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UFC is heading to Mexico for their latest battle. Two premiere flyweights are set to match in the octagon as the main event for UFC Fight Night. Brandon “The Assassin Baby” Moreno (22-8-2) faces off against Steve “Astroboy” Erceg (12-3-0) in a match on Saturday (March 29).
UFC Fight Night Mexico: Moreno vs. Erceg takes place at Mexico City Arena in Mexico City, with a start time of 4 p.m. ET/1 p.m. PT. The main card is expected to begin at 7 p.m. ET/4 p.m. PT.
Not a subscriber? A monthly subscription to ESPN+ goes for $11.99 per month. However, you can go with an ESPN+ annual subscription for $119.99. This saves you 15% compared to the month-to-month subscription price.
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What Is Moreno vs. Erceg Walkout Music for UFC Fight Night?
While UFC has yet to announce each fighter’s walkout music for the main event of UFC Fight Night, the fighters usually go out to the octagon to the same songs during their matches. Brandon Moreno typically walks out to “El Corrido Del Bebe Asesino” by Ariel Macias, while Steve Erceg prefers to walk out to “You Don’t Mess Around With Jim” by Jim Croce. So these songs will likely make an appearance during the MMA event.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-27 20:59:482025-03-27 20:59:48UFC Fight Night 256 Livestream: How to Watch Brandon Moreno vs. Steve Erceg Online
Posdnuos, founding member of hip-hop legends De La Soul, has the mind-set of a classic rock icon who continues to record and tour after most people that age opt for retirement.
Talking to Billboard‘s Behind the Setlist podcast after a session in the recording studio, Pos (born Kelvin Mercer) says that being mindful of his health is critical to the group’s longevity. “We’re in the gym, running, doing the cardio and staying healthy. I love to run around onstage like a fool. So I’m always in spin class and lifting weights so I can keep my cardio up, man. I want to be like [The Rolling Stones frontman] Mick Jagger, moving around until the grave.”
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At this point, De La Soul is to hip-hop what British invasion bands are to rock & roll. The Stones’ debut album came out a quarter-century before De La Soul released its first album, 3 Feet High and Rising, in 1989. More than 35 years and eight more studio albums later, De La Soul is where The Stones were in 2000: respected elders and innovators with a historic catalog and an appetite to remain relevant.
“I’m really happy that we have a brand that we can still put out there,” Pos says. “Whenever we raise the flag, people want to come in and partake in whatever we’re offering.”
De La Soul has remained busy since the death of bandmate Trogoy the Dove (born David Jolicoeur) in December 2023. After a long absence from digital platforms because of a legal dispute, the group’s celebrated catalog appeared at streaming services in 2023. “We carried on pretty well” while being absent from services such as Spotify and Apple Music, says Pos. “Did we not gain certain fans at a certain time? Definitely, because you gotta realize we missed the entire download era and streaming until about two years ago. But with us still putting out music, we saw how people were so engaged, and even younger people engaged in our music.”
In the Internet age, De La Soul is never more than a Google search away. The group found a new wave of admirers after collaborations with Gorillaz that produced the hit song “Feel Good Inc.” in 2005 and “Crocadillaz” in 2023. Thanks to an abundance of metadata about music, people curious about the musicians on the tracks could easily find information about group — although they got to know him as Kelvin Mercer. “I’m a government name with young people,” says Pos.
The interview focused on De La Soul’s Jan. 16 show at Lincoln Center in Manhattan and also covered the group’s album and EP reissues. Listen to the entire conversation with Posdnuous using the embedded Spotify player below or go to Spotify, Apple Podcasts, iHeart, Amazon Music, Podbean or Everand.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-27 20:59:472025-03-27 20:59:47De La Soul’s Posdnuos on the Group’ s Longevity: ‘I Want to be Like Mick Jagger, Moving Around Until the Grave’
FKA Twigs has reunited with North West to release a music video for their collaboration, “Childlike Things,” and they’ve also called on Kevin Smith and Jake Shane to guest star.
