BTS’ V is in the holiday spirit as he dropped his rendition of “White Christmas” with Bing Crosby. Keep watching to hear a snippet of his version and to see what other BTS members have done for the holiday season! 

Tetris Kelly:

One of our favorite crooners is bringing the Christmas spirit. We’re discussing V’s new holiday track and some of the times BTS has brought the cheer. Just today, the new rendition of “White Christmas” dropped including Bing Crosby, V’s favorite jazz singer growing up. We love it. Our boys love this time of year. V previously released “Christmas Tree.” And who could forget the holiday version of their Hot 100 No.1 “Dynamite.” Jimin released “Christmas Love” and Jung Kook joined him for Christmas Day. For more on V’s new track and BTS holiday tracks… head to Billboard.com.

As we build toward the 2024 Billboard Music Awards on Dec. 12 and Billboard’s Year-End Charts reveal on Dec. 13, check out our editorial list of staff picks for the best K-pop albums of the year.

As is seemingly tradition, the K-pop industry has plenty to celebrate when reflecting on the year’s album milestones. 2024 featured record-breaking achievements, inventive breakthroughs and a wealth of impactful projects to solidify K-pop’s ever-growing global presence as a commercial and creative force.

Stray Kids, ATEEZ and TWICE dominated the Billboard 200, earning their fifth, second and first No. 1 albums in America, respectively. Their successes contributed to a historic moment when three K-pop acts—BTS’ Jin, ENHYPEN and ATEEZ—simultaneously ranked in the top 10. Elsewhere, celebrated projects led several artists to their first-ever appearances on the Billboard 200, while rising, next-generation stars P1Harmony and BOYNEXTDOOR climbed to new peaks.

But 2024 wasn’t just about breaking records, but also a year when artists pulled listeners deeper into their worlds. Beloved solo stars like ONEW, Baekhyun, Yves and D.O released their first projects under new labels, showcasing their individuality after departing longtime agencies.

Meanwhile, superstars like IU, RM, DAY6, SEVENTEEN and tripleS delivered some of their most ambitious work yet, blending innovative concepts with personal storytelling.

From K-pop icons to promising rookie acts, R&B wunderkinds and even one virtual boy band, check out our full list of the best K-pop album below — and be sure to check for our top K-pop songs of 2024 list, too.

The West Coast rapper is enjoying the looks he’s had this year.

First, AzChike was featured on ScHoolboy’s Q‘s critically acclaimed album Blue Lips, which essentially worked as a solo track/interlude on the song “Movie”. Chike then made another scene-stealing appearance on Kendrick Lamar‘s GNX on the song “peekaboo”.

During a recent interview with Brown Bag Mornings on Power 106, he talked about how his guest feature on Dot’s surprise project where he revealed that not only did he lay down verses that didn’t end up on this song, but that the Compton rapper already had him in mind when he first made the song.

“’Peekaboo’ was a lot longer than that, but I think he was just doing it just to have more to work with… When he played it, his parts were already on there and the parts I was supposed to be on, he was mumbling how I rap,” he revealed. “He was like, ‘That’s you right there.” […] He told me, like, ‘Rap, bro. Just rap… When they hear this, they wanna ask, who the f—k is this?”

Chike then recalled that he was originally on the hook, but he wasn’t having a hard time getting the cadence right. “They had me do the hook by itself but that sh—t is a tongue-twister,” he said. “I told ‘em even when I heard it the first time. Before I even knew they wanted me to do the hook by myself like that, I was like, ‘Damn. He saying this sh—t fast as f—k!’ And when I told him he was like, ‘Bro, I just did so many takes. I just kept doing it.’ So when I went to go do it the first time, I couldn’t do it by myself. I had to hear him say it. It had to play while I said it.”

AzChike dropped three projects this year and recently released a new song in “Love Yo Weapons.” Make to go stream that.

You can watch the interview below.

Watch Mustard share his start in music and how collaboration brings together greatness, exclusively for Billboard and Honda Stage.

Mustard:
The music is collaborative, you know, like, how I think is one way and how the next person may think is another way. And you put two great minds together, you know, you come out with something great every time. When did I discover my love for music? When I started DJing at 11. Uncle was a DJ. I always wanted to be like him, and I DJed a party. Well, he left me at a party. When I first came across Amirah, I just really was drawn into her voice, like her voice, how she sound. But then I I looked at her, like her other socials, and I was just like, “Oh, she has personality.” But if you ever meet her, you’ll be like, “Oh, she’s like, an interesting person.” When I’m working with Amirah, sir, you know, anything like that, I gotta already first believe in you, I think already have some type of level of respect before I’m even walking in the studio with anybody big or small.

