50 Cent is back at it.

The Queens rapper and filmmaker continues to troll Diddy as the Harlem mogul’s sex trafficking trial heads into its second week. This time, he posted an AI-generated picture of himself on Instagram wearing a white “Free Diddy” shirt in front of a courthouse and followed that up with a screenshot of an article referencing testimony from Cassie‘s mother, Regina Ventura, in which she testified that Diddy requested $20,000 that he spent on her daughter after he found out she was dating Kid Cudi, forcing Cassie’s parents to take out a loan.

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“He only made Cassie’s mom take out a home equity loan to pay 20k for him to not put out sex tapes,” 50 wrote in the caption. “Free itty bitty Diddy! LOL wait is that legal.”

Just over the weekend, 50 Cent joked about people being offered $20 an hour to wear “Free Diddy” shirts in front of Manhattan federal court, writing, “Diddy paying people to wear Free Diddy shirts is diabolical, but $20 a hour ain’t bad. I might go throw that on for a hour tomorrow.”

In another picture he posted, this time wearing a black “Free Diddy” shirt, his caption read: “Ok now where do I send my $20 invoice guys, a deals a deal. If you want I can be there tomorrow from 3 to 4 OK!”

In other Diddy trial news, Kid Cudi is expected to testify sometime this week, according to prosecutors. And it’s pretty safe to assume that the subject of Diddy allegedly blowing up Cudi’s car over his relationship with Cassie will be broached.

Fuerza Regida celebrates a dual win this week, as 111XPANTíA, the group’s ninth studio album, moves 2-1 on the Top Latin Albums chart (dated May 24) in its second week. The set also earns a second week at No. 1 on the Top Regional Mexican Albums chart, plus, it becomes the eighth album of the 2020s to simultaneously top both charts.

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111XPANTíA rises to No. 1 on Top Latin Albums despite slipping to 43,000 equivalent album units earned in the U.S. (from 76,000 the week prior), that’s a 43% decline during the May 9-15 tracking week, according to Luminate. Of the set’s second-week sum, album sales contribute 6,000 units, down 85%, which prompts a 2-12 drop on the overall Top Album Sales chart.

Things look brighter in the streaming sector, as the album generated 38,000 units, up 6%, representing 53.4 million official on-demand U.S. audio and video streams of the album’s tracks. That figure yields a 5-4 jump on the overall Top Streaming Albums chart, becoming Fuerza Regida’s highest-charting title there.

Thanks to 111XPANTíA landing at the summit, Fuerza Regida dethrones Bad Bunny’s Debí Tirar Más Fotos’ 18-week run at No. 1. Plus, the group earns a second champ on Top Latin Albums, which began in 1993. It joins Pa’ Las Baby’s y Belikeada (three consecutive weeks at No. 1 in 2024).

111XPANTíA was released May 2 on Street Mob/Rancho Humilde/ Sony Music Latin. A deluxe version of the album followed immediately on May 5. The latter includes three new songs, two of which debut on the multi-metric Hot Latin Songs chart: “Como Tú” at No. 13 and “Lokita,” with Anuel AA, at No. 43. Meanwhile, “Marlboro Rojo,” from the original album, climbs 14-4 with the Greatest Gainer honors in streaming, after a 56% gain, to 7.4 million clicks in the U.S.

With the new dual coronation on Top Latin Albums and Top Regional Mexican Albums, 111XPANTíA becomes the eighth album of the 2020s to simultaneously claim the No. 1 spot on both charts. Alejandro Fernández was the first to achieve the feat, placing Hecho En México, his 16th studio album, at the summit on both rankings for one week in February 2020.

Here’s a recap of all the albums with concurrent reigns on Top Latin Albums and Top Regional Mexican Albums, at least for one week, this decade:

Album, Artist, Peak Date
Hecho En México, Alejandro Fernández, Feb. 29, 2020
Vibras de Noche, Eslabon Armado, Aug. 1, 2020
Desvelado, Eslabon Armado, May 13, 2023
Génesis, Peso Pluma, July 8, 2023
Pa Las Baby’s y Belikeada, Fuerza Regida, April 27, 2024
Éxodo, Peso Pluma, Sept. 6, 2024
Incómodo, Tito Double P, Oct. 5, 2024
111XPANTIA, Fuerza Regida, May 24

Indie-rock veterans Guided By Voices have claimed that rumors of their demise are greatly exaggerated, pointing to a forthcoming record as proof.

