Last year’s Class of 2025 beamed bright when it was time to deliver. Spanning multiple genres, a plethora of artists climbed — including Billboard Rookie of the Year winners G3LO and Odeal — with the former nailing a top 30 hit during the early stages of the calendar year.
The Sunshine State birthed two new stars beginning with Sailorr and Isaiah Falls. Sailorr’s sparkling project, From Florida With Love, was an ode to personal growth and resilience, which spawned her breakout single “Pookie’s Requiem,” and a starry remix with Summer Walker. Falls bloomed into one of the genre’s self-assuring lotharios, using his wit and charisma to guide his listeners towards unrequited love.
On the rap side, Samara Cyn and Zeddy Will surged into Rookie of the Year contenders. With an agile flow and penchant for steely wordplay, Cyn held her own against the likes of Smino and Ray Vaughn, while piecing together an ambitious project with backroads. New York’s Zeddy Will breathed life into the city with his magnetic energy. Zeddy’s lust-for-life mentality thrived on party-starters like “Cha Cha” and “Twerking With Ya Friends.”
This year’s class brings a similar dose of firepower, potential, and moxie across hip-hop, R&B, and Caribbean sounds. Vulnerability is a common thread, embedded through the DNA of Girlfriend and Alicia Creti. Riddims and vibes aren’t just seasonal — Ayetian makes that clear. With artists like EsDeeKid, JayDon and Skippa already smoldering in their respective lanes, 2026 is shaping up to be a true year of breakouts. When rage rap, R&B truths and island vibes collide, if feels like this class’s emotional language.
Check out Billboard’s 2026 artists to watch list below.
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Herb Trawick — creator, executive producer and co-host of the audio-tech podcast and YouTube series Pensado’s Place and former manager of singer-songwriter Brian McKnight — passed away peacefully in his sleep at his home in Calabasas, Calif. on Feb. 22. Trawick was 69 years old.
A statement from Trawick’s family that was sent Billboard says in part, “Herb lived a remarkable life defined by creativity, vision and a profound commitment to people and music … Throughout his distinguished career, Herb brought together creativity, taste and relentless execution — a philosophy that guided his work as a manager, label executive, Broadway producer, executive producer, talent scout and advisor.
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“Beyond his extraordinary professional accomplishments, Herb was a beloved mentor, trusted friend and guiding presence whose generosity, wisdom and encouragement touched countless lives. He approached his work with humility and gratitude, remaining in awe of the journey and the people who inspired him along the way. The family is grateful for the outpouring of love and support .. Herb’s legacy of leadership, compassion and musical influence will continue to live on through all who knew and loved him.”
Born in Montreal, Canada on April 7, 1956, Trawick moved with his family to Ashland, Kentucky in 1965. The former college radio DJ attended Eastern Kentucky University, where his earned a B.A. in communications in 1977.
Trawick’s first music industry gig was as a promoter and A&R rep for Dick Griffey’s Los Angeles-based SOLAR Records in the early ‘90s, where he advanced to head of the indie label’s marketing and promotion department. Trawick next pivoted into artist management in 1996. Under The Trawick Group banner, he managed 17-time Grammy Award-nominated R&B/pop star Brian McKnight, R&B/hip-hop quartet Portrait and Grammy-winning recording engineer Dave Pensado (Kelly Clarkson, Michael Jackson, Mariah Carey).
Seven years later he partnered with Earth, Wind & Fire founder Maurice White in Kalimba Entertainment. During that period, Trawick produced the 2006 jukebox musical Hot Feet. Featuring the music of EWF, the Broadway show was a modern revamp of the Hans Christian Andersen fairy tale “The Red Shoes.”
A self-described serial entrepreneur, Trawick recognized the need to provide a community for producers and engineers within the music industry. That recognition led him to partner with Pensado and create/executive produce the popular online series Pensado’s Place in 2011 with both gentlemen serving as co-hosts. Since launching, the show became a global platform reaching audiences in more than 200 countries. The series most recently signed with Red Light Management in 2022 to pursue expansion through distribution, live events and brand partnerships.
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Asked by Music Connection in 2024 to provide advice for those aspiring to be entrepreneurs in entertainment, Trawick said, “Put stock in dreaming. That’s not a wasted exercise. Imagine the unimaginable. And then figure out the process of making it real. Remember, we’re in the dream-making business.”