50 Cent and Jay-Z still have beef? Fif discussed his theory that Jay-Z tried to keep him from performing at the 2022 Super Bowl halftime show with Dr. Dre and Snoop. Keep watching to see what 50 Cent has to say about their issues.

50 Cent:

Our culture’s competitive, but I think when it goes past the music itself to blocking things in business, then I don’t understand that.

Tetris Kelly:

50 Cent and Jay-Z still got beef? Always known to speak his mind, the legendary Queens rapper discusses his theory that Jay-Z tried to keep him from performing at the 2022 Super Bowl halftime show with Dr. Dre and Snoop. While appearing on Cam’ron’s new interview podcast, ‘Talk to Flee,’ the conversation turns to 50’s longtime rival Jay-Z. Cam’ron asks 50 to address the rumors of Jay-Z going to Dre and Em to get 50 off the show.

50 Cent:

Our culture’s competitive, but I think when it goes past the music itself to blocking things in business, then I don’t understand that. Right now, he’s not even competing for a slot. He doesn’t have a new song out that he wants to be top 10 and he’s still competing. It doesn’t make sense. What are we competing for? What’s the goal?

Tetris Kelly:

At the time of making this video, Jay-Z has yet to respond to 50’s comments. Can’t we all just get along? Here’s to hoping these rap icons squash this decades-old beef. Keep it locked here at Billboard for more hip-hop news.

ROSÉ has finally dropped her highly anticipated solo debut album ‘rosie.’ Keep watching for a breakdown of her newest work!

Tetris Kelly:

Her and Bruno have had us all singing “APT” and now ROSÉ has arrived with her full project. We break it down in this week’s Music You Should Know: ‘rosie.’ “APT” with Bruno Mars became ROSÉ’s first solo Hot 100 top 10 song and after a hot Mama Awards performance, we couldn’t wait to see what she delivered next. She’s taken a break from her BLACKPINK sisters for 12 tracks, including fan favorite “number one girl.” And just today with rosie’s fresh release, she dropped a new single and video for ‘toxic till the end.’ We’re obsessed. And to be honest, we have been since “On the Ground,” a certified bop. Do you have a favorite track on ‘rosie’ yet? Let us know in the comments. It’s out now.

It looks like Britney Spears is staying put — for now. After telling fans that she was moving out of the United States to Mexico to escape “cruel” paparazzi, The Hollywood Reporter has confirmed that the pop star actually isn’t taking the leap, according to a source.

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Spears had told fans in an Instagram video Tuesday (Dec. 3) that she was moving because “they’ve always been incredibly cruel to me, the paparazzi and pictures, and the way they’ve illustrated me to be in some of it.”

“I know I’m not perfect at all, by any means, but some of it is extremely mean and cruel, and that’s why I’ve moved to Mexico,” she added in the clip, posted one day after her 43rd birthday.

Two days later, the “Toxic” singer shared a video of herself modeling an icy blue cocktail dress and wrote, “I’m so blessed !!! I’m house hunting and this place is insanely beautiful !!! Thank you Jesus for a place so far away from America !!!”

It’s unclear whether Spears is simply trolling her audience or not. The posts come just after a California court declared her legally separated from ex-husband Sam Asghari, with whom she split in August 2023.

The pop star is currently in the midst of having her life adapted into a biopic directed by Wicked filmmaker Jon M. Chu, with Universal Pictures landing the rights to her bestselling memoir The Woman in Me in August. In a recent interview, Chu said that — despite not having a script in place yet — the project will be “about how we treat people, young people, stars that we think we own, women, mothers.”

“The project I might be doing isn’t a biopic story … it’s a fictional musical where I play an extremely intelligent character !!!,” Spears wrote on Instagram in September. “It’s flattering to be in such good company like Jon Chu !!!”

Through the Honda Stage platform, which is dedicated to uncovering the stories of determined and resilient artists, Mustard’s journey shines as a prime example of both grit and boundless talent. Honda Stage celebrates the individuals who shape music through a blend of vision and hard work, bringing fans closer to the heart of what drives an artist’s unique sound and journey. With a deft hand that melds infectious grooves with nuanced melodies, Mustard—formerly known as DJ Mustard—has cemented his status as a vital force in shaping the soundscape of hip-hop, R&B, and pop. Behind the shimmering façade of chart-topping hits lies a rich tapestry woven with experiences, inspirations, and an unyielding love for the art of sound.

