Carín León places his second No. 1 of the year, and fourth overall, on Billboard’s Latin Airplay chart, as “Ahí Estabas Tú” ascends 3-1 on the May 24-dated list. The new achievement comes only two months after his most recent triumph with “El Amor de Mi Herida.”

“Ahí Estabas Tú” claims the top spot on the overall Latin Airplay chart with 8.2 million audience impressions earned in the U.S. during the May 9-15 tracking week, according to Luminate –that’s a 21% gain from the previous week. The Greatest Gainer-awarded track of the week trades places with Gerardo Coronel ‘El Jerry’’s “No Se Dice,” after the latter drops 1-3 with a 5% dip in impressions (to 8.23 million).

“Ahí Estabas Tú” marks León’s second champ of 2025. Previously the Hermosillo, Sonora-born singer-songwriter took command of Latin Airplay for one week through “El Amor de Mi Herida” (March 22-dated list).

With a second ruler in 2025, León is only the second soloist to have two No. 1s on Latin Airplay this year unaccompanied by another act. Earlier in 2025, Bad Bunny topped the chart twice with his solo tracks “El Clúb” and “Baile Inolvidable,” each reigning for two weeks in February and March, respectively.

In total, four artists have secured two No. 1 hits in 2025 so far. Between Benito’s two chart-toppers, Myke Towers claimed the No. 1 spot with “Otra Noche” featuring Darell, for one week in February. He followed up with another No. 1 hit, “Degenere,” which features benny blanco, leading for one week on the May 3 chart. Meanwhile, Colombian Kapo placed back-to-back champs as “Más Que Tú,” with Ozuna, ceded its place to “Imagínate,” with Danny Ocean, on the April 26 list, both one-week rulers.

Beyond his Latin Airplay coronation, León also takes “Ahí Estabas Tú” to the summit on Regional Mexican Airplay, where it jumps 2-1, his eighth No. 1 overall. He ties Eden Muñoz for the fourth-most rulers among soloists in the 2020s decade. They trail Christian Nodal who leads with 17 No. 1 this decade, Gerardo Ortiz follows with 13, and Alejandro Fernández with 12 leaders.

All charts (dated May 24, 2025) will update on Billboard.com tomorrow, May 20. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Post Malone is opposing an attempt by his ex to move their nearly three-year-old daughter permanently to California, saying in a new court filing that the child has lived in Utah most of her life and should remain a resident there.

The star (Austin Richard Post) filed a motion Monday (May 19) to dismiss the custody petition brought in Los Angeles court last month by his ex, Hee Sung “Jamie” Park. Post and Park share a child, referred to anonymously in court filings as “DDP,” who was born in May 2022.

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According to the motion, the family lived together in Utah until Post and Park ended their relationship this past November. Park then decided to relocate to Los Angeles, and Post says he agreed to share custody and move the child between California and Utah every two weeks.

In April, however, Post says he learned that Park was planning to file for primary physical custody and change their daughter’s residence to California. Park “rushed to enroll DDP in every type of activity she can” in Los Angeles to demonstrate the child’s residence there, Post claims, even though he says DDP’s nanny and doctor are in Utah and she has long attended daycare, music classes and swimming lessons there.

Post filed a paternity action in Utah on April 14 after learning of Park’s plans, he says. Park then brought her California petition for primary custody two days later, and the singer alleges Park’s petition “intentionally misleads” the Los Angeles judge by failing to mention that the child has lived in Utah nearly her whole life.

“I do intend to work cooperatively with Jamie to ensure that DDP has frequent and equal custodial time with her mother,” wrote Post in his declaration. “I do not consent to Jamie’s back door attempt to change DDP’s residence from Utah to California. I request that the California court admonish Jamie for her lack of candor, gamesmanship in attempting to forum shop, and her intentional action to try to mislead the court about DDP’s home.”

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Post wants the California custody petition dismissed. He says the former couple’s dispute should be resolved in Utah, where he was the first to bring a custody action and where their daughter has spent nearly three years.

“Jamie’s conduct of attempting to forum shop to change DDP’s home state without Post’s consent or a Utah court order should not be condoned by the California court,” wrote Post’s attorney, Laura Wasser. “California law provides that, under the facts of this case, DDP’s home state is Utah, and subject matter jurisdiction over her custody remains with the Utah court.”

A judge in Los Angeles County Superior Court is scheduled to consider Post’s dismissal motion in late July. Park’s attorney did not immediately return a request for comment Monday.

