Billboard reacts to A$AP Rocky’s not guilty verdict, Drake and PARTYNEXTDOOR’s ‘$ome $exy $ongs 4 U’ album, Kendrick Lamar makes Hip-Hop history following his Super Bowl Halftime performance and more!

Carl Lamarre: 

Yo, yo. What’s going on, y’all and welcome to a fresh episode of Billboard Unfiltered,gentlemen, we are live, and in fact happy to be here. 

Kyle Denis:

So happy to be here. 

Carl Lamarre:

Here with my brothers. 

Kyle Denis:

You feeling better? 

Carl Lamarre: 

I’m feeling a lot better.

Trevor Anderson:

Yeah, yeah. You were IR for a couple of weeks. 

Carl lamarre: 

IR three weeks the bug got my brother Damien, so Dame, feel better, my brother, we’re gonna try to hold it down. It is gonna be a very busy, busy show. A lot to cover. First up, brother, A$AP Rocky, they try to charge me, but I’m not guilty.

Trevor Anderson:

We can work with that. We can put a little, you know, sheet on that, get it out on SoundCloud.

Carl Lamarre:

A$AP Rocky, if you guys did not hear, was found not guilty after, an alleged shooting incident that took place in 2021 in November of him allegedly shooting his one time friend A$AP Relli. He was facing two felony counts of a firearm. If convicted, would have been facing 24 years the maximum. And yesterday, we got the news around seven o’clock/ four Pacific that he was found not guilty. It’s gonna be a meme now, the way he ran over to Rihanna and just, literally just jumped over the railing. 

Keep watching for more!

Blink-182 co-founder Mark Hoppus is setting his sights on the art world, with the musician set to auction off his rare Banksy artwork.

The artwork, titled Crude Oil (Vettriano), was hand-painted by the anonymous English street artist in 2005 and will go under the hammer at Sotheby’s in London on March 4. The painting is valued rather highly, attracting a sales estimate of up to £5 million, or $6.3 million.

Originally created for Banksy’s 2005 exhibit Crude Oils, the painting is itself a recreation of the 1992 artwork The Singing Butler by Scottish artist Jack Vettriano. Hoppus would later acquire the piece in 2011.

As part of the exhibition (which was described as “A Gallery of Re-Mixed Master-Pieces, Vandalism, and Vermin” and featured works based off artists such as Andy Warhol and Edward Hopper), the original was altered to include a “sinking oil liner and two men in hazmat suits wheeling a barrel of toxic waste”. 

“We loved this painting since the moment we saw it,” said Hoppus in a statement. “Unmistakably Banksy, but different. We bought it because we loved it. It’s borne witness to our family over these past dozen years. It hung over the table in London where we ate breakfast and our son did his homework. It hung in our living room in Los Angeles. It’s seen laughter and tears and parties and arguments.”

“This isn’t just an iconic Banksy, it is a Banksy that has been treasured by music legend, Mark Hoppus, who fell for this work for its rebellious spirit, raw edge and unfiltered expression—the fundamentals that also shaped Mark’s world: Punk culture,” Sotheby’s Europe chairman Oliver Barker said in a statement. 

“Street art and Punk Rock share the same vocabulary—they speak to the outsider, the rebel and the overlooked. Both movements were born from the margins. They challenge authority and rewrite the rules, a fundamental trait shared by Mark and Banksy. Now, by sharing Crude Oil (Vettriano) with the world, Mark will open others’ eyes to the true power art can have; to spark conversation and challenge the way we see the world around us.”

Remaining anonymous over his three decades of activity, Banksy’s artwork has become as iconic as it is divisive, with his creations adorning the walls of art galleries and album covers in equal measure. In 2021, his Love is in the Bin artwork sold for a record £18,582,000 (valued at $23,442,885 today), with the work itself having gained notoriety for its self-destruction upon its initial sale in 2018. 

Hoppus says a portion of the funds raised by the sale will go towards charities and funds aiding those affected by the Los Angeles wildfires, including the California Fire Foundation, the Child Life Program at Children’s Hospital Los Angeles, and Cedars Sinai Hematology Oncology Research.

