Eurythmics co-founder Dave Stewart is taking a look at one of music’s most iconic names for his latest record, Dave Does Dylan.

Arriving as part of the global Record Store Day celebrations on April 12, Stewart’s 14-song homage to Bob Dylan sees the Rock & Roll Hall of Famer performing live, one-take covers of Dylan’s catalog – armed only with guitar and vocals. Featuring cover artwork evocative of Dylan’s Nashville Skyline, the record largely features tributes to Dylan’s songs from the ‘60s and ‘70s, though latter-period tracks also make the cut.

In a statement, Stewart explained that he had been a fan of Dylan since childhood, going so far as to perform two Dylan covers as part of his earliest gigs as a teenager in the mid ‘60s.

“I was insistent on getting into folk clubs, but I looked about 12 years old, so they kept me out for a while,” he recalled. “Then one chap, Mick Elliot, took pity and allowed me to play at The George & Dragon which became the center of the folk music scene in my hometown, Sunderland N.E. England, in the 1960’s. It was like stepping into a sacred room where visionaries and rebels converged — actually, it was simply a room upstairs in a pub full of older folk singers, beer, whisky and cigarette smoke everywhere. I was allowed to sing two songs, so I would play Bob Dylan songs from his albums that my brother had left behind when he went to college.

“The audience was always a bit shocked that this kid, who looked so young, was singing these lyrics — especially in that kind of folk club,” Stewart continued. “It was mostly old folk music that was being played from the local area about the coal mines and about the shipyards, which I loved too…and Dylan would have loved also. I started to sing and play these Dylan songs anywhere I could; in other folk clubs, even on the street all over the north east of England. From then on, I got every Bob Dylan album — and still do to this day — on vinyl and in every possible variation.”

“Captain Dave is a dreamer and a fearless innovator, a visionary of high order, very delicately tractable on the surface but beneath that, he’s a slamming, thumping, battering ram, very mystical but rational and sensitive when it comes to the hot irons of art forms,” Dylan himself said in a statement.

“An explosive musician, deft guitar player, innately recognizes the genius in other people and puts it into play without being manipulative. With him, there’s mercifully no reality to yesterday. He is incredibly gracious and soulful, can command the ship and steer the course, dragger, trawler or man of war, Captain Dave.”

Ahead of the release of Dave Does Dylan, Stewart is also set to tape an episode of the Recorded Live at Analog series on March 22 at Analog inside Nashville’s Hutton Hotel. The appearance will see him performing tracks from his upcoming record with the addition of strings, pedal steel guitar, and keys. The episode will air on PBS on an as-yet-unspecified date in July, with tickets available for audience members to attend the taping.

“I’ve played on stage with Bob in London, L.A. and Tokyo, and I find conversations with him — whether on the phone or when we’re together — really relaxed and easy,” Stewart added. “As you can imagine, he is full of great observations and wisdom, all wrapped up in a poetic language. 

“I’m so, so grateful for getting to know him personally and to now record this album of songs after years of singing them to friends and to myself. It’s been a long road and these lyrics and melodies have kept me company through the best and the worst of times. I hope my album can do the same for Dylan fans out there—who understand the mastery and the mystery Bob has bestowed on us, and still does to this day.”

LISA is continuing her Alter Ego roll-out by calling on some of her fellow female pop stars. The 27-year-old BLACKPINK star teamed up with Doja Cat and Raye for a sultry new single, “Born Again,” released on Friday (Feb. 7).

The glamorous music video finds all three women musing the lyrics in a sleek black-and-white mansion, lounging in a living room space. The singer has been teasing her new collaboration throughout February, including the unveiling of the Neo-Noir cover art earlier this week. In the snap, the trio are seen in glamorous, elegant black gowns in a frame at the center of the page.

Alter Ego will be released in full on Feb. 28. The project follows a run of three singles in 2024, beginning with “Rockstar” — which reached No. 70 on the Billboard Hot 100 — and followed by “New Woman” with Rosalía and “Moonlit Floor (Kiss Me).” According to the press release, five locations represent the five characters LISA emulates on the LP, “each representing a unique personality.” “They are represented by the five points on a star, which has become a key emblem in the campaign,” the description adds.

In her Billboard cover story, she opened up about her perfectionism when it came to the upcoming project. “I’m trying to figure it out, the tracklist and everything, what I can change in there,” she explained. “Everything’s there. I think they’re going to be shocked at how capable I am [at] doing so many things.”

Stream “Born Again” in full below.

Swedish producer Alesso has opened up about his recent experiences with tinnitus and how it has been the cause of numerous canceled shows in recent months.

The 33-year-old musician (whose real name is Alessandro Lindblad) took to social media on Monday (Feb. 3) to discuss his recent spate of live cancellations. Following near nonstop touring throughout 2024, Alesso was forced to cancel shows throughout Australia and Saudi Arabia, before his entire world tour was axed, with “a recent health issue combined with overexertion” being cited as the reason.

