Billboard is expanding its dance chart portfolio with the inclusion of the WARM Global Dance Radio Chart, developed in partnership with World Airplay Radio Monitor.

The chart will debut on billboard.com Tuesday, March 10, joining Billboard’s long-standing U.S.-based rankings, including Hot Dance/Electronic Songs, Hot Dance/Pop Songs, Dance/Mix Show Airplay and Top Dance Albums.

The 40-position chart (published in full as a 100-position ranking on WARM’s platform) aggregates plays from dance-dedicated radio outlets worldwide, reflecting which songs are trending globally through a network of programmers and radio gatekeepers operating across multiple territories.

“The chart is based on 200-plus dedicated and culturally relevant dance music radio stations, broadcast in 30 countries that create a reflection of what is actually trending on radio globally,” says Jesper Skibsby, CEO of WARM. “Access to global radio airplay visibility is vital to the strength of dance music as radio remains predominantly human-curated, providing an aggregated view of organic programming trends rather than algorithm-driven consumption.”

Silvio Pietroluongo, Billboard EVP Charts & Data Partnerships, adds, “Radio has always been an integral part of celebrating dance music globally, and Billboard is excited to add the WARM Global Dance Radio ranking to our weekly menu to provide dance fans and the music industry new insights on how songs and artists in this genre are resonating around the world.”

WARM monitors more than 23,000 radio stations across all genres and formats in 150 countries worldwide. Since 2016, WARM has been providing the music industry with real-time radio airplay data and insights through advanced music recognition technology and audio fingerprinting, creating greater opportunities for labels, publishers managers, radio promoters, and artists alike to make better data-driven decisions.

For more information, visit warmmusic.net.


Billboard VIP Pass

Stepping into a new phase with their major-label debut, REIRIE — the duo comprised of RIE (Rei Kuromiya) and REI (Rie Kaneko) — are moving forward with renewed momentum. The two first performed together in the same group before going their separate ways, only to reunite after roughly five years apart. Soon after reconnecting, they launched REIRIE.

Reflecting on how the pair came together and the unique bond they share, they spoke to Billboard Japan about the full scope of their first major-label EP Amethyst and the thoughts behind each track.

First, could you tell us how REIRIE began as a unit?

RIE: We originally performed together in a group called LADYBABY but ended up going our separate ways at one point. Then about five years later we reconnected, and it was like, “Yeah, it has to be the two of us,” so that’s how REIRIE formed. Right?

REI: Nothing to add. [Laughs] Exactly what she said.

RIE: There are so many different kinds of groups out there, but honestly, we don’t even really feel like we’re “doing a group.” It’s more like we just want to be together, and the music and live shows naturally fall into place around that.

Yuma Totsuka

It sounds like there’s a very fateful bond between you two. Going back further, could you tell us about how you first met?

RIE: It really felt like we were destined to meet. It wasn’t like becoming friends with a classmate at school because you get along. We first met in an elevator at an event venue. I was lost, and REI happened to be there. When I spoke to her, she kind of glared at me. [Laughs]

REI: [Laughs] I really wasn’t glaring at you.

RIE: But something about her presence and reaction completely got me. Not just in a visual way, but overall I thought, “She’s so cute.” And that was before I knew anything about her!

So it wasn’t only REI’s striking visuals, but you also picked up on something else.

RIE: Exactly. Her whole existence was totally my type. It went beyond something typical like admiring a boy who runs fast. The moment we met, it was like a shock went through me. After that I was always tagging along behind her, going, “REI, REI.”

From your side, REI, that must have been quite an intense approach off the bat.

REI: I was basically like, “What is this girl…?” I was on guard. [Laughs] RIE had this slightly performatively cute vibe going on at the time — I’d turn around and she’d be smiling, then she’d switch to a worried face out of nowhere, then smile again, that sort of thing. I had no idea what she was thinking. That was my first impression.

What was it like when you reunited after five years?

