Billboard and Telemundo have unveiled the first wave of performers set to take center stage at the 2024 Billboard Latin Music Awards on Sunday, Oct. 20.

Bringing their latest collaborations and hit singles to the awards ceremony are confirmed acts Fuerza Regida, Grupo Niche, Luis Alfonso, Maria Becerra, Xavi and Yandel. The announcement comes one week after the Billboard Latin Music Awards revealed its 2024 finalists.

With eight entries, including artist of the year, Fuerza Regida is one of the top finalists at the awards show. Xavi is a seven-time finalist, and both Grupo Niche and Yandel have one entry.

Karol G leads the list with 17 entries in categories including artist of the year, tour of the year, Global 200 Latin artist of the year, and top Latin album of the year for Mañana Será Bonito (Bichota Season). 

The Colombian superstar is followed by Bad Bunny and Peso Pluma with 15 nods each. Bunny competes, among others, for artist of the year, global 200 artist of the year, and tour of the year. While La Doble P is also up for artist of the year, global 200 artist of the year, in addition to songwriter of the year, and regional Mexican album of the year for Éxodo. 

The 31st annual ceremony will be broadcast at 9 p.m. ET on Sunday, Oct. 20 via Telemundo. It will simultaneously be available on the Spanish entertainment cable network Universo, on Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.

The Billboard Latin Music Awards — the only awards that recognize the most popular albums, songs and performers in Latin music, according to Billboard‘s weekly charts — coincide with Billboard Latin Music Week, which returns to Miami Beach Oct. 14-18 with a roster of star speakers including Alejandro Sanz, Gloria Estefan, Danny Ocean, Peso Pluma and many more. Get your tickets today for the Billboard Latin Music Week 2024 here.

In a bid to further grow its operation and expand its international footprint, Bresh — the brand behind the Fiesta Bresh parties — has partnered with New York based investment firm Carroll Street Capital.

The two companies will launch Bresh Global, an international media and branded live events platform. Carroll Street will provide an infusion of cash as well as strategic access and support to continue growing the Bresh brand, whose global presence has multiplied in the past two years. The terms of the deal were not disclosed.

Bresh’s leadership will remain in place, with Tomás Allande as CEO, Alejandro “Bröder” Saporiti as artistic director, and founder Jaime James involved in all operations.

Eduardo García Fernández, co-founder and managing partner of Carroll Street Capital will now also be chairman of Bresh global.

Bresh Global will establish its headquarters in Miami, with additional offices in Los Angeles. The company currently has offices in Buenos Aires and Madrid.

“Our mission at Bresh Global is to create human connections through entertainment and collective experiences,” said Jaime James in a press release. “In a world increasingly dominated by digital interactions, live events have the unique power to bring people together and transcend cultures. With this expansion, we aim to bring moments of joy to new audiences on a global scale.”

“We are excited about the opportunity to elevate Bresh to new heights,” added Eduardo García Fernández. “This partnership brings additional resources to Bresh to accelerate its growth and introduce new verticals and formats worldwide.”

Bresh, whose slogan is “The most beautiful party in the world,” is an entertainment company known for parties targeted at Gen Zs around the world and built on the concept of inclusivity rather than exclusivity. Bresh tickets are eminently affordable — in Miami, the cheapest ticket is $25 — and there is no doorman denying entry based on gender or looks. Instead of hiring celebrity DJs for its parties, all Fiesta Bresh DJs are Bresh-trained. Perhaps because of its inclusivity DNA, the parties have become magnets for Latin celebrities, including the likes of Lionel Messi, Emilia and Tini, Rauw Alejandro and Bizarrap, who have all been spotted at Bresh parties.

Bresh, which began hosting parties in Argentina, has expanded its operations to over 20 countries, and now puts together some 500 annual events, including in the U.S. and Spain.

Sources say Bresh and Carroll have been in conversations for the past two years and share the vision that “happiness and connections are essential, regardless of who you are or where you live.”

The Kylie locomotive is gathering steam.

The Australian pop princess Kylie Minogue will drop the sequel to Tension on Oct. 18, and will support the release with a major world tour, including stops in her homeland, Asia and the United Kingdom.