Crude Oil (Vettriano) is currently on display at Sotheby’s in New York until Thursday (Feb. 20), and will then be on display in London from Feb. 26 until March 4.

The journals of late Alice in Chains frontman Layne Staley will be collected in an upcoming book, with This Angry Pen to be released in November.

The 176-page volume will be officially released on Nov. 11 via publisher Weldon Owen, with its full title reading This Angry Pen: The Lost Journals of Layne Staley. According to a description of the book on the website of distributors Simon & Schuster, the book collects “handwritten lyrics, deeply personal poetry, stunning original artwork, rare photos, fan tributes” and more.

“For the first time, this stunning collection unveils the deeply personal and creative side of the legendary Alice in Chains frontman,” it continues. “Through never-before-seen poetry, raw handwritten lyrics, intimate scribblings, and heartfelt notes, Layne’s inner thoughts and emotions come to life, offering a glimpse into the mind of a musical genius who defined a generation.”

Staley began his musical journey in the ‘80s, performing in glam bands in the Seattle area such as Sleze, which changed its name in 1986 to Alice N’ Chains. 

In 1987, Staley – along with guitarist Jerry Cantrell, bassist Mike Starr and drummer Sean Kinney – formed a new band and renamed it Alice in Chains. The group would soon become one of the most influential grunge rock outfits of the ‘90s, with their 1995 self-titled album peaking atop the Billboard 200.

In addition to performing and recording with supergroups Mad Season and Class of ‘99 through the decade, Staley became largely reclusive in the latter half of the ‘90s, battling depression and drug addiction during those years. In April 17, 2002, Staley’s body was found in his Seattle apartment, with an autopsy ruling his death as an accidental overdose of cocaine and heroin from two weeks prior.

Alice in Chains would later reform in 2005, with vocalist William DuVall joining the following year. The band have since released three studio albums, with 2018’s Rainier Fog serving as their last record to date.

“Through Layne’s scribblings and heartfelt musings are a window into the emotional depths of a man who gave so much of himself to his art and his fans, even as he struggled with his own battles,” the description for This Angry Pen continued. “For fans new and old, this is an opportunity to connect with Layne’s artistry and humanity in a way that’s never been possible before. His story, told through his own words, creations, and the lives he forever changed, is a testament to the enduring power of music, art, and the human spirit.”

The publication of This Angry Pen also draws some comparisons to the 2002 book Journals, which collected the drawings and writings of late Nirvana frontman Kurt Cobain. Nirvana and Alice in Chains – along with fellow Seattle contemporaries Pearl Jam and Soundgarden – were often considered to make up the ‘Big Four’ of grunge music. Reaction to Cobain’s Journals was mixed upon its release, with Cobain’s daughter Frances Bean expressing her regret over its publication in 2018.

Former Sex Pistols frontman John Lydon has dismissed his bandmates’ decision to reform with Frank Carter on vocals, likening the whole endeavor to “karaoke”.

News of a tour from the Sex Pistols emerged in 2024 when it was first announced that the band – featuring original members Steve Jones, Paul Cook, and Glen Matlock – were to reunite for a two-night affair to benefit West London’s Bush Hall. 

The reunion did not, however, feature Lydon, who served as the vocalist of the band under his Johnny Rotten moniker. Instead, the group was to be fronted by Carter, who has previously fronted acts such as Gallows, Pure Love and Frank Carter And The Rattlesnakes.

The initial shows soon led to further dates around the U.K. and Europe, with the band billed as Sex Pistols featuring Frank Carter. Further shows have since been announced for Australia, New Zealand, and other European countries throughout 2025. In January, Jones confirmed U.S. dates would follow, though specifics are yet to arrive.

Lydon, however, had remained largely quiet in regard to the nascent shows from the band. On Thursday (Feb. 13), he spoke to British publication The i Paper about the tour, explaining that he largely felt “annoyed” by the whole affair and feared it would tarnish the group’s legacy.