In the clip, Smith and Shane act as music industry executives as Twigs tries to prove her artistry to them. When they don’t see the vision, Twigs brings in North to amplify the energy. The 11-year-old then appears, rapping in both English and Japanese, proclaiming, “Hello, my name is North/ From California to Tokyo/ Jesus the King/ Praise God/ Jesus is the only true God.”
“OK, it’s fire,” Smith ultimately admits — though he’d rather Twigs focus on short-form social media content rather than a music video.
FKA Twigs previously opened up about the firstborn daughter of Kim Kardashian and Ye (formerly Kanye West) ended up on “Childlike Things,” explaining that she needed a collaborator who could match and enhance the “childlike energy” she was tapping into on the track. “It [needed] someone who has that tenacity, who has that strong point of view that you have when you’re 11,” Twigs shared on Instagram. “Then I saw an interview with North West, and she was so confident. It suddenly occurred to me that I would’ve loved to have a friend like North who could speak up for themselves.”
She continued, “I was like, ‘OK, it has to be North, she has to put her point of view on the song.’ She came and wrote about her faith, which I think is really powerful.”
“Childlike Things” ended up being one of 11 tracks on Twigs’ new album Eusexua, which debuted at No. 24 on the Billboard 200 — her highest peak on the chart to date. North had previously worked with her dad on Vultures 1‘s “Talking” and Vultures 2‘s “Bomb.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-27 20:35:572025-03-27 20:35:57North West, Kevin Smith & Jake Shane Star in FKA Twigs’ ‘Childlike Things’ Music Video
After a string of standout collaborations, Atlanta rapper Anycia is back with “Never Need” — a bold anthem that celebrates independence, confidence, and the power of women standing strong in their own light. Featuring fellow female MCs GloRilla and Karrahbooo, the track promises to resonate with listeners who know their worth and aren’t afraid to own it.
Out March 28, “Never Need” marks the first single from Anycia’s upcoming Gangsta Grillz mixtape with DJ Drama, Grady Baby,set for release later this spring. Produced by the Spaceboy duo EJ Stellar and jetsonmade — known for their space-themed production style — the track highlights Anycia’s signature chant-along style. It also features an interpolation of the beat from Khia’s 2002 hit “Don’t Trust No N-—a,” featuring DSD.
Anycia shares that the inspiration behind the track was “simple” yet profound. “I wanted to make something that really spoke to women standing on their own, not just in relationships but in every part of life,” she explains. This theme of unapologetic self-worth is echoed throughout “Never Need,” as the three artists combine their unique styles to create a song that is as fierce as it is empowering.
“Man, I said, ‘Let’s find me the most disrespectful women I could find to get on this track with me!’” Anycia says admiringly of her collaborators. The chemistry between the three is palpable, and their combined force makes this an unmissable track. “They made it even more raw and unapologetic,” she adds, reflecting on how their individual energies elevated the song.
Anycia, GloRilla and Karrahbooo.
The behind-the-scenes video for “Never Need” further complements the track’s message, as Karrahbooo and Anycia exchange praise and uplift each other throughout. Anycia spends a decent part of the video explaining and displaying why she’s a “bad b—ch,” bringing the theme of independence to life in a visual form. “We wanted to show that independence isn’t just about not needing a man—it’s about owning who you are, moving how you want, and doing it with confidence,” She explains.
For Anycia, “Never Need” is more than just music; it’s a statement of empowerment, especially for women. “I just want people — especially women — to feel empowered when they hear it,” she says. “Like, ‘Yeah, you got this on your own, you don’t need validation from nobody.’” It’s a celebration of knowing your worth and moving accordingly.”
She also emphasizes how sharing this moment with her fans means everything to her, declaring, “This one is for us.”
For Anycia, the track’s most powerful lyric is: “I ain’t never need a n-—a for a goddamn thing.” It’s a line that carries deep significance for the artist, who credits the women in her life for shaping her into the person she is today. “Literally since I was born, the most powerful people in my life were women. I literally never needed a n-—a for a goddamn thing,” Anycia shares.