The prolific Ohio outfit became the center of rumor on Monday (May 19) when a new episode of Lou Barlow’s RAW Impressions podcast unintentionally broke the news. In the latest episode, Lou spoke to Guided By Voices guitarist Bobby Bare Jr. with his wife Adelle, who admitted to having never seen the group live.

In response, Bare noted, “We’re breaking up, you never will.” After Lou adds “You never will, they’re done,” Bare seemingly confirmed the band’s status by adding “We’re never going to play again.”

However, the apparent revelation may have been a case of miscommunication due to technology, with the episode’s description on YouTube noting that it was “loaded with technical difficulties,” and that “the audio is often breaking up.”

Following the news apparently breaking, the episode’s hosts spoke to Brooklyn Vegan to clarify their own thoughts on the matter. “My understanding is that they didn’t have plans to play more live shows,” Adelle explained. “But I think they are still recording! Not broken up. And yea, I had a lot of technical difficulties during the podcast episode.”

Lou echoed this by adding that the group were in the process of making a new record, though he understood that there were to be “no more live shows.”

In the wake of the rumor mill going into overdrive, a representative for Guided By Voices spoke to Rolling Stone to deny that the band were splitting, and even noted that a new album called Thick Rich and Delicious would be arriving on Halloween. Currently, the band have not shared any further information on the upcoming record.

News of a breakup announcement from Guided By Voices wouldn’t be entirely unexpected, however. Having first formed in 1983, the Robert Pollard-led outfit released a total of 15 albums before splitting in 2004 – including their highest-charting release, 2002’s Universal Truths and Cycles, which hit No. 160 on the Billboard 200 and No. 3 on the Heatseekers charts.

After reforming in 2010, a further six albums followed before another split in 2014. Since reforming again in 2016, the group have been immensely prolific, with 19 albums arriving in the past nine years, including February’s Universe Room. Pollard will also release the debut album from his Rip Van Winkle side-project this year, with Blasphemy set to arrive in July.

Giving credence to Bare’s claims about not playing live again, however, Guided By Voices have not performed since an October 2024 show in Dallas, with reviews of that show reporting Pollard had claimed it was to be their final gig. Indeed, no further live dates are listed on their website at the current time.

Rihanna and A$AP Rocky had to break out their trusty umbrella at Monday night’s (May 19) rainy Highest 2 Lowest world premiere at France’s Cannes Film Festival.

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Rocky wore a black suit, black Ray-Bans and a full set of grillz to the premiere of the Spike Lee-directed film — in which he co-stars opposite Denzel Washington — while Rihanna showed off her growing baby bump in an electric-blue dress with strategic cutouts and a scarf tie at the neck. The expectant couple posed together on the carpet under their umbrella as raindrops fell all around them, and Rocky posed elsewhere on the carpet cradling Rihanna’s belly with his chin resting on her shoulder.

A$AP Rocky, Rihanna at the "Highest 2 Lowest" Premiere during The 78th Cannes Film Festival at Palais des Festivals on May 19, 2025 in Cannes, France. (Photo by Michael Buckner/Variety via Getty Images)
A$AP Rocky, Rihanna at the “Highest 2 Lowest” Premiere during The 78th Cannes Film Festival at Palais des Festivals on May 19, 2025 in Cannes, France. (Photo by Michael Buckner/Variety via Getty Images)

It was the second time this month that fans have gotten to see the couple at a red-carpet event, following Rihanna’s baby-bump reveal at the Met Gala in New York City on May 5 when fans learned the couple is expecting baby No. 3. Rocky talked to reporters on the Met Gala carpet and celebrated letting their big news out into the world. “It feels amazing, you know?” he said in an Associated Press video. “We were tired of holding that, and it was time to show the people what we was cooking up. I’m glad everybody’s happy for us, because we’re definitely happy.”

The crime thriller Highest 2 Lowest reunites Lee and Washington for a fifth time, with A$AP Rocky co-starring as Washington’s son, Yung Felon. The project also serves as Ice Spice’s feature film debut.

The film is set for a U.S. theatrical release on Aug. 22.

Rihanna last walked a Cannes Film Festival red carpet in 2017, for a screening of the film Okja, wearing a white strapless dress with a matching robe and sunglasses.

Whenever Drake supports a team with his rooting interest or backs them with his six-figure bets and that franchise ends up losing, the 6 God hears all the noise from sports fans about the “Drake Curse.”

Drake was finally asked about the mythical curse in a mock interview he posted to his Instagram on Monday (May 19) in promotion of his partnership with Stake.