REI: Purely by coincidence, we both happened to be in Shibuya the same day. A mutual acquaintance told me, “RIE is doing an event nearby, she says we should come.” I hadn’t seen her in five years, so at first I wondered what we’d even talk about. But I figured maybe it was fate. I went to the venue where she was performing, and the first thing we did when we saw each other was shout “Yay!” and throw up double peace signs. [Laughs]

RIE: [Laughs] Yeah, “Yay!”

REI: The moment I saw that, I realized words weren’t necessary. Time had passed, but whatever flows between us hadn’t changed.

RIE: I never quite found the right timing to reconnect, but I’d always wanted to see her. More than being nervous, it just felt like, finally, we meet again.

REI: We exchanged LINE (chat app) contacts on the spot, and the next time we met it already felt like, “Let’s do REIRIE.” Not even “Want to try working together?” Just, “If it’s the two of us, of course we’re doing this.” “OK!”

RIE: The pull between us is like Dyson-level suction! [Laughs] Not exactly magnet poles, but no matter how far apart we are, we get drawn back together.

REI: If you had to use an existing word, it’s probably “fate,” but to us it feels heavier, more unavoidable — kind of like carrying something bigger than ourselves. Even in our previous group we were practically a pair, and even after separating we snap back together instantly.

Yuma Totsuka

So it’s a one-of-a-kind bond that doesn’t quite fit friend, family, or romantic categories.

RIE: I guess you could call it being soulmates, but for me there’s always been a sense of not being able to resist being drawn to REI. Literally since the day we met. It’s not friendship, we’re not sisters, and it’s not romantic — it’s all of those things combined, but also something bigger than that, maybe?

REI: There probably isn’t a word for it yet, so we can’t express it. But whatever it is, that’s what REIRIE represents.

You’ve now stepped into a new field with your major-label debut. Has that changed how you approach pressure or music?

REI: In a way, we don’t really think of this as a job. With the major-label move too, it was basically, “Seems fun, maybe let’s try it once.” Of course our team works incredibly hard on numbers, sales, promotion and all that, but (RIE and I) don’t focus on it too much. REIRIE exists so the two of us can be together, and that stance hasn’t changed. We won’t push ourselves in ways that would break that.

RIE: Still, moving into the major sphere lets us give something back to our fans, which makes me really happy. I do want to show some kind of result. But at the same time, I sometimes wonder, “Are the label folks sure they want to keep up with us?” I’m deeply grateful they chose to work with us, but we see ourselves as embodying freedom and a certain precariousness, so if there’s something we don’t want to do, we’ll say so. The fact that the current team respects “REIRIE-ness” and lets us do what we want means a lot.

It sounds like you’ve built a strong trust relationship with the label team.

RIE: Even the things we want to do just because we want to do them get realized with “REIRIE-ness” as the starting point. It’s a really comfortable environment, and we’re able to express ourselves freely.

REI: Of course, when it’s time to work, we do it properly! If outside support expands what REIRIE can do, that’d be wonderful.

Your first major-label EP Amethyst feels like an explosion of REIRIE’s raw individuality. The opening track “BaD=DoLL” that was pre-released in August is especially striking.

REI: It puts our rebellious spirit and slightly dangerous vibe right up front. The contrast between RIE’s shouts and her cute singing voice really comes through. This is probably the closest to our “default mental state.”

RIE: Yeah, pretty much our baseline. We’ve mostly worked with heavy sounds like this, so it was pretty easy to channel strong emotions directly into the music. Personally, I feel like I’ve lived outside the conventional path compared to what society expects, but there’s this core inside that never wavers, and I’m glad this song let me express that. I think people are often surprised when I shout, “Annoying as hell!” given how I look.  [Laughs

The closing track is “Aishiteyo.”

REI: There are strong lines in this song too, like “There’s no such thing” and “No way that’s true,” but underneath it all is a pure desire to be loved by someone. It’s a song that carries the parts of REIRIE we can’t always say honestly.