Born Dijon McFarlane in Los Angeles, Mustard discovered his musical calling at the tender age of 11—a time when many kids are still figuring out how to ride a bike or choose their favorite cartoon. “My uncle was a DJ,” he reminisces, his eyes lighting up with nostalgia. “I always wanted to be like him.” His epiphany struck at a party where his uncle left him to spin the tracks, igniting a lifelong romance with rhythm and sound. “Since I can remember, I’ve loved music,” he declares, underscoring the deep-rooted connection he has with it.

Mustard’s rise to prominence is not merely a story of beats and bass; it is a journey that encompasses cultural influences, personal struggles, and a relentless pursuit of artistic integrity. His distinctive sound—a blend of West Coast hip-hop infused with elements of R&B and electronic music—has become synonymous with a new era of music. “I don’t think it was a specific genre that sparked my love for music,” he explains. “It’s about the feeling any song gives me.” This philosophical approach to music allows Mustard to traverse genres, drawing inspiration from a wide array of influences, from classic funk to contemporary trap.

His breakthrough came with the 2012 hit “Rack City,” a collaboration with Tyga that catapulted both artists into the limelight. This track was not just a chart-topping sensation; it was a cultural phenomenon, marking Mustard’s arrival as a powerhouse producer. The infectious rhythm and catchy hook defined an era, paving the way for Mustard’s subsequent collaborations with a plethora of artists, including YG, Ty Dolla $ign, and Nipsey Hussle. His production credits read like a who’s who of contemporary music, illustrating his ability to craft hits that resonate across demographics.

But Mustard’s success isn’t limited to individual tracks. His albums, such as Perfect Ten, have been lauded for their cohesive sound and innovative approach. The album not only solidified his position in the industry but also showcased his versatility, blending genres and exploring new sonic territories.

In 2013, Mustard took a significant leap by establishing his own label, 10 Summers. This move was not merely a career advancement; it was a commitment to nurturing emerging talent and creating a platform where artists could thrive. “I want to create a space where artists can flourish and be authentic,” he asserts, embodying a philosophy that prioritizes artistic integrity over commercial success.

The label has been instrumental in launching the careers of several budding artists, including Ella Mai. Her hit “Boo’d Up” became a global sensation, showcasing Mustard’s keen ear for talent and sound. He describes Ella as “an artist who brings a fresh perspective,” and their collaboration is a testament to his ability to recognize and cultivate talent that resonates with audiences.

More recently, Mustard has turned his attention to Amirah, an emerging artist whose potential captivated him from the start. “When I first came across her, I was drawn to her voice,” he recalls, excitement evident in his tone. “But then I saw her personality and thought, ‘Wow, this girl is special.’” Mustard’s instinct to reach out was immediate, fueled by a desire to collaborate and create something magical together. “I just knew if I could teach her things, we could really create something unique.” His commitment to fostering emerging talent is not just a business strategy; it is a reflection of his deep-rooted belief in the power of collaboration.

Collaboration is the lifeblood of Mustard’s creative universe. “Music is collaborative,” he asserts, living by this philosophy. “When you put two great minds together, you come out with something great every time.” This is not just a platitude for him; it is a guiding principle. Each collaboration is an experiment, a blending of ideas and perspectives that often leads to unexpected brilliance.

Yet, building that synergy requires a leap of faith. “I trust me; I don’t think I trust anybody besides myself,” he admits candidly. “But I have to stand on whatever I put out.” This self-trust fuels his willingness to explore new territories, ensuring he remains open to the unexpected. “I’m always looking to try something new,” he insists, embodying the spirit of a true innovator. His willingness to embrace risk is a hallmark of his career, allowing him to evolve continuously while maintaining his signature sound.

Reflecting on his journey, Mustard offers invaluable advice to aspiring artists: “Go for whatever you believe in and don’t be scared of the craziness of the industry.” His journey has taught him the importance of patience and the value of allowing others to shine. “Sometimes it’s okay to let other people do their thing, and you help them without trying to take all the credit,” he emphasizes, embodying a generous spirit that is often rare in the industry.

As Mustard stands at the intersection of artistry and entrepreneurship, his legacy is still being written. He has transformed the music landscape, not just through his own creations but by lifting others as he climbs. His journey is a vibrant reminder that passion, authenticity, and collaboration can create a symphony of success.

Mustard’s influence extends beyond the studio; it permeates the very fabric of modern music culture. As he continues to innovate, pushing boundaries and defying expectations, one thing is clear: Mustard’s love for music is not just a career—it’s an exhilarating journey, an ongoing dance of creativity that invites us all to join in. Whether through chart-topping hits, nurturing new talent, or redefining the art of collaboration, Mustard remains a beacon of creativity in an ever-evolving musical landscape, proving that true artistry knows no bounds.