Post is currently headlining his Big Ass Stadium Tour and is next scheduled to play U.S. Bank Stadium in Minneapolis on Tuesday (May 20).

After reports last week of ICE raids at Kid Rock‘s Big Ass Honky Tonk Rock N’ Roll Steakhouse in Nashville, the rocker took to social media to respond to the story and double down on his support for President Trump’s deportation of undocumented immigrants.

Responding to a Daily Mail US post on X about how his Nashville bar was the “next target for Trump’s sweeping ICE raids,” Rock started by taking issue with the story using his name for “click bait.”

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“Clearly I do not have anything to do with day to day operations at my Honky Tonk – but it’s good click bait, I get it,” Rock wrote on X. “That being said I 100% support getting illegal criminals out of our country no matter where they are. I also like President Trump want to speed up the process of getting GREAT immigrants into our country – LEGALLY! It’s that simple folks. But the below is not a juicy enough headline to get clicks and views.. in this day and age the truth often is not.”

Last week, The Tennessean reported that the New Orleans field office for ICE (Immigration and Customs Enforcement) had announced a weeklong operation that resulted in the arrest of nearly 200 immigrants in Nashville. On May 14, The Nashville Scene reported that the kitchens at Kid Rock’s Honky Tonk and other bars co-owned by Nashville businessman Steve Smith had closed early to avoid ICE raids.

Kid Rock has been one of Trump’s most vocal supporters over both of his terms as U.S. president, most recently joining him in the Oval Office on March 31 for the signing of an executive order that aims to crack down on scalpers who illegally obtain high-priced concert tickets for resale. During the signing, Rock thanked the president for the order, adding that it’s a first step in stopping bots that “get all the good tickets for your favorite shows they want to go to, and they relist them, sometimes for a 400 to 500% markup.”

Kid Rock’s Big Ass Honky Tonk Rock N’ Roll Steakhouse opened on Broadway in Nashville back in October 2018.

Jane’s Addiction guitarist Dave Navarro has apparently put to bed any hopes of further shows from the group, claiming there’s “no chance” of them playing live together again.

Navarro’s comments came about in a recent interview with Guitar Player where the famed musician looked back on the best and worst gigs of his career. 

In the latter category, Navarro turned to the band’s last run of shows in 2024, noting that some of those gigs were his favorite, with the group working together in perfect unison. “If you combined Grateful Dead and Radiohead, there were moments like that — just weird, experimental jams that we’d never done before as a band,” he claimed.

However, it’s Jane’s Addiction’s final performance, at Boston’s Leader Bank Pavilion on Sept. 13, that takes the dubious honor of being his least favorite. That show made headlines last year when frontman Perry Farrell threw a punch at Navarro during a rendition of “Ocean Size.”

Navarro walked off stage following the incident, ending the show early, and soon after, Jane’s Addiction announced the cancellation of the remainder of their tour dates. The announcement included a statement signed by Navarro, bassist Eric Avery, and drummer Stephen Perkins highlighting the “behavior and the mental health difficulties of our singer Perry Farrell”.

According to Navarro, the incident is “still very tender and unresolved,” with the guitarist taking care not to be “naming names and pointing fingers” while speaking to Guitar Player.

“There was an altercation onstage, and all the hard work and dedication and writing and hours in the studio, and picking up and leaving home and crisscrossing the country and Europe and trying to overcome my illness — it all came to a screeching halt and forever destroyed the band’s life,” he explained. “And there’s no chance for the band to ever play together again.”

Much of the sadness around the unexpected and unfortunate end to Jane’s Addiction relates to the fact that the shows prior to their final performance were some of Navarro’s favorite.

“I’ll just say that the experience prior to that gig, when we were in Europe and gelling, really, for the first time — because at our ages, in our 50s and 60s, everybody’s done what they’re gonna do, and we weren’t competitive with each other — we were getting along,” he explained. “There was no ego issue; it was just four guys making great music, just like we did in the beginning. I was just us on a stage, with people going f–king crazy.

“And that gig, September 13th, in Boston, ended all of that,” he added. “And for that reason, that is my least favorite gig that I have ever played.”

In the wake of Jane’s Addiction’s final gig, Navarro, Perkins and Avery have reportedly been working on new music together, though it’s unclear exactly what form this will take.

Weeks after he was fired and subsequently rehired by The Who, Zak Starkey has announced he is once again no longer drumming for the band.

Starkey’s membership saga began in April when a spokesman for the group claimed that “the band made a collective decision to part ways with Zak after this round of shows at the Royal Albert Hall,” referring to a pair of gigs the month prior. A report from those shows claimed that vocalist Roger Daltrey had stopped several songs mid-performance, citing difficulty hearing the band over the drums.