“When I first heard that the Sex Pistols were touring this year without me it pissed me off,” he explained. “It annoyed me. I just thought, ‘they’re absolutely going to kill all that was good with the Pistols by eliminating the point and the purpose of it all.’ I didn’t write those words lightly. They’re trying to trivialise the whole show to get away with karaoke but in the long term I think you’ll see who has the value and who doesn’t. I’ve never sold my soul to make a dollar. It’s the Catholic in me – that guilt I don’t want to trip.

“Like Nancy Reagan, I’ve always found it easy to just say ‘no,’” he continued. “If something challenges your heart and your soul and your mind and your sense of purity of what is right and wrong in the world, then just say no. Which, according to the corporate thinking which riddles the music business earns me the title of ‘difficult to work with’ – a title of which I’m very proud.”

The new tour is not the first time, however, that Sex Pistols members have performed songs with a different vocalist. In recent years, Jones and Cook teamed up with Billy Idol and Tony James of Generation X to form the supergroup Generation Sex. Though initially a one-off occurrence in 2018, the group would later embark on a European tour in 2023.

Lydon touched on both the nascent iteration of the Sex Pistols and the Generation Sex group in another recent interview with the Classic Album Review podcast, claiming it’s his presence that makes for the genuine article.

“I wrote the fucking songs, didn’t I? I gave them the image,” he explained. ”I was the frontman. I am the voice what made the whole world sing. And now [they’re] going out, as they did the year before with Billy Idol. It’s just karaoke, really.

“I would love to be embarrassed by high-quality songwriting from them,” he continued. “They’ve had long enough to get that together now, haven’t they? But no. They profess their hatred for me, but they can’t live without me. I am the punishment that goes on giving.”

The Sex Pistols initially existed from 1975 until 1978, releasing their sole studio album Never Mind the Bollocks, Here’s the Sex Pistols in 1977. Lauded as a pioneering punk outfit despite their short initial tenure, the band would later reform in 1996 for a world tour, and undertook sporadic tours until 2008.

Famously, the band were inducted into the Rock and Roll Hall of Fame in 2006, though refused to attend the ceremony, labeling the institution a “piss stain.”

The apple doesn’t fall far from the tree. Backstreet Boys superstar Brian Littrell revealed on the Today show that his 22-year-old son, Baylee, will appear on the upcoming season of American Idol.

“He was just texting me last night, going, ‘Dad, dude, how do you do this? Like, it’s hard work,’” Littrell said of his son navigating the music industry. “He’s been busting his butt, and I’m super proud of him. He kind of gets a new sense of reality of what this is.”

Baylee, whom Brian shares with wife Leighanne Littrell, teased his time on Idol via Instagram earlier this month. Well guys recently I had the opportunity to audition for @americanidol Tune in to see the season premiere and what happens on 3/9/25,” he wrote alongside a screenshot of the show’s logo.

Brian sweetly supported his son in the comments, writing, “Bubba I can’t wait!!!!! Good Luck we’re all counting on you hahaha.”

Baylee released his debut single, a country song called “Don’t Knock It,” back in 2018. “My dad has always been my champion, so he’s always told me to just do what I want to do and follow my dreams, and to do my best and not overthink it,” he told People at the time. “It’s really just taken so much pressure off.”

The newest season of American Idol premieres March 9 on ABC, before it streams the next day on Hulu. This season marks the first with season 4 winner Carrie Underwood on the judges panel — replacing Katy Perry — alongside Luke Bryan and Lionel Richie.

The Backstreet Boys are taking over the Sphere in Las Vegas with their ‘Into the Millennium’ residency and their anniversary album ‘Millennium 2.0.’ Keep watching to see what fans can expect at their show and more!

Are you excited for their residency? Let us know in the comments!

Backstreet Boys: 

One incredible experience, sensory overload. You know you’re gonna get to hear the entire ‘Millennium’ album from start to finish, as well as some of our greatest hits and our new single. There might be some new adaptations of things. And oh, we haven’t told them about — we haven’t told them about that yet, but yes, well, make sure you pack something all white.

Tetris Kelly:

The Backstreet Boys are heading to the iconic Vegas Sphere in July, and we were lucky enough to chat with the fellas about their new single and album and what they’re bringing to the futuristic venue.