About Honda Stage:

Honda Stage is a music platform that builds on the brand’s deep foundation of bringing unique experiences to fans while celebrating determined artists and their journeys of music discovery. Honda Stage offers exclusive, behind-the-scenes music content and inspirational stories from on-the-rise and fan-favorite artists, giving music fans access to the moments they love while celebrating the creativity and drive it takes to make it big.

Breaking Benjamin reaches No. 1 on Billboard’s Mainstream Rock Airplay chart for an eighth time, ascending to the top of the Dec. 14-dated ranking with “Awaken.”

It’s the Ben Burnley-fronted band’s first ruler since 2020, when “Far Away,” featuring Scooter Ward, led for three weeks.

The band first led Mainstream Rock Airplay in 2007 with “Breath,” for seven weeks.

Concurrently, “Awaken” bullets at its No. 4 high on the all-rock-format, audience-based Rock & Alternative Airplay chart with 4 million audience impressions, up 4%, in the week ending Dec. 5, according to Luminate. That’s the band’s best rank on the tally since “I Will Not Bow,” which led for four weeks in 2009.

In addition to its mainstream rock radio success, “Awaken” is bubbling under Alternative Airplay. Breaking Benjamin is seeking its first appearance on the chart since 2015, when it notched two entries, “Failure” and “Angels Fall.”

On the most recently published, multimetric Hot Hard Rock Songs chart (dated Dec. 7, reflecting the Nov. 22-28 tracking period), “Awaken” ranked at No. 5, after hitting No. 2 in early November; in addition to its radio airplay, the song earned 1.2 million official U.S. streams in that span.

“Awaken” is the lead single from Breaking Benjamin’s seventh studio album, whose title and release date have not yet been announced. Its predecessor, Ember, debuted at No. 1 on the Top Rock & Alternative Albums chart in April 2018, while compilation Aurora led in February 2020.

All Billboard charts dated Dec. 14 will update on Billboard.com Tuesday, Dec. 10.

Myles Smith’s “Stargazing” shoots to No. 1 on Billboard’s Pop Airplay and Adult Pop Airplay charts (dated Dec. 14).

The song crowns its second and third radio rankings, after it led Alternative Airplay for a week in September.

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The folk-inflected hit, on It’s OK To Feel/RCA Records, becomes the first initial entry on each ranking to top the tallies for an English soloist.

In the quarter-century-plus that Pop Airplay, Adult Pop Airplay and Alternative Airplay have coexisted, “Stargazing” is the 17th song overall to lead each list. (See list, below.)

Smith and co-writers Peter Fenn and Jesse Fink penned most of “Stargazing,” in Malibu, Calif., in about 15 minutes, followed by an exclusive premiere at a time optimal for the song’s title.

“I get back to West Hollywood at 2 or 3 in the morning, and I play the day-of demo,” Smith recalled to Billboard earlier this year. “I remember my manager waking up on the sofa like, ‘What is this?’ Everyone in the house is running and jumping around. For my team — my harshest critics, after my mum — to give me that genuine reaction, I knew I was on to something.”

Songs to Hit No. 1 on Pop Airplay, Adult Pop Airplay & Alternative Airplay Charts:

Title, Artist, Year(s), Song Reached No. 1

  • “Stargazing,” Myles Smith, 2024
  • “Too Sweet,” Hozier, 2024
  • “Enemy,” Imagine Dragons X JID, 2022
  • “High Hopes,” Panic! at the Disco, 2018
  • “Thunder,” Imagine Dragons, 2017
  • “Feel It Still,” Portugal. The Man, 2017
  • “Stressed Out,” Twenty One Pilots, 2015-16
  • “Royals,” Lorde, 2013
  • “We Are Young,” fun. feat. Janelle Monáe, 2012
  • “Somebody That I Used To Know,” Gotye feat. Kimbra  2012
  • “Use Somebody,” Kings of Leon, 2009
  • “Boulevard of Broken Dreams,” Green Day, 2004
  • “The Reason,” Hoobastank, 2004
  • “Every Morning,” Sugar Ray, 1999
  • “Slide,” Goo Goo Dolls, 1998-99
  • “Iris,” Goo Goo Dolls, 1998
  • “Tubthumping,” Chumbawamba, 1997

Among the 17 songs above, Smith is the eighth artist to send a first entry on each chart to No. 1, joining fellow soloists JID, Lorde, Monáe, Gotye and Kimbra, as well as groups fun. and Chumbawamba. The latter band is the only English act other than Smith to score such a triple with a breakthrough hit.

All charts dated Dec. 14 will update on Billboard.com Tuesday, Dec. 10.