RIE: In my case, more than wanting to be loved, I first want to love. It’s like, “Let me love you — then will you love me?” As REI said, it really expresses REIRIE’s heart and the songwriter who wrote it is a genius.

All five tracks flow beautifully in sequence.

REI: We left the track order to our label team. I listened all the way through myself, and it really works. Starting with “BaD=DoLL” and ending with “Aishiteyo” feels very REIRIE.

REIRIE has also drawn strong reactions outside of Japan, fueling anticipation for further global expansion.

RIE: When I look at the comments on our music videos, I see that a lot of people from overseas are checking us out. Knowing REIRIE is reaching someone somewhere out there in the world, not just in Japan, makes me really happy.

This interview by Yukiko Kawakura first appeared on Billboard Japan.

INI‘s second photo book, Viva la vita, hits No. 1 on the Billboard Japan’s Book Hot 100 chart, on the list released Mar. 5.

The boy band’s latest photo book is themed around “all eleven members’ trip to Italy,” and shot entirely on location there. At 192 pages, it’s a generously sized keepsake. The volume rules the e-commerce metric and tops the overall chart as a result.

Related

At No. 2 is Mrs. GREEN APPLE‘s first publication, MGA MAGICAL 10 YEARS ANNIVERSARY BOOK -OUR STORY-. It’s the three-man pop band’s anniversary release marking a double milestone: the 10th anniversary of its debut and the conclusion of Phase 2. The set comprises four volumes — one for the band and three focusing on each member, with Motoki Omori, Hiloto Wakai, and Ryoka Fujisawa reflecting on their life stories to date.

Fumi Yoshinaga’s Kinou Nani Tabeta? (What Did You Eat Yesterday?) Vol. 25 holds at No. 3 for a second week, topping the brick-and-mortar sales metric and coming in at No. 7 for e-commerce and No. 14 for e-books. The hit manga series also breaks into the top 100 in social media.

The Japan Book Hot 100 is a comprehensive chart combining physical sales, e-books, library loans, subscription data and social media activity. Check out the top 10 titles on this week’s list, tracking the period from Feb. 23 to Mar. 1.

(Numbers in parentheses indicate the title’s metric placements for physical stores, EC, e-books, subscriptions, and social media, top 20 only. English title given if translations or adaptations exist.)

1. INI 2nd Photo Book “Viva la vita”, INI, ISAC, Tsunekawa Shuhei (–/1/–/–/–)

2. MGA MAGICAL 10 YEARS ANNIVERSARY BOOK -OUR STORY-, Mrs. GREEN APPLE (–/2/–/–/–)

3. Kinou Nani Tabeta? (What Did You Eat Yesterday?) Vol. 25, Fumi Yoshinaga (1/7/14/–/–)

4. Okiraku Ryoshu no Tanoshii Ryochi Boei (Easygoing Territory Defense by the Optimistic Lord) Vol. 8 (Comic), Maro Aoiro, Sou Akaike, Kururi (2/–/1/–/–)

5. Akatsuki no Yona (Yona of the Dawn) Vol. 47, Mizuho Kusanagi (3/6/13/–/–)

6. Shokan-gata Shosetsu “Nininsho” Yorushika, n-buna, Yorushika (–/3/–/–/–)

7. Mystery to Iu Nakare (Don’t Call It Mystery) Vol. 16, Yumi Tamura (4/–/11/–/–)

8. Mushoku Tensei: Isekai Ittara Honki Dasu (Mushoku Tensei: Jobless Reincarnation) Vol. 24, Yuka Fujikawa, Rifujin na Magonote, Shirotaka (6/–/3/–/–)

9. In the Megachurch, Ryo Asai  (–/–/–/12/1)

10. BLUE GIANT MOMENTUM Vol. 7,Shinichi Ishizuka, NUMBER8 (8/16/7/–/–)

UPDATE (March 5): Will Arnett, Priyanka Chopra Jonas, Robert Downey Jr., Anne Hathaway, Paul Mescal and Gwyneth Paltrow have joined the list of presenters for the 2026 Oscars. Hosted by Conan O’Brien, the Oscars will air live on ABC and stream live on Hulu on Sunday, March 15, at 7 p.m. ET/4 p.m. PT.