In addition to signing and developing artists such as McKnight, Robin Thicke and Tyrese Gibson during his dual tenures as a producer and record executive, Trawick was a consultant for other labels including Interscope, Motown, and Def Jam Recordings. He also served as an advisor to the music publishing and talent management firm Primary Wave. At the time of his death, Trawick was working to break a new group called NIGI NAXION.
Trawick’s multi-faceted career didn’t stop there. Deeply committed to paying it forward via mentorship and education, he served as a board member and advisor for several organizations, including Girls Make Beats, 1500 Sound Academy, The Blackbird Academy, the Abbey Road Institute Miami and the Guitar Center Music Foundation. In regards to the latter, Trawick helmed the foundation’s fourth annual benefit gala last September which honored three icons: sound engineer John McBride and songwriting/production duo Jimmy Jam & Terry Lewis.
Among the industry accolades Trawick received are the Creative Visionary Award from the Living Legends Foundation, induction into the Technical Excellence and Creativity Hall of Fame from the National Association of Music Merchants (NAMM) and induction into the African American video oral history archive The HistoryMakers housed at the Library of Congress. Trawick joined prior inductees such as Barak Obama, Quincy Jones, Berry Gordy and Maya Angelou.
Information regarding funeral services for Trawick will be announced soon.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-23 19:02:102026-02-23 19:02:10Herb Trawick of ‘Pensado’s Place’ Dead at 69: ‘Remember, We’re in the Dream-Making Business’
BLACKPINK is taking one small step for BLINKs before taking one giant leap for BLINK-kind with the release of its “Go” music video, a teaser for which dropped Monday (Feb. 23).
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In the snippet of the upcoming visual — which will drop Friday (Feb. 27), the same day the girl group’s DEADLINE mini-album arrives — climactic orchestral music plays over intense shots of waves crashing over galaxies melting into one another, and men rowing through outer space. ROSÉ, JISOO, JENNIE and LISA appear on their own and with each other in various sci-fi setups, at one point posing together in black outfits while holding oars that cross in a stark geometric shape.
“Go” will serve as the second single from DEADLINE, following last year’s “Jump,” which reached No. 28 on the Billboard Hot 100 and topped the Billboard Global 200. The quartet has steadily been getting fans ready for the project, unveiling its tracklist earlier in February after premiering concept photos at the end of January. In many ways, the new music video teaser aligns with the aesthetic of those teaser images, which YG Entertainment described at the time as “sensual” and “irresistible.”
BLACKPINK last dropped a collection of songs in 2022, with album Born Pink hitting No. 1 on the Billboard 200 that year. Afterward, the members took a break from band activities to pursue solo activities, with each of them releasing music of their own while LISA, JENNIE and JISOO also explored acting opportunities in White Lotus, The Idol and Boyfriend on Demand, respectively.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-23 19:02:092026-02-23 19:02:09BLACKPINK Is Ready for Takeoff in Intense Sci-Fi Teaser for ‘Go’ Music Video
Bad Bunny still dominates the top 10 of the Hot 100, but can he hold on to the No. 1 spot, or will Ella Langley, Olivia Dean or Taylor Swift take the throne for this week?
Tetris Kelly: Is Taylor Swift a match for Bad Bunny’s chart takeover? This is the Billboard Hot 100 top 10 for the week dated Feb. 28. Bad Bunny continues his dominance at 10, with “Tití Me Preguntó” also at nine. “The Fate of Ophelia” is back in the top 10. “Golden” is up to No. 7. Same with “I Just Might” to six. And “Ordinary” to No. 5. “DTMF” drops to four, while “Man I Need” stays locked at three. “Choosin’ Texas” rises up to No. 2. And grabbing its very first week at No. 1 is Taylor Swift’s “Opalite.”
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As an unforgiving blizzard pummels the Northeast, hip-hop and R&B gave us plenty of music and headlines to pass the time.
Baby Keem kicked off the weekend (Feb. 20) with the release of Ca$ino, his first studio album since 2021’s The Melodic Blue. Assisted by Kendrick Lamar, Momo Boyd, Too $hort and Che Ecru, the new project features a few potential spring and summer smashes, as well as production contributions from eyebrow-raising names like Grown-ish actress Yara Shahidi (“Birds & the Bees”).
Jay-Z got a head start on the 30th-anniversary celebrations for his debut album, Reasonable Doubt, with the streaming release of the original version of his classic “Dead Presidents” single. With Reasonable Doubt-related posters popping up across Jiggaman’s hometown of Brooklyn, New York, even greater surprises could be in store as we draw closer to June 25.