Starkey later issued a statement noting he was “surprised and saddened” by the news, though guitarist Pete Townshend later claimed Starkey was back in the band following the resolution of “communication issues.”

While fans were eager to reference “meet the new boss, same as the old boss” in regard to Starkey’s reinstatement, the entire saga appears to have started all over again, with the band announcing a new drummer ahead of their forthcoming farewell tour.

“After many years of great work on drums from Zak the time has come for a change,” Townshend shared on social media on Sunday (May 18). “A poignant time. Zak has lots of new projects in hand and I wish him the best. Scott Devours who has worked with Roger’s solo band will join The Who for our Final shows. Please welcome him.”

Starkey himself responded to the announcement via social media hours later, making it clear it was not his decision to leave the band.

“I was fired two weeks after reinstatement and asked to make a statement saying I had quit the who to pursue my other musical endevours this would be a lie,” he wrote. “I love the who and would never had quit. 

“So I didn’t make the statement ….quitting the who would also have let down the countless amazing people who stood up for me (thank you all a million times over and more) thru the weeks of mayhem of me going ‘in an out an in an out an in an out like a bleedin squeezebox x.”

Both Townshend and Daltrey also issued a more formal statement regarding Starkey’s ousting via The Who’s website, reiterating Devours’ nascent role in the band and referring to Starkey’s myriad other projects as the reason behind the lineup change.

“The Who are heading for retirement, whereas Zak is 20 years younger and has a great future with his new band and other exciting projects,” they wrote. “He needs to devote all his energy into making it all a success. We both wish him all the luck in the world.”

Notably, despite The Who’s reference to Starkey being “20 years younger” and a need to focus on his other projects, Devours is himself 15 months younger than Starkey, with a similarly-busy schedule. 

Starkey is the son of Beatles drummer Ringo Starr and Maureen Starkey, and has also enjoyed a fruitful career outside of The Who, playing with Oasis, Johnny Marr, Paul Weller and Graham Coxon. He currently performs in the recently-formed supergroup Mantra of the Cosmos, also featuring Shaun Ryder and Bez of the Happy Mondays and Black Grape, and Andy Bell of Oasis and Ride.

“None of this has ever interfered with The Who and was never a problem for them,” Starkey added in his social media post. “The lie is or would have been that I quit the who- i didn’t. I love the who and everyone in it.”

Werenoi, the rapper who became France’s biggest-selling music artist in recent years, has died at age 31, his record label and producer said.

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The artist, whose real name was Jérémy Bana Owona, was the No. 1 album seller in France in 2023 and 2024 according to the International Federation of the Phonographic Industry’s (IFPI) ranking, which includes in-store and e-commerce sales as well as plays on streaming services.

“It’s with immense sadness that we’ve learned of Werenoi’s passing,” his record company Believe said on Instagram. “All our thoughts are with his family, loved ones, his team and everyone who knew him.”

“Rest in peace my brother, I love you,” his producer Babs posted on X.

French media reports Werenoi died early Saturday (May 17) in a Paris hospital. The cause of his death has not been made public.

Werenoi first became known to the French public in 2021 when he posted his song “Guadalajara” on YouTube and it was viewed hundreds of thousand times.

He released three albums, Carré in 2023, Pyramide in 2024 and Diamant Noir in 2025, making him one of the biggest names in French rap.

Several French rappers posted tributes on social media.

French-Malian pop star Aya Nakamura, who featured on Werenoi’s second album, wrote: “Rest in peace my dude. A news that saddens me and courage to the loved ones especially.”

“He made a difference for the quality of his songs, his melodies and his punchlines,” singer Pascal Obispo, who had accompanied Werenoi on the piano at a 2023 Paris concert, told French newspaper Le Parisien.

JIN‘s new Echo EP tops this week’s new music poll.

Music fans voted in a poll published Friday (May 16) on Billboard, choosing the BTS member’s latest solo endeavor as their favorite new music release of the past week.

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JIN’s seven-track collection saw a landslide victory, with a staggering 93% of votes placed in support of the EP. Voters chose Echo over new releases from artists across genres, including Morgan Wallen, Rihanna, Laufey, Avicii (a posthumous compilation album), Lola Young, Sebastián Yatra and Rico Nasty.