Behind the scenes, the collaboration between the three women went beyond the music. Anycia recalls a memorable moment during the video shoot when GloRilla was “sick as f—k” but “still came and delivered like a trooper. That’s a hard-working girl!”
Watch the exclusive behind-the-scenes video for “Never Need” below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-27 20:35:562025-03-27 20:35:56Owning Their Power: Anycia Talks Joining Forces With GloRilla and Karrahbooo for ‘Never Need’
Fernando Cabral de Mello has been named CEO of Sony Music Entertainment Brazil, Sony Music Latin Iberia announced on Thursday (March 27). His appointment comes as part of a new organizational structure for Sony’s operations in the country.
The “newly unified entity” will encompass Sony Music Brazil, Som Livre and also oversee the joint venture with ticketing and live entertainment company, CTS EVENTIM. All of these entities will continue to operate independently, according to a press release.
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Reporting to Afo Verde, chairman/CEO of Sony Music Latin Iberia, Cabral de Mello will be responsible for “driving the overall strategy, streamlining operations, and leveraging the combined resources and expertise” across the aforementioned business units, the release states.
“I am excited to take on this new role and lead Sony Music Entertainment Brazil into a new era of growth and innovation,” Cabral de Mello said in a statement. “Brazil is a dynamic and ever-evolving market, and I am eager to collaborate with our talented teams to continue to deliver exceptional value to our artists, partners, and fans.”
Cabral de Mello, who boasts more than 25 years of experience in the industry, joined Sony Music in 2005 and has since held various leadership roles, including his most recent post as executive vp of business development for Sony Music Latin Iberia. The executive has also played a key role in the growth of CTS EVENTIM in South America and has additionally led the premium content division for Latin Iberia, overseeing the development and production of documentaries, films and TV series.
“This strategic move reinforces our commitment to the Brazilian market,” added Verde in a statement. “Fernando is a proven leader with a deep understanding of this amazing country. We are excited to see him lead these talented teams and drive the future of music and entertainment in Brazil.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-27 20:30:022025-03-27 20:30:02Fernando Cabral de Mello Named CEO of Sony Music Entertainment Brazil
Yailin La Más Viral is no stranger to making headlines, whether it’s for her high-profile love affairs or her bold reinventions, such as surgically changing her eye color. But in early March, the Dominican rising star drew attention in a whole new way with a career-making achievement: She made history by selling out her first headlining concert at New York’s iconic United Palace for two consecutive nights, becoming the first Dominican woman to do so, and the third Latina after Karol G and Becky G, the venue’s CEO confirmed to Billboard Español.
“I feel very proud and it was something very important,” Yailin tells Billboard Español, reflecting on her growing success and the overwhelming support she has been receiving from the Caribbean community and beyond in the U.S. “It’s a very big pride to do it as a Dominican, as a woman, representing the Dominican youth, and the gender of us; the support that the fans gave me and putting my culture on high.”
At just 22 years old, Yailin is not just commanding stages but living up to her moniker — “the most viral” — with her latest breakout hits. Released in November 2024, “Bing Bong” has amassed an astonishing 175 million views on YouTube to date, with an additional 75 million streams on Spotify. On this track, inspired by a spontaneous encounter with Brazilian artist Veigh during Billboard. Latin Music Week in Miami, Yailin dips into Brazilian funk and infuses her signature Dominican dembow flair. The result? A fresh and infectious sound that’s all her own, provocative and unapologetically original. The song earned a spot on Billboard’s Hot Latin Songs chart, debuting at No. 28 — her first solo chart achievement. Meanwhile, tracks like “Silla” and “Chapa” — all three produced by Puyalo Pantera and Yailin — continue to rack up ten of millions of streams.
Adding to her growing buzz, she further made waves online when she was seen celebrating New Year’s Eve in Santo Domingo alongside Spanish superstar Rosalía. “I had my first encounter with Rosalia when I was in a relationship with Catta’s father,” she says in reference to Anuel AA and their daughter Cattleya. “[Rosalia] was a very warm person, she gave me her friendship, despite everything that was going on. We kept communicating and we created a friendship.” Around the NYE holiday, she also sang “Obsesión” alongside bachata megastar Romeo Santos when Aventura came to Dominican Republic Olympic Stadium in the Dominican Republic. “It was something very important, Romeo is someone very important for us,” she adds.
