Cardi noted that she hadn’t backed either Trump or Joe Biden for the 2024 presidential election until Harris entered the race and “changed my mind completely.”

“I didn’t have faith in any candidates until she joined and spoke the words I wanted to hear about the future of this country,” she said. “I believe every word she says. She’s passionate, compassionate, empathetic, and most importantly, she’s realistic. Kamala recognizes that this country is at risk, and that we need to strengthen our economy and address the rising cost of living.”

Turning her focus to Trump, whom she referred to as “Donny Trump,” Cardi addressed the former president’s recent comment about protecting women whether they “like it or not.”

“Protection for women — especially regarding maternal and mental health care — is not about telling us what to do with our bodies. It’s about supporting us and providing the care we need for our choices,” the rapper explained. “People like Donald Trump don’t believe women deserve rights. When those rights are threatened, he disappears.”

She added, “If his definition of protection means restricting our choices and ensuring our daughters have fewer rights than our mothers, then I don’t want it!”

Cardi also labeled the former president a “hustler,” saying, “Hustling women out of their rights is disgraceful. Hustling Americans out of their hard-earned money by selling Trump watches, Trump sneakers, Trump Bibles… do we really trust this man with our economy? A man who only cares about getting rich and cutting taxes for his billionaire friends. I don’t even get a tax cut.”

Following the rally, Cardi continued her support for Harris and critique of Trump on X (formerly Twitter), writing, “Donald Trump talks about having plans, but the only plan he has is to hustle YOU.”

Watch Cardi B’s nearly 10-minute rally speech for Harris here.

Shawn Mendes just released “Heart of Gold,” a new single that’s as touching as it is personal.

Written about a childhood friend who passed away from a drug overdose, “Heart of Gold” taps into the raw emotions of losing someone too soon.

In the song, Mendes opens up with lines reflecting the regrets of not being there when it mattered: “Honestly, it’s been a while since I thought of you / In the end, we didn’t talk much / I didn’t know what you were going through / I’m sorry that I wasn’t there.” Then, in the chorus, he celebrates his friend’s legacy: “You had a heart of gold, yeah / You had a heart of gold / You left too soon, it was out of your control.”

Recently, Mendes gave “Heart of Gold” another layer of meaning by dedicating it to late One Direction member Liam Payne during a live show in NYC on Oct. 18. Stopping the music to speak to fans, Mendes shared, “We heard the news about Liam. It felt like… It felt completely devastating. I got to meet him a couple times, and he was a beautiful soul and his eyes gleamed — it was beauty, shining into his eyes.”

He explained that the song is not just about loss but about celebrating those who have left an impact: “It’s about grieving those we miss with tears, but it’s also about celebrating them… who they were and what they’ve left in this world.” Mendes added, “I just want to take a second to send so much love to him wherever he is up there… Liam, we love you! And the world is crying for you, brother.”

As he launched into the song, Mendes dedicated the night’s performance to Liam, saying, “This one’s for you tonight, Liam, from all of us.”

Throughout his career, Mendes has scored four No. 1 albums on the Billboard 200, with his debut album Handwritten kicking off his career by landing at No. 1 in 2015. His collaboration with Camila Cabello, “Señorita,” topped the Billboard Hot 100, and he’s had big hits like “Stitches” and “Treat You Better” reach the Top 10. Mendes has also hit No. 1 on Billboard’s Pop Songs chart three times.

Stream “Heart of Gold” below:

‘Tis officially the season, and Jason and Travis Kelce are getting into the holiday spirit with their new Boyz II Men-assisted Christmas song, “It’s Christmastime (In Cleveland Heights),” which arrived on Friday (Nov. 1).

The track, which details the NFL duo returning to their hometown after some time away, gets an R&B spin thanks to Boyz II Men’s harmonies as they sing, “It feels so good to be back home again with all my family and friends/ Sharing gifts and memories/ We make under the Christmas tree.”

“I always have a blast when I get to join the guys on the Christmas album, but it was wild to be on a song with a group as iconic and timeless as Boyz II Men,” Travis said in a press statement. “My friends and I grew up on their music, and it’s still in the rotation today, so it was just an unreal experience.”

