ENHYPEN‘s “Loose” tops this week’s new music poll.

Music fans voted in a poll published Friday (April 4) on Billboard, choosing the K-pop group’s new single as their favorite new music release of the past week.

“Loose” brought in nearly 91% of the vote, far surpassing other recent music releases. Among the competition were Miley Cyrus‘ “End of the World,” Elton John and Brandi Carlile‘s Who Believes in Angels?, Ed Sheeran‘s “Azizam” and Djo‘s The Crux, among others.

Released on Friday, “Loose” marks ENHYPEN’s first new music of 2025 and harks back to the boy band’s earlier days. The track features a funky groove and is packed with high-falsetto harmonies, blending moments that evoke classic Motown with the K-pop group’s signature modern sensibilities.

“Loose” is described by ENHYPEN’s label Belift Lab as a “seductive track with a cutting-edge pop sound.” The group’s sophomore album, Romance: Untold, reached No. 2 on the Billboard 200 albums chart in 2024.

In second place in the poll was Cyrus’ “End of the World”, which earned nearly 3% of the vote. The song is part of the rollout for the pop star’s upcoming album, Something Beautiful, which is scheduled for release on May 30.

Cyrus’ forthcoming album will include 13 new tracks, along with additional visuals featuring cinematography by Benoît Debie. The singer co-executive produced the set alongside Shawn Everett. She teased the project in a trailer, describing it as a “one of a kind pop opera” and a “unique visual experience fueled by fantasy.”

Check out the full results of this week’s poll below and visit Billboard’s Friday Music Guide for more must-hear releases.

Tron is back.

On Saturday (April 5), Disney unveiled the first trailer for Tron: Ares, the third installment in the Tron franchise, following the original 1982 film and its 2010 sequel Tron: Legacy.

The new trailer offers a glimpse of a dark, brooding landscape where reality and the virtual world collide. The minute-and-a-half-long clip opens with a high-speed chase between the police and programs riding futuristic motorcycles. From there, it delivers a visual feast of laser-filled action and intense, electrifying sound effects, all set to a pulsating soundtrack. Midway through, Jeff Bridges — who reprises his role as Kevin Flynn from the original film — can be heard saying, “Ready? ‘Cause there’s no going back,” as Jared Leto‘s Ares character digitally comes to life.

Featuring original music by Nine Inch Nails, Tron: Ares also stars Evan Peters, Greta Lee, Jodie Turner-Smith, Cameron Monaghan, Sarah Desjardins, Hasan Minhaj, Arturo Castro and Gillian Anderson. The upcoming sci-fi film is set to hit theaters on Oct. 10.

Directed by Joachim Rønning, the movie serves as the sequel to Tron: Legacy, which featured a score by Daft Punk that reached No. 4 on the Billboard 200 albums chart.

It was confirmed at Disney’s D23 in 2024 that NIN would be composing the score for Tron: Ares, with Trent Reznor and Atticus Ross making the announcement during a teaser for the film. The duo has collaborated on numerous film and television scores over the years, including Challengers, Teenage Mutant Ninja Turtles: Mutant Mayhem, Soul and The Social Network. Tron: Ares marks the first time the Oscar-winning pair’s film music will be credited under the Nine Inch Nails name.

Watch the first trailer for Tron: Ares below.

American composer Philip Glass will be celebrated with a Lifetime Achievement Award at the 25th annual World Soundtrack Awards on Oct. 15 and at a film music concert which will close the Film Fest Gent’s three-day Film Music Days 2025 on Oct. 16 in Ghent, Belgium.

Previous recipients of the Lifetime Achievement Award include Marvin Hamlisch, John Barry, Giorgio Moroder and Elliot Goldenthal. (Full list of previous recipients below.)

The celebration will be held at the film music concert “Minimalism in Motion: Glass, Nyman and Beyond,” which will be held at Muziekcentrum De Bijloke in Ghent. During the concert, a selection of Glass’ work will be performed by the Brussels Philharmonic conducted by Dirk Brossé, who personally presented the award to Glass in New York.