Yailin (whose real name is Georgina Lulú Guillermo Díaz) grew up in Santo Domingo, immersed in the rich sounds of her island, such as dembow. “The carnival music from here, with drums and things like that, was always something I heard here,” she recalls. “My dad passed away when I was little, and music always influenced me because of him. He always listened to Ana Gabriel, which is why I identify with Ana Gabriel so much. There was a dance they called el baile de Pakitín, where you danced with your hands and feet. And those were the things that influenced me the most.”
Like many rising Latin artists, Yailin looked to the icons of reggaetón and pop culture for inspiration, imagining herself on the same level as the legendary figures she grew up listening to. “You know, I’m not that old. I used to listen to Puerto Rican reggaetón artists like Daddy Yankee. Then we started listening to music in the Dominican Republic from American artists like Beyoncé, those people. You always think when you’re [very young] that one day you’re going to be something big just like them,” she says. Her ambition fueled her journey as she ventured into music, despite the challenges of breaking into a male-dominated genre.
Yailin La Más Viral
Her rise has been anything but ordinary, with much of her early public recognition stemming from her high-profile romantic relationships. In 2022, she became involved with superstar Anuel AA, shortly after his highly publicized split from Karol G. Their whirlwind relationship led to a marriage and the birth of their daughter, Cattleya. During this time, Yailin also collaborated with the Puerto Rican rapper, appearing on “Si Tú Me Busca,” which scored her her first Billboard chart entry, reaching No. 12 high on Hot Latin Songs.
By 2023, Yailin and Anuel AA separated, and she began to face life as a young single mother. She began collaborating with Tekashi69 — a controversial rapper with a history of legal troubles — on tracks like the bilingual “Shaka Laka” and the romantic-leaning “Pa’ Ti,” which fueled rumors of a romantic connection, as she navigated public scrutiny. The latter track, however, secured her her first top 10 on Hot Latin Songs, debuting and peaking at No. 6 that year in July.
“I always say that God takes you on a path where you can learn,” she says. “Those things that happened to me, I think they were kind of forging me into who I am. But I know that God put me through that, so that I can be who I am today.”
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“Bing Bong” marks her first chart appearance as a solo artist. Its success is particularly special to her, as it serves as both a creative milestone and a personal one. The inspiration behind the track was none other than her daughter. “Catta was the one who did the ‘aayyyy…’ [heard in the song]. She is the inspiration for ‘Bing Bong,’” she shares with pride. Being a single mother and balancing her demanding career hasn’t been easy, but her child has become her driving force. “Catta is like the engine of my life, like the motor. Everything I do is so that she can have a future and a very different life than the one I had.”
From her new grey eyes to her striking pink hair and daring outfits, the singer’s bold style is yet another way she showcases her individuality. “My look, the different things I do to myself, I change them a lot because I really like experimenting to see where I find myself,” she explains. “One of my goals is for my fans to identify with the style I have, [clothes] to be able to use it day to day, and for it not to be too expensive, so they feel good and can be different.”
As she continues growing her career, Yailin is focused on leaving an impact — not just as an artist, but as a humanitarian, of helping single mothers and children in need, even expressing her desire to one day adopt. “I have plans to help single mothers. I want that to be on my record, that I can make a plan, a foundation, something to support young single mothers,” she says, also adding, “I’ve always had a dream of adopting a baby.”
“The first thing I always want is for people to remember me as a girl who came from low-income backgrounds, who came from the bottom, from the Dominican Republic, who made it, who was able to go out and represent her country, and that this helps to put my country on high,” she says. “And as a person, that they remember me as the best mother Catta could have. May I always be seen as someone who loves her family, who is very grateful to her fans, and who appreciates the support. I see myself in the future as one of the most remembered artists of the Dominican Republic, who inspired many young people and that they know that I will always be the same Yailin.”