“It’s Christmastime (In Cleveland Heights)” marks the first single off A Philly Special Christmas Party, the third charitable album from The Philly Specials, a.k.a Jason Kelce, the Philadelphia Eagles’ offensive tackles Lane Johnson and Jordan Mailata. Last year’s A Philly Special Christmas Special raised over $3 million and featured singles “This Christmas,” “All I Want for Christmas is You,” “Fairytale of Philadelphia” and “Pretty Paper.”

Additionally, to celebrate the single, Jason and Travis’ mother, Donna Kelce, will bring exclusive The Philly Specials-inspired holiday ornaments to QVC on Nov. 1 starting at 8 p.m. ET. They will be sold as a set of four and will come with ornaments of Jason, Jordan, Lane and a Christmas tree. Proceeds from the vinyl sales will go to support Children’s Crisis Treatment Center’s Holiday Toy Drive, Children’s Hospital of Philadelphia’s Snowflake Station and 87 and Running Foundation, plus a number of other Philadelphia based organizations.

A Philly Special Christmas Party is set for release on Nov. 22. Listen to “It’s Christmastime (In Cleveland Heights)” below.

Lil Uzi Vert has released their fourth full-length studio album, Eternal Atake 2 (out Nov. 1).

The Philadelphia rapper announced the release of their long-awaited record just one week prior (Oct. 24), sharing a mysterious teaser trailer to promote the album.

“On March 6, 2020, Lil Uzi Vert mysteriously vanished,” the screen reads. “While it was never confirmed what happened that day, the faithful believed it to be the fulfillment of a long-awaited prophecy… Eternal Atake.”

The March 2020 disappearance date refers to the release of Lil Uzi Vert’s second album, Eternal Atake. Much of the record’s artwork and promotion was in reference to the infamous Heaven’s Gate religious group, whose mass suicide made national headlines in 1997. Surviving members of the group initially threatened Lil Uzi Vert with legal action in 2018 over their appropriation of the Heaven’s Gate logo.

The promotion for Eternal Atake 2 once again sees Lil Uzi Vert leaning into Heaven’s Gate’s underlying beliefs of ufology and prophecy fulfillment, with the album trailer featuring the rapper being transported via UFO to another dimension. Upon arrival, their memory is extracted and wiped clean by a group of natives from this unknown planet, who are seemingly possessed with a purple-tinted gleam in their eyes.

Lil Uzi Vert had previously hinted towards retirement after the release of their next album, telling TMZ in December 2023 that following the release of Luv Is Rage 3, they would step away from music to focus on making women’s clothes.

Currently, Luv Is Rage 3 has been given no release date, with Eternal Atake 2 ostensibly arriving in its place. It serves as the follow-up to 2023’s The Pink Tape, which was released in June 2023 and debuted at No. 1 on the Billboard 200 with 167,000 total album units sold.

The original Eternal Atake was releasing to streaming services in March 2020 just ahead of the Covid-19 pandemic shutdown. EA sold 288,000 total album units in the first week. The project came in at No. 4 on Billboard‘s Top 20 Rap Albums of 2020 list.

Stream Eternal Atake 2 below.

Kevin Liles, the co-founder and CEO of 300 Entertainment, has issued a statement in the wake of news that Atlanta rapper Young Thug is to be released from prison following a guilty plea on Thursday (Oct. 31).

Liles, who co-founded 300 Entertainment in 2012 and signed Thug (real name Jeffery Williams) to the label in 2014, issued his statement late on Thursday following the completion of Georgia’s longest-running criminal trial.

“Words can’t express the incredible happiness and relief I feel to learn of Jeffery’s freedom,” Liles stated. “There will be a time to discuss the criminalization of hip-hop lyrics and the use of bond denial as a weapon against defendants, but in this moment everyone should feel nothing but joy that this amazing artist and even better man can hug his children, parents, siblings, and other loved ones tonight. 