In heavier news, the Fulton County Medical Examiner’s Office ruled Lil Poppa’s death a suicide, via a gunshot wound to the head. The Jacksonville rapper (born Janarious Mykel Wheeler) died on Wednesday at age 25.
Finally, Jamaican reggae star Keznamdi followed up his first career Grammy win — he took home best reggae album earlier this month for Blxxd & Fyah (Feb. 1) — with the reveal of a pair of U.S. shows in New York and Los Angeles, exclusively announced by Billboard on Monday (Feb. 23).
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from a seductive Kem single to a high-octane collaboration between Dess Dior and Belly Gang Kushington. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-23 18:45:452026-02-23 18:45:45R&B/Hip-Hop Fresh Picks of the Week: Kem, RnBoi, RealestK, Dess Dior & More
The sky’s the limit for Taylor Swift’s “Opalite,” which bounds seven spots to become her 14th No. 1 on the Billboard Hot 100.
Swift ties Rihanna for the third-most Hot 100 No. 1s, after only The Beatles (20) and Mariah Carey (19), dating to the chart’s start. “Opalite” is Swift’s ninth No. 1 since 2020, extending her mark for the most this decade.
Meanwhile, “Opalite” is the second Hot 100 leader from Swift’s 2025 album The Life of a Showgirl, after “The Fate of Ophelia” ruled for a personal-best 10 weeks beginning in October. The set, on Republic Records, becomes her second to generate multiple leaders, after 1989 (“Shake It Off,” “Blank Space” and “Bad Blood,” featuring Kendrick Lamar) in 2014-15.
“Opalite” tops the Hot 100 (after initially peaking at No. 2 upon its October debut) sparked by a surge of physical sales that shipped to consumers and new remixes released during the tracking week. Earlier in February, its official video premiered.
Elsewhere, Bruno Mars’ former Hot 100 No. 1 “I Just Might,” at No. 6, rises to the top of the Radio Songs chart.
Check out the full rundown of this week’s Hot 100 top 10 below.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 28, 2026) will update on Billboard.com tomorrow, Feb. 24. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-23 18:41:012026-02-23 18:41:01Taylor Swift’s ‘Opalite’ Shines as Her 14th Billboard Hot 100 No. 1
This article was created in partnership with VENU.
The fan-founded, fan-owned, and artist-inspired live entertainment company has announced that global, multi-platinum recording artist Niall Horan has joined as a shareholder and strategic partner. He will serve as a founding member of the company’s advisory council alongside fellow artist and shareholder Dierks Bentley.
For Horan, whose career began on the world’s biggest stages with One Direction before evolving into a celebrated solo catalog of global hits, the move represents a natural extension of his artistic philosophy. Over the past decade, he has cultivated a reputation for authenticity; an artist attuned not only to the spectacle of performance, but to the intimacy that sustains it. That perspective has also informed his entrepreneurial ventures, including co-founding his sports agency Modest! Golf Management in 2015, investing in TGL’s Boston Common Golf and Whoop via his investments company, Greenbridge Ventures, and mentoring emerging talent as a coach on The Voice USA, where his team’s artist was crowned the Season 28 winner. Across disciplines, Horan’s throughline remains consistent: build platforms that empower creators and elevate audiences.
Christian Tierney
“Music’s always been about connection. It brings people together no matter who they are or where they’re from. Joining VENU as a shareholder and advisory council member is a chance to help strengthen that bond, push the boundaries, and create something amazing for both artists and fans” says Horan.
Bentley brings a similar artist-first lens. With more than two decades of arena tours and chart-topping success, he has experienced firsthand how venue design, sound, and atmosphere shape the emotional arc of a show. His decision to invest in VENU reflects a belief that infrastructure should serve artistry, not the other way around. Together, Horan and Bentley signal a broader shift: artists claiming a seat at the table where live music’s future is being designed.
Zach Belcher
“Dierks represents everything we’re building toward: authenticity, excellence and an unwavering commitment to the fan experience,” said J.W. Roth, Founder, Chairman & Chief Executive Officer of Venu Holding Corporation.