Name: Georgina Guillermo Díaz
Age: 22
Recommended Song: “My song ‘Bing Bong’ is like the seal of Yailin La Más Viral, because it was the song where I found myself. But if I can tell you the most important song that I have recorded, apart from that one, is ‘Mía,’ because it is the song for my daughter, where I express what she means to me.”
Biggest Accomplishment: “Many great things can come and go in life, but being Catta’s mom is my greatest accomplishment. [Professionally], I still feel like my biggest accomplishment hasn’t yet arrived.”
What’s Next: “For Yailin, la chivirica, putona, toda la chivirica, a lot of music and many surprises are coming. We have many projects: to bring out a makeup and clothing line. That the fans can identify with me, see that I wear this [clothing] and that it is not so expensive. To finish an album and do an international tour.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-27 20:30:012025-03-27 20:30:01Yailin La Más Viral on Why She Sees Herself Becoming One of the Dominican Republic’s ‘Most Remembered Artists’
Dua Lipa won a ruling Thursday (March 27) dismissing a copyright lawsuit claiming she copied her smash hit song “Levitating” from two different decades-old songs.
The case, filed in 2022 by songwriters L. Russell Brown and Sandy Linzer, accused Lipa of ripping off their 1979 song “Wiggle and Giggle All Night” and their 1980 song “Don Diablo.” The lawsuit was one of two high-profile copyright cases filed over “Levitating,” a massive hit that spent 77 weeks on the Billboard Hot 100.
In her decision, Judge Katherine Polk Failla ruled that Lipa’s song shared only generic elements with Brown and Linzer’s songs — the kind of basic musical building blocks that are not covered by federal copyright law and cannot be owned by any one songwriter.
“The court finds that a musical style, defined by plaintiffs as ‘pop with a disco feel,’ and a musical function, defined by plaintiffs to include ‘entertainment and dancing,’ cannot possibly be protectable,” the judge wrote. “To hold otherwise would be to completely foreclose the further development of music in that genre or for that purpose.”
The judge said that some of the material Brown and Linzer claimed Lipa stole — like a “patter style” featuring rapid singing of one syllable per note — had been “used for centuries” and existed in operas by Mozart and operettas by Gilbert and Sullivan. The judge said another allegedly infringing element, a rapid tempo, was also “common” and had appeared identically in “Stayin’ Alive” by the Bee Gees.
“It is possible that a ‘layperson’ could listen to portions of plaintiffs’ and defendants’ songs and hear similarities,” the judge said. “But … the similarity between the works concerns only non-copyrightable elements of the plaintiffs’ work.”
In a statement to Billboard, an attorney for Brown and Linzer said they “respectfully disagree” with the decision and would file an appeal.
“This case has always been about standing up for the enduring value of original songwriting, and we continue to believe in the strength of Mr. Brown and Mr. Linzer’s creative legacy,” attorney Jason T. Brown said. “There’s a growing disconnect between how these cases are decided — by academically analyzing briefs, bar lines, and musical notation — versus how audiences actually experience music.”
An attorney for Lipa did not immediately return a request for comment.
Released on Dua Lipa’s 2020 album Future Nostalgia, “Levitating” spent a whopping 41 weeks in the top ten of the Hot 100 — the longest ever such run for a female artist — and was later named the No. 1 Hot 100 song of 2021.
In early 2022, the star was sued over the track twice, both over accusations that she had lifted key elements from earlier songs. The first lawsuit came from a Florida reggae band named Artikal Sound System, which claimed Lipa lifted the core hook for her song from their 2015 “Live Your Life.” That case was dropped in 2023 after Lipa’s attorneys won a key early-stage ruling.
The second case came from Brown and Linzer, who alleged that Lipa had stolen the melody that starts just a few seconds into her song, when Lipa begins singing, “If you wanna run away with me…” They called it a “duplicate” of their own songs.
But in Thursday’s ruling, Judge Failla said that claim was merely over “a descending chord and the one additional note” — a “combination of two unprotectable elements” that she said are “not sufficiently numerous or original to constitute an original work entitled to copyright protection.”
