Paramore’s Hayley Williams is about to have some familial competition in the music game, with her grandfather releasing his debut album five decades on from its recording.

Rusty Williams, at 78 years old, will release Grand Man on Feb. 14 thanks to the help of his granddaughter and her bandmates, but his musical journey has been a long time coming. According to a press release, Rusty was a lifelong lover of music, having written songs and joined a band in his earlier years. In fact, his talents even made an appearance on Hayley’s Petals for Armor album in 2020 – providing vocals and piano on the closing track, “Crystal Clear”.

For many, that was likely as far as Rusty’s musical story was going to go. Despite claims that he’d recorded an album back in the ’70s, few were certain the album even existed until “the senior Williams’ old production partner” Frank Morris rediscovered the record.

“So many people our age are mining these albums for tones and things you can’t even replicate,” Hayley said in a statement. “And Grandat has a way of cutting to the core of a feeling, and not overcomplicating it. Which we tend to do, because the world is hard. It’s nice when you can hear something plain and simple and know that it is true.”

Rusty’s songs hadn’t ventured much further than the Mississippi recording studio where the tracks were first laid down all those years ago. However, Paramore’s Zac Farro put his hand up to ensure that they live on, plotting to release the record by way of his Nashville-based label Congrats Records. “I thought that it was a crime that these songs were sitting there on the shelf,” Farro said.

Ahead of its arrival next month, the album has been previewed by way of the single “Knocking (At Your Door)”. However, despite the long-awaited release of Grand Man, Rusty isn’t hoping for a major career renaissance to come his way.

“I don’t expect anything, and I’m too old to be famous,” he explained. “But I just want to know someone liked what I did, and to be touched by whatever the hell they are listening to. I want people to see how it felt when things were real.

“You write stuff, and you want somebody to get something out of it,” he added. “I just had to wait for a granddaughter and a band with her to really do anything with mine.”

Rusty joins a slowly-growing list of famous relatives who have released albums due to their more famous descendants. In 2023, Lana Del Rey’s father, Rob Grant, issued his debut album Lost at Sea at the age of 69, all while leaning into the tongue-in-cheek “nepo daddy” descriptor.

Jimmy Kimmel Live! resumed its broadcast on Jan. 13, following a brief hiatus caused by the devastating Los Angeles wildfires.

Opening the show, Kimmel delivered a heartfelt monologue reflecting on the tragedy that has displaced thousands and destroyed countless homes, including those of his own colleagues. He lauded the bravery of first responders, firefighters, and volunteers who have stepped up in the city’s time of need.

Amid the heavy atmosphere, Kimmel turned to a figure synonymous with resilience and community, introducing his guest Snoop Dogg as “an icon of Los Angeles and a beacon of positivity.” The legendary rapper, known for his enduring ties to his hometown, didn’t hold back as he spoke candidly about the disaster’s impact and his personal efforts to assist those affected.

“The family’s good, but I know people I consider family who lost everything,” Snoop shared. “So we did what we do—we came together, pulled our troops together, and made sure they had what they needed.”

Reflecting on the unity he’s seen in the face of disaster, Snoop said, “California, this is like our first time dealing with [wildfires], and the way the world is helping us—that’s the important thing. People aren’t looking at differences; they’re just looking at trying to make a difference.”

Snoop’s reverence for firefighters took center stage, with the rapper calling their work “the toughest job” and emphasizing the often-overlooked heroism they display.

“They don’t get enough credit. They show up, do what’s best, and when it’s over, it’s like they’re forgotten about,” he said. “We need to give them a lot of praise right now. I give them a lot.”

Snoop described his hands-on approach to disaster relief, ensuring donations reach those in need. “A lot of times when we put these donations together, certain people don’t get it,” he explained. “What my team does is go on the ground, make direct connects, and make sure we’re not missing anybody. That’s what we do—it’s about love, man.”

While the conversation centered on the seriousness of the fires, Snoop’s trademark humor provided moments of levity. Reflecting on a false evacuation alert, he recalled, “I got three phones, and they all blew up. I started running, started packing, and then it was like, ‘It’s not real.’ See, now y’all playing games.”

