Benson Boone broke out his signature backflip on Thursday (May 1) to promote his upcoming appearance on Saturday Night Live.

When the first SNL promo opens, the pop sensation is nowhere to be found, missing his cue after host Quinta Brunson excitedly introduces him as the episode’s musical guest. “Huh, he was supposed to flip into frame,” SNL standout Sarah Sherman points out, leading Brunson to worry, “Yeah, I hope he’s OK.”

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Only after the two women start calling out Boone’s name does the “Beautiful Things” singer tumble onto the screen — backflipping into Studio 8H as Brunson and Sherman let out screams of surprise. (“Hi ladies! Gotcha!” he adds with a grin.)

In a second promo, Brunson keeps a giddy Boone from doing another flip, amusingly muttering, “He be flippin’,” under her breath in the process.

The 2025 best new artist Grammy nominee isn’t the only person launching himself head over heels in the video, either. In the final segment, Sherman volunteers to be the one to try out the gymnastics move with an unworried “I’ll figure it out!” Naturally, this leads to disaster with the comedian sprawled out on the studio floor and unable to move, her limbs contorted in unnatural angles as an on-set medic attends to her (fake) injuries.

Boone’s debut appearance on the long-running sketch series is sure to continue building excitement for his highly anticipated sophomore album, American Heart, which will be released June 20 and feature previously released singles “Sorry I’m Here for Someone Else” and “Mystical Magical.”

The 22-year-old heartthrob’s sure-to-be aerial performance on the stage of Studio 8H also follows his rollicking sets at Coachella last month, which included plenty of backflips and a surprise appearance on weekend 1 of Queen guitarist Brian May for a cover of “Bohemian Rhapsody.”

Watch Boone flip out over his upcoming Saturday Night Live gig below.

When it comes to the prospect of being trapped on a deserted island, Kelly Clarkson would want to be with a fellow American Idol alum.

The hypothetical scenario came up on Thursday’s episode (May 1) of The Kelly Clarkson Show during a round of “Playing Dice With God,” with guests Tina Fey and Will Forte.

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Bathed in the studio’s heavenly light, the American Idol winner’s roll of the dice landed on the “Personal” category, prompting the unseen announcer (i.e. “God”) to ask, “If you had to be stranded on an island with one former famous co-worker, who would you choose and why?”

Without skipping a beat, Clarkson answered, “I’m gonna say — she seems like a fun hang for a while — so I’m gonna say J-Hud. I’m gonna say Jennifer Hudson.”

The two stars never crossed paths on Idol: Clarkson won the inaugural season in 2002, while the future EGOT was shockingly eliminated in seventh place two years later in one of the most controversial voting results in the show’s history. However, they did end up working together — and competing against one another — as coaches on The Voice more than a decade later. (In season 15, Clarkson took home her second consecutive win thanks to Cheval Shepherd’s victory; Team J-Hud’s Kennedy Holmes ultimately came in fourth place.)

Since they spent time in NBC’s famous spinning chairs, Hudson has also joined her Idol predecessor in the daytime-TV trenches by launching her eponymous talk show The Jennifer Hudson Show in 2022.

Watch Clarkson roll the dice on the chances of Hudson being a good beachside buddy below.

If you haven’t heard about the 100 men versus a gorilla debate, than you might be living under a rock.

The question was first posed by the No Funny Sh– podcast out of Harlem earlier this year and has since gone viral, so it was only right for fellow Harlem natives Cam’ron and Mase to give their two cents on who they would put their money on.

At first they were reluctant to answer because they felt the topic was trivial, but after being pressed a bit by their co-host Treasure “Stat Baby” Wilson at the beginning of a recent episode of their sports talk show It Is What It Is, the two rap legends couldn’t stop laughing as they really started to think about it. “Being a gorilla, I would go with the gorilla,” Mase joked. “I think if one one guy get hit the wrong way, pause, 30 of them are running. I don’t think everybody’s fighting.”

Cam then co-signed that perspective saying, “I agree with that take. At least 30 n—as see what happened, they taking off. I agree with that.”

Mase continued by saying, “Yeah, at first everybody gonna be like they ready to go, but as soon as a n—a get punched by that gorilla,” with Cam interjecting, “Or as soon as a gorilla using you as a shield.”

Mase then added, “Once he grab one n—a arm and sling him across the room, another 40 is outta there.”

The rest of the episode was dedicated to the NBA Playoffs and the NFL Draft. You can watch the full episode below.