In reaching that conclusion, the judge heavily cited from recent litigation against Ed Sheeran over accusations that his “Thinking Out Loud” infringed Marvin Gaye‘s “Let’s Get It On.” That case also ended with a ruling that Sheeran had used only common, unprotectible elements.
Suge Knight openly criticized Ye (formerly Kanye West) for his comments about Jay-Z and Beyoncé’s kids earlier this month during an explosive X tirade.
Knight joined the Art of Dialogue podcast earlier this week, where he targeted West and put the embattled Chicago rapper on blast for his flagrant remarks about Jay and Bey’s seven-year-old twins.
“I need to holla at Kanye. We never, never disrespect no one’s kids,” he said. “You don’t talk about Jay and Beyoncé’s children and call them r——d. That’s what we won’t do. It’s real consequences for those type of actions.”
The former Death Row boss continued: “I hold people in hip-hop, people in our community, to higher standards than that. We came a long way as Black people, as slaves, not to protect people’s kids or people that are disabled. That’s not funny to me, not one bit. He needs an old-fashioned ass-whooping.”
Knight went as far as calling the rapper a “b—h” for his comments about Rumi and Sir Carter earlier in March, in which West questioned the twins’ mental abilities and made unsubstantiated claims about in vitro fertilization (IVF). West later took down the post claiming that there was a possibility his X account would have been deactivated for allowing it to stay up.
TMZ later caught up with Beyoncé’s father, Matthew Knowles, to get his reaction to West’s offensive comments. “People pay a price for being stupid, especially in the music industry,” he said on March 21. “I’m hopeful Kanye gets the type of help he needs, in terms of mental health.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-27 20:18:192025-03-27 20:18:19Suge Knight Criticizes Ye for His Comments About Jay-Z & Beyoncé’s Children
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Following the announcements of Anitta and YG, True Religion is now tapping Sexxy Red for their latest Own Your True campaign. Aiming to highlight “pop culture icons who are unafraid to embrace their true selves,” the brand had Red showcase their spring 2025 collection, including their signature denim, statement velour tracksuits and summer-ready low rise shorts.
True Religion’s spring 2025 collection pays homage to decades of influence in both streetwear and music, incorporating oversized silhouettes, distressed denim, and statement-making camo prints. With a nod to ‘90s hip-hop influences, the women’s collection features elevated takes on the brand’s signature styles, including heritage stitching and bold graphics.
“Fashion is all about showing people who you really are,” says Sexyy Red in a statement. “True Religion has always been about being bold and staying real, and I felt dat. I’m excited to be a part of this campaign and to keep inspiring my supporters to be themselves, no matter what nobody says.”
The new campaign comes on the heels of another big announcement for the “Get It Sexyy” rapper — at the start of March, Variety reported that Red had joined the cast of the forthcoming Rolling Loud comedy fim, alongside fellow hip-hop stars Ty Dolla $ign and Ski Mask The Slump God, as well as Henry Winkler, Matt Rife and Owen Wilson..
The Own Your True campaign will continue to announce more collaborations and artist partnerships over the coming months. In the meantime, shop Sexxy Red’s True Religion campaign look on the brand’s site here, as well as below:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-27 19:53:312025-03-27 19:53:31Sexxy Red Joins True Religion’s Own Your True Campaign: Shop the Looks
BEAT Music Fund, the dance music investment company from Armada Music Group, acquired the rights to “a large portion” of masters from DJ, producer and Turbo Recordings founder Tiga. The deal includes Tiga’s “Sunglasses at Night,” “Bugatti,” “You Gonna Want Me,” “Let’s Go Dancing” and “HAL” featuring Kölsch. BEAT previously signed catalog deals with Kevin Saunderson, Markus Schulz, Robbie Rivera, Jax Jones, Amba Shepherd, VIVa MUSiC, Sola Records, King Street Sounds, Chocolate Puma and others.