Downey, Hathaway and Paltrow are past Oscar winners, for Oppenheimer, Les Misérables and Shakespeare in Love, respectively. Hathaway also cohosted the Oscars in 2011 with James Franco.
Mescal is one of the stars of Hamnet, which received eight Oscar nominations, including best picture, though he was passed over for a best actor nod.

The producers will continue to announce talent appearing on the Oscars in the 10 days remaining before the show.

PREVIOUSLY (Feb. 26): Demi Moore was highly touted for an Oscar last year for The Substance, but ultimately lost to Mikey Madison for Anora. Both women will be back at the 2026 Oscars in roles that carry much less pressure — presenters.

Related

Maya Rudolph, veteran film and TV star (and daughter of the late, great Minnie Riperton, who topped the Billboard Hot 100 in 1975 with “Lovin’ You”), will also present, as will Chase Infiniti, one of the stars of One Battle After Another, which amassed 13 Oscar nominations, second only to Sinners this year.

Other presenters announced Thursday (Feb. 26) are Javier Bardem, Chris Evans and Kumail Nanjiani. Previously announced presenters are last year’s winners of best actor (Adrien Brody), best supporting actor (Kieran Culkin) and best supporting actress (Zoe Saldaña).

The producers will continue to announce talent appearing on the show in the coming weeks.

The 98th Oscars will be held on Sunday, March 15, at the Dolby Theatre at Ovation Hollywood and will be televised live on ABC and streamed live on Hulu at 7 p.m. ET/4 p.m. PT. Conan O’Brien will host the show for the second year in a row. The official live red carpet show will air at 6:30 p.m. ET/3:30 p.m. PT.

Raj Kapoor and Katy Mullan are the show’s executive producers. Kapoor is also showrunner.

Sinners and One Battle After Another are followed on the nominations leaderboard by Frankenstein, Marty Supreme and Sentimental Value, each with nine nods, and Hamnet with eight.


Billboard VIP Pass

Warner Music has inked a deal with rising star MC Meno K, the company tells Billboard. The signing comes on the heels of the Brazilian artist releasing a new feel-good baile funk single, “Motivos Pra Sorrir” (“Reasons to Smile”), on Thursday (March 5), alongside MC Brinquedo and DJ Oreila. According to the press release, the signing comes as MC Meno K becomes the most-streamed male artist in Brazil on Spotify, with 23.6 million monthly listeners on the streaming platform.

“I’m very happy with this moment and everything that’s been happening in my career,” MC Meno K says in a statement. “Signing with Warner Music is another important step and gives me even more motivation to keep sharing my truth, my story, and the sound of where I come from with an ever-growing audience.” 

Related

Born Kauan Soares in Porto Alegre, located in southern Brazil, MC Meno K gained recognition for his genuine depiction of life in the country’s urban areas. By fusing Southern funk with Rio de Janeiro’s funk carioca style, he crafted a sound that stands out.

His rise to prominence began in 2020 as an adolescent, with 20-million-stream hits like “Camisa do Grêmio,” with DJ Neeh, and “Camisa do Flamengo,” with DJ 2L da Rocinha. Now, the 19-year-old artist remains a fixture on the Spotify charts, this week coming in at No. 74 on the Weekly Top Artists Global and other chart appearances.

“The signing of MC Meno K marks an important moment for Warner Music.  He is an artist with a strong identity, a highly authentic perspective, and a significant reach — qualities that make him one of the most relevant names in today’s scene,” says Leila Oliveira, president of Warner Music Brazil. “Urban music is a core pillar of our strategy, and its creative strength in Brazil is reflected in talents such as Meno K.  We are excited to partner with him to further grow his career, strengthening the presence of funk in Brazil and around the world.”