Tension II will collect 13 new songs, and is led by the first single “Lights Camera Action,” due out Sept. 27. The set also houses the previously-released dance cut “Edge of Saturday Night” with The Blessed Madonna plus collaborations with Orville Peck, Bebe Rexha and Tove Lo, and Sia.

“I am beyond excited to announce the Tension Tour 2025,” she says in a statement. “I can’t wait to share beautiful and wild moments with fans all over the world, celebrating the Tension era and more! It’s been an exhilarating ride so far and now, get ready for your close up because I will be calling Lights, Camera, Action … and there will be a whole lot of Padaming!”

Kylie kicks off her homecoming tour of Australia with a concert Feb. 15 at Perth’s RAC Arena. That leg should help make up for the disappointment of this year’s Splendour In The Grass cancellation, where Kylie was booked to headline what would have been her first concert Down Under in five years, since her seven-date run in support of Golden in 2019.

Kylie’s career is on fire. Tension hit No. 1 in the U.K. and Australia, and yielded the global hit “Padam Padam,” which cracked the U.K. top 10 and won an ARIA for best pop release.

Earlier this year, she collected the Global Icon Award at the BRIT Awards, becoming just the second woman to win it following Taylor Swift in 2021, and backed it up with the Billboard Women in Music Icon Award.

Also, Kylie nabbed a Grammy Award (best pop dance recording) for “Padam Padam,” completed her inaugural Las Vegas Residency, and signed with United Talent Agency (UTA) for live representation in the U.S. and Canada and acting roles worldwide.

The Melbourne-raised, London-based artist has amassed over 80 million record sales worldwide, 5 billion streams and nine No. 1 albums in the U.K., where she is the only female artist to score an albums chart leader in five consecutive decades.

“The Tension era has been so special to me,” Kylie adds. “I can’t possibly let it be over just yet! Welcome to ‘Tension II’.”

Visit kylie.com for tour dates. More countries and dates will be announced over the coming weeks, reps say.

Tension II tracklist:

The road goes on forever for Metallica. The veteran rockers announced on Thursday morning (Sept. 19) that their M72 world tour will stretch into a third year when they play 21 North American dates from April-June.

The shows will kick off on April 12 in Las Vegas with a festival gig at the NV Sick New World @ Las Vegas Festival Grounds before a run up north for a two-night stand in Toronto, then back down for a double-down stand at Nissan Stadium in Nashville, a pair of appearances at the Sonic Temple festival in Columbus, OH, followed by stadium shows in Philadelphia, Charlotte, Atlanta, Tampa (their first visit to the city in 15 years) and Houston before winding down with gigs on June 27 and 29 at Empower Field at Mile High in Denver. The run will also include a pair of Bay Area hometown shows on June 20 and 22 that will be their debut gigs at Levi’s Stadium in Santa Clara.

Openers on the run will include Pantera, bass player Robert Trujillo’s former band, Suicidal Tendencies, as well as Limp Bizkit and Ice Nine Kills. Two-night tickets for the new No Repeat Weekends and tickets for single-night gigs will go on sale on Sept. 27 at 10 a.m. local time, with a fan presale kicking off on Sept. 23 at 10 a.m. local time; click here for ticketing information.

The M72 tour kicked off in Amsterdam in 2023 and has played to more than three million fans to date, highlighted by their No Repeat Weekend tradition, in which each night of their two-night stands feature totally different setlists and support acts.

Check out the dates for Metallica’s M72 2025 North American shows below:

