After coming together with Adidas in 2018 to relaunch her athleisure brand Ivy Park, Beyoncé has parted ways from the sportswear giant, in a move that sources tell The Hollywood Reporter was mutual.

The split was reportedly due to creative differences between Ivy Park and Adidas, with Beyoncé excited to “reclaim her brand, chart her own path and maintain creative freedom,” The Reporter writes.

During what Adidas referred to as “a partnership of a lifetime,” Ivy Park launched several collections, with the first launching in April 2019. The drop was fully equipped with a massive PR campaign involving closet-size traffic-cone-orange boxes being sent to celebrities including Missy Elliott, Cardi B, Kendall Jenner, Angela Bassett, Ciara, Reese Witherspoon and Hailey Bieber.

Despite the glittery promotional content, Ivy Park apparently did not live up to the hype Adidas was anticipating when they initially promised Beyoncé “guaranteed annual fees and creative control,” according to a Wall Street Journal piece from February. Instead of producing the hundreds of millions in revenue that Adidas expected — the company hoped Ivy Park would perform similarly to Ye’s Yeezy brand — Ivy Park releases undersold, with roughly half of the merchandise from five of the six releases remaining on shelves.

The Wall Street Journal article also indicated differences in strategy between Adidas and Ivy Park when it came to marketing, with the German multinational corporation pushing for their own branding. At the end of 2022, Ivy Park was predicted to reach $40 million in sales, down from $93 million the year prior. Although Adidas was positioned to lose at least $10 million in 2022, Beyoncé was set to make the same amount in compensation as previous years: $20 million.

Beyonce launched Ivy Park in 2016 with Top Shop owner Sir Philip Green. When the partnership ended in 2018, Bey’s Parkwood Entertainment acquired full ownership of the streetwear brand. Despite the breakup, Beyonce has much to look forward to considering the frenzy surrounding her upcoming Renaissance World Tour, kicking off in May. The mega-tour has already caused mayhem among fans eager to see the superstar IRL and will begin in Stockholm, spanning dates throughout Europe and North America.

Billboard has reached out to reps for Beyoncé and Adidas for comment.

TWICE claim their third No. 1 on Billboard’s Top Album Sales chart (dated March 25) as Ready to Be: 12th Mini Album debuts atop the list with the act’s best sales week ever. The nine-member South Korean pop act previously led the list with Between 1&2: 11th Mini Album (2022) and Taste of Love: The 10th Mini Album (2021).

Ready to Be launches with 145,500 copies sold in the United States in the week ending March 16, according to Luminate. That sum also marks the second-largest sales week of 2023 for any act, following the debut week of TOMORROW X TOGETHER’s The Name Chapter: Temptation (153,000; chart dated Feb. 11).

Ready to Be also logs a big week in vinyl album sales (nearly 18,000) – the largest for any all-female group since Luminate began electronically tracking sales in 1991.

Also in the top 10 on the new Top Album Sales chart, Miley Cyrus achieves her biggest sales week in nearly a decade – and 14th top 10 – as Endless Summer Vacation enters at No. 2 with 55,000 copies sold. Endless also collects Cyrus’ biggest ever sales week on vinyl. Plus, rock band Periphery nets its third top 10 – all consecutive – as Periphery V: Djent Is Not a Genre debuts at No. 10.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Ready to Be’s 145,500 copies sold, physical sales comprise 143,000 (125,000 on CD and nearly 18,000 on vinyl) and digital downloads comprise 2,500.

Like many K-pop releases, Ready to Be was issued in collectible physical format packages (11 different CDs [including exclusives for Barnes & Noble, Target and the group’s official webstore] and two vinyl LPs [one exclusive to Target and one exclusive to the act’s webstore). CD variants of Ready contain a standard set of items and randomized elements (such as a postcards, photo cards, etc.).