Venu Holding Corporation (“VENU”), which went public in 2024 and now trades on the NYSE American, has been building a different kind of live entertainment company. The company approaches growth with an uncommon strategy: putting artists closer to the blueprint. With developments underway in Oklahoma and Texas and operating entertainment campuses in Colorado and Georgia, the company’s footprint is exploding, but its more notable move is structural. The disruptive company is building an advisory body designed to give artists and leaders influence over programming, architecture, and the standards that shape fan and performer experience.
The initiative signals a shift in how venues may be built in the years ahead, not simply as spaces for sound and production, but as environments shaped by artists and built for true ambiance.
At its core, the model is simple: put artists in positions of influence and let lived experience guide innovation. In Horan and Bentley, VENU has aligned itself with two performers who understand the electricity of a crowd, the vulnerability of the stage, and the responsibility of building spaces worthy of both. If the next era of live entertainment is to be defined by deeper connection and elevated experience, it will be because artists helped design it.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-23 18:25:582026-02-23 18:25:58Backing VENU’s Disruptive Vision for Future of Live Entertainment
Charley Crockett has canceled his Canadian tour dates after being unable to enter the country due to a 10-year-old drug possession charge, the country star announced Monday (Feb. 23) on Instagram.
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Sharing a photo of a report from Canada’s immigration, refugees and citizenship department barring him from crossing its border, Crockett revealed that he’d been turned away due to an incident back in March 2016, in which he’d been convicted of carrying more than five pounds of marijuana with intent to sell in Virginia. “Everybody’s got a past,” he wrote in a screenshotted message to fans posted alongside the report. “Mine’s still haunting me.”
The singer went on to explain that he’d tried to “cross the Canadian border twice in 24 hours,” with patrol agents apparently denying him entry in both Vancouver and Kelowna. “I’ve been advised that it would jeopardize my freedom to try and enter again,” he continued, confirming that he’d need to cancel all of his upcoming dates in the Great White North. “I apologize to everyone affected. I know I let y’all down.”
Crockett’s fans in Canada can expect full refunds to be issued at their points of purchase, but he also wrote in his statement that he knows “this doesn’t begin to make up for y’all’s time and hard earned money.”
“Canada’s such a beautiful country full of some of the best fans in the world, and I’ve had the time of my life playing shows for y’all,” he added. “I ain’t one to quit and I aim to be back one of these days real soon.”
Billboard has reached out to Canada’s Border Services Agency for comment.
Crockett had been scheduled to kick off his Canadian trek on Saturday (Feb. 21) with a show at the Orpheum Theatre in Vancouver, which Live Nation British Columbia announced had been postponed “due to unforeseen circumstances” hours prior. He’d also had shows slated for the provinces of Alberta, Ontario, Saskatchewan, Manitoba and Quebec that he’ll no longer be playing.
News of the cancelations comes just a few days after Crockett announced that his new album, Age of the Ram — his third LP in his “Sagebrush Trilogy” — will be dropping April 3. The first two installments in the series, Lonesome Drifter and Dollar a Day, came out in 2025.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-23 18:15:312026-02-23 18:15:31Charley Crockett Cancels Canadian Tour After Being Denied Entry Due to 10-Year-Old Drug Conviction
This fall’s Louder Than Life festival in Louisville, Ky. will feature headlining sets from Iron Maiden, My Chemical Romance, Limp Bizkit and Tool. The Sept. 17-20 event at the Kentucky Expo Center will feature more than 200 bands playing across seven stages in its 12th edition, which producer Danny Wimmer Presents is its biggest lineup to date.
The party will get started on Sept. 17 when three metal legends — Maiden, Pantera and Megadeth — will top the roster, followed by modern hard rock trio My Chemical Romance, Pierce the Veil and A Day to Remember on Friday night. Saturday will be topped by Limp Bizkit, playing with Papa Roach and Sublime, with Tool closing out the final night with assists from Gojira and Danny Elfman.
Wimmer said in a statement that Saturday’s lineup also features the deepest roster of all-female fronted bands at any major U.S. rock festival, including Halestorm, In This Moment, Lindsey Stirling, Orianti, Icon for Hire, Kami Kehoe and Diamante. In addition to hosting Pantera’s only U.S. show this year, the festival will be one of Megadeth’s final shows on their farewell tour and be the site of reunion sets from Circa Survive, Get Scared, Blood For Blood, Metal Church, Primer 55, Sent by Ravens and 40 Below Summer.
