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Ticketmaster is celebrating St. Patrick’s Day with a rare discount offer to some of the biggest concerts of the year.

For a limited time, music fans can take advantage of Ticketmaster’s 2-for-1 deal to get two tickets for the price of one at participating shows. The promotion includes tickets to artists like Kim Gordon, Halsey, AWOLNATION, Tobe Nwigwe, Lucius, Tennis (with special guest Alice Phoebe Lou) and more. We spotted tickets starting from just $20 with the discount.

It’s not just concerts either — the Ticketmaster St. Patrick’s Day deal includes a buy one, get one free offer for Ricky Gervais’ “Mortality” comedy tour, the “Club Chris Tour” with Chris Olsen and Ryan Trainor, and RuPaul’s Drag Race winner Alyssa Edwards’ “Crowned Tour.”

The best deal is for the upcoming “Outlaw Festival,” featuring Bob Dylan, Willie Nelson, Billy Strings and others. Taking place May 16 at the Hollywood Bowl in Los Angeles, this is the 10th annual Outlaw Music Festival Tour, which showcases a rotating lineup of artists spanning country, alt-country, Americana, bluegrass, folk and rock. The 2025 Outlaw Festival tickets start from just $59 with the 2-for-1 sale.

There’s no promo code needed to claim the discount but you will need to use this link. The new Ticketmaster offer runs until Wednesday, March 19 at 10 p.m.

Ticketmaster rarely holds sales so this is a promotion you’ll want to take advantage off while it’s still live. Tickets are moving quickly so we recommend adding your preferred seats to your cart before the shows sell out. Live Nation has held a summer concert offer the last two years for $25 all-in tickets, but the company has yet to announce if it’s bringing the promotion back for 2025.

For more ticket deals, check out ShopBillboard’s roundup of best cheap ticketing sites online.

RCA Records Greater China, a division of Sony Music Entertainment, signed a strategic partnership with Chinese indie label and music collective IRIS Chengdu, founded by Chengdu, China-based producer, DJ and recording artist Andre Grant, a.k.a. HARIKIRI. During his career, HARIKIRI has worked with artists including American rapper Jay Park and Chinese hip-hop group Higher Brothers. Over the next year, five albums will be spawned from the partnership, including new releases from female Chinese rapper Vinida Weng, rapper/singer/songwriter Haysen Cheng and HARIKIRI himself, among others. According to a press release, Chengdu “has been widely regarded as the epicentre of China’s evolving hip hop music scene and touted as the city raising China’s new generation of rappers.”

EMPIRE formed a partnership with automated music marketing and promotion platform un:hurd music that includes an investment in un:hurd to support the development of new tools and will give EMPIRE access to un:hurd’s tools and services. The partnership came amid un:hurd’s ongoing fundraise, which has drawn investors including Willard Ahdritz, Dan Runcie’s Trapital Ventures and Mindset Ventures MusicTech. According to un:hurd CEO/founder Alex Brees, the platform boasts a community of more than 125,000 artists and record labels.

Bria, a generative AI platform for visual images that claims to be built on 100% licensed data, closed $40 million in Series B funding, bringing its total capital raise to $65 million. The money will be used to scale the company’s visual generative AI platform and widen the application of its patented attribution engine to music, video and text generation. The company says its attribution engine “bridges the generative output and the training dataset, so data owners are programmatically compensated according to their overall influence on each generated output,” according to a press release. In a statement, Bria founder/CEO Dr. Yair Adato added, “Enterprises can use our source code and API platform to integrate visual generative AI inside their products and access previously untouchable premium branded content. By broadening our attribution offering to all types of content, including music, video, and text, we are helping to usher in a truly sustainable creative economy.”

Japanese talent management and production company Asobisystem teamed up with blackx, described as a leader in music investments in Asia, to help expand the J-pop genre globally. According to a press release, the companies “will expand artist portfolios, venturing beyond traditional music to explore innovative IP such as cross-industry collaborations, introducing J-Pop to new global audiences and reinforcing Japan’s leadership in the entertainment sector.” Asobisystem’s roster includes Kyary Pamyu Pamyu, Atarashii Gakko!, Fruits Zipper and Yasutaka Nakata.

Synch platform SourceAudio struck a deal with AI-powered music analysis platform Cyanite to integrate Cyanite’s AI music tagging and search capabilities directly into the SourceAudio licensing ecosystem. Through the deal, SourceAudio’s music libraries and content owners can opt in to access Cyanite’s AI tagging and search system within their existing workflows. Cyanite has also chosen SourceAudio as its delivery platform for new and existing customers, meaning all Cyanite users can now benefit from SourceAudio’s hosting and licensing solution, allowing their audio files to be automatically tagged and optimized for search, discovery, pitching and monetization.

Celebrity Coaches, a luxury transportation services provider for the entertainment industry, acquired BandWagon RV Rentals, which specializes in mid-level tour transportation. Terms of the transaction were not disclosed. The acquisition expands Celebrity’s fleet to more than 120 vehicles.

Nightlife and entertainment company Ministry of Sound signed a deal with DICE that will see it leveraging the latter’s mobile-first ticketing technology. Through the agreement, Ministry of Sound will gain access to DICE’s analytics and marketing tools, allowing for real-time insights into audience behaviors, event performance and sales attribution.