Two decades on from the release of their critically-acclaimed debut album, English indie-rock veterans Bloc Party have announced a reissue of their Silent Alarm LP.

Set for release on September 26, the group will be reissuing the record as an extensive four LP box set. The first two LPs feature the original record, while the remaining LPs collect a number of B-sides and rarities, alongside their 2004 BBC Radio 1 John Peel session, and seven demo recordings. A two CD reissue and a two LP repress of the record will also be made available.

Silent Alarm was originally released in February 2005 as Bloc Party’s eagerly-anticipated debut release. Following a string of singles and a self-titled EP released across the previous year, the record generated widespread acclaim upon its arrival, and went on to hit No. 3 in the band’s native U.K. 

In the U.S., the record would hit No. 114 on the Billboard 200 and No. 7 on the Independent Albums chart. It also received a nomination for the 2005 Mercury Prize, and helped to establish the group on the global stage amidst the mid-’00s indie-rock explosion.

In 2018, Bloc Party announced a series of international tour dates performing the record in full for the first time, with the band set to reprise this undertaking this year. Launching in Mexico in May, the group will visit California for the Just Like Heaven festival on May 10, before returning to the U.S. later in the month for a series of shows to perform the album in full alongside a selection of other hits.

“It’s nice to be able to go back and listen to those records, and to remember where I was when I wrote them, the conversations that I was having and the people that were in my life,” frontman Kele Okereke told Billboard in January. “That’s the stuff that comes back to me when I go back to these songs and I don’t really do that so often. 

“I had to do it for Silent Alarm as I had to relearn the songs. I’ve always been obsessed with looking forward, but I am recognizing that we’ve done something quite good and it’s nice to bask in that sometimes.”

Bloc Party’s biggest U.S. success came about in 2007 with second album A Weekend in the City, which hit No. 12 on the Billboard 200. Their most recent record, Alpha Games, was released in April 2022, while Okereke’s latest solo album, The Singing Winds Pt. 3, arrived in January.

English trip-hop outfit Massive Attack have shared their support for Belfast hip-hop trio Kneecap in response the controversy that has followed their pro-Palestinian messaging.

Massive Attack shared their comments on Instagram on Wednesday (April 30), criticizing the disproportionate amount of condemnation that Kneecap have received when compared to the attention received by pertinent matters in Gaza.

“If senior politicians can find neither the time, nor the words to condemn, say, the murder of fifteen voluntary aid workers in Gaza, or the illegal starvation of a civilian population as a method of warfare, or the killing of thousands & thousands of children in the same territory, by a state in possession of the highest precision weapons on earth; how much notice should a music festival take of their moral advice on booking performing acts?” the band wrote. 

“As a band that has spoken publicly for more than 30 years about the illegal occupation, apartheid system and killing with impunity of thousands of Palestinians, we are hyper aware of the both the human cost of abject political silence, and the commercial implications of publicly expressing solidarity with an oppressed people.”

Kneecap’s overtly political messaging made global headlines following their appearance at the Coachella festival in April, where they projected strong anti-Israel sentiments during their set – sentiments which they had claimed were censored during their first weekend appearance.

“Israel is committing genocide against the Palestinian people,” the projected messages read. “It is being enabled by the U.S. government who arm and fund Israel despite their war crimes. F–k Israel; free Palestine.” 

The backlash to Kneecap’s comments were swift and varied, with Sharon Osbourne calling for the band’s work visas to be revoked ahead of another North American tour later in the year, while the trio would soon split with their booking agent, Independent Artist Group.

More recently, Kneecap issued an apology for archival footage which showed the group allegedly calling for the death of British MPs (members of parliament). 

Filmed at a London gig in November 2023, it appears to show one member of the band saying: “The only good Tory is a dead Tory. Kill your local MP.” At the time, the Conservative Party – also known as the Tories – were in government with a large majority.

“Language matters of course. The hideous murders of elected politicians Jo Cox and David Amess means there’s no scope for flippancy or recklessness,” Massive Attack continued.

“But do politicians and right-wing journalists strategically concocting moral outrage over the stage utterings of a young punk band, while simultaneously obfuscating or even ignoring a genocide happening in real time (including the killing of journalists in unprecedented numbers) have any right to intimidate festival events into acts of political censorship?