Kimmel seized the moment to ask if the rapper still sets off smoke alarms wherever he goes. Snoop’s response, delivered with a grin, left the audience in stitches: “Not anymore. We have a shower cap technique that we use.” To demonstrate, Snoop stood up and mimed placing a shower cap over a smoke detector, humorously acting out the move by climbing onto Kimmel’s couch, drawing roaring laughter from the audience.

Kimmel quipped, “Especially at this time, that is very bad advice from Snoop Dogg!”

Amid the weighty topics of wildfires and community resilience, Snoop shared an anecdote about meeting Paul McCartney, describing it as a surreal and deeply respectful moment.

“It was about just respect and love,” he said, recalling the encounter. “He really knew who I was musically—that blew my mind. I’m telling him about all the records I like from him, but then he’s telling me about who I am and how he liked me. It’s just appreciation. I call that mutual love, fan appreciation.”

When Kimmel asked if the two had smoked together, Snoop laughed and clarified, “Oh no, no—but I smoked around him.”

Later in the chat, the host praised Snoop’s ongoing community contributions, from organizing relief efforts to his long-standing youth football league, which has helped countless kids achieve their dreams, including NFL stardom.

The Doggfather, ever humble, turned the spotlight back on the collective effort. “There was talks about concerts to raise money for the victims and the people that have lost in this situation,” he said.

“So I think that’s more of the angle that I would be leaning towards—to do a concert and not, you know, be paid, and take my proceeds and the proceeds from the tickets and make sure that the people got something.”

Watch Snoop Dogg’s latest appearance on Jimmy Kimmel Live! here.

Beyoncé has postponed her much-speculated Jan. 14 announcement, citing respect for those affected by the devastating Los Angeles wildfires.

The news comes after weeks of fan speculation that the “Texas Hold ‘Em” singer was preparing to unveil her Cowboy Carter tour, following a stunning halftime show performance on Christmas Day at the Baltimore Ravens vs. Houston Texans game.

In a statement shared on Instagram on Jan 13., the singer expressed solidarity with families and communities grappling with the aftermath of the fires, which have destroyed homes and displaced thousands.

“The January 14th announcement will be postponed to a later date due to the devastation caused by the ongoing wildfires around areas of Los Angeles,” Beyoncé wrote.

“I continue to pray for healing and rebuilding for the families suffering from trauma and loss. We are so blessed to have brave first responders who continue to work tirelessly to protect the Los Angeles community.”

The wildfires have deeply affected Beyoncé’s family as well. Her mother, Tina Knowles, revealed on Jan. 9 that her beloved Malibu bungalow—her “sacred happy place”—was destroyed in the fires. “It was my favorite place, my sanctuary,” Knowles wrote on Instagram, alongside a video of dolphins swimming near the home’s former location.

Beyoncé’s announcement had been teased in December with a cinematic video shared on her social media. The clip featured the 32-time Grammy winner straddling a white stallion, swinging a large American flag in slow motion as a Western trumpet theme played over the sound of a stampede. The video concluded with the cryptic date “1.14.25” and the caption, “Look at that horse.”

Though the video revealed no further details, fans immediately began speculating about a possible Cowboy Carter tour, a theory bolstered when Live Nation shared the teaser on its social media channels.

The news follows a significant contribution from Beyoncé’s BeyGOOD Foundation, which pledged $2.5 million to assist families in recovery from the devastating California wildfires.

In an Instagram post on Sunday night (Jan. 12), the foundation announced the pledge to the L.A. Fire Relief Fund aimed at helping impacted Los Angelenos in the midst of one of the most destructive wildfires in the state’s history.

“The fund is earmarked to aid families in the Altadena/Pasadena area who lost their homes, and to churches and community centers to address the immediate needs of those affected by the wildfires,” read the post, which encouraged followers to show their support for the impacted families by visiting the organization’s website.

Earlier today, The Weeknd announced he would be delaying the release of his highly anticipated album Hurry Up Tomorrow in light of the ongoing wildfire crisis. His album release show at the Rose Bowl, which had been slated for Jan. 25, has also been canceled.

The hitmaker broke the news to fans Monday (Jan. 13) with a post on Instagram. “Out of respect and concern for the people of Los Angeles County, the Rose Bowl Show has been cancelled and the album date has been postponed to 01.31.25,” reads the message, which he signed, “With love, Abel.”

Houston psych-rock trio Khruangbin have announced a new run of U.S. tour dates in support of their latest album, A La Sala.