Backstreet Boys: 

Us, our families and our friends, lots of fans. One incredible experience, sensory overload. Yeah, we, you know, doing the ‘Millennium’ tour back in ’99 was such a like incredible moment to be in the round, to do a show like that, that no one had really ever done before, to now being in the most state-of-the-art, advanced, sonically overwhelming, visually outstanding venue on the planet, and to be the first pop band to be in there as well, and to commemorate 25 years of our biggest record, you know, you’re going to get to hear the entire ‘Millennium’ album from start to finish, as well as some of our greatest hits and our new single “Hey.” 

Keep watching for more!

A$AP Rocky (Rakim Mayers) has been found not guilty on both counts in the shooting case involving his former friend and associate A$AP Relli (Terrell Ephron).

The verdict, which the jury reached after about three hours, according to The Associated Press, was read in the downtown Los Angeles courtroom at 4 p.m. PT on Tuesday afternoon (Feb. 18).

Related

Upon the reading of the verdict, wild cheers of celebration broke out and an ebullient Rocky jumped over the railing toward his partner Rihanna, who was seated in the audience and has attended multiple dates during the trial, along with Rocky’s mother and sister. After taking his place back at the defense table, the emotional rapper embraced his attorneys and later folded his hands in prayer.

Rocky, who was arrested in April 2022 at Los Angeles International Airport after being accused of firing a handgun twice at Relli near a Hollywood hotel in November 2021, faced two felony counts of assault with a firearm and a maximum of 24 years in prison if convicted. The 36-year-old pleaded not guilty to all charges in August 2022. Last month, he turned down a final plea deal prior to the start of the three-week trial that would have landed him 180 days in county jail. On Feb. 11, the Harlem rapper waived his right to take the stand and testify.

Rocky’s legal team, led by attorney Joe Tacopino, had argued that the weapon in the case was a prop gun filled with blanks, which the rapper fired in an effort to defuse an escalating situation.

This is a developing story.

While the four members of BLACKPINK spent much of 2024 establishing themselves as soloists with new label ventures and partners, JISOO was quieter on the music front with more of a focus on her acting and modeling career alongside her newly established independent agency BLISSOO. Little did we know that the 30-year-old was quietly working on a highly anticipated comeback record, marking the second solo record to drop during the BP women’s next chapter.

Related

Released on Valentine’s Day 2025, AMORTAGE is the four-track EP that JISOO described as a “collection of stories about love — the highs, the lows and everything in between” in a press statement. With the title created as a portmanteau of the words “amor” (“love” in Latin and Spanish) and “montage,” the idea of a range of experiences gives the starlet space to play around with a spectrum of sounds, sentiments and vocal stylings through a mix of English and K-pop cuts.

Lead single “earthquake” aligns JISOO with prime Britney Spears material, while the impressive English tracks “Your Love” and “Hugs & Kisses” paint the picture of an increasingly more confident, globally focused superstar.

Ahead of AMORTAGE‘s release, JISOO announced she had signed a global label deal with Warner Records for her solo music, which will not only help the star reach more people with her music but could offer her additional international resources in terms of A&R and promotion after delivering such a strong solo record on her own. While fans worldwide can enjoy streaming AMORTAGE now, its physical version will be released in the U.S. on March 14, giving the EP even more legs and – hopefully — additional time to push even more songs and material off the record.

Check out our ranking of the songs off JISOO’s AMORTAGE album below.

Nick Cave is standing firm on his admiration for Kanye West’s music, even as the rapper continues to stir controversy with his inflammatory remarks and actions.

The legendary Australian singer-songwriter addressed his stance in response to a fan letter on his Red Hand Files blog, following his recent revelation that he wanted West’s “I Am a God” played at his funeral.

Since Cave’s initial comments, West has reignited outrage by doubling down on anti-Semitic remarks, openly declaring himself a Nazi, and selling a swastika-branded T-shirt on his website. One fan bluntly questioned Cave: “How the hell can you listen to the song without seeing the scum of a human being that Kanye has become?”

In response, Cave acknowledged the controversy while making it clear that he does not condone West’s actions. “Numerous letters have come in expressing, in no uncertain terms, disapproval of my fondness for Kanye West’s music,” Cave began.