Listen to “Motivos Pra Sorrir” below:

Keznamdi kicked off the month with his first career Grammy win, taking home best reggae album for Blood & Fyah at the Feb. 1 ceremony, and the Caribbean music community maintained that momentum.

Of course, DJ Mac and CrashDummy’s “WYFL” has been running di place since its release last November, but things truly kicked into high gear over the past few weeks, with an ever-extending cast of heavyweights delivering their take on the viral riddim. For his “Bad & BBC Rich” music video, Mavado returned for his first Cassava Piece-set short in over a decade, bringing him back to the “Gully Side.” From Vybz Kartel (“SYM”) and Buju Banton (“X Rated”) to Tielo Lanez (“Thickiana”) and NLE Choppa (“Watch Me Now!”), the “WYFL” riddim has quickly traversed generations and regions, even inspiring remixes from Ghanaian artists Shatta Wale (“Danger”) and Stonebwoy (“Silent Samurai”).

As that riddim lit up the scene, the business side of the Caribbean music industry convened in Kingston, Jamaica, for the fourth annual Island Music Conference (IMC). Co-founded by Shaggy, the four-day convention brought a host of informative panels, songwriters’ workshops, rising artist showcases and documentary screenings geared toward artists aiming to cultivate music careers with longevity.

As IMC closed out the Month, the final day of February (and the first of March) belonged to Protoje’s Lost in Time Festival. Primarily showcasing the biggest reggae stars of the 2020s (like Grammy nominees Lila Iké, Mortimer and Jesse Royal), this year’s Lost in Time also featured Chronixx in his first full live set since 2019 and Koffee’s return to major Jamaican festival stages after a four-year break.

Naturally, Billboard’s monthly Caribbean Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:


Billboard VIP Pass

Atlanta’s Lo Kee restaurant is celebrating the women who have shaped the music and culture scene of the city with a limited-edition prix fixe menu for Women’s History Month.

ATL superstars such as Latto, Mariah the Scientist, Monica, Ciara, Nene Leakes, Keri Hilson, Porsha Williams, Kandi Burruss and Tamar Braxton are among the women being honored with their own specialized items on the menu for the month of March.

The East Midtown restaurant will feature a range of entrées, including the Latto Crispy Rock Shrimp Tempura, the Mariah the Scientist Filet Mignon Cubes and the NeNe Leakes Thai Tea Crème Brûlée for dessert.

“We’re incredibly fortunate to operate in a city like Atlanta that has produced and supported so many influential women in music, television and business,” said Lo Kee cofounder Dara Mirjahangiry. “This Women’s History Month menu is our way of honoring their impact on culture and thanking them for helping shape the energy and creativity that make this city so special. Each dish is inspired by the boldness, individuality and excellence these women represent.”

The Women’s History Month prix fixe menu costs $50 per person and comes with four appetizers, four entrées and one dessert. Combining Asian-fusion with Southern flair, Mirjahangiry opened the restaurant in 2025 and is committed to celebrating the ATL’s rich culture through cuisine.

Mirjahangiry, who cofounded NYC’s Sei Less, celebrated the stars of the Big Apple during last year’s Women’s History Month with a special edition menu, which saw the eatery highlight Cardi B, Ice SpiceLil Kim, La La Anthony, Teyana Taylor, Angie Martinez and more.

Find Lo Kee’s Women’s History Month menu below.

Lo Kee Women's History Month Menu

Lo Kee Women’s History Month Menu

Lo Kee


Billboard VIP Pass

Places, please. Harry Styles is just one night away from taking the stage in Manchester, England, for the first-ever performance of his Kiss All the Time. Disco, Occasionally album — and a trailer for his upcoming Netflix film documenting the show gives fans a glimpse at all the preparations he’s doing for the concert leading up to it.