While initially renowned for his work for opera and his symphonies, Glass has made an equally impressive contribution to film music. He has received three Oscar nominations for best original score for Kundun, The Hours and Notes on a Scandal.

Glass, 88, has received many other accolades, including a BAFTA Award, a Drama Desk Award and a Golden Globe Award, as well as nominations for four Grammy Awards, and a Primetime Emmy Award. He has also received the Ordre des Arts et des Lettres in 1995, the National Medal of Arts in 2010, the Kennedy Center Honors in 2018, and a Trustees Award from the Recording Academy in 2020.

Glass’s work was recognized at the World Soundtrack Awards in 2007 with two nominations for his score for Notes on a Scandal.

This year’s WSA Film Music Days will be held from Oct. 14-16 during Film Fest Gent (Oct. 8-19). Tickets to the film music concert are now available on filmfestgent.be and worldsoundtrackawards.com.

Here’s a complete list of previous Lifetime Achievement Award recipients at the World Soundtrack Awards:

2024: Elliot Goldenthal

2023: Nicola Piovani and Laurence Rosenthal

2022: Bruno Coulais

2021: Eleni Karaindrou

2020: Gabriel Yared

2019: Krzysztof Penderecki and Frédéric Devreese

2018: Philippe Sarde

2017: David Shire

2016: Ryuichi Sakamoto

2015: Patrick Doyle and George Fenton

2014: Francis Lai

2013: Riz Ortolani

2012: Pino Donaggio

2011: Giorgio Moroder

2010: John Barry

2009: Marvin Hamlisch

2008: Angelo Badalamenti

2007: Mikis Theodorakis

2006: Peer Raben

2005: Jerry Leiber and Mike Stoller

2004: Alan Bergman and Marilyn Bergman

2003: Maurice Jarre

2002: George Martin

2001: Elmer Bernstein

Travis Japan continues to expand their reach in its home country and around the world in 2025, taking on challenges on a global scale. The popular boy band is currently on the road promoting its second album VIIsual — which topped the Billboard Japan Hot Albums chart after dropping in December — traveling to eight cities around the country for the domestic Travis Japan Concert Tour 2025 VIIsual tour that kicked off in January. The group is also set to tour Asia and the U.S. for its second global trek this summer.

Billboard Japan caught up with the six members (Noel is currently taking a break for health reasons), who continue to improve themselves by learning from each other, and asked about the appeal of their new songs “Say I do” and “Tokyo Crazy Night.” The group also looked back on their world tour from last year that took them to six cities around the globe and shared some takeaways from the experience.

Could you share your impressions from your first world tour, Travis Japan World Tour 2024 Road to A, which took place last fall?

Shizu: We toured six cities around the world to promote our first album Road to A, and were able to interact further with our fans outside of Japan. I felt like I’d been given a very valuable experience. The venues weren’t exactly big, but I was glad we were able to show the appeal of Travis Japan that can only be expressed on those kinds of stages. We had a lot of fun on tour, learning the local languages along the way.

Shime: It was our first time doing it, so of course I was looking forward to it but also a little worried about how it would go. But when we actually got on stage, the audience got really excited and cheered so much. Our fans taught us some of the local languages in-between songs, and we learned a lot on that world tour.

Chaka: We’d been waiting to do a global tour since our debut in October 2022, so when it finally became a reality, we boarded the plane with a mixture of anticipation and anxiety. It was a completely new environment for us, but we went on stage with the confidence that our fans had given us, and the entertainment that we’d built up. Above all, I thought it was wonderful that we were able to connect with people through entertainment. We could have done better in certain aspects, but I think it was a very fruitful tour.

Genta: After experiencing the world tour that the seven of us had been aiming to do, there were definitely some fun parts, but also a lot of difficult parts. But as the other members said, we gained a lot of experience and everything we went through made us stronger. I’m really grateful that we were able to show our performances on stage with the support of our fans and staff who have stood by us. I was also happy to have experienced the culture and food of each country we visited. I strongly felt that I want us to keep expanding our reach and gain more experience.