Announced on Monday (Jan. 13), the critically-acclaimed trio added an additional 25 dates to their 2025 schedule, with their North American shows launching in Grand Prairie, TX on Apr. 9. The group will travel across the country throughout April, May, and June, with headline dates planned alongside festival dates at the recently-announced BottleRock Festival in Napa Valley and Buena Vista Lake’s Lightning in a Bottle Festival. They’ll wrap up their current schedule with a return to the U.S. in September for an appearance at Louisville’s Bourbon & Beyond Festival.

The newly-announced dates will also see the band joined by the likes of Helado Negro and John Carroll Kirby on select dates.

Khruangbin return to the road with shows in New Zealand and Australia throughout February and March. They’ll return to Europe and the U.K in August, with headline dates and festival appearances scheduled to take place across the likes of Norway, Finland, Germany, and Turkey.

The current run of dates appear to wrap up the touring schedule for Khruangbin’s fourth album A La Sala, which was released in April 2024 and peaked at No. 38 on the Billboard 200. Despite the record arriving 14 years into the band’s career, its release and critical reception was enough for Khruangbin to receive a nomination for Best New Artist at the 2025 Grammy Awards.

Khruangbin 2025 ‘A La Sala’ Tour Dates

April 9 – Texas Trust CU Theatre at Grand Prairie, Grand Prairie, TX
April 12 – The Cynthia Woods Mitchell Pavilion, The Woodlands, TX
April 15 – Firefly Distillery, Charleston, SC
April 16 – The St. Augustine Amphitheatre, St. Augustine, FL
April 18 – The BayCare Sound, Clearwater, FL
April 19 – FPL Solar Amphitheater at Bayfront Park, Miami, FL
April 22 – Moody Amphitheater, Austin, TX
April 23 – Moody Amphitheater, Austin, TX
May 18 – Wonderfront Festival, San Diego, CA
May 21 – Santa Barbara Bowl, Santa Barbara, CA
May 22 – Santa Barbara Bowl, Santa Barbara, CA
May 23-25 – BottleRock Festival, Napa Valley, CA
May 24 – Lightning in a Bottle Festival, Buena Vista Lake, CA
May 27 – WAMU Theater, Seattle, WA
May 28 – Hayden Holmes Amphitheater, Bend, OR
May 29 – Outlaw Field at Idaho Botanical Garden, Boise, ID
May 31 – The Outside Festival, Denver, CO
June 20 – Mountain Jam Festival, Highmount, NY
June 21 – Stage AE Outdoors, Pittsburgh, PA
June 22 – Electric Forest Festival, Rothbury, MI
June 24 – Ben & Jerry’s Concerts on the Green, Shelburne, VT
June 27 – The Stage at Suffolk Downs, Boston, MA
June 28 – The Capitol Groove Festival, Hartford, CT
June 29 – Thompson’s Point, Portland, ME
September 12-14 – Bourbon & Beyond Festival, Louisville, KY

It’s been a while since Nine Inch Nails toured on a grand scale, but speculation is mounting for a global tour announcement to arrive soon following some leaked dates.

News of a potential tour was first put forward on Monday (Jan. 13) when fans on the Nine Inch Nails subreddit began to share screenshots of what are ostensibly prematurely-posted Facebook events for the upcoming shows.

In a thread titled “It’s happening (?)”, a fan shared a screenshot of an event which lists a Sept. 10 date for the Peel It Back World Tour to take place in Tampa, FL. Another user tracked down a Ticketmaster listing for the event which shows an on sale date of Friday (Jan. 17).

Though these fans confirmed that the events were swiftly taken down following their listing on social media, a collation of the supposedly leaked dates featured shows scheduled for the likes of Brooklyn, Tampa, Atlanta, Raleigh, Philadelphia, and Cleveland throughout the U.S., along with dates in Manchester and London in the U.K., and a Canadian show in Toronto.

Currently, none of the dates have been confirmed by the band, though the tour title alludes to Nine Inch Nails’ 1994 track “March of the Pigs”, potentially indicating the rumored tour could be an anniversary trek in support of the band’s The Downward Spiral record, which turned 30 in 2024.

Nine Inch Nails haven’t performed live since the completion of their U.S. and U.K shows in 2022. Prior to that, their last concert tour took place across 2017 and 2018, with The Trilogy Tour seeing them play 69 shows across North America, Europe, and Asia.