Related

In the adrenaline-boosting One Night in Manchester preview posted Thursday (March 5), the British pop star gathers with his band in a rehearsal space, dancing along to music and practicing vocals at a microphone. At one point, he rolls up his sleeves and tells the camera with a playful smile, “Let me go to work.”

As the intensity builds with Billboard Hot 100-topping single “Aperture” soundtracking shots of a massive concert crowd flashing in between the behind-the-scenes footage, onscreen text promises that Styles is ready to meet fans “wherever you are.”

Such was the idea behind One Night in Manchester, which will premiere on Sunday (March 8), two days after filming concludes at the one-night-only show at the city’s Co-op Live. Though only a few thousand fans scored tickets to the fast-approaching Friday (March 6) in-person event celebrating the release of Kiss All the Time. Disco, Occasionally earlier that day, anyone can tune in to the special to see what they missed soon afterward.

Beyond commemorating Styles’ first album in four years, One Night in Manchester will also give fans a taste of what’s to come on the Grammy winner’s Together, Together tour, which kicks off in May. Styles will stop through just seven cities on the trek while playing more than 60 shows overall, explaining in a recent interview with Zane Lowe that there were multiple reasons for the mini-residency style of shows.

“I think it makes the show better,” he said in the Apple Music 1 interview. “I think you can build something that doesn’t have to travel every night. I think there’s something in this that allows me to, like, stay in my life while I’m doing it. And therefore I think [it] allows me to take care of myself better, which I think makes me better at doing the thing.”

Watch the trailer for Styles’ One Night in Manchester special above.


Billboard VIP Pass

Carlos Rivera has taken his venture into the regional Mexican genre very seriously. Five months after releasing the EP Vida as a teaser, the pop singer presents today (March 5) his studio album Vida México. In an homage to his country, his cultural identity and musical roots, the singer is accompanied by mariachi and even instrumentation from the tumbado sound, such as charchetas and tololoche.

Among the 16 songs on the LP released by Sony Music Mexico, all co-written by Rivera, the collaborations stand out. These include “Conversaciones Con Mi Almohada” with Pepe Aguilar and “Sin Despedida” with Alejandro Fernández, marking the first time these members of two of the biggest dynasties in ranchera music appear on the same album. Also featured are “Cuento de Nunca Acabar” with Ana Bárbara, “Donde Estés, Donde Estoy” with Marisela and “Recuérdame” with Natalia Lafourcade.

On Tuesday (March 4), Rivera presented this new material live at the iconic Salón Tenampa in Mexico City, a venue where the greatest stars of Mexican music have performed over the last hundred years, from Lola Beltrán and Pedro Infante to Juan Gabriel. There, his figure was added to a mural of luminaries, representing a new generation of stars of the genre.

“It’s a great responsibility as a songwriter and singer to continue bringing traditional Mexican music to the world,” the 39-year-old singer tells Billboard Español.

Rivera, who is celebrating two decades in music this year, will kick off a tour in Mexico on March 21, which will include his first performance at La Monumental Plaza La México. This will be followed by 12 dates in Spain during the summer, before continuing across Latin America and other European countries.

In an interview with Billboard, Rivera spoke in-depth about his new album, Mexican music and Bruno Mars’ recent use of mariachis.

For this album, you worked with songwriters like Luis Mexia and Ivan Gámez, who have written for Peso Pluma and Xavi, something very different from what you usually do. How was this experience for you?

It was spectacular. Many of them write corridos tumbados, but when they came to me, they said they wanted to write love songs. We ended up creating very interesting songs, combining their ideas with mine. That’s how tracks like “Vete Tranquila,” “Como Quiera Te Perdono” and “Quiero Enseñarte” came to be. Omar Robles also participated in the album; he’s very romantic and the author of hits like “El Color de Tus Ojos” by Banda MS and “Ahí Estabas Tú” by Carín León.

Each of the songs is made with Mexican sentiment. These are young people, and through them, Mexican music will continue to be preserved.