“I just wanted to be a little bit transparent on the situation,” the producer said in a video shared to Instagram. “So basically, two months ago, I woke up with the loudest ringing in my ears. I’m talking about 10 out of 10. I was in complete shock, and it was not after a show. I just woke up, and it was so intense.”

Noting that such problems related to hearing were “super common in the music industry”, Alesso admitted he too had experienced similar issues in the past, though not to this level.

“But the good news is I’m getting better,” he continued. “I took this as a sign to slow down, to prioritise my health, be more careful. I’ve been doing this for 14 years now, and I’ve never taken a break. So I’ve just been kind of focusing on that.”

Currently, Alesso’s website lists tour dates for the next six months, with his return to the stage set to take place at Belly Up Aspen in Colorado on Feb. 14. As he concluded his video, Alesso explained he’s working towards big events such as Miami’s Ultra Festival on March 30, and offered advice to his followers as he moves forward.

“I will be doing shows, but maybe not as many, as you can understand,” he explains. “I just wish everyone health this year. I want everyone to To be careful, wear ear protection. Remember, we’re only humans.“

Alesso rose to fame throughout the 2010s, beginning his musical career with a series of remixes, singles, and collaborations ahead of his only studio album to date, 2015’s Forever. The record peaked at No. 30 on the Billboard 200 and spawned the Tove Lo-featuring single “Heroes (We Could Be)”. The track would become his biggest commercial success in the U.S., hitting No. 31 on the Hot 100.

After news broke of the death of Murder Inc. Records co-founder Irv Gotti on Wednesday (Feb. 5), tributes poured in from the hip-hop world, including from the label where he got his start, Def Jam.

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Gotti started out in A&R at the hip-hop label, before co-founding the culture-dominating Murder Inc. imprint with his brother, Chris Gotti. In a statement posted to Instagram, Def Jam said the label was “deeply saddened” by Gotti’s death at age 54.

“Def Jam Recordings and the extended Def Jam family of artists, executives and employees, are deeply saddened at the loss of Irv Gotti,” the statement reads. “His contributions at Def Jam, as both an A&R executive and in partnership with Murder Inc., helped pave the way for the next generation of artists and producers, a force that reshaped the soundscape of hip-hop and R&B. His creative genius and unwavering dedication to the culture birthed countless hits, defining an era of music that continues to resonate with fans worldwide. Our thoughts are with his family, friends, and all those who were touched by his work.

Ye — who worked with Gotti on the 2019 song “Brothers,” from the exec’s anthology series Tales — took to Instagram to post the news and share a simple white dove emoji.

In true 50 Cent style, the rapper posted a photo of himself smoking next to a grave headstone that reads “RIP” alongside the Instagram caption: “I’m smoking on dat Gotti pack, nah God bless him LOL.” The second photo in his post is a red-carpet pic of the late mogul, who had a contentious relationship with the G-Unit rapper over the years.

Other tributes came from Hot 97 and Apple Music host Ebro Darden, as well as Loud Records founder Steve Rifkind, Empire’s Tina Davis and more.

The ever-prolific Neil Young has assured fans that 2025 will feature a new album, with the Canadian veteran offering an update on his debut album with new band The Chrome Hearts.

News of the upcoming record comes just weeks after Young shared “Big Change”, the first single to be released with his nascent band. The Chrome Hearts first debuted by Young back in September 2024, just months after an unspecified illness necessitated a “big unplanned break” from touring with longtime backing group Crazy Horse.

The Chrome Hearts, as Young himself describes, “reconfigures musicians he has worked with before”, with guitarist Micah Nelson, bassist Corey McCormick, drummer Anthony Logerfo, and organist Spooner Oldham comprising the lineup. While Nelson, McCormick, and Logerfo have performed with Young as members of Promise of the Real, Oldham has worked with Young for decades, appearing on records such as 1978’s Comes a Time and 1992’s Harvest Moon.

Working with producers John Hanlon and his brother-in-law Lou Adler at Rick Rubin’s Shangri-La studio in Malibu, Young explains that “Big Change” is the first taste of a forthcoming album from The Chrome Hearts, with the material being written throughout November and December.

“They feel fresh to me and I am very happy to have this all ready for you. It won’t be long now and it will be great to have new songs to play on the road this summer in Europe, the USA and Canada,” Young said via his website. “We are looking forward to that!”

Young added that the record is now in the mastering stage for vinyl, CD, and digital copies that are expected to be released in only a couple of months.

“I am very happy and relieved to have ths [sic] done in the short time it took,” he explained. “The album art has been completed and handed in with Jenice Heo. I am working on the lyric sheets now, hoping to hand-write the words and get them in, in time..