Unusually, Ready to Be had a vinyl version of the album available on the same wide release date as the CD edition of the album, as most major K-pop titles in the past were initially available only as a physical album on CD and on no other physical formats (like vinyl or cassette). The vinyl editions of the album did not include randomized items, but were packaged with a lenticular postcard, poster and slipmat. Target’s exclusive LP is marbled orchid-colored, while the act’s webstore exclusive is an ultra-clear vinyl edition.

Ready to Be’s nearly 18,000 vinyl sales marks the largest week for a vinyl album by a female group since Luminate began electronically tracking sales in 1991. It’s also the second-largest sales week on vinyl for any K-pop album, following the debut week of BTS’ Love Yourself: Her earlier in 2023 (18,000; chart dated Jan. 21). Unlike Ready to Be, the Love Yourself: Her vinyl LP arrived to market more than five years after the album’s original release on CD and digital download in 2017.

Beyond the physical editions of the album, TWICE’s U.S. webstore also issued four alternative digital album downloads of Ready to Be – each with a different cover, digital replicas of individual group members’ signatures, and a bonus track (a voice memo from different group members).

Miley Cyrus’ Endless Summer Vacation debuts at No. 2 on Top Album Sales with her biggest sales week in nearly a decade, as it bows with 55,000 copies sold. Cyrus last had a larger sales week when Bangerz sold a little more than 63,000 during Christmas week of 2013 (reflected on the Top Album Sales chart dated Jan. 11, 2014). Bangerz earlier debuted at No. 1 on Top Album Sales with 270,500 copies sold (Oct. 26, 2013 chart).

Of Endless Summer Vacation’s 55,000 copies sold, physical sales comprise 37,500 (12,500 on CD and 25,000 on vinyl) and digital downloads comprise 17,500. Endless logs Cyrus’ largest sales week for a vinyl album since Luminate began electronically tracking music sales in 1991. On the Vinyl Albums chart, Endless debuts at No. 1 – her second leader on the list following Plastic Hearts in 2021.

Endless was released in four vinyl variants: standard black vinyl, a white-colored edition exclusive to Target and two color editions exclusive to Cyrus’ webstore (red and silver). All vinyl LPs came packaged with a poster.

CD sales were also aided by two deluxe boxed sets (one with a puzzle and a CD, the other with a beach towel and a CD) sold exclusively through her webstore.

Endless is Cyrus’ 14th top 10-charting effort on Top Album Sales, including those albums credited to her Disney Channel character Hannah Montana.

A trio of former No. 1s is next on Top Album Sales: Morgan Wallen’s One Thing at a Time (1-3 in its second week with 21,000; down 81%), TOMORROW X TOGETHER’s The Name Chapter: Temptation (6-4 with 11,000; up 5%) and Taylor Swift’s Midnights (7-5 with 10,000; up 3%).

NCT 127’s Ay-Yo: The 4th Album Repackage falls 2-6 on Top Album Sales (9,500; down 67%), P!nk’s former leader Trustfall rises 9-7 (8,500; down 5%), Gorillaz’s chart-topping Cracker Island is a non-mover at No. 8 (6,000; down 37%) and Stray Kids’ former No. 1 MAXIDENT climbs 13-9 (6,000; up 17%).

Closing out the top 10 is rock band Periphery, which scores its third top 10 – all consecutive – as Periphery V: Djent Is Not a Genre debuts at No. 10 with nearly 6,000 sold. 55% of the sales came from the vinyl edition of the set.

In the week ending March 16, there were 1.961 million albums sold in the U.S. (down 0.9% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.605 million (up 5.3%) and digital albums comprised 355,000 (down 21.9%).

There were 733,000 CD albums sold in the week ending March 16 (up 10% week-over-week) and 862,000 vinyl albums sold (up 1.8%). Year-to-date CD album sales stand at 6.925 million (up 2.5% compared to the same time frame a year ago) and year-to-date vinyl album sales total 9.678 million (up 25.4%).

Overall year-to-date album sales total 20.609 million (up 8.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 16.705 million (up 14.7%) and digital album sales total 3.904 million (down 13%).