“Kneecap are not the story,” they concluded. “Gaza is the story. Genocide is the story. And the silence, acquiescence and support of those crimes against humanity by the elected British government is the real story. Solidarity with all artists with the moral courage to speak out against Israeli war crimes, and the ongoing persecution and slaughter of the Palestinian people.”

Soon after Massive Attack’s message, London-based independent label Heavenly Recordings also shared a statement which was signed by Massive Attack alongside Fontaines D.C., Pulp, The Pogues, Thin Lizzy, Sleaford Mods, Paul Weller, and myriad others.

“This past week has seen a clear, concerted attempt to censor and ultimately deplatform the band Kneecap,” the statement read. “In Westminster and the British media, senior political figures have been openly engaged in a campaign to remove Kneecap from the public eye, with veiled threats being made over their scheduled performances at gigs, outdoor events and music festivals, including Glastonbury.”

“In a democracy, no political figures or political parties should have the right to dictate who does and does not play at music festivals or gigs that will be enjoyed by thousands of people,” it continued. “The question of agreeing with Kneecap’s political views is irrelevant: it is in the key interests of every artist that all creative expression be protected in a society that values culture, and that this interference campaign is condemned and ridiculed.

“Furthermore, it is also the duty of key leadership figures in the music industry to actively defend artistic freedom of expression — rather than seek to silence views which oppose their own.”

Trent Reznor and Atticus Ross were passed over for an Oscar nomination for their acclaimed score for Challengers, but Reznor’s fellow members of the ASCAP composer and songwriter community voted that score the year’s best — and on Wednesday (April 30), Reznor was honored with the ASCAP Composers’ Choice Award for film score of the year at the 2025 ASCAP Screen Music Awards, held at the Petersen Automotive Museum in Los Angeles.

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Elsewhere, Jeff Toyne won two ASCAP Composers Choice Awards — television score of the year and television theme of the year, both for his work on work on Apple TV+’s Palm Royale. Toyne earlier won a Primetime Emmy in September for outstanding original main title theme music for his work on the show. He was also nominated for a second Primetime Emmy for outstanding music composition for a series (original dramatic score).

Chosen by the ASCAP composer and songwriter community, ASCAP Composers’ Choice Awards are presented in five categories. Here’s a complete list of this year’s winners:

●          Film Score of the Year: Challengers – Trent Reznor

●          Television Score of the Year: Palm Royale – Jeff Toyne

●          Television Theme of the Year: Palm Royale – Jeff Toyne

●          Documentary Score of the Year: Jim Henson: Idea Man – David Fleming

●          Video Game Score of the Year: Tales of Kenzera: Zau – Nainita Desai

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In other categories, Andrea Datzman was honored with top box office film of the year for the animated family film Inside Out 2. Composer Jeff Cardoni earned top network television series for the sitcom Young Sheldon, while John Sereda received top cable television series for the historical drama When Calls the Heart.  David Vanacore was the top winner in the most performed themes & underscore category.

In addition, ASCAP recognized some of the top composers of the past year’s hit streaming series and films. The top streaming series winners include Bear McCreary for the epic fantasy series The Lord of the Rings: The Rings of Power, Michael Abels for his tone-setting score in the sci-fi mystery-thriller The Acolyte, Jamie Jackson and WAZ for the comedy crime drama Bad Monkey, and Rupert Gregson-Williams for his score and Josh Kear & Meghan Trainor for their theme to the whodunit crime drama The Perfect Couple.

Among the top streaming films winners, Hans Zimmer was honored for his score to the historical World War II drama Blitz, Lorne Balfe received recognition for the action thriller Carry-On, Amelia Warner was recognized for the biographical sports film Young Woman and the Sea, and Siddhartha Khosla was celebrated for the romantic book-to-film adaptation of The Idea of You.

The complete list of winners is available on the ASCAP website: www.ascap.com/screenawards25.

So far, the NHL’s Los Angeles Kings have played three home games in their first-round Stanley Cup Playoffs matchup against the Edmonton Oilers. For all three of those games, the Koreatown Senior and Community Center harmonica class was also in Crypto.com Arena.

The L.A. hockey team invited the amateur harmonica troupe to play the national anthem at Game 1 of the series, on April 21, after they were so well-received during the Kings’ Korean heritage night celebration last month. Then, when the Kings won that first match, the seniors were invited back for Game 2 on April 23 — and they went 2-for-2 with their lucky-charm opening act.

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Unfortunately, even though the Koreatown Senior and Community Center harmonica class was back for Tuesday night’s Game 5 this week, that home winning streak snapped, and now the Oilers lead 3-2 in the best-of-seven series. The two teams meet next on Thursday night at Edmonton’s Rogers Place arena.

