Ed Sheeran had a lot to talk about when he visited The Tonight Show on Wednesday night (March 26). In addition to finally revealing the title of his upcoming album, the singer also described the globe-trotting trip he took to record his new single, “Azizam,” gave host Jimmy Fallon a live demo of his famous loop pedal set-up, talked about his eternal quest to land a song on a Rihanna album and joked about topping his Tartantino-inspired 10-album career arc with a final life-spanning LP called Eject.

Whew.

Sheeran explained that the title of his new song translates into “my dear” in Farsi, inspired by the song’s Persian producer, Illya Salmanzadeh. “We were creating a lot of music and he suggested we create something within the Persian culture,” said Sheeran, who noted that they’ve done a full version in Farsi as well. The song recently got its live debut at a pop-up show in New Orleans, where Sheeran was joined by the second-line Soul Rebels brass band.

Though the song was originally created within a Persian frame of reference, Sheeran said that growing up hearing a lot of traditional Irish music made him realize the rhythms of the two cultures are very similar, but performed on different instruments. So, when he was in China working with classical musicians there he recorded a version with traditional Chinese musicians, and then did the same with Indian musicians, Irish musicians and bluegrass players in Nashville.

“Music is a universal language, even if it is all in a different language,” Sheeran said.

Sheeran finally confirmed that his upcoming album is called Play and that after his Mathematics album series, which included five studio records — + (2011), x (2014), ÷ (2017), = (2021) and – (2023) — his next run is based on an idea he had when he was 18. Back then, the now-34-year-old singer cooked up a 10-album plan, starting with maths, and followed by Play, Pause, Rewind, Fast-Forward and Stop.

“I’m kind of obsessed with [Quentin] Tartantino and I heard he was doing 10 films and he’s go his side projects… and so I want to do my 10 and do a side project here and there.” When Fallon asked if Sheeran would hang it up after Stop, the singer said he’s also toying with the idea of an album comprised of unreleased songs written throughout his life and then released on the day he dies as Eject.

Sheeran also described how he was inspired by Irish singer/songwriter Gary Dunne as a young teenager and messaged his hero on MySpace to find out how to use a loop pedal. He then took to the Tonight Show stage to demonstrate how he built “Shape of You” piece-by-piece, with Jimmy supplying the high “Oh I, oh I, oh I” backing vocals. He also shared a video from India in which he plays the Billboard Hot 100 No. 1 song on sitar.

And not for nothing, Sheeran said “Shape of You” was originally written for Rihanna and that every time he cooks up new songs for an album he always works on one on the side that he hopes she will pick. “Rihanna has the best taste out of anyone,” he said, possibly shooting his shot again for the singer’s mythical ninth album, while noting that his Justin Bieber hit “Love Yourself” was originally written for RihRih. “She always picks just really, really great songs.”

Always busy, Sheeran described a pop-up, two-day pub he’s hosting in Ipswich, Massachusetts beginning on Friday (March 28), where fans can gain entry by going on an old cell phone and sending in a video or message that is meaningful. Those messages will then be projected onto the walls of the bar for the filming of a music video. Sheeran, of course, also played the song that inspired the pub, “Old Phone,” for just the second time live to Fallon’s delight.

Fallon and Sheeran also teased the recent taping of one of the host’s signature disguised subway busking bits, noting that Ed did a killer cover of Chappell Roan’s “Pink Pony Club” for surprised New York commuters.

Watch Sheeran on the Tonight Show below.

Huey P. Williams, the longtime frontman of the Jackson Southernaires and a cornerstone of American gospel music, died peacefully at his home in Smithdale, Mississippi, on March 24. He was 80.

A trailblazer in traditional gospel, Williams’ unmistakable voice and soulful storytelling made him one of the most beloved vocalists in the genre. His passing marks the end of an era for quartet gospel — a style he helped define and preserve for over five decades.

Williams was born into a family of gospel royalty. He was the elder brother of Frank Williams, who later founded the Mississippi Mass Choir, and of Melvin, Doug and Leonard Williams, members of the Grammy-nominated Williams Brothers. Together, the Williams family helped shape the sound of modern gospel.