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“I feel like I don’t play sports, whether I picked the wrong team or not, if I could get out there and win for all your favorite teams, I would,” he said.

Ultimately, Drake feels vindicated that a “curse” doesn’t exist because the Toronto Raptors captured their first NBA championship in 2019.

“The Drake curse is funny to me,” he revealed. “First of all, the Toronto Raptors are NBA champions. If there was a Drake curse, Kawhi [Leonard] would’ve never hit that shot, we would’ve never beat the Warriors. There is no Drake curse, but it’s funny, though.”

However, Drake did concede that he isn’t a sports gambling savant and has taken his fair share of monetary losses with bad bets over the years.

“I am a flawed sports better,” Drizzy admitted. “I will not deny that. That’s not my gift. I’ll let everybody roll with it. I’m sure if you’re a Drake curse believer, there will be plenty more content in the future to confirm your theories because my slips do not cash out. But one day I’m gonna have a parlay that’s insane.”

Drake added to the “Drake Curse” theories on Sunday night when his hometown Toronto Maple Leafs were eliminated from the Stanley Cup Playoffs after a 6-1 thrashing at the hands of the Florida Panthers in Game 7.

Drizzy actually ended up betting $1.25 million on the Maple Leafs to take home the game 7 victory and advance to the Eastern Conference Finals.

However, Drake jokingly flipped the script and blamed the “Bieber Curse” in his IG Story, as Justin Bieber, who’s a massive Leafs fan, was in attendance front and center at Scotiabank Arena with his wife, Hailey, to watch the excruciating loss in person.

“I don’t remember a time in my life when I haven’t been obsessed with the leafsssss,” Bieber wrote following the loss on his Instagram. “This year we made it farther than we have in so long and im happy about that. I can be patient cuz I know this is the team to do it.”

Watch the full interview clip with Drake below.

Carín León places his second No. 1 of the year, and fourth overall, on Billboard’s Latin Airplay chart, as “Ahí Estabas Tú” ascends 3-1 on the May 24-dated list. The new achievement comes only two months after his most recent triumph with “El Amor de Mi Herida.”

“Ahí Estabas Tú” claims the top spot on the overall Latin Airplay chart with 8.2 million audience impressions earned in the U.S. during the May 9-15 tracking week, according to Luminate –that’s a 21% gain from the previous week. The Greatest Gainer-awarded track of the week trades places with Gerardo Coronel ‘El Jerry’’s “No Se Dice,” after the latter drops 1-3 with a 5% dip in impressions (to 8.23 million).

“Ahí Estabas Tú” marks León’s second champ of 2025. Previously the Hermosillo, Sonora-born singer-songwriter took command of Latin Airplay for one week through “El Amor de Mi Herida” (March 22-dated list).

With a second ruler in 2025, León is only the second soloist to have two No. 1s on Latin Airplay this year unaccompanied by another act. Earlier in 2025, Bad Bunny topped the chart twice with his solo tracks “El Clúb” and “Baile Inolvidable,” each reigning for two weeks in February and March, respectively.

In total, four artists have secured two No. 1 hits in 2025 so far. Between Benito’s two chart-toppers, Myke Towers claimed the No. 1 spot with “Otra Noche” featuring Darell, for one week in February. He followed up with another No. 1 hit, “Degenere,” which features benny blanco, leading for one week on the May 3 chart. Meanwhile, Colombian Kapo placed back-to-back champs as “Más Que Tú,” with Ozuna, ceded its place to “Imagínate,” with Danny Ocean, on the April 26 list, both one-week rulers.

Beyond his Latin Airplay coronation, León also takes “Ahí Estabas Tú” to the summit on Regional Mexican Airplay, where it jumps 2-1, his eighth No. 1 overall. He ties Eden Muñoz for the fourth-most rulers among soloists in the 2020s decade. They trail Christian Nodal who leads with 17 No. 1 this decade, Gerardo Ortiz follows with 13, and Alejandro Fernández with 12 leaders.

All charts (dated May 24, 2025) will update on Billboard.com tomorrow, May 20. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Post Malone is opposing an attempt by his ex to move their nearly three-year-old daughter permanently to California, saying in a new court filing that the child has lived in Utah most of her life and should remain a resident there.

The star (Austin Richard Post) filed a motion Monday (May 19) to dismiss the custody petition brought in Los Angeles court last month by his ex, Hee Sung “Jamie” Park. Post and Park share a child, referred to anonymously in court filings as “DDP,” who was born in May 2022.