While Sophia Ko from the class was hoping for a win heading into their Tuesday night “Star-Spangled Banner” performance, she tells Billboard that “it’s hard to put into words” what this overall Stanley Cup Playoffs experience has meant to her.

“It feels like South Korea has grown so much, and that growth has brought us this amazing opportunity,” Ko tells Billboard. “I can truly feel the rising status of the Korean community here in L.A.”

She also says she’s “truly grateful” for the response from the Kings organization and the fans in supporting the repeat anthem performances. “As someone older, being treated with such warmth and respect has been incredibly moving,” Ko says. “It honestly feels like a dream — I can’t tell if this is real or not.

“This is our fourth performance, but I still clearly remember the emotions and excitement of that very first time performing in such a big arena. I’m so thankful to all the Kings staff who’ve been so kind to us, and above all, I thank God from the bottom of my heart.”

Below, watch the class’ Game 5 performance from Tuesday night:

If the party was over and our time on Earth was through… could you say you’ve watched Lady Gaga and Bruno Mars‘ “Die With a Smile” video?

Since its release more than eight months ago, the music video has officially racked up 1 billion views on YouTube — so yes, a few people can say they have.

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The country-styled video — featuring Mars in an off-white cowboy hat and Gaga with a mile-high bouffant and an ever-present cigarette in her mouth — was released at the same time as the superstar duet on Aug. 16, following the pair’s live debut of the song as part of Mars’ venue-opening concert at the Intuit Dome in Inglewood, California.

“Die With a Smile” spent five weeks at No. 1 on the Billboard Hot 100 earlier this year — first hitting the top of the chart dated Jan. 11 — and was included on Gaga’s Mayhem, which debuted atop the Billboard 200 albums chart last month. In February, the duet picked up the 2025 Grammy for best pop duo/group performance.

This marks Mars’ 10th video to join YouTube’s Billion Views Club and Gaga’s fourth. It’s Mars’ second video to hit the milestone this year, after his “APT.” duet with ROSÉ became the fifth fastest music video to reach the milestone in February, 105 days after its release. (Adele’s “Hello” remains the fastest, hitting 1 billion views in just 87 days back in 2015.)

If you want to give it one more view, watch the “Die With a Smile” video below:

While The Weeknd is starring in his first feature film next month with Hurry Up Tomorrow, one of his old hits is inspiring a different film.

Matt Reeves, who directed 2022’s The Batman starring Robert Pattinson and Zoë Kravitz, had previously told IGN that Pattinson’s titular character will be heartbroken in the beginning of the sequel, The Batman Part II. And earlier this month, Reeves told IndieWire: “The Weeknd’s ‘Call Out My Name’ was a big inspiration for what Bruce is dealing with when we see him again.”

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“Call Out My Name” is the opening track from the Canadian-Ethiopian superstar’s 2018 EP My Dear Melancholy. The song reached No. 4 on the Billboard Hot 100 and No. 3 on Hot R&B/Hip-Hop Songs. And the music video, which has surpassed 1 billion views on YouTube, starts off with the artist walking down an empty street before a cauldron of bats flies out from his mouth when he belts out the hook.

The Weeknd (real name Abel Tesfaye) posted a snippet of the IndieWire article on his Instagram Story on Wednesday (April 30) with the pair of eyes, broken heart and bat emojis. He later shared a still from the bat scene in his “Call Out My Name” visual and wrote, “lemme know if ya’ll want that seal moment” while Seal‘s smash “Kiss From a Rose” plays in the background of the IG Story slide.

“Kiss From a Rose” was initially released as the second single from Seal’s 1994 self-titled sophomore album, but didn’t gain much traction. Joel Schumacher, who directed the 1995 film Batman Forever, reached out to him about needing a song for a love scene between the late Val Kilmer as Batman and Nicole Kidman as Dr. Chase Meridian and picked “Kiss From a Rose,” while later including it in the end credits and the film’s official soundtrack. Boosted by the film, the song eventually hit No. 1 on the Hot 100 and won best video for a film at the MTV VMAs that year, as well as three Grammys for record of the year, song of the year and best male pop vocal performance in 1996.

The Batman Part II is currently slated for a theatrical release on Oct. 1, 2027.

Brothers Osborne caught up with Billboard’s Tetris Kelly at Stagecoach 2025.