Echo — the follow-up to JIN’s debut solo EP, 2024’s Happy — was released on Friday (May 16). “Don’t Say You Love Me,” “Nothing Without Your Love,” “Loser” featuring YENA, “Rope It,” “With the Clouds,” “Background” and “To Me, Today” make up the tracklist for the K-pop star’s new project. “Don’t Say You Love Me” also got an official music video, directed by Yongseok Choi and shot across various locations in Singapore.

He’ll be celebrating the new release in the upcoming week in New York City with a televised performance on The Tonight Show Starring Jimmy Fallon!, on an episode set to air on Wednesday (May 21) on NBC.

Since its announcement, Echo has been described by JIN’s team as a “perspective on universal life experiences, capturing everyday emotions with warmth and sincerity. Built on dynamic band sounds, the album showcases his versatile vocals across a spectrum of moods and styles. It reflects a deeper layer of vocal maturity and personal storytelling that underscores Jin’s evolving artistry.”

Among the new music trailing behind Echo on this week’s poll are Morgan Wallen’s I’m the Problem, Rihanna’s “Friend of Mine,” Laufey’s “Tough Luck” and more, all with a very minor percentage of the vote.

See the final results of this week’s poll below.

Caleb Moore never thought he’d release “Comeback Kid.” But in a warmly-lit townhouse above a clothing store in Manhattan Friday (May 16), a crowd cheered and whistled so loudly for the song’s music video that applause for that night’s historic Knicks victory, hours later, paled in comparison.

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The “Comeback Kid” video release party on the second floor of Lingua Franca felt like summertime’s grand entrance, complete with chilled wine and beers, smoke breaks on the balcony, live music and a movie projector for the main event. A crowd of about 50 close friends, family and industry colleagues — including actor Billy Crudup, designer Cynthia Rowley and comedian Dan Toomey — dotted sofas and stood or sat cross-legged around Moore, son of actress Julianne Moore and director Bart Freundlich, who seems to move with his own gravitational pull.

Caleb Moore
Caleb Moore performs at his “Comeback Kid” video release party in NYC on May 16, 2025.

With his guitar on his knee, the 27-year-old alternative R&B artist — who recently released his debut EP, Doing Better, and opened for Barry Can’t Swim at the Surf Lodge — delivered a raw, acoustic performance to kick off the night.

Moore started with “Paranoia,” his first release of 2025, followed by his March single “Bad Guy,” a harmonious collaboration with NYC indie-pop artist India Thieriot, who joined Moore at the mic to perform it together for the first time. Commanding the audience with a gleaming smile, Moore riffed and joked between songs, injecting his set with lightheartedness, laughter and gratitude. The crowd sang along to “Sunshine,” a fan-favorite at Moore’s local shows, and quieted to absorb “Burn It Down,” an unreleased single.

Caleb Moore Comeback Kid video release party crowd NYC
An intimate crowd cheers for Caleb Moore at his “Comeback Kid” video release party in NYC on May 16, 2025.

Finally, before screening the “Comeback Kid” music video, Moore played it live for the first time. The song is a reflective ballad that Moore says comes from the realization that he used to hold a “‘keep your chin up’ attitude almost to a fault.” Initially, he thought the song lacked broad appeal.

“The one you don’t think anyone will want to listen to ends up being the one they like the best,” Moore mused before settling into the song’s meditative melody. Moore wrote, produced, mixed and mastered “Comeback Kid,” which he says is his most stripped down song yet, featuring only vocals, guitar and bass.

Its video mirrors that vulnerability. Filmed on 35mm in one continuous take, the nearly five-minute shot follows Moore through the bustle of Lower Manhattan in the early morning light as he sings “Comeback Kid” to himself with mounting vigor. Between budget constraints and the rising sun, the crew — directed by NYC filmmaker Giles Perkins — only had two tries to get the shot right. Their first take became the final cut. Once the credits rolled, the room erupted.

With his music video officially out in the world, Moore, a native New Yorker, promptly replaced it on the projector with the Knicks game and assured everyone that pizza was en route. Moore grew up attending home games with his family — even during the Knicks’ especially painful losing years — so not even his own show was going to stop him from catching the game. The crowd stuck around, too, and joy for Moore melded with joy for the city as the Knicks clinched victory, making it into the Eastern Conference Finals for the first time since 1999. What a night for a comeback.

Scarlett Johansson kicked off the season 50 finale of Saturday Night Live with a musical monologue set to the tune of Billy Joel‘s “Piano Man.”

The Jurassic World Rebirth star, who hosted the May 17 episode alongside musical guest Bad Bunny, opened the iconic sketch comedy show with a heartfelt cast singalong celebrating the show’s five-decade legacy.