She Is The Music (SITM) will honor Gracie Abrams and her all-female team at its inaugural Women Sharing the Spotlight celebration. The Women’s History Month event is being held on March 27 at The Peppermint Club in Los Angeles. In keeping with its ongoing advocacy for more inclusion, She Is The Music will also honor 50 other impactful women from various sectors of the music industry. And in further support of the organization’s mission, each of the 50 women will share their spotlight with another woman in the business.

“Being surrounded by such an incredible team of women has changed the way I see everything,” said Abrams of her team in a statement. “They’re not only insanely talented in their individual capacities, but also intentional about supporting each other. I’m grateful for the opportunity to learn from each of them. I’m deeply honored to be recognized by She Is The Music, an organization that has done so much to acknowledge and uplift women in this industry. I hope our team is a small example of what’s possible when women support each other and build together.”

Global star and She Is The Music co-founder Alicia Keys stated, “Gracie Abrams and her incredible team are living proof of what happens when women uplift each other — when we step into our power, we change the game. In an industry where female-led teams are still the exception, their success is a reminder that we belong in every room, at every table, leading every conversation. She Is The Music is about breaking barriers, opening doors and making sure the next generation of women in music don’t just have a seat at the table —they build the table.”

 As part of the Women Sharing the Spotlight celebration, each honoree will receive one of Barbie’s newly unveiled Career of the Year: Women In Music dolls, a musical artist and tour manager duo created to illuminate women in the music industry.

Universal Music Publishing Group Chairman/CEO and She Is The Music co-founder Jody Gerson also noted, “Women supporting women is at the very core of She Is The Music’s mission. Creating a sisterhood of accomplished women and the next generations of working women across all facets of the music industry is our collective path forward to success. We are delighted to host our inaugural Women Sharing the Spotlight and to celebrate so many wonderful women in our business. We are also making a powerful statement by honoring Gracie Abrams and her team for embodying the spirit of sisterhood. This recognition is not only well deserved but also a testament to the fact that women in our industry can reach the highest levels of success on their own terms — especially when they uplift and support one another in meaningful ways.”

The evening will also spotlight key takeaways from the newly released “Inclusion in the Music Business” report, conducted by USC Annenberg’s Inclusion Initiative in partnership with Believe and TuneCore. Chief among the findings: 84.2% of the most senior executives at major music companies are white men; only 13.2% of CEO/president roles are held by women and only 5.3% of top executives are women of color —an unchanged statistic since 2021. The full report can be viewed HERE.

Both TuneCore CEO Andreea Gleeson and USC Annenberg Inclusion Initiative founder Dr. Stacy L. Smith will present the aforementioned and other findings at Women Sharing the Spotlight. “In recent years, our work has shown that women and people of color are increasing their presence on the popular charts as artists,” commented Smith in the press announcement. “But this progress is not matched by the executive ranks that are responsible for the business of music. It’s clear that there are still real discrepancies in who gets to lead.”

Added Gleeson, “We can’t afford to sit back and wait for this issue to fix itself. Artists are pushing boundaries and redefining music every day. It’s time for the executive ranks to reflect that same diversity and innovation.”

Nick Cave has responded to the viral comments he once made about the Red Hot Chili Peppers, clarifying his current stance on the band in the process.

Cave’s comments about the Los Angeles funk-rockers have circulated as something of a punchline for roughly 25 years now. Though their exact origins appear to have been lost to time, the quote is often attributed to Cave as, “I’m forever near a stereo saying, ‘What the fuck is this garbage?’ And the answer is always ‘The Red Hot Chili Peppers.’”

Chili Peppers bassist Flea (who, like Cave, was born in the Australian state of Victoria) responded to Cave’s scathing remark in 2006, noting that it initially hurt his feelings since he’s a huge fan of the Bad Seeds frontman. 

“I don’t care if Nick Cave hates my band because his music means everything to me,” Flea said. “He is one of my favorite songwriters and singers and musicians of all time. I love all the incarnations of the Bad Seeds. But it only hurt my feelings for a second because my love for his music is bigger than all that shit and if he thinks my band is lame then that’s OK.”

Now, Cave has taken to his Red Hand Files website to respond to a fan asking about the truthfulness of the quote, referring to his comments as an “offhand and somewhat uncharitable remark” about the band. 

“There was no malice intended, it was just the sort of obnoxious thing I would say back then to piss people off,” Cave explained. “I was a troublemaker, a shit-stirrer, feeling most at ease in the role of a societal irritant. Perhaps it’s an Australian trait among people of my generation, I don’t know, but that comment has followed me around for the last quarter-century.”

Cave also recalled how Flea’s own response had made its way to him, moving him and bringing forth the realization that “Flea was a human being of an entirely different calibre, indeed, of a higher order.” He also added that the pair have since apparently patched things up, with “pleasant” interactions following both on and off the stage in different iterations over the years.

The response closed with the revelation that Flea is apparently in the process of crafting a new album, with Cave noting he recently added his vocals to the new record which sees Flea’s trumpet-playing skills on full display.

“Last week, Flea sent me a song and asked if I’d like to add some vocals. It was for a ‘trumpet record’ that he is making,” Cave explained. “It is not for me to divulge what the song was, only that it is a song I cherish more than most, with arguably the greatest lyric ever written, a song of such esteem that I would never have dared to sing it had Flea not asked me to. I went into the studio on Wednesday and recorded my vocals. 

“The track emerged as a beautiful conversation between Flea’s trumpet and my voice, filled with yearning and love, the song transcending its individual parts and becoming a slowly evolving cosmic dance, in the form of a reconciliation and an apology.”