“My big brother Huey, in my eyes, was in a league of his own,” said Doug. “He possessed a signature voice that was unmistakably his own. His music ministry touched so many lives in such a positive way over the years. He had a big personality, but such a humble spirit. Huey was the epitome of a people’s person, a man that loved everybody and never met a stranger. He would literally give you the shirt off his back. That’s why so many people from across the country gravitated to him and loved him dearly. His presence will be sorely missed, but his undeniable legacy will live on forever.”

Founded in 1940 in Jackson, Mississippi, the Jackson Southernaires gained national attention in the 1960s under the leadership of Huey and Frank Williams, along with Willie Banks. In 1963, they signed with Song Bird Records, a Peacock subsidiary, and released their breakout single, “The Greatest Creator.”

Their 1968 song “Too Late” became a massive hit and led to the release of their first full-length album. Known for emotionally powerful performances and messages of faith and perseverance, the Southernaires earned acclaim with radio favorites like “Don’t Let Him Catch You (With Your Work Undone)” and “How Long Will It Last.”

In 1975, the group became the first gospel act to sign with Malaco Records, launching a decades-long partnership that saw them regularly chart on Billboard’s Top Gospel Albums list with titles such as Down Home (1975), Legendary Gentlemen (1979) and Lord We Need Your Blessing (1985). They were frequently named among Billboard’s Top Gospel/Soul Artists of the year.

Huey’s commitment to gospel never wavered. When asked if he’d ever retire, he famously replied, “My answer to that question is, how do you give up on God? How do you give up on Gospel? How do you say, ‘I’m going to retire?’ It’s like a good marriage — until death do us part.”

The Jackson Southernaires won multiple accolades, including three consecutive Gospel Music Workshop of America awards for Traditional Male Group of the Year in the late ’80s, a Stellar Award in 1989, and a Grammy nomination in 1992. They were inducted into the Mississippi Musicians Hall of Fame, and in 2010, the city of Jackson renamed a stretch of road in their honor: Jackson Southernaires Drive.

Williams’ final performance with the group was in late 2024, a testament to his enduring passion for gospel. A celebration of life will be held on March 29 at Fernwood MB Church in McComb, Mississippi.

When Huey was asked about retiring, he said, “My answer to that question is, how do you give up on God? How do you give up on Gospel? How do you say, ‘I’m going to retire?’ It’s like a good marriage, until death do us part.”

Williams is survived by his siblings, extended family, and a legion of fans whose lives were uplifted by his voice.

A new documentary about Billy Joel is set to air on HBO this summer, it has been confirmed.

As Deadline reports, the two-part series, titled And So It Goes, will be produced and directed by Susan Lacy, who is best known as the creator of the long-running American Masters, and for directing HBO documentaries such as Jane Fonda in Five Acts and Spielberg. Producer Jessica Levin – who produced the latter documentaries – is also slated to co-direct.

The forthcoming documentary is reportedly set to provide “an expansive portrait of the life and music of Billy Joel,” while focusing on the love, loss, and personal struggles that have informed his creative process. Filmmakers have also been given access to previously unseen performances, home movies, and photographs for the production.

“For those who think they know Joel’s story, as well as those who are not as familiar, I believe this two-part film is both a revelation and a surprise,” Lacy stated in a press release. “I was drawn to his story as someone who knew little at the outset, and was astounded at how autobiographical his songs are and how complex his story is.”

Billy Joel: And So It Goes arrives via Lacy and Levin’s Pentimento Production, Sean Hayes and Todd Milliner’s Hazy Mills Productions, and Tom Hanks and Gary Goetzman’s Playtone for HBO Documentary Films. The documentary also credits Hanks, Goetzman, Milliner, Hayes, Steve Cohen, Nancy Abraham, Lisa Heller and Sara Rodriguez as executive producers

News of the documentary also comes just weeks after Joel announced he would be postponing a number of tour dates due to a need for recovery and physical therapy necessitated by a recent surgery for an undisclosed medical condition 

“While I regret postponing any shows, my health must come first,” Joel said in a statement posted to Instagram. “I look forward to getting back on stage and sharing the joy of live music with our amazing fans. Thank you for your understanding.”

Joel will return to the stage at Acrisure Stadium in Pittsburgh on July 5.

Almost three decades after the release of their final album, a newly-active Sublime have revealed they’re currently in the studio working on a new record.