“A lot of time and energy has been spent explaining the evil of Nazism, the harm of antisemitism, why it is wrong to sell t-shirts emblazoned with swastikas, and why it is unacceptable to coerce one’s girlfriend into standing naked on the red carpet at the Grammys.” he continued. “On that matter, it seems, we can all find some common ground. I agree.”

However, Cave pushed back against the idea of fully dismissing an artist’s work due to their personal failings. “The idea of an artist being divorced from their art is absurd,” he explained.

“However, the great gift of art is the potential for the artist to excavate their interior chaos and transform it into something sublime. This is what Kanye does. This is what I strive to do, and this is the enterprise undertaken by all genuine artists. The remarkable utility of art lies in its audacity to transfigure our corrupted state and create something beautiful.”

Cave went on to describe West as “an exemplar par excellence” of this concept, stating that despite his “brokenness,” the rapper’s music embodies the tension between “sin, transcendence, and genius.”

Still, he did not shy away from condemning West’s actions. “As odious and disappointing as many of Kanye’s views are, and as sickening as antisemitism is – in its sadly always-present, ever-morphing forms – I endeavour to seek beauty wherever it presents itself,” he wrote. “In doing so, I am reluctant to invalidate the best of us in an attempt to punish the worst. I don’t think we can afford that luxury.”

Cave’s comments come years after he previously referred to West as “our greatest artist,” praising his fearless creative approach. However, even then, he admitted that West’s troubling rhetoric made it difficult to listen to his music without hesitation.

As West’s latest actions spark further backlash—including his recent suspension from X (formerly Twitter), Shopify shutting down his Yeezy store, and his talent agency dropping him—many in the music industry continue to distance themselves from him. Ty Dolla $ign, West’s Vultures collaborator, has publicly condemned hate speech, while Charlie Puth and David Schwimmer have called for further consequences against the rapper.

Despite numerous controversies over the years, West’s music has long had a presence on the Billboard charts. His 2013 album Yeezus—which includes “I Am a God,” the song Cave wants played at his funeral—debuted at No. 1 on the Billboard 200.

Singer-songwriter BD.ii walked onto The Voice stage with quiet confidence, but the moment he began singing Miguel’s “Adorn,” it was clear he was a standout contender.

His smooth, controlled delivery and effortless stage presence captivated the audience—and the coaches, who wasted no time turning their chairs.

Michael Bublé was the first to hit his button, recognizing BD.ii’s undeniable vocal ability. Kelsea Ballerini quickly followed, with John Legend and Adam Levine completing the four-chair turn. However, Levine was in for a surprise when he realized he had been blocked by Ballerini, leaving him visibly frustrated.

“I’m a sad, sad man, because you are world-class. You’re a badass,” Levine added as the other coaches laughed.

BD.ii, an Atlanta native whose singing career took off after an injury ended his basketball aspirations, delivered a version of “Adorn” that felt fresh yet true to its original essence. His tone, phrasing, and natural charisma made an immediate impact, prompting Bublé to make an impassioned pitch.

“He’s not the threat. I’m the threat,” Bublé joked. “We’re about to help grow the population of America with that voice.”

Ballerini emphasized her versatility as a coach, stating, “I am actively having crossover songs, for other artists and with other artists. I don’t believe in boxes.”

But it was Legend who ultimately secured BD.ii for his team, pointing out his personal connection to the song’s original artist. “I’ve written with Miguel,” Legend said. “You made it sexier, made it cooler.” With that, BD.ii made his decision. “Imma go with my boy John,” he announced, sealing the deal as Legend celebrated and Levine processed his disappointment.

Miguel’s “Adorn” became a defining track of modern R&B, spending 23 weeks atop Billboard’s Hot R&B/Hip-Hop Songs chart and winning the Grammy for Best R&B Song. The track, featured on Kaleidoscope Dream, also peaked at No. 17 on the Billboard Hot 100.

With his undeniable talent and Legend’s guidance, BD.ii is already emerging as one of the season’s most promising contestants.

Watch BDii’s performance below.