“We must always remember artists aren’t fictional characters,” he concluded. “They’re human beings first. God bless Jeffery and his family.”

33-year-old Thug has spent the past two years in custody, following his arrest in May 2022 with 27 others from his YSL Records label as part of a 56-count indictment for violations of Georgia’s Racketeer Influenced and Corrupt Organizations Act (RICO) law. The trial, which began in November 2023, was built around claims that YSL had committed murders, carjackings, drug dealing and many other crimes

Following days of closed-door negotiations with Fulton County prosecutors, Thug refused to take a plea deal that would have resulted in his immediate release, ultimately opting for a non-negotiated guilty plea. Late on Thursday, Judge Paige Reese Whitaker sentended to Thug to 15 years probation with no time to be served.

Ahead of his sentencing, Thug noted the power and influence he holds in his community, telling the court he takes “full responsibility for my crimes and for my charges”.

“I know what I bring to the table and I know what I am,” he added. “I know the heights I’ve reached and I know the impact I’ve got on people in the community.”

Legendary hip-hop producer Madlib has filed a lawsuit against his former manager Eothen “Egon” Alapatt, alleging the executive abused his role to claim undue profits from Madlib’s music and merch companies, among other accusations.

In a complaint filed Thursday (Oct. 31) in Los Angeles court, attorneys for Madlib say Alapatt began managing Madlib’s business affairs around 2010 when the famed producer left his deal with Stones Throw Records — where Alapatt worked as an executive — in an effort to “own and control his music.” Around that time, the complaint alleges that Alapatt was fired from Stones Throw.

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According to the lawsuit, Madlib trusted Alapatt to set up and manage two business entities (“Madicine Show” for his music interests and “Rapp Cats” for his merchandise) in Madlib’s name, with profits from the businesses to be shared between the two parties. However, Madlib allegedly discovered only recently that Alapatt was not only failing to properly run those businesses but was “also engaged in rank self-dealing, concealing information from and repeatedly breaching his duties to Madlib, and otherwise engaging in persistent and pervasive mismanagement.”

The complaint further alleges Alapatt abused his position by taking “a fee off the top” of all income generated by Madlib’s label, Madicine Show, and that he “refused to account to Madlib” about his compensation and failed to provide any written agreements to the producer. Madlib’s lawyers additionally claim that Alapatt refused to allow an audit of his own business, Now-Again — which they say Alapatt inserted under false pretenses as a go-between for Madicine Show and its distributor, Ingrooves — to ascertain what proceeds it earned from Madicine Show.

Elsewhere, the complaint alleges that Alapatt “directed a single lawyer and single accountant to represent him” as well as Madlib, Madicine Show, Rapp Cats and Now-Again without Madlib’s “informed consent” and then “directed that lawyer and that accountant to refuse to cooperate with Madlib” and the new professional team Madlib had assembled after his relationship with Alapatt went south.

The complaint states that Madlib only discovered the extent of Alapatt’s alleged malfeasance in April 2023, when he finally managed, through “forensic accounting,” to learn more about the financials of Madicine Show and Rapp Cats during the period of 2018 to mid-2022. His lawyers claim this revealed “several accounting irregularities” and “a lack of any backup documentation” for several hundred thousand dollars in “‘consulting,’ ‘commissions,’ ‘fees’ or ‘reimbursements’” for Alapatt as well as a second named defendant, Jeffrey Carlson, a.k.a. Jeff Jank — an alleged associate of Alapatt’s who formerly worked as an art director at Stones Throw and is described in the complaint as “a member of Rapp Cats.”

The complaint further claims that Alapatt took “tens of thousands of dollars for personal expenses” from the two business entities, and that there was no documentation of employee payroll, inventory or artist royalty statements.

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Alapatt also allegedly “captur[ed] half of Madlib’s producer royalties and advances for himself” while locking Madlib out of his Ingrooves, Apple Music, Bandcamp, YouTube and Facebook accounts; the complaint also claims he locked Madlib out of the Instagram account for his trademarked alter-ego Quasimoto, a cartoon character that the producer used throughout his career for merchandise and music.