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“It’s 11:30 on a Saturday, finale of season 50,” Johansson sang. “It’s chaotic and crazy, the whole week is hazy, but there’s no place I’d rather be.”

The 40-year-old actress was soon joined by cast members Bowen Yang, Sarah Sherman, Heidi Gardner, Mikey Day, Ego Nwodim and Chloe Fineman, who harmonized with her. “Sing us a song, it’s your monologue, sing us a song tonight, as we made 50 years of great memories, every Saturday Night,” they all sang.

Johansson then teased a surprise appearance by the Piano Man himself, saying, “Ladies and gentleman, Billy Joel… wrote this song.” Day, visibly disappointed, responded, “I thought Billy Joel was going to come out,” Johansson, a seventh-time SNL host, said, “Oh, Mikey. So cute, so simple.”

The monologue took a comedic turn as Fineman expressed her love for musical monologues, while Gardner noted her preference for audience questions. Kenan Thompson, pretending to be a fan in the audience, asked the Jurassic film actress to introduce him to a dinosaur, prompting Johansson to jokingly regret calling on him.

New season 50 cast members Ashley Padilla, Emil Wakim and Jane Wickline made cameo appearances, singing about their gratitude for joining the iconic show — only for Johansson to hilariously forget their names. She also gave shoutouts to cast members Marcello Hernandez and Devon Walker, calling them her friends, and acknowledging Andrew Dismukes and James Austin Johnson.

Toward the end of the number, Johansson dropped a surprise bombshell, singing that season 50 would be Sherman’s last. “We’re all gonna miss you next year,” the cast sang in unison. A stunned Sherman replied, “Wait, what? Did you guys hear something or…?” The joke about the comedian’s departure was not mentioned again during the episode.

Elsewhere in the show, Bad Bunny delivered performances of “NUEVAYoL” and “PERFuMITO NUEVO,” both from his sixth album, Debí Tirar Más Fotos. Watch the performances here.

Watch Johansson’s SNL monologue below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.

Jesy Nelson and Zion Foster’s babies have arrived. The new parents welcomed healthy, identical twin girls who were born early, at 31 weeks, on Thursday (May 15).

Their premature birth occurred after Nelson faced complications with her pregnancy due to carrying monochorionic/diamniotic twins, babies who share a placenta while having separate amniotic sacs.

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“Our beautiful baby girls decided to come at 31weeks plus 5 days,” Nelson announced in an Instagram post on Sunday (May 18). “It all happened so quickly, but we are so blessed that they are here with us, healthy and fighting strong! We’ve never felt more in love.”

“Everybody meet Ocean Jade Nelson-Foster and Story Monroe Nelson-Foster,” the singer wrote in her introduction to the newborn twins. She uploaded sweet snapshots of herself and her partner, Foster, lovingly holding their babies; the proud dad shared Nelson’s post in an Instagram Story and commented, “My princesses are here.”

The former Little Mix member revealed she was pregnant in January in an Instagram post that indicated the couple was expecting twins. “She’s eating for 3 now,” she hinted at the time.

In early March, she shared that they’d learned that Ocean and Story were monochorionic/diamniotic twins, which raised medical concerns.

 “Normally, most twins will have two placentas that they feed off of, but when you have mono/di twins, that means your twins live off one placenta, which can lead to lots of complications,” Nelson explained in an emotional Instagram video posted in March. “One baby might take all the nutrients, the other might, which — really awful to say — could lead to both babies dying. At the moment, I am currently pre-stage TTTS, which is twin-to-twin transfusion. I’m being monitored very closely, I have to go be scanned twice a week.” (Twin-to-twin transfusion syndrome, or TTTS, is a rare pregnancy condition that affects identical twins or multiples when their shared network of blood vessels in the placenta is imbalanced, according to John Hopkins Medicine. One twin might give away more blood than it receives, risking malnourishment and organ failure, while the other twin might receive too much blood and become susceptible to the heart being overworked, or other cardiac complications.)

Days later, Nelson shared an update that doctors determined she needed to undergo a medical procedure that would “give our babies the best chance of surviving.”

Prior to giving birth on May 15, her last video update on Instagram came at the end of March, when she announced from the hospital that the operation had been successful, and the TTTS had “cleared up.” She said she was to stay in hospital, however, as doctors told her her cervix was very short and that her water could break at any time — “and I’m still very, very early.”

She also shared images from a black-and-white maternity photo shoot in early May.

Nelson and Foster were first linked together in January 2022. In August 2024, they released a song together titled “Mine.”