Hook, the AI-powered platform that allows users to legally remix songs by top artists while earning income from those remixes, closed an additional $3 million in funding, bringing the startup’s total funding to $6 million. This round includes new investments from Khosla Ventures, Kygo‘s Palm Tree Crew, and The Raine Group. Continued support came from existing investors including Imaginary Ventures, Steve Cohen‘s Point72 Ventures, KSHMR and Edgar Bronfman, Jr.‘s Waverley Capital. The investment will help accelerate Hook’s marketing efforts and hiring, with a focus on user acquisition.
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Japanese record label Teichiku Entertainment signed a distribution partnership with Believe for Japan and the rest of the world. Through the deal, the companies aim to expand Teichiku’s digital footprint by leveraging Believe’s global DSP network, technology and digital-first expertise to bring Japanese enka, kayōkyoku and pop music to a wider audience globally.
Indian record label and music publisher Times Music acquired Indian regional record labels Symphony Recording Co. and ARC Musicq. These are Times Music’s first acquisitions since Primary Wave Music invested in the company to speed up its growth worldwide. Symphony, described in a press release as “the undisputed leader of Tamil spiritual and devotional music,” has a catalog of more than 350 audio and 100 video albums and boasts YouTube views of nearly 2 billion, with revenue on the platform doubling in the past four years, according to the release. ARC Musicq, which has been distributed by Times Music since 2017, is a label specializing in Indian folk music and film soundtracks within the Kannada music market. ARC also boasts more than 2 billion views on YouTube, with revenue quadrupling in the last three years, according to the release.
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Independent U.S.-based K-pop label hello82 struck a partnership with One Hundred Label, the Korean entertainment company behind THE BOYZ. Under the deal, hello82 is serving as the exclusive physical distributor for the group’s album Unexpected, which was released on March 17. To support the release, hello82 is erecting immersive fan experiences at its brick and mortar fan spaces in Los Angeles and Atlanta, and at pop-up shops in major markets including New York, Chicago and San Diego throughout March. Hello82 previously signed similar deals with KQ Entertainment (ATEEZ, hikers) and FNC Entertainment (P1Harmony).
Ninja Tune struck a licensing partnership with Reactional Music, the music personalization platform allowing real-time interactive music integration in gaming, automotive and digital environments. With the deal, Ninja Tune’s labels and publishing division, Just Isn’t Music, have licensed the rights to tracks from its catalog for use in Reactional’s music personalization engine and music delivery platform. Ninja Tune’s labels include Brainfeeder, Counter Records, Technicolor, Big Dada and Foreign Family Collective, which have collectively released music by Thundercat, Bonobo, Little Dragon, Run the Jewels, ODESZA, Peggy Gou and others. Reactional’s platform is now live on Unity and Unreal Engine. It is being used by developers and creators in Europe, the United States, China and Southeast Asia.
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ADA, the independent music distribution and artist services arm of Warner Music Group (WMG), acquired music tech startup RSDL.io, which provides automated accounting and a simplified view of multiple revenue streams for artists and labels. Founded by tech executives Mike Holmes, Jim Sella and Bill Sella and music industry players Alex Brahl (S7 Management) and songwriter-producer Shep Goodman, RSDL.io lets users facilitate payments and manage splits and recoupments and “allows for multi-level artist and contributor payout functionality and insights,” according to a press release.
EMPIRE struck a multi-year partnership with sound separation and lyric transcription technology company AudioShake under which the San Francisco-based label will use AudioShake’s stem and lyric separation technologies to create stems and lyrics for its catalog. EMPIRE will use AudioShake’s AI to produce stems for use in synch licensing, immersive formats and new music licensing models.
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Musical AI, the AI rights management platform for music and audio, is partnering with Nashville-based artist-model platform and VST plugin First Rule to build fully-licensed AI agents and models designed to support music makers. Through the deal, Musical AI will provide licensed training data to First Rule, which will use the data to train musical agents and models aimed at assisting artists and producers. Musical AI will also provide attribution technology and payment processing “to ensure First Rule can prioritize rightsholder consent, credit, and compensation,” according to a press release. Using this data, First Rule will train its proprietary models to ensure they are able to produce high-quality results. This will allow artists and producers to train their own “Musical Essence or M.E Models on their distinctive style and approach,” then license those models to others to use in First Rule’s Co-Writer, a generative AI-powered VST plugin the company is currently building that will work in any digital audio workstation.