“Madlib has since demanded that Madicine Show and Rapp Cats be wound up and dissolved and that any contractual relationship with those entities…be terminated,” the complaint reads. “[Alapatt] refuses to do so.” Instead, it claims, Alapatt told Madlib that he’s welcome to “‘buy him out’ of his interest in those entities or the underlying intellectual property.”

Thursday’s lawsuit is the second lawsuit to be filed against Alapatt over the past year. Last October, the manager was also sued by the estate of Madlib’s late collaborator MF DOOM for allegedly stealing the rapper’s notebooks full of lyrics. In response to that suit, attorneys for Alapatt called the case “baseless and libelous,” and characterized it as “the continuation of a year-long smear campaign.”

Madlib’s team is seeking a jury trial and a judicially supervised wind-up and dissolution for Madicine Show and Rapp Cats, “to include a full and complete accounting of the assets and liabilities of the entities [and] a determination of any unauthorized remuneration,” among other requests. Madlib is also seeking damages from Alapatt and Now-Again.

Alapatt and his attorney did not immediately respond to Billboard‘s requests for comment. Carlson also did not immediately return a request for comment.

Independent music publisher Primary Wave Music has partnered with the estate of country/folk singer-songwriter Jerry Jeff Walker on Walker’s music publishing catalog, recording copyrights and artist royalties. The partnership provides the Walker estate access to Primary Wave’s marketing team and publishing infrastructure to work on new marketing, branding, digital, synch opportunities and film/TV projects. The deal also features an agreement for Walker’s recorded masters, in partnership with his label Tried & True Music, to be released and distributed through Sun Records; Sun Records will provide overall catalog marketing strategy, including streaming, social media marketing and physical releases. The deal includes some of Walker’s biggest hits, including “Mr. Bojangles,” “Railroad Lady” and “Sangria Wine.” – Jessica Nicholson

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AI-powered social music app Hook partnered with Glassnote Records to add new tracks from artists including Tors, bby, Hayes Warner and Dylan Cartride to its library, with more acts to be added soon. Glassnote’s roster also includes Mumford & Sons, Childish Gambino and Phoenix. Hook allows users to remix existing songs by speeding them up, slowing them down, mashing them up with other songs and more to post on social platforms, effectively opening up another revenue stream for participating artists. In a statement, Glassnote founder/president Daniel Glass called Hook “a comprehensive solution to the use of remixed music across social platforms in a way that emphasizes artists’ control and compensation.”

Leading music licensing platform Slipstream acquired Anthem Entertainment‘s production music businesses, including U.S.-based Jingle Punks and 5 Alarm Music and U.K.-based Cavendish Music. The acquisition encompasses more than 650,000 tracks along with music production capabilities. The purchase was made possible by financing and expertise offered by Pollen Street Capital, while Moelis & Company served as the exclusive financial advisor to Anthem on the negotiation. The acquisition represents a full-circle moment for Slipstream co-founders Dan Demole and Jesse Korwin; Demole co-founded Jingle Punks and previously served as president of Anthem Music Group, while Korwin served as Jingle Punks’ MD. Anthem Entertainment will make an investment in Slipstream as part of the deal.

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Reactional Music, which allows video game developers to create interactive music soundtracks in their gaming titles, struck a global licensing partnership with Naxos, a leading rights holder of classical and regional music. The two companies are also exploring a collaboration on the composition of interactive soundtracks that would allow gamers to personalize Naxos-owned music in real time while playing, without affecting the master recording. Reactional has previously struck licensing partnerships with companies including Beggars Group, Hopeless Records, Hipgnosis Music Group and production music groups like APM Music, Soundstripe and Alibi.

Global investment firm CVC has invested alongside KKR to support live entertainment group Superstruct Entertainment in its next phase of development. KKR acquired Superstruct, which owns and operates more than 80 music festivals across Europe and Australia, in June 2024. CVC’s previous investments include Stage Entertainment, Formula One, Women’s Tennis and LaLiga.