“It is a happy feeling I have today, knowing I have made an album I think people will enjoy. I hope it’s out in April. That would be pretty fast.”

Presuming the April release date is adhered to, it would make the as-yet-untitled record the second release from Young in 2025, with his “lost” 1977 album Oceanside Countryside set to drop on Feb. 14.

Young and The Chrome Hearts will also be performing at England’s Glastonbury Festival in June. Young’s inclusion on the lineup was marred by an “error in the information” which initially saw him distance himself from the event, labelling it a “corporate turn-off”.

The devastation left behind by the horrific wildfires in Los Angeles has drawn an outpouring of support, especially from the music community. Between the FireAid concerts at Inglewood, California’s Intuit Dome and Kia Forum (Jan. 30)  — featuring a rainbow of stars from Billie Eilish to Stevie Wonder —  and the Grammy telecast (Feb. 2), more than $100 million in relief funds has been raised.

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Just as important, however, are the boots-on-the-ground efforts like that of local rap legend The Game, who recently visited Altadena, California, as Billboard News tagged along. Ravaged by the Hurst Fire that burned more than 500 acres, the generational community boasts a rich Black cultural legacy given that Altadena was one of the first L.A. areas that openly welcomed Black home ownership. Billboard News was there when The Game, a native of Compton, California, headed to Altadena to talk — and dole out hugs  — to first responders, local high school coaches, federal credit union members and more about their survival stories. 

“This is some serious … It’s serious business, man,” The Game says to a pair of firefighters while visiting their station house. “After this experience, now, when I hear a fire truck coming down the street, I’m pulling over and I’m not annoyed because usually it’s like ‘argh, I got to pull over.’ My hat’s on, but it’s off to you guys, man.”

The Game also spoke with coaches from several high schools — Maranatha, South Pasadena, Pasadena and John Muir — who shared moving stories about losses they suffered, as well as their students, while encouraging residents to rebuild and not leave. “This was a predominantly African-American neighborhood,” DeAnthony Langston tells The Game. “Just to see this is terrible, man; you coming out says a lot.”

Watch “Community Stories With The Game,” and to donate to Altadena’s wildfire relief fund, visit here.

Los Angeles Celtic punk band Flogging Molly have been forced to cancel all of their 2025 tour dates due to health issues faced by frontman Dave King.

The band shared the news on social media, alerting fans that Flogging Molly will be unable to headline their own Salty Dog Cruise, which launches on Feb. 17 as a five-night trip from Port of Miami to Grand Cayman and Ocho Rios, Jamaica.

“Our fearless leader, the inimitable Dave King, is currently battling a very serious health condition,” the group wrote. “Dave and Bridget ask everyone to respect their privacy at this time, we will share as we can. Any good thoughts or prayers you can send Dave’s way, he and we would appreciate it.

“Unfortunately Flogging Molly will be unable to perform shows in 2025. With the Salty Dog Cruise 12 days away, the boat will sail as planned with 18 bands, and members of Flogging Molly, on board to celebrate the cruise, the community and our captain, Dave King.”

Currently no further details in regard to King’s condition have been made available. Flogging Molly’s 2025 tour itinerary was expected to kick off in earnest on Feb. 24 following their cruise, with dates in the U.S. scheduled across February and March, and shows throughout Europe and Canada planned across June, July, and August.

The Irish-born King formed Flogging Molly in 1994 after years spent as a musician in the U.K. Rising to fame as the vocalist for Fastway alongside ex-Motörhead guitarist “Fast” Eddie Clarke, King briefly performed with former Krokus guitarist Mandy Meyer in Katmandu before navigating his way out of a record contract with Epic Records to found Flogging Molly in Los Angeles.

The band released their first album in 2000, with 2008’s Float becoming their most successful to date – peaking at No. 4 on the Billboard 200. The most recent studio album, Anthem, was released in 2022 and became the first in their career not chart.

Irv Gotti — who co-founded the hitmaking Murder Inc. Records label and helped make early 2000s superstars out of Ja Rule and Ashanti — has died after suffering a stroke, The Hollywood Reporter confirmed. He was 54 years old.

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Alongside brother Chris, Irv Gotti launched Murder Inc. in 1998 as an imprint of Def Jam. Ja Rule was the label’s flagship artist, and Murder Inc.’s first release was his 1999 debut album Venni Vetti Vecci, which included the rapper’s first top 40 Billboard Hot 100 hit “Holla Holla” (peaking at No. 35).

That was just the start of the commercial success of Murder Inc., which the Gotti brothers titled after the crime syndicate of the same name. In addition to Ja Rule, Gotti also discovered singer Ashanti as a teenager, who went on to find fame with melodic hooks alongside rap hits as well as her own solo R&B success. Ashanti’s three biggest hits all came in 2002: Ja Rule’s “Always on Time,” featuring Ashanti, was a two-week Hot 100 No. 1; Fat Joe’s “What’s Luv?,” featuring Ashanti, peaked at No. 2; and her own “Foolish” spent 10 weeks atop the Hot 100.