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According to the motion, the family lived together in Utah until Post and Park ended their relationship this past November. Park then decided to relocate to Los Angeles, and Post says he agreed to share custody and move the child between California and Utah every two weeks.

In April, however, Post says he learned that Park was planning to file for primary physical custody and change their daughter’s residence to California. Park “rushed to enroll DDP in every type of activity she can” in Los Angeles to demonstrate the child’s residence there, Post claims, even though he says DDP’s nanny and doctor are in Utah and she has long attended daycare, music classes and swimming lessons there.

Post filed a paternity action in Utah on April 14 after learning of Park’s plans, he says. Park then brought her California petition for primary custody two days later, and the singer alleges Park’s petition “intentionally misleads” the Los Angeles judge by failing to mention that the child has lived in Utah nearly her whole life.

“I do intend to work cooperatively with Jamie to ensure that DDP has frequent and equal custodial time with her mother,” wrote Post in his declaration. “I do not consent to Jamie’s back door attempt to change DDP’s residence from Utah to California. I request that the California court admonish Jamie for her lack of candor, gamesmanship in attempting to forum shop, and her intentional action to try to mislead the court about DDP’s home.”

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Post wants the California custody petition dismissed. He says the former couple’s dispute should be resolved in Utah, where he was the first to bring a custody action and where their daughter has spent nearly three years.

“Jamie’s conduct of attempting to forum shop to change DDP’s home state without Post’s consent or a Utah court order should not be condoned by the California court,” wrote Post’s attorney, Laura Wasser. “California law provides that, under the facts of this case, DDP’s home state is Utah, and subject matter jurisdiction over her custody remains with the Utah court.”

A judge in Los Angeles County Superior Court is scheduled to consider Post’s dismissal motion in late July. Park’s attorney did not immediately return a request for comment Monday.

Post is currently headlining his Big Ass Stadium Tour and is next scheduled to play U.S. Bank Stadium in Minneapolis on Tuesday (May 20).

After reports last week of ICE raids at Kid Rock‘s Big Ass Honky Tonk Rock N’ Roll Steakhouse in Nashville, the rocker took to social media to respond to the story and double down on his support for President Trump’s deportation of undocumented immigrants.

Responding to a Daily Mail US post on X about how his Nashville bar was the “next target for Trump’s sweeping ICE raids,” Rock started by taking issue with the story using his name for “click bait.”

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“Clearly I do not have anything to do with day to day operations at my Honky Tonk – but it’s good click bait, I get it,” Rock wrote on X. “That being said I 100% support getting illegal criminals out of our country no matter where they are. I also like President Trump want to speed up the process of getting GREAT immigrants into our country – LEGALLY! It’s that simple folks. But the below is not a juicy enough headline to get clicks and views.. in this day and age the truth often is not.”

Last week, The Tennessean reported that the New Orleans field office for ICE (Immigration and Customs Enforcement) had announced a weeklong operation that resulted in the arrest of nearly 200 immigrants in Nashville. On May 14, The Nashville Scene reported that the kitchens at Kid Rock’s Honky Tonk and other bars co-owned by Nashville businessman Steve Smith had closed early to avoid ICE raids.

Kid Rock has been one of Trump’s most vocal supporters over both of his terms as U.S. president, most recently joining him in the Oval Office on March 31 for the signing of an executive order that aims to crack down on scalpers who illegally obtain high-priced concert tickets for resale. During the signing, Rock thanked the president for the order, adding that it’s a first step in stopping bots that “get all the good tickets for your favorite shows they want to go to, and they relist them, sometimes for a 400 to 500% markup.”

Kid Rock’s Big Ass Honky Tonk Rock N’ Roll Steakhouse opened on Broadway in Nashville back in October 2018.

Jane’s Addiction guitarist Dave Navarro has apparently put to bed any hopes of further shows from the group, claiming there’s “no chance” of them playing live together again.

Navarro’s comments came about in a recent interview with Guitar Player where the famed musician looked back on the best and worst gigs of his career. 

In the latter category, Navarro turned to the band’s last run of shows in 2024, noting that some of those gigs were his favorite, with the group working together in perfect unison. “If you combined Grateful Dead and Radiohead, there were moments like that — just weird, experimental jams that we’d never done before as a band,” he claimed.