SoundExchange and the Societies’ Council for the Collective Management of Performers’ Rights (SCAPR) announced that SoundExchange has become the first non-member collective management organization (CMO) to be able to create and issue international performer numbers (IPNs) — unique universal identifiers associated with performers, created and administered by SCAPR, that are used to identify them in data exchanges with other CMOs globally. Through the deal, SoundExchange will create and assign SCAPR’s IPNs to further link performers to their recordings, thereby improving identification of their creative contributions. “IPNs represent another tool in our expanding arsenal helping to get the right people paid the royalties they deserve,” said SoundExchange president/CEO Michael Huppe in a statement.

Downtown-owned business to business distributor FUGA partnered with Manila, Philippines-based management and production company ASINTADA while announcing new hires across the APAC region, including Noorcahyo Istyabudi and Jaya Singh, who will lead business development in Indonesia and South Asia, respectively. FUGA will provide global distribution and bespoke marketing services to ASINTADA, which will also have access to FUGA’s trends and analytics platform. ASINTADA represents some of the biggest hip-hop artists in the region, including Filipino rapper Gloc-9 and rising OPM (original Pilipino music) talent including Shanti Dope, Flow G and Skusta Clee. FUGA also announced a partnership with the Jesuit Communications Foundation, the media arm of the Philippine Province of the Society of Jesus; Crown Studios Inc., a full-service talent and management agency; and record label and production house 314 Studios.

Global children’s audio platform Yoto secured a $15 million funding package from HSBC UK‘s Growth Lending Fund to support its international growth. The funding will allow Yoto, which is based in the U.K. and currently operates in five countries, to extend its reach beyond those markets. Yoto additionally plans to expand the manufacture of its audio players and content cards to satisfy growing demand. The company says it expects to double its revenue with the funding.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Nike is ready to re-enter the 36 Chambers. More than two decades after first releasing the Wu-Tang “Killa Bees” Nike Dunk high-top sneakers, Wu-Tang fans are buzzing about a new collaboration between the sneaker giant and hip-hop group.

The Nike x Wu-Tang Clan Dunk will be released on Nov. 9. The limited release will be available on the SNKRS app and at select retail locations.

“These Dunks are important to me and the Wu-Tang legacy because of the cultural impact they’ve had since their original release,” RZA of Wu-Tang Clan said in a statement to Nike. “For many years, the sneaker world was reserved for athletes and some entertainers, and Nike recognizing us in this way is a testament to hip-hop and our contribution to culture.”

He continued, “The shoe has already carved out a legacy as a silhouette people were striving to possess, and now thousands of people will have a chance to own a pair. These sneakers are a trophy.”

Wu-Tang x Nike Dunks: Release Date

Nike Wu-Tang Clan Dunk


In September, fans landed exclusive access to the shop Nike x Wu-Tang release through Spotify. A limited number of sneakers will be available for Wu-Tang’s top listeners via Spotify Fans First. The exclusive release launched on Sept. 28 at 9 p.m. ET and ended on Oct. 4, or until supplies were available.

Spotify’s Fans First rewards program offers artists’ top fans access to limited-edition merch, presale tickets and more.

Wu-Tang fans have been waiting months for the release. Over the summer, Nike shared what looks like a sneak peek of the Wu-Tang Clan collaboration, via the Nike Sportswear Instagram account.

The post, featuring black and pollen yellow high-top Nike Dunks covered in bees, was shared on the Wu-Tang Clan’s social media accounts and has received over 1,000 comments and more than 70,000 likes.

Nike released just 36 pairs of the original Wu-Tang “Killa Bees” Nike Dunk High back in 1999. The original Wu-Tang Clan high-top Dunks are available on eBay for a whopping $45,000.

While fans await the re-release, the classic Nike Dunk Low are trendy for fall, and being that we’re in a new season, it’s time to refresh your kicks. The Nike Dunk Low is available for $115 and the Nike Dunk High retails for $130. Shop bestsellers at Nike.com.

In other Wu-Tang Clan news, the group wrapped up the Wu-Tang Clan The Saga Continues residency at The Theater at Virgin Hotels Las Vegas in September.