April 12 — Las Vegas, NV @ Sick New World @ Las Vegas Festival Grounds
April 19 — Syracuse, NY @ JMA Wireless Dome *
April 24 — Toronto, ON @ Rogers Centre *
April 26 — Toronto, ON @ Rogers Centre +
May 1 — Nashville, TN @ Nissan Stadium *
May 3 — Nashville, TN @ Nissan Stadium +
May 7 — Blacksburg, VA @ Lane Stadium *
May 9 — Columbus, OH @ Sonic Temple @ Historic Crew Stadium
May 11 — Columbus, OH @ Sonic Temple @ Historic Crew Stadium
May 23 — Philadelphia, PA @ Lincoln Financial Field +
May 25 — Philadelphia, PA @ Lincoln Financial Field *
May 28 — Landover, MD @ Northwest Stadium *
May 31 — Charlotte, NC @ Bank of America Stadium *
June 3 — Atlanta, GA @ Mercedes-Benz Stadium *
June 6 — Tampa, FL @ Raymond James Stadium +
June 8 — Tampa, FL @ Raymond James Stadium *
June 14 — Houston, TX @ NRG Stadium *
June 20 — Santa Clara, CA @ Levi’s Stadium +
June 22 — Santa Clara, CA @ Levi’s Stadium *
June 27 — Denver, CO @ Empower Field at Mile High +
June 29 — Denver, CO @ Empower Field at Mile High *

* Pantera and Suicidal Tendencies support
+ Limp Bizkit and Ice Nine Kills support

British singer Yola has signed with S-Curve Records and returns with her first new music in three years today (Sept. 19) with “Future Enemies.” 

The song, the live video of which premieres below, is a spiky tale, delivered in Yola’s inimitably rich vocals, about a relationship that she pre-emptively calls quits on before it can turn sour. Expanding beyond her rootsy, groove-laden past songs like “I Don’t Wanna Lie,” “Diamond Studded Shoes” and “Faraway Look,” “Future Enemies” combines synth-driven electronica with R&B and dance vibes and signals a new musical direction for the six-time Grammy nominee. Yola wrote and produced the song with Sean Douglas and Zach Skelton.

“There is a moment when you realize you’re not going to get on with someone. They haven’t noticed yet, so you have a unique opportunity to disappear from their lives before they ever realize you were destined to be enemies. It’s a luxury to not have an endless supply of negative memories about someone ‘cause you never made them,” Yola says in a statement about the song. “I choose to save my time for situations, spaces and people that have no ticking timer of inevitable doom because they don’t see me or center a reality that does not serve me or my wellbeing. Of course, when you’re a woman, culturally black (as well as physically black), dark skinned (and feminine in energy), plus size (and willfully main character in energy), from a whole different continent and living in the West, let’s say you’re going to have to be both vigilant and choosy in life, in love [and] in work.”

Yola’s new direction draws from her past as part of London’s Broken Beats scene that extended from the mid-1990s to the late 2000s and of which she was a part as a member of electronic collective Bugz in the Attic. It’s reflected in “Future Enemies” and her new EP, My Way, out Nov. 15. The EP also draws on her love of various R&B eras, including ‘70s soulful pop and ‘90s neo soul, while thematically exploring creative autonomy and even historic movements, including the Windrush Generation of immigrants who came from Caribbean countries to the U.K. after WWII through 1973. 

“I’ve been purposefully hinting about this direction for years. From covering Soul II Soul for Apple Music to my covers on tour and reworkings of my songs, the broad church of soul music through the ages has always been the narrative,” she says. “I’ve covered Yarborough and Peoples’ ‘Don’t Stop the Music’ as a throwback nod to my time with Bugz In The Attic (we used to cover that song).

“This time I’m exploring my love of soul music through influences like Chaka Kahn, Janet Jackson, Sade, Prince, Minnie Riperton and various luminaries of rare groove and progressive RnB,” She continues. “Layering programming and synths with organic instrumentation is at the core of the sonic landscape, and as usual I have metabolized these elements into a concoction very much of my own.”

“For the past few years, Yola has been one of my favorite contemporary artists,” said Steve Greenberg, founder/CEO of  S-Curve Records, in a statement. “So, when I learned she’d fulfilled her previous recording commitments [with Easy Eye Records], we jumped at the opportunity to sign her to S-Curve. The music she’s been recording for this new project is classic Yola, yet she expands her musical palette by incorporating funk and late 80’s R&B influences in a very natural way. It’s an exciting evolution and I think her new music will delight Yola’s long-time fans, while simultaneously bringing lots of new listeners into the fold.  We’re ready to do everything we can to help Yola build this next phase of her career.”

Yola, who is currently starring in Hadestown on Broadway as Persephone through mid-October, is managed by Range Media Partners and booked by Wasserman.