Sony Music Entertainment India and Tiger Baby — the Indian production company formed by filmmakers Zoya Akhtar and Reema Kagti — formed Tiger Baby Records, a joint-venture music label dedicated to fostering emerging talent. For one of its first projects, the new label has partnered with jewelry brand Tanishq for a wedding song composed by Abhishek-Ananya and performed by Poorvi Koutish. It also recently released the soundtrack for Superboys of Malegaon, a film based on the life of filmmaker Nasir Shaikh, that was composed by Sachin-Jigar and written by Javed Akhtar. Tiger Baby Records will additionally release original music curated by Ankur Tewari that will spotlight emerging artists and launch a “City Sessions” initiative with Mumbai’s Island City Studios in which singer-songwriters will be offered the opportunity to refine their craft, collaborate with established artists and more.
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Universal Music Group (UMG) and HEAT — a new marketplace connecting animators, game developers and 3D artists with a trove of motion data and music — formed a collaborative initiative involving Lil Wayne and CG5 that will make licensed tracks from both artists available to game developers for the first time. Beginning May 1, Lil’ Wayne tracks “Uproar” and “GO DJ” and CG5 tracks “I See A Dreamer,” “Sleep Well,” “Let Me In” and “Dancin’” will be available through the HEAT platform, allowing game creators to integrate those tracks into their projects.
Secretly Distribution struck a global distribution deal with Invada Records, a U.K.-based independent label co-owned by musician, producer and composer Geoff Barrow (Portishead, BEAK>) and his longtime business partner Redg Weeks. Invada has released music by artists including DROKK, The KVB, Jeremy Gara (Arcade Fire), BEAK>, Divide And Dissolve, Anika, Billy Nomates, Gazelle Twin, Colin Stetson, Sleafords Mods, TVAM, Benefits and Julian Cope. It has additionally released scores for films, TV shows and video games including Stranger Things, Drive, Ex Machina, Solaris, Red Dead Redemption 2, Hannibal, Dark, Annihilation and Black Mirror.
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Sweet Relief Musicians Fund and Sweetwater launched The Hearing Health Fund at Sweet Relief Musicians Fund, which will provide support for the growing number of music professionals who face hearing-related challenges, including hearing loss and tinnitus. According to research cited in a press release, seven in 10 music venue staff are exposed to noise levels above the daily recommended limit, while only 15% reported using hearing protection on a regular basis. Through the fund, professionals can receive a free, three-part hearing screening with a certified audiologist and free Etymotic Research ER-20XS High Fidelity Earplugs. Music pros can navigate here to apply for the Hearing Health Fund.
Music technology company Audoo partnered with German performing rights society GEMA on GEMA’s music impact study, which aimed to quantify the commercial value of background music in gastronomy and retail spaces. The study used Audoo’s audio meters — or music recognition hardware — that the company had installed in hundreds of venues. Overall, it found that the use of background music increased retail sales by an average of 8% and gastronomic sales by an average of 5.4%. More information on the research can be found here.
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Rhino Staging, which provides stagecraft and rigging crews across the U.S., acquired ROC Rigging, a provider of special event rigging services for entertainment, corporate and private events in the Palm Springs, Calif., area. Matt Talley, the founder/CEO of ROC Rigging, along with the company’s management team, will remain in place as the company integrates with Rhino.
UnitedMasters partnered with The Coca-Cola Company for an event to be held this month in São Paulo celebrating Brazil’s independent music scene. The two companies have also selected independent artist Alee to perform at Coke Studio at Lollapalooza Brasil, in addition to Zudizilla, who will perform on the main stage.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-03-27 19:53:292025-03-27 19:53:29The Deals: Tiga Sells Masters to Armada’s BEAT Music Fund, AI Remix Platform Hook Raises $3M