In recent years, the veteran industrial act (which comprises founding member Trent Reznor and – since 2016 – Atticus Ross) have been more focused on soundtrack work, which has seen them take home numerous Golden Globes, Grammys, and Academy Awards.

In April 2024, Reznor noted that his work with Ross had left the pair eager to work on a new Nine Inch Nails album. “[Soundtrack work has] managed to make Nine Inch Nails feel way more exciting than it had been in the past few years,” he said. “I’d kind of let it atrophy a bit in my mind for a variety of reasons.”

Ross added he feels, “excited about starting on the next record… I think we’re in a place now where we kind of have an idea.”

The upcoming Balloonerism record from late rapper Mac Miller is set to release alongside a short film of the same name, a new announcement says.

Miller’s Balloonerism – the second posthumous album released since his 2018 passing – is scheduled for release on Friday (Jan. 17), though fans can ease themselves into the experience with its accompanying new film.

Based on the lyrics and music of Miller, and directed by Samuel Jerome Mason, the animated Balloonerism “follows a group of school friends who are transfigured by the music of a chord organ and launched into a shadow world”, a synopsis of the film reads. “Swallowed by the turtle of time, they must plod through the underbelly of adulthood.”

The film is scheduled for a Wednesday (Jan. 15) release throughout the U.S., with international fans receiving it one day later. A series of “One Night Only” advance theater screenings are scheduled around the world, including in New York City and Miller’s native Pittsburgh. Other screenings are planned for Australia, New Zealand, Germany, Ireland, France, Canada, and the U.K.

In keeping with the theme of the new record, tickets are priced at $5 (or the “approximate equivalent in ex-US markets”) in line with the album’s lead single, “5 Dollar Pony Rides”.

Miller’s Balloonerism album has been the subject of fan speculation for over a decade now, with the rapper having recorded it around the time of his 2013 album Watching Movies with the Sound Off and follow-up mixtapes, Delusional Thomas and Faces. Following the circulation of leaked songs amongst fan communities, the record’s official release was teased with a trailer at November’s Camp Flog Gnaw festival.

“We believe the project showcases both the breadth of his musical talents and fearlessness as an artist,” they added. “Given that unofficial versions of the album have been circulating online for years and that releasing Balloonerism was something that Malcolm frequently expressed being important to him, we felt it most appropriate to present an official version of the project to the world.”

Last week, “5 Dollar Pony Rides” was shared ahead of the album’s arrival and features Miller’s close friend and collaborator Thundercat helping out on the production side of things.

“That’s So True” is Gracie Abrams‘ biggest hit yet, so far peaking at No. 6 on the Billboard Hot 100 and becoming the singer/songwriter’s first-ever top 10 entry on the chart, as well as spending weeks atop the U.K.’s Official Singles Chart.

And a big part of the song’s success — beyond high-profile performances on Saturday Night Live and her headlining The Secret of Us Tour — is its mile-a-minute lyrics, requiring repeat listens to decipher who she’s singing to (and about) and why she needs to go warn another woman.

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Below, find the full lyrics of “That’s So True,” co-written by Abrams with her best friend and collaborator Audrey Hobert.

I could go and read your mind
Think about your dumb face all the time
Living in your glass house, I’m outside, uh
Looking into big blue eyes
Did it just to hurt me, make me cry
Smiling through it all, yeah, that’s my life

You’re an idiot, now I’m sure
Now I’m positive, I should go and warn her

Ooh, bet you’re thinking, “She’s so cool”
Kicking back on your couch, making eyes from across the room
Wait, I think I’ve been there too

What’d she do to get you off? (Uh-huh)
Taking down her hair like, oh, my God
Taking off your shirt, I did that once
Or twice, uh
No, I know, I know I’ll fuck off (uh-huh)
But I think I like her, she’s so fun
Wait, I think I hate her, I’m not that evolved

I’m sorry she’s missing it, sad, sad boy
Not my business, but I had to warn ya

Ooh, bet you’re thinking, “She’s so cool”
Kicking back on your couch, making eyes from across the room
Wait, I think I’ve been there too
Ooh, you’ve got me thinking, “She’s so cool”
But I know what I know and you’re just another dude
Ooh, that’s so true