As always, the fest will also feature a number of anniversary sets, including Jimmy Eat World celebrating the 25th anniversary of Bleed American, Sleeping With Sirens honoring the 15th anniversary of Let’s Cheer to This, Red marking the 20th anniversary of End of Silence, Alien Ant Farm celebrating the 25th anniversary of ANThology and the Red Jumpsuit Apparatus honoring the 20th anniversary of Don’t You Fake It.
Among the other acts slated to perform at this year’s festival are: The Prodigy, BABYMETAL, Danzig, Rise Against, Alice Cooper, Circa Survive, Ice Nine Kills, The Mars Volta, Mastodon, The Used, Bilmuri, Sabaton, Coheed and Cambria, The Pretty Reckless, Hot Mulligan, Taking Back Sunday, Sleeping With Sirens, In This Moment, Dance Gavin Dance, Chiodos, Black Label Society, Killswitch Engage, Anthrax, Ministry and CAVALERA, among many others.
“Last year, we took over Kentucky Kingdom and broke rock festival records. This year, we’re back to deliver the ultimate rock escape,” said promoter Wimmer in a statement. “Louder Than Life is your playground — ride the coasters, catch legendary and emerging bands, enjoy incredible food and bourbon, and dive headfirst into the rock experience you’ve been waiting for. It’s time to let loose and have fun. We’ll see you soon.” In addition to the music, pass-holders will get free access to amusement rides inside Kentucky Kingdom, which will be open exclusively for festival attendees.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-23 18:00:342026-02-23 18:00:34My Chemical Romance, Iron Maiden, Megadeth, Limp Bizkit & Tool Headline 2026 Louder Than Life Festival
As 50 Cent and T.I.’s feud continues to bubble, Tip released a hard-hitting track on Sunday (Feb. 22) fittingly titled “War.”
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While he doesn’t address 50 by name, a few bars could be directed at the G-Unit mogul. “The bear hibernating, don’t poke him/ When you see the giant sleeping, shouldn’t have woke him,” Tip raps.
He also touts his titan status in the rap game, declaring himself to be top three out of Atlanta, and not three. “Top three in my city, you know I’m in tha/ And I ain’t No. 3, what you getting at” Tip continues.
It appears this could just be a 100-second preview of a longer edition of “War,” which may be featured on T.I.’s final album, Kill the King, releasing later in 2026.
The trap pioneer added some fuel to the fire amid back-and-forth with 50 in his caption for the song. “Oh you ni66az want WAR?!?! Aight…WE ON THAT,” he teased on Instagram.
Over the weekend, 50 posted a bad photo of Tip’s wife, Tiny Harris. T.I. and his son King Harris fired back in the comments, per Complex. “Fu*k Ni66a you can post a fat ho in a snowstorm on a unicycle juggling dildos…. You still a HO!!!! #KingSaid That,” T.I. wrote.
King Harris added: “Where ya mama?”
An enragedKing Harris also delivered a fiery rant on his IG Stories Sunday, attacking 50 in defense of his mother.
“B—h a— n—a wanna say something about my mama, your mama dead as f—k n—a. Your mama dead as f—k, go dig her up,” he said, mocking 50’s late mother. “Go dig her up. F—k. Post a picture of your motherf—king mama n—a, she dead n—a. Pay respect, n—a. Stop f—king playing with my mama n—a. N—a ain’t playing like that, n—a ain’t going like that n—a. How y’all bitch ass n—a raised, I’m not raised like that.”
50 Cent continued to taunt King and Tiny Harris on Monday (Feb. 23), as he reposted a clip from the 50 WTF? podcast, which saw the cohosts disparaging both members of the Harris family.
T.I. and 50 Cent’s feud was reignited earlier in February after Tip voiced his confidence in taking 50 out in a potential Verzuz battle. 50 didn’t want anything to do with a Verzuz, which led 50 to slam Tip and call him “King Rat” in an Instagram comment.
“You playing on MY NAME when only one of us a rat in real life…you know I got your paperwork right? And my transcript is available online,” T.I. wrote. “Your excuses is useless. Get yo h— a— in the box or STFU and live in fear. You soft son. You’ve lost my respect. Fckn [duck emoji].”
Elsewhere, Tip earned his first solo Billboard Hot 100 entry in more than a decade with “Let ‘Em Know,” which held at No. 50 on the chart dated Feb. 21.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-23 17:50:502026-02-23 17:50:50T.I. Advises ‘Don’t Poke Him’ on New Song ‘War’ While 50 Cent Takes Shot at His Wife Tiny Harris