The group, which disbanded in 1996 following the passing of frontman Bradley Nowell, found themselves active once again in late 2023 when it was reported Nowell’s son Jakob was fronting the group. Following live performances at the likes of the Coachella Valley Music and Arts Festival in 2024, the group have now told Rolling Stone the reformation is set to feature a new record.

The 29-year-old explained that he had recently spent a week working with Blink-182 drummer Travis Barker and producer John Feldmann penning tracks for the new album. Founding members Eric Wilson and Bud Gaugh will reportedly join for recording sessions soon.

“Travis is an old-school fan and scholar of the Sublime catalog,” Nowell said. “They feel like family members now too, man. There was that feeling from everyone that what we’re doing here is something generational and special on an emotional, spiritual, familial level.” 

In a statement, Barker noted that the project was “going to be really special,” with the spirit of the group’s late frontman still present within the band. “Bradley comes through his son Jakob,” he added. “Chills every day in the studio when he sings and plays guitar.”

Cynical fans who might be expecting the album to be a poor imitation of what was once was have also had their fears assuaged somewhat, with Nowell specifically noting that the plan isn’t to create a modern, updated version of the band. “No, just more of a solid respect and homage to the works of Sublime,” he says.

Wilson and Gaugh co-founded Sublime with the late Bradley Nowell in 1988, with the group’s first two albums – 1992’s 40oz. to Freedom and 1994’s Robbin’ the Hood – released on the independent Skunk Records label, which Nowell co-founded. 

Nowell died of a heroin overdose in May 1996 at the age of 28, just two months before the release of their self-titled major label debut. The record would peak at No. 13 on the Billboard 200, while lead single “What I Got” would top the Alternative Airplay chart in August 1996. Their sole Hot 100 entry came by way of “Doin’ Time” in December 1997, when it hit No. 87.

In 2009, Wilson and Gaugh reunited under the Sublime name with vocalist Rome Ramirez. Use of the band’s name was denied by the Nowell estate, leading to the creation of Sublime With Rome, which would continue with varying lineups until their official dissolution in 2024.

In May 2024, the reformed Sublime issued the track “Feels Like That,” which features Stick Figure alongside vocals from both Bradley and Jakob Nowell. According to Jakob’s latest comments, this archival discovery process has been integral to his new role up the front of thee acclaimed band.

“We’re combing through and trying to distill down what makes a Sublime song a Sublime song,” he explained. “It’s been this fun learning process to get close to and get to know my lost family member in a spiritual sense. I think we leave so much of ourselves, like this blueprint of our DNA, in the work that we create and put out there. So really it’s been also a fact-finding mission.”

Shakira continues breaking records in Mexico, where she will perform four additional shows as part of her Las Mujeres Ya No Lloran world tour, including one more date at the capital’s GNP Seguros Stadium on August 29, OCESA announced on Wednesday (March 26).

“11 dates are not enough; the She-Wolf will return with four more dates in August and September,” the promoter said on social media.

With this, the Colombian superstar will reach the historic milestone of eight performances at the aforementioned venue (previously known as Foro Sol) over two separate phases of her tour. The feat surpasses shows by other international icons such as Paul McCartney, Metallica, Coldplay, and Taylor Swift.

The other three tour dates in Mexico will be at Estadio Corregidora in Querétaro on September 2, Estadio Akron in Guadalajara on September 6, and Estadio Cuauhtémoc in Puebla on September 12. Presale tickets for Banamex cardholders will take place on March 28, while general ticket sales will begin on March 29, added the promoter.

On Tuesday night (March 25), Shakira performed the fourth of seven concerts that make up her unprecedented residency at Estadio GNP Seguros, making her the first artist to sell out such a number of nights at the imposing venue, which will bring together a total of 455,000 attendees, according to OCESA.

Launched on February 11 in Rio de Janeiro, Brazil, the Las Mujeres Ya No Lloran tour is set to visit the Dominican Republic, Chile, and Colombia before arriving in the United States on May 13.

In an interview with Billboard Español in Mexico City, Shakira said that the tour has become something more intimate and profound. “These are more than just concerts. They are deep encounters where healing happens,” she said, adding that, with each performance, she feels “stronger and happier.”

Check out OCESA’s announcement below.