Made it out alive, but I think I lost it
Said that I was fine, said it from the coffin
Remember how I died when you started walking?
That’s my life, that’s my life
I’ll put up a fight, taking out my earrings
Don’t you know the vibe? Don’t you know the feeling?
You should spend the night, catch me on your ceiling
That’s your prize, that’s your prize
Well

Mm, bet you’re thinking, “She’s so cool”
Kicking back on your couch, making eyes from across the room
Wait, I think I’ve been there too
Ooh, you’ve got me thinking, “She’s so cool”
But I know what I know and you’re just another dude
Ooh, that’s so true, ooh, oh

Lyrics licensed & provided by LyricFind

WRITERS
Audrey Hobert, Gracie Madigan Abrams

PUBLISHERS
Lyrics © Universal Music Publishing Group

Travis Kelce may have accidentally dropped a Taylor Swift Easter egg.

The Kansas City Chiefs tight end made an appearance on The Pat McAfee Show on Monday (Jan. 13), where he was asked about being around his Grammy-winning girlfriend while she’s finding musical inspiration.

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“Let’s just say you’re hanging and out and having a little dinner and all of the sudden the creative juice sparks,” McAfee began, “and the absolute beast that you’re sitting with who is going to go down as maybe the most famous icon in the history of music … are you a motivator every single time?”

Kelce responded that he would “never chime in” during Swift’s writing process, “but I’m here to support it. I’m here to see where it can go.”

When McAfee suggested Swift might be working on an album about a “good” guy (joking that he’d heard about all the “f—boys” on previous albums, thanks to his Swiftie wife), Kelce cheekily said, “There might be a few.”

“You know I can’t say, you know I can’t say… any of that,” he continued. “I hear music everywhere.”

The superstar’s last album was The Tortured Poets Department, which was released back in April. Swift’s 31-track 11th studio album was No. 1 on the 2024 year-end Billboard 200 albums chart, followed at No. 2 by Swift’s own 1989 (Taylor’s Version), which was released in 2023. Tortured Poets outperformed all of her past albums on the Billboard 200 by spending 15 weeks at the top of the chart. The LP arrived amid Swift’s record-breaking Eras Tour, which wrapped last month after 149 shows.

Elsewhere in the new interview, Kelce talks to McAfee about his role in Adam Sandler’s Happy Gilmore sequel and how “bananas” the crowd was at the Eras Tour concert at Indianapolis’ Lucas Oil Stadium in November.

Watch Kelce’s chat about Swift below:

Heidi Montag’s 2010 album Superficial has achieved an unexpected resurgence, surging to No. 1 on iTunes following a social media push by her husband, Spencer Pratt.

The couple, who first found fame on the mid-2000s reality series The Hills, lost their Pacific Palisades home in the devastating Los Angeles wildfires. Amid the tragedy, the pair turned to social media to share their journey and encourage fans to stream Montag’s music as a way to help them rebuild.

“Anyone that hasn’t gone to iTunes, just do it now. Let’s go to No. 1,” Pratt said last week on TikTok. “We’ll get the screenshot, she’ll be a famous pop star for when her kids are grown up. She’ll be in the history books,” Pratt said prior to Montag’s album surging to No. 1 on iTunes.

“They won’t know it’s because our house burned down, and we have no possessions and people are just trying to support us. They’ll just be like, ‘Wow! My mom was a pop superstar that was No. 1 on the charts.’”

The campaign gained traction quickly, with support from fans and fellow celebrities like Emily Ratajkowski and Flavor Flav, who posted a TikTok of himself dancing to Montag’s track with the caption, “Doing my part to get Heidi to No. 1.”

Later, Pratt jubilantly shared on social media amid the news his wife’s album had surpassed Bad Bunny’s Debí Tirar Más Fotos on iTunes. “Popstar Heidi Montag No. 1 on iTunes America! Thank you everyone! Who needs a house, who needs clothes, who needs anything but this level of clout, pop, superstardom? Our sons are gonna be like, ‘My mom was No. 1 on iTunes America.’ Thank you to everyone who made this happen.”

Pratt, who recently reached over one million followers on TikTok while sharing candid updates about the destruction of their home, has now set his sights on the Billboard charts.