Murder Inc. also lent their rap bona fides to Jennifer Lopez’s rising music career, with Ja Rule features on “I’m Real” and “Ain’t It Funny” leading to Hot 100 chart-toppers, spending five and six weeks at the pinnacle, respectively.

Between 1999 and 2005, Ja Rule amassed 17 total Hot 100 hits, including his three aforementioned No. 1s.

Gotti won a Grammy in 2003 for co-producing Ashanti’s eponymous debut album, which won for best contemporary R&B album. He was nominated again the following year for co-writing Ashanti’s “Rock Wit U (Awww Baby),” which was a finalist for best R&B song.

Both Murder Inc. and the Gotti brothers were plagued with legal issues over the years, including a federal raid at the label’s headquarters in 2003 as part of an investigation linking the Gottis to accused drug lord Kenneth “Supreme” McGriff. In 2005, Irv and Chris were found not guilty of money laundering and conspiracy to launder money. In July 2024, Irv Gotti was sued for sexual assault and rape by a Jane Doe plaintiff who said the alleged abuse occurred while she was in a relationship with the hip-hop mogul from 2020 to 2022.

Bush frontman Gavin Rossdale has been in the music industry for over three decades, but even he admits he’s baffled by how young artists can sustain themselves financially in today’s streaming-driven landscape.

Speaking on Canada’s Q with Tom Power, the rocker didn’t hold back on his concerns about the modern music business.

“I’ve been a musician my whole life, and I’m at a loss to explain to someone how to do it, how to build from the ground up, how to get a career in that,” Rossdale said. “It’s just terrifying because how do musicians, how do young bands get paid? I can’t work it out.”

The 58-year-old rocker, who is preparing to hit the road with Bush this spring alongside Rival Sons and Filter, He went on to describe the industry’s longstanding financial imbalance, calling it “the same deal—artists getting screwed, record companies making a fortune.”

While streaming may offer exposure, Rossdale pointed out that it doesn’t always translate to sustainability. “Maybe you get one song with loads of streams, but we know that barely pays.”

“You just do the best you can. And you can obviously make money touring, but it takes a while to build up a catalog, so if you wanna come and see you, that’s a crap shoot.”

Rossdale, who rose to fame in the ’90s when CD sales and MTV airplay could catapult a band into the mainstream, pointed out the stark difference between then and now.

“I think it’s much, much harder now, and it was nearly impossible then. So, I don’t know what the odds are, but they don’t feel good for young musicians, which breaks my heart for them because we always need music.”

He added,”We always need people’s opinions. A.I. can take care of many things, but you talk about people relating to other people, it’s by writing that brutally painful, honest lyric that other people can relate and get strength from.”

Rossdale isn’t alone in his concerns. Artists across genres have been speaking out about streaming payouts, with industry veterans and rising stars alike calling for better compensation structures. The issue has even led to policy debates, as musicians advocate for reforms in how streaming revenue is distributed.

Rossdale rose to widespread fame as the frontman for British rock outfit Bush, who reached No. 4 on the Billboard 200 with their 1994 debut album, Sixteen Stone, which included charting singles such as “Comedown” and “Glycerine”. Two years later, they would best their previous accomplishments and top the chart with 1996’s Razorblade Suitcase. Their latest album, The Art of Survival, arrived in 2022.

Bush will embark on a North American tour this spring, kicking off in April. Tickets are available now.

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As much as our teddy coats and oversized leather jackets can provide warmth and style at the same time, when it comes to protecting us from the rain, you’ll most likely end up soaked. Rain jackets are a wardrobe essential as they can keep you dry without sacrificing warmth or trendiness.

You don’t just want any rain jacket either; the best rain jackets will keep out water and wind no matter if it’s a sprinkle or downpour. No matter what your needs are, most quality rain jackets can be priced at upward of $100+, but you don’t need to break the bank to get a durable rain jacket. REI has made it easier to snag luxury for less with up to 30% off the popular Patagonia Houdini Jacket.

The outdoor brand beloved by musicians like Drake, Kanye West and Harry Styles, Patagonia’s latest sale gets you their bestselling water-repellent jacket that’s coated in DWR and weighs only 3.4 ounces for just $75. What’s arguably one of its best features is the ability to fold it down into a compact pouch for easier storage when you’re on the go — we’re talking small enough to fit in your backpack or travel tote bag.

Keep reading to score the deal before it inevitably sells out.

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For more product recommendations, check out our roundups of the best running shorts, shoes for travel and winter boots for women under $100.