Machu: It was our dream and a huge goal that we’d been working towards, so I was really happy that it came true. Up until then, we’d been getting responses through social media from our fans overseas who couldn’t come to our domestic tours, but when we were able to communicate with them directly in their home countries, we realized once again just how many people were supporting us. It was a really wonderful opportunity.

Umi: It really hit home how big the world is after we did our global tour, and I could feel firsthand just how many fans were waiting for us. I had a really great time, but simultaneously felt that I need to study languages more. 

You’re stepping into new genres with “Say I do” and “Tokyo Crazy Night.”

Umi: It does feel like “Say I do” is a kind of song we’ve never done before. We don’t have many songs where we open up like that to the love interest, so I was happy we could sing lyrics like that, and that karaoke-friendly sound is really good, too.

Machu: The lyrics are straightforward, aren’t they? It’s a love song that really gets the message across.

Shizu: I think it’s delightful because it’s pop and uses sounds that make people feel happy.

Shime: I also think the lyrics are really good. The part that goes, “The illumination in my heart lights up every time I see you,” I wonder if our fans think like every time they come to our shows. I think there are parts that everyone can relate to.

“Say I do” is the theme song for Honnou Switch, the drama series starring Chaka.

Chaka: When I read the lyrics, I could imagine the situation in the drama, and I feel that (the lyrics and drama) are strongly linked. There are two people who love each other, and the lyrics are full of both their feelings and the messages they convey to each other. I also think it’s cute that there’s a development in the lyrics. Expressing that kind of feel is a new side of TJ. It’s fun discovering we can express things like this too.

Genta: We put aside our “weapons” (dance) for the first time in the accompanying music video and set up a company called Doki Doki Ren’ai Sodanjo (Racing Heart Love Consultation Center). We work there as employees and solve people’s problems.

“Tokyo Crazy Night” is the theme song for the drama series Tokyo Camouflage Hour, starring Machu.

Machu: It’s retro-style city pop and so cool, and matches the drama it accompanies. It’s also a genre we’ve never tried before, so I think our fans will be able to see a new side of us.

Shime: I really like the chorus. The melody of the chorus, the rhythm of the song, and the background sounds all go really well together, and it’s a lot of fun to sing. It’s a cool song, so we have to sing it in a cool way, but it’s just so fun. I want our fans to sing it at karaoke with cool expressions on their faces.

You have a second world tour lined up this year.

Machu: During our first trek, we directly sensed how much so many people support us, and having experienced that means a lot. This time, we can plan ahead from the rehearsal stage and include things like, “Let’s make a section where we sing together with the crowd” so we can kick up this year’s global tour a notch from last year’s. I want to deliver a lot of thanks again this year too.

Genta: We hope to be able to deliver Travis Japan’s performance to more people, while making use of the experience we gained last year. The theme songs for the drama series starring members have also been released, so I want to convey the appeal of those new songs as well.

Chaka: I’m going to take the feelings and love we received from everyone on our domestic tour, the performances we want to show and deliver, plus our wonderful songs, put them all in a carry-on case and board those planes!

Machu: What the heck do you mean? Sounds like you’ll get stopped at the security checkpoints.

Shime: [Laughs] I want to spread lots of happiness. We’ll all work hard to put on shows that will make you love Travis Japan’s performances and entertainment even more.

Shizu: Every time we perform during our tours and events overseas, the number of people we want to see again increases, and it feels like our family is growing. I’m sure there will be fans from each country who will be coming to our shows for the first time, so I want to give it my all to make them feel like they’re part of our family too. We want to make this a tour that people want to come back to, and also want to create a space that makes us want to go back.

Umi: Being able to perform for local fans on our world tour is a really big deal for us. There are things you can’t understand until you feel the passion of the local fans directly, so we’ll perform with the same power as everyone waiting for us, and it’d be great if we can make them happy with our dancing and singing.

Travis Japan World Tour 2025 VIIsual

Jul 25 – Hammerstein Ballroom – New York, NY

Jul 27 – The Grove of Anaheim – Anaheim, CA

Taipei – coming soon

Hong Kong – coming soon

Bangkok – coming soon

–This interview by Atsuo Nagahori first appeared on Billboard Japan