“So I was just informed that for Heidi to get No. 1 on Billboard, we need all do it or Superficial to be on the radio. So anybody that has a radio station, you know, a radio station on social media you can tag, please ask them for the next week to play ‘I’ll Do It’ or Superficial from Heidi’s album,” Pratt said in one of his updates.

“We need radio play, I guess not just iTunes, to get No. 1 on Billboard charts, which is the ultimate goal, cause then it’s like, that’s a wrap. Heidi is the biggest superstar in the world, you know, obviously not Taylor Swift, but it’s like Taylor Swift, Heidi Montag.”

He joked about enlisting the help of Taylor Swift’s fanbase, saying, “I need all the Swifties back up. I mean, I really do need Taylor, you know, I think I’m gonna have to, you know, get out the bat phone and put the Swiftie light in the sky. Like, we need some Taylor Swift support here.”

In one candid update on TikTok, Pratt also spoke of the gravity of his family’s tragic loss in the Los Angeles wildfires which has seen the death toll rise to 24 as of Jan. 13. “Let’s be clear. If I seem like the most unhinged, crashing out person on this whole app, I am. Let’s just get that frickin’ clear. I have lost my mind,” he said.

“I am keeping it together here, ’cause I have two kids and I wanna frickin’ have them go to college and have a frickin’ life, okay? So this is crashing out at its finest, OK?”

In an earlier video after the family witnessed their home burn down in real-time via a security camera, Pratt said on TikTok, “I have been ‘faking it till you make it’ since 2007. Guess what? Faking it till you make it, doesn’t make it. Especially when everything burns down.”

Despite their situation, Pratt remains laser-focused on turning the iTunes success into Billboard charting glory, using every platform to rally supporters. “But yes, radio play, ‘I’ll Do It’ or ‘Superficial,’ those are the two that are charting. Please, please, please, anybody that knows any radio people, or message your radio station or call your radio station. Let’s make this happen!” he told his TikTok followers.

“We’ve got one week before this Billboard chart drops.”

Halsey‘s path to chart-topping success began in the most unexpected of places: the New Jersey hardcore scene.

In a recently surfaced TikTok video, the Grammy-nominated artist, whose real name is Ashley Nicolette Frangipane, reflected on her early days organizing shows for hardcore and metal bands.

“I used to promote hardcore shows in Jersey before I started making music,” Halsey in the clip during a meet-and-greet event at Ulta for her About-Face beauty line. “I did a lot of hardcore but then also some of the more commercial hardcore. The biggest show I ever booked, I was 16, was like August Burns Red and The Devil Wears Prada.”

Halsey also shared that her senior yearbook quote was inspired by the hardcore band Defeater, adding, “I’ve said before that I might have quoted Hundredth, too, so who knows.”

The singer’s roots in hardcore may seem worlds away from her current pop dominance, but certainly add context to the genre-blending ethos that has defined her career. Her 2015 debut album, Badlands, entered the Billboard 200 at No. 2, a position she has since matched with Manic in 2020 and If I Can’t Have Love, I Want Power in 2021. Halsey earned her first solo Billboard Hot 100 No. 1 with the 2018 smash hit “Without Me,” while her latest album, The Great Impersonator (2024), debuted at No. 2 on the Billboard 200 and topped the Top Rock & Alternative Albums and Top Alternative Albums charts, selling 93,000 equivalent album units in its first week, including 81,000 in traditional album sales, according to Luminate.

The Great Impersonator marked her third leader on the latter following If I Can’t Have Love, I Want Power (2021) and Badlands (2015). It also entered Billboard’s Top Album Sales chart at No. 2, driven by strong vinyl sales, which accounted for 26,000 of the total.

The album features tracks like “Panic Attack” and “Ego,” which debuted on the Hot Rock & Alternative Songs chart at No. 25 and No. 30, respectively. “Ego” made notable progress on radio, peaking at No. 25 on Adult Pop Airplay and reaching No. 28 on Pop Airplay.

Halsey’s foray into rock and metal began long before her chart-topping success. Her 2021 album, If I Can’t Have Love, I Want Power, produced by Trent Reznor and Atticus Ross, featured collaborations with rock icons like Dave Grohl and Lindsey Buckingham. With The Great Impersonator, Halsey continued her rock-inspired exploration, even recreating iconic looks of artists like David Bowie, Cher, and Bruce Springsteen in the lead-up to the album’s October 2024 release.