However, it’s Jane’s Addiction’s final performance, at Boston’s Leader Bank Pavilion on Sept. 13, that takes the dubious honor of being his least favorite. That show made headlines last year when frontman Perry Farrell threw a punch at Navarro during a rendition of “Ocean Size.”

Navarro walked off stage following the incident, ending the show early, and soon after, Jane’s Addiction announced the cancellation of the remainder of their tour dates. The announcement included a statement signed by Navarro, bassist Eric Avery, and drummer Stephen Perkins highlighting the “behavior and the mental health difficulties of our singer Perry Farrell”.

According to Navarro, the incident is “still very tender and unresolved,” with the guitarist taking care not to be “naming names and pointing fingers” while speaking to Guitar Player.

“There was an altercation onstage, and all the hard work and dedication and writing and hours in the studio, and picking up and leaving home and crisscrossing the country and Europe and trying to overcome my illness — it all came to a screeching halt and forever destroyed the band’s life,” he explained. “And there’s no chance for the band to ever play together again.”

Much of the sadness around the unexpected and unfortunate end to Jane’s Addiction relates to the fact that the shows prior to their final performance were some of Navarro’s favorite.

“I’ll just say that the experience prior to that gig, when we were in Europe and gelling, really, for the first time — because at our ages, in our 50s and 60s, everybody’s done what they’re gonna do, and we weren’t competitive with each other — we were getting along,” he explained. “There was no ego issue; it was just four guys making great music, just like we did in the beginning. I was just us on a stage, with people going f–king crazy.

“And that gig, September 13th, in Boston, ended all of that,” he added. “And for that reason, that is my least favorite gig that I have ever played.”

In the wake of Jane’s Addiction’s final gig, Navarro, Perkins and Avery have reportedly been working on new music together, though it’s unclear exactly what form this will take.

Weeks after he was fired and subsequently rehired by The Who, Zak Starkey has announced he is once again no longer drumming for the band.

Starkey’s membership saga began in April when a spokesman for the group claimed that “the band made a collective decision to part ways with Zak after this round of shows at the Royal Albert Hall,” referring to a pair of gigs the month prior. A report from those shows claimed that vocalist Roger Daltrey had stopped several songs mid-performance, citing difficulty hearing the band over the drums.

Starkey later issued a statement noting he was “surprised and saddened” by the news, though guitarist Pete Townshend later claimed Starkey was back in the band following the resolution of “communication issues.”

While fans were eager to reference “meet the new boss, same as the old boss” in regard to Starkey’s reinstatement, the entire saga appears to have started all over again, with the band announcing a new drummer ahead of their forthcoming farewell tour.

“After many years of great work on drums from Zak the time has come for a change,” Townshend shared on social media on Sunday (May 18). “A poignant time. Zak has lots of new projects in hand and I wish him the best. Scott Devours who has worked with Roger’s solo band will join The Who for our Final shows. Please welcome him.”

Starkey himself responded to the announcement via social media hours later, making it clear it was not his decision to leave the band.

“I was fired two weeks after reinstatement and asked to make a statement saying I had quit the who to pursue my other musical endevours this would be a lie,” he wrote. “I love the who and would never had quit. 

“So I didn’t make the statement ….quitting the who would also have let down the countless amazing people who stood up for me (thank you all a million times over and more) thru the weeks of mayhem of me going ‘in an out an in an out an in an out like a bleedin squeezebox x.”

Both Townshend and Daltrey also issued a more formal statement regarding Starkey’s ousting via The Who’s website, reiterating Devours’ nascent role in the band and referring to Starkey’s myriad other projects as the reason behind the lineup change.

“The Who are heading for retirement, whereas Zak is 20 years younger and has a great future with his new band and other exciting projects,” they wrote. “He needs to devote all his energy into making it all a success. We both wish him all the luck in the world.”

Notably, despite The Who’s reference to Starkey being “20 years younger” and a need to focus on his other projects, Devours is himself 15 months younger than Starkey, with a similarly-busy schedule. 

Starkey is the son of Beatles drummer Ringo Starr and Maureen Starkey, and has also enjoyed a fruitful career outside of The Who, playing with Oasis, Johnny Marr, Paul Weller and Graham Coxon. He currently performs in the recently-formed supergroup Mantra of the Cosmos, also featuring Shaun Ryder and Bez of the Happy Mondays and Black Grape, and Andy Bell of Oasis and Ride.

“None of this has ever interfered with The Who and was never a problem for them,” Starkey added in his social media post. “The lie is or would have been that I quit the who- i didn’t. I love the who and everyone in it.”