You also include three women in this production. Why these particular artists?

They are all very special. I have a great friendship with Ana Bárbara, and from the moment I wrote “Cuento de Nunca Acabar,” I definitely envisioned her singing it. Marisela is a music icon, and it’s an honor to have achieved this collaboration; “Donde Estés, Donde Estoy” was produced by Edén Muñoz, who gave it a very special touch. With Natalia, I sing something very meaningful, “Recuérdame,” the theme song from the [2017 animated] movie Coco. At the time, I sang the Spanish version, and she sang the English one.

You’re the only artist who has managed to bring Edén Muñoz and Carín León together in a song, “Alguien Me Espera en Madrid.” Now, you’ve brought Pepe Aguilar and Alejandro Fernández together in an album for the first time. How did you do this?

It happened naturally, and I want to say that with this album, I’m fulfilling my dreams and my grandmother’s dreams. She used to save money every year to attend Don Antonio Aguilar’s jaripeo because she was a big fan.

When I sent Pepe the song “Conversaciones Con Mi Almohada,” he listened to it and told me, “I’ll record this right now.” And that’s exactly what he did, even producing it himself. Alejandro and I have been friends for many years, but we had only sung together at parties. Recently, we met at the Palenque de Hermosillo, where I showed him “Sin Despedida,” and he immediately said yes.

What does Alejandro Fernández think about your venture into ranchera music?

We’ve talked a lot about it. He even told me to go for it because there’s a lack of singers who perform with mariachi. I had done it sporadically, even with Maluma on the song “Cien Años,” but I felt a personal need to fully immerse myself in the genre.

Do you see yourself singing with mariachi in the coming years?

I definitely see myself doing this. I’ll continue singing my pop repertoire, but I want to keep doing both. In fact, I’ve been mixing them in my shows, and when the mariachi comes in, it’s a magical moment — it’s crazy.

What do you think about Bruno Mars and his recent inclusion of mariachi in his music, in the song “Risk it All”?

They say that those of us who have something don’t value it as much as those who see it from afar, and that’s the case with Bruno Mars. He’s giving us a very powerful lesson.

What’s your contribution to ranchera music?

I held auditions for young musicians to include them [in the album and the tour]. They bring a fresh style to playing the guitar and vihuela because, while we follow traditional lines, we also need to evolve.

Sync Music Global has finalized a major new partnership with Kobalt, covering worldwide sub‑publishing and administration for the company’s growing catalog. Under the deal, Kobalt will oversee global administration for Sync Music Global’s roster of songwriters and producers, while a newly formed joint venture between the two companies will focus on future signings and accelerating the UK‑born publisher’s entry into new creative markets.

Founded by rapper Avelino alongside executives Gautier Mukuna and Rowland Ashitey, Sync Music Global has quickly built a reputation as one of the UK’s most progressive independent publishers. The company represents culturally influential artists, writers and producers including Avelino, Blanco, Black Sherif, One Acen, JB Scofield and Kyile Evans, with additional collaborations from rising producers like Anitiwave, best known for B Young’s hit “Jumanji.”

Related

A recognized force in sync, Sync has landed placements across film, TV, gaming and brand campaigns. Recent highlights include The Equalizer 3 trailer, Tomb Raider, the Power franchise, EA’s FIFA series, NBA 2K24, UFC titles, and bespoke work for True Religion and Manchester United.

In a joint statement, Avelino, Mukuna and Ashitey said the Kobalt partnership strengthens their mission to develop groundbreaking talent and ensure creators receive proper royalties: “Many writers and producers—especially in our scene—are still unaware of the sync opportunities and royalties available to them, and this partnership helps us change that.”

Kenny McGoff, Kobalt’s head of creative UK & GSa, praised Sync Music Global as “a major player in music publishing” whose roster aligns with Kobalt’s creator‑first approach.

Check out the rest of this week’s publishing news below: